Figurative Paintings

'Victor, Colorado', 1942 oil painting on masonite by Martyl Suzanne Schweig (1918-2013). This classic Colorado landscape was painted overlooking a ghost town with the Rocky Mountains visible across the background, completed in rich tones of green, gold, and brown. This painting was completed on a trip with fellow artist, Adolph Dehn...

Oil and encaustic on canvas. Russian-Jewish-American artist Nahum Tschacbasov (1899-1984) is known for his intriquing cubo-surrealistic-symbolist works which feature a strong psycho...

Super rare World War Two period scene of St Pauls's Cathedral, London during the Blitz. Very few scenes of the Blitz were painted and this piece dated August 1945 was painted a few ...

In Byron Brown's "The Night Journey", 1947, Picasso meets Jackson Pollock. Here Brown strikes a balance between fanciful representation and abstraction. ...

Omnibus sur le Boulevard Saint Denis is a great and classic Cortes that depicts this favorite spot where he loved to paint many of his compositions, in the dark of night. Cortes lov...

*UK BUYERS WILL PAY AN ADDITIONAL 5% IMPORT DUTY ON TOP OF THE ABOVE PRICE Baigneuses en Bord de Rivière by Georges Manzana Pissarro (1871-1961) Oil on cardboard 98.2 x 79.4 cm (38...

Eric James Mellon (1925-2014) Eric James Mellon was a painter, printmaker and ceramicist who was born in Watford, Hertfordshire. In his early teens he attended Watford Technical an...

Work on paper Beige wooden frame with glass pane 48 x 67.3 x 3.3 cm

A beautiful oil painting by French artist Louis Valtat. Featuring a colorful display of a flower bouquet of dahlias.

There is a reason why there are few contemporary painters who can paint a portrait this good. It's hard to do. It's easy to throw some paint or spray a mess of graffiti on canvas. ...

Attributed to Antonio María de la Concepción Reyna Manescau María de la Concepción Reyna Manescau, variously cited as Antonio María Reyna Manescau or simply Antonio Reyna Manescau...

Medium: Oil on Canvas Signature: Signed Lower Right Illustration for 'Fighting for the Flock' written by Edwin L Sabin.

Alfred Banner was an English landscape and figure painter. He often worked in a late Victorian style, with his compositions being young children enjoyi...

Maurice Asselin (1882-1947) A Still life with a book Signed upper right Oil on canvas 54 x 65 cm no frame In good condition, a small superficial scratch on the lower right side, ...

red, odalisque,orange,yellow Giulio DA MILANO (Nizza, 1895 - Torino, 1990) Giulio Da Milano was a Giacomo Grosso's disciple and he was very close to the artists that used to patronize La Coupole de Montparnasse (from Kisling to Pascin, from Derain to Vlaminck). He is considered one of most representative exponents of the Turin’s artistic scene in the ‘30s-‘40s, close to the Gruppo dei Sei. His works can be found in the following museums: Turin, Modern Art Gallery...

Work on canvas Golden wooden frame 80 x 91.5 x 6 cm

Date: December, 1946 Medium: Gouache and Graphite on Board Dimensions: 17.50" x 26.75" Signature: Unsigned "The Clever Sister." Illustration for the first part of the story of the s...

Original signed watercolor on paper painting by Charles Ragland Bunnell from 1940 of Cripple Creek or Victor Mine located in Colorado. Mine buildings wit...

Beautiful. large oil on canvas, in excellent condition. Framed The Spätimpressionist Leopold Illenz was a student of Anton Azbe, and Simon Hollósy at Munich private schools...

Bouquet of Flowers Louis Marchand des Raux was born 1902-2000 in Touraine in the tiny village of Tourettes in France, where he grew up in such pov...

Nahum Tschacbasov was born in Baku, in the southeast of Russia. When he was eight years old, he came to America, where his family settled in Chicago. His career, spanning more than five decades from the 1930’s to the 1980’s, is a kaleidoscope of influences, from modernism to the Byzantine style and expressionism of his Russian roots. Tschacbasov’s paintings of the 1930’s reflect the social and political preoccupations of the times. He received considerable critical attention for his powerful dramatic satirical depiction of social injustice. In the 1940’s he gained wider recognition when his style evolved into a fusion of Cubism and Surrealism. Through the influence of Jung, as well as currents brought to America by the newly arrived group of European Surrealists, he created a powerful personal iconography in which the inner workings of the psyche are revealed as myth and metaphor. His first encounters with modern art are the works of Cezanne, Van Gogh, and Rouault. 1932-33 Tschacbasov moves for a short time to New York City in order to be in a modern art center and then to Paris, where he adopts the name Tschacbasov, an anagram of different family names. He studies with Leopold Gottlieb for eight months, then with Marcel Gromaire, who teaches him pictorial structure, and briefly with Fernand Leger. Working in his studio on the edge of Montmartre and later in the Hotel de Sante in Montparnasse, he produces a large body of work, retaining fifty paintings. After trips to North Africa, Spain, and the Balearic Islands, he travels often from Paris to New York City, where he spends six months painting a series of Depression-inspired pictures after finding that his American business has gone bankrupt in his absence. 1934 In Paris, Galerie Zak exhibits landscapes from his trip to Majorca in the first one-man exhibition of Tschacbasov paintings; Salon de Tuileries also exhibits his work. His savings exhausted, he returns to New York via Tunisia in the midst of the Depression. 1935 Living on Pineapple Street in Brooklyn Heights, Tschacbasov works on the WPA Federal Arts Project, Easel Division, where he meets other artists and becomes politically involved. His works are shown at Galerie Secession with those of Mark Rothko, Adolph Gottlieb, and other modernist and expressionist painters. Tschacbasov, Rothko, Gottlieb, Joseph Solman and others from Galerie Secession form a group called The Ten combining common aims of social consciousness with an expressionist and abstract style. Themes of social injustice are more dominant in Tschacbasov's work than in that of others of The Ten, as he draws on his own childhood experiences of the harsh realities of immigrant life in industrial Chicago. In the summer, a one-man exhibition of his non-objective paintings is held at Galerie Secession, and in December, Montross Gallery in New York City holds the first exhibition of The Ten, including two works by Tschacbasov, "Handout" and "Three Graces." 1936 In January, an exhibition of The Ten is held at Municipal Art Galleries in New York City, and later in the fall an exhibition, also of The Ten, is held at Galerie Bonaparte in Paris. 1936-38 Among the paintings exhibited in the "Annual Exhibition of Contemporary American Painting" at the Whitney Museum of American Art are Tschacbasov's "Deportation", "Clinic", "Friday Night", "Harbor Sunset", and "The Matriarch". 1936-37 Tschacbasov is appointed business manager of Art Front Magazine, a publication associated with the Artists' Union. His circle of friends at this time include Philip Evergood, Milton Avery, Stuart Davis, David Burliuk, William Gropper, the Soyer brothers, Robert Gwathmey, Marsden Hartley, and Max Weber. Due to cut-backs in WPA funding, he teaches at his 38 West 22nd Street studio and at the American Artists' School. On the faculty are David Burliuk and the Soyer brothers, as well as Elaine de Kooning and other artists with similar aesthetic and social points of view. Personal and artistic crises lead to his entering into Jungian psychoanalysis, which provides new impetus and direction to his painting. Under the influence of analysis, he starts to write portions of a surrealistic autobiography, The Moon is My Uncle. His paintings, "Refugees" and "Friday Night" are shown with works by Avery, Burliuk, and DeHirsh Margules in a group exhibition at Albright Art Gallery in Buffalo, New York. In September, the Berkshire Museum in Pittsfield, Massachusetts focuses on themes of social criticism in an exhibition entitled "The World Today", curated by Elizabeth McCausland, which includes Tschacbasov's, "Little Red School House". 1940 Tschacbasov takes up photography. Photographing the works of friends and other artists, he builds a collection of color slides...

A bright portrait of a woman in pageant dress before a St. Louis skyline and riverboat.

Signed and dated impressionist oil on panel landscape by French painter Henri Duhem. The work depicts a view of a sail boat on a lake on a summer's day, with mountains beyond. The tr...

Stunning signed pointillist oil on panel circa 1910 by sought after French post impressionist painter Henri Martin. The work depicts a view of a bastide in France. A bastide is a vil...

Vintage 1930s - 1940s oil painting of an adobe church in New Mexico with a brilliant blue sky and clouds (likely Rancho de Taos), circa 1940. Painted by Denver modernist, Paul K...

Le Coup de Vent by Paulémile Pissarro (1884-1972) Oil on canvas 65 x 92 cm (25⁵/₈ x 36¹/₄ inches) Signed lower left, Paulémile Pissarro; signed and titled on the reverse Executed cir...

This is a possible self portrait by the famed female surrealist artist. It is also strikingly similar in style with it's exaggerated eyes to her portrait of Jean Genet, ( Leonor F...

Sketch n. 13 is an original modern artwork realized by Giovanni Brancaccio in 1948. Mixed colored oil on canvas. Hand signed and dated on the lower margin. Good conditions.

This oil on canvas is signed and date in the upper left and measures 38" x 45.25" including the frame. Sam Uhrdin (Swedish School, 1886-1964). Sam Uhrdi...

Beautiful signed and dated impressionist oil on panel riverscape by French painter Henri Duhem. The work depicts a barge on the canal in Douai while a couple enjoy a summer's day str...

Watercolor on paper titled "Horse and Boy" painted by Douglas Denniston (1921-2001) from 1945. Semi abstract picture of a young boy and his horse, painte...

Signed lower right, 'Ludvig Jacobsen' (Danish, 1890-1957) and dated 1926. An exceptional early twentieth-century figural work by this notable Danish modernist and follower of Wattea...

Gorgeous European figurative of a simpler time. Horses being watered in the plains by Janos Viski (Hungarian/American 1891-1965), circa 1940. Signed lower ...

Label verso: "Portrait of a Lady / Oil / MUC / Beatrice Whitney Van Ness / unsigned / size 30h x 25w ". From the estate of the artist. Beatrice Whit...

Oil on panel painting by Lewis Lee Tilley (1921-2005) titled "Opera Matinee" from 1948. Image presents two women at an opera, one in pink leans over to the other in blue to whisper i...

A magnificent oil on canvas by Russian American WPA artist Nahum Tschacbasov (1899-1984), dating from 1943. Depicting a Maternity scene - or possibly a m...

Signed lower left, 'Alf. Broge' for Carl Harald Alfred Broge (Danish, 1870-1955) and dated '1918'. Framed dimensions: 39.25 x 1.25 x 32.25 inches Alfred Broge first studied with He...

Alphons (Alfons) Müller (Swiss, * 24.8.1898 Mitlödi, † 8.6.1955 Biel) ' Im Häfeli ' The small harbor at the Lake of Biel / Bienne in Switzerland • Oil on artist board, ca. 47 x 38 cm • Frame, ca. 54 x 45 cm • Signed bottom right Worldwide shipping for this object is complimentary - There are no additional charges for handling & delivery. Alphons Müller lived and worked in the watch industries in Biel/Bienne in Switzerland up to about 1933. He then decided to become a full-time artist and painted landscapes, still lifes, portraits/nudes in various styles up to his early death in 1955. Alphons Müller was the proverbial hardworking bohemian artist. He lived in a small cold room above a pup and often struggled to make ends meet. On one hand he would paint commercial views of local beauty spots - often of the Lake of Bienne. These paintings were generally executed using very thin paint layers (to make the expensive material last longer ...) in a very bright impressionist style. On the other hand, he would create intelligent, generous and deep reaching images - especially during the war. In the late thirties he meets his two loyal patrons, the baker Werner Gass and the pharmacist...

Birth, semi-abstract, modernist, somewhat surrealist, vintage 1943 painting of a female figure giving birth by Colorado artist, Charles Ragland Bunnell, painted during the artist's B...

Signed post impressionist figurative oil on panel circa 1910 by sought after French painter Henri Le Sidaner. This absolutely stunning piece depicts elegant people taking an evening ...

Threshing 1940. Canvas, oil. 54.5x73.5 cm Artist painted scene of every day life of countryside people in working atmosphere - threshing and haying. There is captured two haystacks, tractor, barn, and people in working process. Information about artist...

Signed impressionist oil on panel circa 1910 by French painter Armand Francois Henrion. This charming work depicts a portrait of a surprised Pierrot - a French clown - with a white powdered face wearing white ruffles and a pink hat. The pierrot is set against a brown background. Signature: Signed lower right Dimensions: Unframed: 7"x5.5" This painting is not currently framed but a suitable frame can be sourced if required Provenance: Private French collection Armand François Joseph Henrion...

Oil on board painting by George Vander Sluis (1915-1984) titled Storm Over Victor (Colorado Mountain Town) from 1946. WPA Era Mountain Landscape wi...

Femme à la cravatte by Ludovic-Rodo Pissarro (1878-1952) Oil on canvas 65 x 54 cm (25 ⁵/₈ x 21 ¹/₄ inches) Signed lower right, Ludovic Rodo Executed circa 1910 This work is accompan...

Oil on artist board signed and dated lower right featuring pool players playing a point match in the pool hall. Great WPA feel and texture impasto. Most likel...

Antique American modernist landscape painting by Marion D Freeman Wakeman (1891 - 1953). Oil on canvas. Framed. Signed. Image size, 26H x 20L

A Game of Cards by Orovida Pissarro (1893-1968) Oil on canvas 59 x 72 cm (23 ¹/₄ x 28 ³/₈ inches) Signed and titled upper right Orovida 1949 Artist biography Orovida Camille Pissarr...

Signed and dated impressionist landscape oil on panel by French painter Henri Duhem. This beautiful piece depicts a view of a cottage beside a path that runs along the bank of Lake Geneva in Switzerland. A full moon illuminates the sky overhead. Signature: Signed lower left and dated 1919 verso Dimensions: Unframed: 7.5"x9.5" This painting is not currently framed but a suitable frame can be sourced if required Provenance: The artist's estate Henri Duhem was descended from an old Flemish family and originally practiced as a lawyer. In 1887, his passion for drawing and watercolors finally led him to go to Paris and enroll in the drawing classes of Henri Harpignies. While there, he became friends with Émile...

"War Brides, Wash Sq NYC" American Scene WWII Modernism WPA Mid-Century Oil. 30 x 40 inches. Oil on canvas, c. 1942. Signed lower right. Titled on the stretcher. Housed in a sensational Heydenryk frame. Our gallery, Helicline Fine Art...

Till the Clouds Roll By 1945 Frank Sinatra Mid Century Modern Hollywood Film WPA TILL THE COULDS ROLL BY (Film Set), oil on canvas, 20 x 24 inches signed “Richard Whorf” lower right and signed and dated on the verso “R. Whorf/ Dec. 21, 1945. Frame by Hendenryk. ABOUT THE PAINTING This painting is from the collection of Barbara and Frank Sinatra, dated December 21, 1945 (just nine days after Frank Sinatra’s 30th birthday), and depicts the Metro-Goldwyn-Mayer Culver City backlot during the filming of Till the Clouds Roll By, the direction of the film having been taking over by Richard Whorf in December 1945. It is not presently clear if Whorf gave the Sinatras this painting as a gift, as the presence of the Dalzell Hatfield Galleries label on the verso indicates the painting may have been sourced there. Frank and Nancy Sinatra acquired a number of works from Dalzell Hatfield Galleries during the 1940’s, or perhaps they framed it for the couple. Sinatra performed “Old Man River’ in the film. Sinatra and June Allyson are depicted in the center of the painting. PROVENANCE From the Estate of Mrs. Nancy Sinatra; Dalzell Hatfield Galleries, Ambassador Hotel, Los Angeles. An image of the Dalzell Hatfield label and the back of the original frame (which we replaced with a stunning Heydenrk frame) are attached. Nancy Sinatra was Fran's first wife. Nancy Rose Barbato was 17 years old when she met Frank Sinatra, an 18-year-old singer from Hoboken, on the Jersey Shore in the summer of 1934. They married in 1939 at Our Lady of Sorrows Church in Jersey City where Frank gave Nancy a recording of a song dedicated to her titled "Our Love" as a wedding present. The young newlyweds lived and worked in New Jersey, where Frank worked as an unknown singing waiter and master of ceremonies at the Rustic Cabin while Nancy worked as a secretary at the American Type Founders. His musical career took off after singing with big band leaders Harry James and Tommy Dorsey...

Signed oil on panel circa 1910 by French impressionist painter Marie Duhem. The work depicts two women collecting vegetables beside a woodland at autumn time. The sun glows yellow as...

Signed post impressionist landscape oil on board circa 1914 by French painter Paul Elie Gernez. The work depicts figures walking in the shade of trees...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE La Rivière Orne et le Pain de Sucre by PAULÉMILE PISSARRO (1884-1972) Oil on canvas 54 x 65 cm (21 ¼ x 25 ⅝ inch...

The well known and highly regarded landscape and figure painter Nicolai S. Cikovsky was born in Russia in 1894. He studied at the Vilna Art School, 1910-1914; the Penza Royal Art School, 1914-1918; and Moscow High Tech Art Institute, 1921-1923. Thus he came of age during a period of momentous cultural, political, and social upheaval. In the aftermath of the civil war, he left Russia and emigrated to the United States in 1923, exhibiting in that year in New York City at the Charles Daniels Gallery and, in the early 1930s, the Downtown Gallery and the Whitney Museum of American Art. In 1942, Cikovsky began spending summers on Long Island, New York, in the North Sea area, where he moved permanently in the late 1970s. Best known for his plein air landscapes of bucolic Hampton Bays, NY and figurative works, Cikovsky was lauded for his ability to infuse his art with feeling, capturing the spirit of a place. In Long Island he was one of the Hampton Bay Group of artists.The informally noted leader of the group was dramatic and acclaimed Blaue Reiter,Futurist- Expressionist fellow Russian artist David D. Burliuk. Emigre artists who would later be involved in the group came to America around the same time but under different circumstances. Burliuk and Cikovsky left an unhospitable Bolshevik Russia following Worl War II , arriving here in 1922 & 1923, respectively. The Soyer twins, Moses and Raphael, arrived as youngsters in 1912, fleeing Tsarist anti-Jewish persecution. John Graham (b. Ivan Dombrovski) and Arshile Gorky (formerly Vosdanig Adoian) arrived in 1920 in search of a place to make a living as artists. George Constant arrived from Greece in 1910 seeking an art education. Once in New York, these artists sought out places to exhibit their work. Ultimately, the downtown Manhattan gallery scene united them with many other artists emigre artists. Cikovsky was a member of New York City institutions, including the National Academy of Design (Associate 1968; Academician 1970); National Institute of Arts and Letters; and Society of Painters, Sculptors, and Cikovsky’s works were exhibited & won prizes in the most important exhibitions of the day, including the Brooklyn Museum's 1926 International Exhibition of Modern Art, the National Academy of Design & Art Institute of Chicago annuals, and at the NY World’s Fair...

Alphons (Alfons) Müller (Swiss, * 24.8.1898 Mitlödi, † 8.6.1955 Biel) Wrath of the Wind - Oil on artist board, ca. 58.5 x 50 cm - Frame, ca. 71 x 62 cm - Signed and dated (19)40 to...

Richard Caton Woodville II (British, 1856 - 1927) The French Aerostatic Corps - The first War Balloon The launching of the L'Entreprenant used by the French Army under General Jourd...

Work on canvas Frame in molding and beige gray wood 50 x 63 x 6 cm

*UK BUYERS WILL PAY AN ADDITIONAL 5% IMPORT DUTY ON TOP OF THE ABOVE PRICE Jeune Fille à l'Accordéon by ISMAEL DE LA SERNA (1898-1968) Oil on masonite 88.9 x 115.6 cm (35 x 45 ¹/₂ i...