Watercolor Figurative Paintings

Sunil Das - Untitled - 23 x 16.5 inches (unframed size) Ink & Watercolor on paper Inclusive of shipment in ready to hang form. In the mid sixties again he explored diverse cults of popular ritual for pictorial ingredients of an evocative mystic symbolism. An ink-and-wash of 1965 features a figurative image of ambiguous connotation. The motif looks like a cult image worshipped by people practising primitive religion. A squat but monumental figure, it has for each hand several reptilians snaking down from shoulder to the finger-tips, for legs a pair of beastly fore-paws and its dark oval totemic frame...

ADAM NIEMCZYC (born in 1914) Painter, graphic artist, poet, novelist. He practiced easel, mural painting and book illustration. Since 1958 he participated in numerous exhibitions in ...

Look Jane, ink, watercolor on archival paper. From the new series. Jane and Dick conversation. Keith Carrington’s experiences have led him to express his talents through the fluid &...

This is a signed portrait painting done in an outsider, folk art, expressionist style. This one looks like a Chassidic Breslov Hasidic man. it is signed in Hebrew, also marked with a Jewish star. this is from a collection of works by the same hand. they are all signed. Some have markings to the back of the paper. they have some age to them. They bear similarities to artists as dissimilar as Moshe Tamir, Mane Katz and an Israeli version of Purvis Young. In this piece the artist choice of colors is muted yet powerful. Israel has had a Vibrant Folk Art, Naive art scene for a long time now, artists like Yisrael Paldi, Nahum Guttman, Reuven Rubin and even Yefim Ladyzhensky...

Jacob Simon Hendrik Kever Simon Hendrik Kever, known as Hein (19 June 1854 in Amsterdam – 29 April 1922 in Amsterdam) was a Dutch genre and still-life painter; associated with the L...

Many of you clicking on this watercolor are probably doing so because you know of Ellsworth Woodward, who with his brother William Woodward around the turn of the 20th century sparke...

Moshe (Matusovski) Matus (Polish Israeli , 1908-1958), Depicting an orchestral concert. Hand signed lower right. Dimensions: (Frame) H 31" x W 37", (Sight) H 21" x W 28" Moshe Matus (Matusovski) 1908, Warsaw, Russian Poland - November 23, 1958 Toronto, Canada. was a Polish Israeli modernist painter who lived during the last decade of his life in The United States and Canada. Matus was born in 1908 in the Russian city ​​of Warsaw, into a traditional and Zionist family, the eldest of the three children of Dr. Josef Matusovsky, a dentist, and was a member of Hashomer Hatzair in Warsaw in 1924. When he was 15, He studied at the Bezalel Academy of Art and Design in the 1920s with Boris Schatz and was educated at the Herzliya Gymnasium where he studied painting and sculpture. He studied for several years at École nationale supérieure des Beaux-Arts (Bose-R) in Paris. He returned to Tel Aviv and lived there on Sheinkin Street. From the 30s was one of the most prominent artists in the country. he exhibited In shows general as well as in solo shows - which exhibition at the Herzliya in Tel Aviv, which opened Benzion friends (1932); in Allenby 15, Tel Aviv (1935) exhibition in Pomrock , which opened the poet Saul Tchernichovsky and Moses (1936), at the Steimatzky Gallery in Jerusalem , opened by Dr. Moshe Duchan (March 23, 1937); An exhibition at the Cosmopolitan Gallery in Tel Aviv (formerly the Bach Gallery, 1 Hess Street), opened by Mayor Israel Rokach (March 5, 1938); and an exhibition at the Tel Aviv Museum (1946). He painted the stage...

This is an early work from Sue Coe's oeuvre. Prior to being a fine art artist Coe was an illustrator . Signed lower right. Inscribed on lower margin, "The Money Maze To Dawn Love ...

Medium: Gouache on Board Signature: Signed Lower Left Sight Size 29.00" x 26.00;" Framed 38.50" x 35.00" Framed under glass. Original cover illustration for The Saturday Evening Po...

In the yard. 1869, watercolor on paper, 30, 5 x 47, 5 cm C. J. W. Huns was born in the family of Estonian teacher, organ player and sacristan Karl Fridrich Huhn. He studied in Rig...

Carnival. Paper, wood, watercolor, 53x75 cm Atis Ievins (1946) The exhibition by artist Atis Ieviņš reminds the very origins of serigraphy technique in Latvian art in the time of th...

Cubist gouache figural of a man wearing a sombrero and boots contrasted against a scumbled and dry-brush background of ochre, deep crimson red and umber. Signed lower left, "Jakobse...

Artist/ School: Norman A.Olley dated 1992 and inscribed verso Title: By The Mill Pond Medium: gouache/watercolour/ ink/ pencil on artist paper, unframed Painting : 12 x 16 inches...

God, Keeper, and Maker of all Air Tola-Kina. Figural Abstract Gouache Watercolor Painting.

Vibrant Gouache and watercolor painting by Israeli master JOSSI STERN. on paper mounted to board. Dimensions: 29.5 X 33.5 23 X 27 Jossi (Yossi) Stern, (Hungarian Israeli 1923 - ...

Magdalena Morey Exploring Every Path 4 Original Cubist Inspired Landscape Painting Mixed Media on Canvas Canvas Size: H 30cm x W 30cm x D 3.5cm Sold Unframed (Please note that in sit...

Price is per each framed print. "Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origin...

framed 36 X 28 board 30 X 21.75 Sandu Liberman (Romanian-Israeli) was born in Yasi, Romania in 1923. between 1946 and 1953 he took part in the state art shows in Bucharest. in 1952 ...

Leonor Fini Le Concile d'amour, 1968 Gouache on paper 14 1/5 × 11 4/5 in l 36 × 30 cm Frame included - 22 x 18 1/8 in l 56 x 46 cm Signed, counter-signed and titled lower right Cond...

Original 1940s grayscale watercolor painting by American artist Charles Ragland Bunnell, capturing a semi-abstracted view of the Golden Cycle Mill in Colorado Springs, Colorado. Painted in subtle shades of black and gray, this unique WPA-era landscape combines industrial subject matter with expressive, modernist style. A striking piece of American regionalist art from the mid-20th century. The work is presented in a custom black frame. Framed dimensions: 18" H x 19 ½" W x 1 ⅜" D Sight size: 8 ⅛" H x 9 ⅝" W The Golden Cycle Mining and Reduction Company, depicted in this piece, was a major part of Colorado's mining boom in the early 20th century. Located in Colorado City (now part of Old Colorado City), the mill played a significant role in the region’s gold production and industrial development. About the Artist: Charles Ragland Bunnell (1897–1968) Charles Bunnell was a pivotal figure in Colorado’s 20th-century art scene. He worked across multiple styles—from representational landscapes to fully abstract compositions—and was one of the few artists in Colorado to successfully embrace the evolving trends of Modernism, Surrealism, and Abstraction after WWII. Bunnell studied under notable artists at the Broadmoor Art Academy, including Ernest Lawson and Birger Sandzén. His early works, including regional landscapes and mining scenes like this one, showcase a mix of American Scene painting and semi-abstract structure. He later became known for his bold experimentation with color, form, and geometry, producing both expressive oils and ink-watercolor series such as Black and Blue. He participated in multiple New Deal art...

French Character Portrait French school, Mid 20th Century Gouache paint on unframed paper stamped Image : 25.5 x 20 inches Superbly decorative 1960's French portrait painting. Ide...

French Figures by Bernard Labbe (French mid 20th century) original gouache on paper mounted on card size: 16 x 12 inches condition: very good and ready t...

Art nouveau painting of beautiful maiden and mischievous angels. An allegory of Spring. Watercolor painting by Alessandro Rontini (Italian born 1854). In beautiful custom floral deco...

A set of four mid-century fashion drawings signed Lilliana. These works were purchased from an estate out of Palm Beach, FL. These charming works eac...

A Brun (French, circa 1900) Raising a glass Pencil, watercolour and gouache on canvas Signed ‘A Brun’ (lower right) 20.1/2 x 15.3/4in. (52 x 40 cm.)

John Frederick Kensett (1816 - 1872) Portrait of an Italian Fencer, circa 1845-47 Watercolor on wove paper 13 1/8 x 8 1/8 inches Signed with initials and inscribed lower right "J.F.K. Rome" From October 1845 through the spring of 1847, Kensett lived in Rome. He attended classes where he sketched from live models, and he sketched in the countryside outside Rome and around Florence, Perugia, and Venice, places he visited with his artist friends. He fulfilled commissions for paintings from Americans in Italy, and by 1847 his career was well established. Son of an English immigrant engraver, John Kensett lacked enthusiasm for that medium and became one of the most accomplished painters of the second generation of Hudson River School painters. His reputation is for Luminism, careful depiction of light, weather, and atmosphere as they affect color and texture of natural forms. He was particularly influenced by the painting of Asher Durand in that he focused on realism and detail rather than the highly dramatic views associated with Thomas Cole. Going to the western United States in the mid 1850s and the 1860s, he was the first of the Hudson River School painters to explore and paint the West. Kensett was born and raised in Cheshire, Connecticut, and learned his engraving from his father, Thomas Kensett with whom he worked in New Haven, Connecticut until 1829. He continued working until 1840 as an engraver of labels, banknotes and maps and was employed part of that time by the American Bank Note Company in New York City. There he met Thomas Rossiter, John Casilear, and other artists who urged him to pursue painting. In 1840, he and Rossiter, Asher Durand, and Casilear went to Europe where Kensett stayed for seven years and supported himself by doing engraving but became accomplished in landscape painting. Having sent canvases of Italian landscapes back to New York, he had a reputation for skillful painting that preceded him. When he returned to New York City in 1847, he was an "instant success" and very sought after by collectors. Two of his Italian landscapes had already been purchased by the American Art Union. By 1849, he was a full member of the National Academy of Design and was generally popular among his peers. His studio was a gathering place with travelers stopping by to see his canvases and to identify "precise locations in the Catskills or Newport or New England in the oil sketches and drawings that covered his walls." (Zellman 170). For the women, he was a popular bachelor, "romantic looking with high forehead and sensitive expression." (Samuels 262) He was also sought after by many organizations. Among his activities were serving on the committee to oversee the decoration of the United States Capitol in Washington DC, and becoming one of the founders of the Metropolitan Museum in New York. An inveterate traveler, Kensett spent summers on painting excursions away from New York City. One of these trips was a special painting excursion with fifteen other artists sponsored by the B & O Railroad from Baltimore, Maryland to Wheeling, West Virginia. Unlike many of the Hudson River painters...

This is a signed portrait painting done in an outsider, folk art, expressionist style. it is signed in Hebrew, also marked with a Jewish star. this is from a collection of works by the same hand. they are all signed. Some have markings to the back of the paper. they have some age to them. They bear similarities to artists as dissimilar as Moshe Tamir, Mane Katz and an Israeli version of Purvis Young. In this piece the artist choice of colors is muted yet powerful. Israel has had a Vibrant Folk Art, Naive art scene for a long time now, artists like Yisrael Paldi, Nahum Guttman, Reuven Rubin and even Yefim Ladyzhensky had naive periods. The most well know of the strict naive artists are Shalom of Safed, Irene Awret, Gabriel Cohen, Natan Heber, Michael Falk and Kopel Gurwin. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective. One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide. Museums devoted to naïve art now exist in Kecskemét, Hungary; Riga, Latvia; Jaen, Spain; Rio de Janeiro, Brasil; Vicq France and Paris. "Primitive art" is another term often applied to art by those without formal training, but is historically more often applied to work from certain cultures that have been judged socially or technologically "primitive" by Western academia, such as Native American, sub saharan African or Pacific Island art (see Tribal art). This is distinguished from the self-conscious, "primitive" inspired movement primitivism. Another term related to (but not completely synonymous with) naïve art is folk art. There also exist the terms "naïvism" and "primitivism" which are usually applied to professional painters working in the style of naïve art (like Paul Gauguin, Mikhail Larionov, Paul Klee). At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac, presented 6 reproductions of paintings by le Douanier' Rousseau (Henri Rousseau), comparing them with other pictorial examples. However, most experts agree that the year that naive art was "discovered" was 1885, when the painter Paul Signac became aware of the talents of Henri Rousseau and set about organizing exhibitions of his work in a number of prestigious galleries. The Earth Group (Grupa Zemlja) were Croatian artists, architects and intellectuals active in Zagreb from 1929 to 1935. The group included the painters Krsto Hegedušić, Edo Kovačević, Omer Mujadžić, Kamilo Ružička, Ivan Tabaković, and Oton Postružnik, the sculptors Antun Augustinčić, Frano Kršinić, and the architect Drago Ibler. Art brut, primitive art, primitive, art naïf, naïve art. Outsider art. A term applied to Yugoslav (Croatian) naive painters working in or around the village of Hlebine, near the Hungarian border, from about 1930. Some of the best known naive artists are Dragan Gaži, Ivan Generalić, Josip Generalić, Krsto Hegedušić, Mijo Kovačić, Ivan Lacković-Croata, Franjo Mraz, Ivan Večenaj and Mirko Virius. Camille Bombois (1883–1970) Ferdinand Cheval, known as 'le facteur Cheval' (1836–1924) Henry Darger (1892–1973) L. S. Lowry (1887–1976) Grandma Moses, Anna Mary Robertson (1860–1961) Nikifor (1895–1968) Poland, Horace Pippin (1888–1946) Jon Serl (1894-1993) United States Alfred Wallis (1855–1942) Scottie Wilson (1890–1972) Gesner Abelard (b. 1922) Jan Balet (1913–2009) Michel Delacroix (b. 1933) France Howard Finster (1916–2001) Ivan Rabuzin (1921–2008) Spontaneous Art Museum in Brussels Art en Marge Museum in Brussels MADmusée in Liege International Museum of Naive Art of Brazil in Cosme Velho, Rio de Janeiro Gallery Jacques Ardies in São Paulo Musée international d'art naïf de Magog in Magog Croatian Museum of Naïve Art in Zagreb Gallery of Croatian Naïve Art...

This is a signed portrait painting done in an outsider, folk art, expressionist style. it is signed in Hebrew, also marked with a Jewish star. this is from a collection of works by the same hand. they are all signed. Some have markings to the back of the paper. they have some age to them. They bear similarities to artists as dissimilar as Moshe Tamir, Mane Katz and an Israeli version of Purvis Young. In this piece the artist choice of colors is muted yet powerful. Israel has had a Vibrant Folk Art, Naive art scene for a long time now, artists like Yisrael Paldi, Nahum Guttman, Reuven Rubin and even Yefim Ladyzhensky had naive periods. The most well know of the strict naive artists are Shalom of Safed, Irene Awret, Gabriel Cohen, Natan Heber, Michael Falk and Kopel Gurwin. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective. One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide. Museums devoted to naïve art now exist in Kecskemét, Hungary; Riga, Latvia; Jaen, Spain; Rio de Janeiro, Brasil; Vicq France and Paris. "Primitive art" is another term often applied to art by those without formal training, but is historically more often applied to work from certain cultures that have been judged socially or technologically "primitive" by Western academia, such as Native American, sub saharan African or Pacific Island art (see Tribal art). This is distinguished from the self-conscious, "primitive" inspired movement primitivism. Another term related to (but not completely synonymous with) naïve art is folk art. There also exist the terms "naïvism" and "primitivism" which are usually applied to professional painters working in the style of naïve art (like Paul Gauguin, Mikhail Larionov, Paul Klee). At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac, presented 6 reproductions of paintings by le Douanier' Rousseau (Henri Rousseau), comparing them with other pictorial examples. However, most experts agree that the year that naive art was "discovered" was 1885, when the painter Paul Signac became aware of the talents of Henri Rousseau and set about organizing exhibitions of his work in a number of prestigious galleries. The Earth Group (Grupa Zemlja) were Croatian artists, architects and intellectuals active in Zagreb from 1929 to 1935. The group included the painters Krsto Hegedušić, Edo Kovačević, Omer Mujadžić, Kamilo Ružička, Ivan Tabaković, and Oton Postružnik, the sculptors Antun Augustinčić, Frano Kršinić, and the architect Drago Ibler. Art brut, primitive art, primitive, art naïf, naïve art. Outsider art. A term applied to Yugoslav (Croatian) naive painters working in or around the village of Hlebine, near the Hungarian border, from about 1930. Some of the best known naive artists are Dragan Gaži, Ivan Generalić, Josip Generalić, Krsto Hegedušić, Mijo Kovačić, Ivan Lacković-Croata, Franjo Mraz, Ivan Večenaj and Mirko Virius. Camille Bombois (1883–1970) Ferdinand Cheval, known as 'le facteur Cheval' (1836–1924) Henry Darger (1892–1973) L. S. Lowry (1887–1976) Grandma Moses, Anna Mary Robertson (1860–1961) Nikifor (1895–1968) Poland, Horace Pippin (1888–1946) Jon Serl (1894-1993) United States Alfred Wallis (1855–1942) Scottie Wilson (1890–1972) Gesner Abelard (b. 1922) Jan Balet (1913–2009) Michel Delacroix (b. 1933) France Howard Finster (1916–2001) Ivan Rabuzin (1921–2008) Spontaneous Art Museum in Brussels Art en Marge Museum in Brussels MADmusée in Liege International Museum of Naive Art of Brazil in Cosme Velho, Rio de Janeiro Gallery Jacques Ardies in São Paulo Musée international d'art naïf de Magog in Magog Croatian Museum of Naïve Art in Zagreb Gallery of Croatian Naïve Art...

“I thought the world was turned upside down when I started this body of work right after the 2016 presidential election. Little did I know. I had gone to the Woman's March in Washing...

Belvedere Fountain (Blue Grey Cityscape with Impressionistic Figures) After spending many years painting in the style of traditional realism, Susan had the opportunity to work with ...

Agnese Negriba Garden Spirit no. 8 Original Figurative Painting Natural pigments, acrylic paint, Japanese gouache on handmade paper from India Image Size: 100 cm x 70 cm Sheet Size: ...

Harriet was born and raised in Brooklyn, New York, and lived with her husband in Park Slope for over 35 years. She attended the Brooklyn Museum School at age 14 where she establis...

Original Painting. Vanity Fair Illustration Proposal. Art Deco Modern 1930s Antonio Petruccelli (1907 - 1994) Vanity Fair Illustration proposal, c 1930’s 18 X 13 3/4 inches (sight) ...

Angelic boy with a devil figure. Gary Hansmann (1947-2008) was active/lived in California. He is known for abstract, Surrealism figure painting. Gary William Hansmann was born Dec. 4, 1940, in San Diego to Ethel May Williams and Lester Hughes Hansmann. He grew up in Encinitas and served in the Army in the early 1960s. Gary Hansmann, San Diego artist, teacher and gallery owner, was known for his Surrealist drawings and graphics. He spent time working in Paris and exhibiting his art throughout Europe, but San Diego was home until he moved to Washington state. His life partner was fellow artist, Jill Hosmer. Mr. Hansmann, a respected printmaker and prolific artist, created thousands of drawings, prints and paintings as well as hundreds of poems. His interest in bullfighting led to a book of poetry and illustrations on the subject, “La Corrida, The Run”, a collection of poetry & artwork written as he was preparing for his first bullfight. Prologue written by famous Mexican Matador Antonio Lomelin. The book is written in English and translated into Spanish on opposing pages and was published in 1983. Mr. Hansmann taught intaglio and monotype at the Academy of Fine Arts in San Diego from 1977 to 1980 and at the San Diego Museum of Art in 1980. He also gave lectures and demonstrations throughout the art community, including at the San Diego Art Guild in Del Mar and Artist Equity in San Diego. Although he attended Palomar College in San Marcos and studied lithography at the San Diego Academy of Fine Arts, Mr. Hansmann was mostly self-taught and self-educated. Mr. Hansmann had shows in several art-world capitals, including Paris; Lisbon, Portugal; Cologne, Germany; Brussels, Belgium; and New York. he had one-person exhibits at the Loft Gallery in Clarkston, the Lewis-Clark State College Center of Arts & History, the Carnegie Art Center in Walla Walla and the Valley Art Center in Clarkston. During his long, distinguished career as an artist he had numerous one-person exhibits all over the world and the United States. His group shows are too numerous to mention, but his one-person exhibits were in Koln, Germany; Bruxelles, Belgium; Paris, France; Viana do Castelo, Portugal; Lisbon, Portugal; Tecate, Mexico; and British Columbia, Canada; and many states at home. Palomar College, San Marcos, Calif. San Diego Academy of Fine Arts Brooklyn Museum, Brooklyn, N.Y. University of Southern California, Idyllwild (ISOMATA) University of San Diego San Diego Museum of Art James Copley Library, La Jolla, Calif. Biblioteca Nazionale Marciana, Venice, Italy Centre de Arte Moderna Gulbenkian Foundation, Lisbon, Portugal Museo Taurino de la Communidad de Madrid, Madrid, Spain Atelier Lacouriere et Frelaut, Paris, France Gordon Gilkey Collection Portland Art Museum, Portland, Or. Coos Art Museum, Coos Bay...

Dubi Arie (born Poland, 1939) "The Temptation" Image: 11 3/4" x 10" Original mixed media on paper painting, Hand signed and dated lower right and signed and titled on reverse. depi...

One of the most prolific and acclaimed illustrators of the 20th century, Mark English produced work for such publications as McCalls, Time, Sports Illustrated, and Redbook before co-...

Nicola Magrin was born in Milan in 1978. In 2004 he graduated from the Accademia di Belle Arti di Brera in Milan with a thesis on Miquel Barceló. In 2008 he was selected for a three...

Herbert Alphonso Dixon, AKA Rap, was an outfielder for the Negro Baseball League on several different teams for a total of sixteen seasons. He had the honor of being the first African American player to hit a home run at the famed Yankee Stadium in 1930. Lawrence has captured the ball player here in all his glory. The watercolor is floated in a cream shadowbox and framed in black measuring 34 x 15 inches. Margie Lawrence Rap Dixon...

Uday Mondal - Tango (Beauty @Home Series) - 30 x 20 inches (unframed size) Acrylic on Paper Inclusive of shipment in roll form. Style : His paintings present details of the society ...

Portrait painting of old master artist Raphael. Early 19th century Italian watercolor. Unsigned. Contemporary frame.

Folk girl. Paper, watercolor, 110x76 cm Dzemma Skulme worked in oil, acrylic and water-colors. She developed the theme of the caryatid, wherein she ende...

Original vintage gouache painting on poster board by Emma Heinzelmann (Hungarian, born 1930). Hungarian Peasant art, children fairytale themes, in psychedelic pop colors of the era.This painting that depicts figures including a crowned pig, and a princess in a bed. Artist signature above bed. Housed in chrome mid century frame. Framed: 19.5 X 25.5 image is 14.75 X 21.25. Emma Heinzelmann ( Nyírbátor , March 14 , 1930 - ) Munkácsy Prize-winning Hungarian graphic designer and illustrator. Heinzelmann is a Hungarian children's book illustrator and graphic poster artist, who started her career during the 1950’s. She has a very unique drawing style that resembles children’s book illustrations. Working in psychedelic pop colors of the era. She Initially she studied to be a costume designer but she soon turned to graphic design. She graduated in 1950 from the clothing design department at the Junior High School in Török Pál Street which operated under the name Szépmíves Lyceum from 1946 to 1950. His master was György Farkas, a ceramicist, painter and sculptor. She creates her compositions using mainly watercolor and gouache paint. She often worked on illustrations for children’s books, since her style fits their themes. Her posters show the same playful Hungarian Folk Art style. She has produced artwork in almost all areas of applied graphics. posters, commemorative cards, designed album covers, postcards, advertising graphics, slide films, animation and cartoons. Her drawings were published in Dörmögő Dömötör and Kisdobos among others as well as in children's magazines. An entire generation of children grew up with her book illustrations, reading the fairy tales of Wilhelm Hauff or Hans Christian Andersen. Her story books and drawings are known well beyond our borders. She illustrated nearly 80 storybooks. She is a contemporary of Maurice Sendak and William Steig. Her work is of the same genre as the iconic Polish Cyrk poster artists. In her original fine art graphics grotesque and bitter elements often prevail, her figures are playfully ironic. Her drawings are made in a variety of ways, from pencil drawings to watercolor painting to collage techniques, from decorative spot effects to lace-like line drawings. She is no stranger to a kind of Art Nouveau influence, but it is always individual. It was never beautiful, but over the years its color scheme changed, thus confirming the lines of József Somogyi quoted earlier. She had several individual exhibitions, and for more than 10 years as a member of the Papp-Gábor group, her works could be seen in Dorottya Street. In 2009 , the book of art historian András Székely was published by Holnap Könyvkiadó under the title Emma Heinzelmann: fairy tales in the drawing. Awards and recognitions Lot Prize (International Poster Biennale, Warsaw) (1972) Ministry of Culture Award (1977, 1979) Brno Graphic Biennale (Bronze Award) (1980) Worker's Award (1984) Children's Book of the Year Award (1984) IBBY Andersen Diploma (1988) Hamburg Lifetime Achievement Award (1990) Albert Star Award (1992) Noémi Ferenczy Award (2005) Munkácsy Award (1984) Solo Exhibitions: Thought Bookstore, Budapest (1965) Cultural Center, Nyíregyháza (1974) Little Gallery, Komárom (1982) Art Gallery, Budapest. (1990) Vác (2010) Selected group exhibitions: International Children's Book Fair and Exhibition, Bologna (1971-1975) International Graphic Biennale, Brno (1966-1985) BIB (Children's book illustration biennial), Bratislava (1970-1985) XXXVI. Venice Biennale, Venice (1972) ARC. International Poster Biennale, Warsaw (1972) International Poster Triennale (B) (1972-1974) Weekdays, graphic exhibition, (1975) Calligraphy and typography, Institute of Cultural Relations, Budapest (1977) "Falrahányt pea", graphic exhibition, Institute of Cultural Relations, Budapest.(1978) International Poster Triennale (B) (1978) National Poster Exhibitions, Art Gallery, Budapest (1978)(1980) International Poster Exhibition (IR) (1979) Slide films: Fairy tales with Emma Heinzelmann's drawings: Under the Shore (1981) Goose Party (1981) Take a Little Trumpet (1982) The Bremen Town...

Original vintage gouache painting on poster board by Emma Heinzelmann (Hungarian, born 1930). Hungarian Peasant art, children fairytale themes, in psychedelic pop colors of the era. This framed painting depicts figures, a rooster and angels in flying above. Artist signature on farm gate. Housed in chrome mid century frame. Framed: 19.5 X 25.5 image is 15 X 21. Emma Heinzelmann ( Nyírbátor , March 14 , 1930 - ) Munkácsy Prize-winning Hungarian graphic designer and illustrator. Heinzelmann is a Hungarian children's book illustrator and graphic poster artist, who started her career during the 1950’s. She has a very unique drawing style that resembles children’s book illustrations. Working in psychedelic pop colors of the era. She Initially she studied to be a costume designer but she soon turned to graphic design. She graduated in 1950 from the clothing design department at the Junior High School in Török Pál Street which operated under the name Szépmíves Lyceum from 1946 to 1950. His master was György Farkas, a ceramicist, painter and sculptor. She creates her compositions using mainly watercolor and gouache paint. She often worked on illustrations for children’s books, since her style fits their themes. Her posters show the same playful Hungarian Folk Art style. She has produced artwork in almost all areas of applied graphics. posters, commemorative cards, designed album covers, postcards, advertising graphics, slide films, animation and cartoons. Her drawings were published in Dörmögő Dömötör and Kisdobos among others as well as in children's magazines. An entire generation of children grew up with her book illustrations, reading the fairy tales of Wilhelm Hauff or Hans Christian Andersen. Her story books and drawings are known well beyond our borders. She illustrated nearly 80 storybooks. She is a contemporary of Maurice Sendak and William Steig. Her work is of the same genre as the iconic Polish Cyrk poster artists. In her original fine art graphics grotesque and bitter elements often prevail, her figures are playfully ironic. Her drawings are made in a variety of ways, from pencil drawings to watercolor painting to collage techniques, from decorative spot effects to lace-like line drawings. She is no stranger to a kind of Art Nouveau influence, but it is always individual. It was never beautiful, but over the years its color scheme changed, thus confirming the lines of József Somogyi quoted earlier. She had several individual exhibitions, and for more than 10 years as a member of the Papp-Gábor group, her works could be seen in Dorottya Street. In 2009 , the book of art historian András Székely was published by Holnap Könyvkiadó under the title Emma Heinzelmann: fairy tales in the drawing. Awards and recognitions Lot Prize (International Poster Biennale, Warsaw) (1972) Ministry of Culture Award (1977, 1979) Brno Graphic Biennale (Bronze Award) (1980) Worker's Award (1984) Children's Book of the Year Award (1984) IBBY Andersen Diploma (1988) Hamburg Lifetime Achievement Award (1990) Albert Star Award (1992) Noémi Ferenczy Award (2005) Munkácsy Award (1984) Solo Exhibitions: Thought Bookstore, Budapest (1965) Cultural Center, Nyíregyháza (1974) Little Gallery, Komárom (1982) Art Gallery, Budapest. (1990) Vác (2010) Selected group exhibitions: International Children's Book Fair and Exhibition, Bologna (1971-1975) International Graphic Biennale, Brno (1966-1985) BIB (Children's book illustration biennial), Bratislava (1970-1985) XXXVI. Venice Biennale, Venice (1972) ARC. International Poster Biennale, Warsaw (1972) International Poster Triennale (B) (1972-1974) Weekdays, graphic exhibition, (1975) Calligraphy and typography, Institute of Cultural Relations, Budapest (1977) "Falrahányt pea", graphic exhibition, Institute of Cultural Relations, Budapest.(1978) International Poster Triennale (B) (1978) National Poster Exhibitions, Art Gallery, Budapest (1978)(1980) International Poster Exhibition (IR) (1979) Slide films: Fairy tales with Emma Heinzelmann's drawings: Under the Shore (1981) Goose Party (1981) Take a Little Trumpet (1982) The Bremen Town...

Title: French Gouache of Figures in Village Square with White Chapel by Fanch Lel (French b. 1930) Size: 6.5 inches (height) x 9 inches (width) Gouache painting on card, unframed Con...

Original on Gouache on paper. Hand signed on front; signed, titled, dated with dedication on verso by Erte. Stamped "Composition originale". Frame size 29 x 24.5 inches. Artwork s...

A cover illustration for the June 1915 issue of Good Housekeeping depicting Coles Phillips’s iconic “Fadeaway Girl” kneeling at the seashore holding a beach umbrella. Phillips’ “Fade...

One of the hallmarks of great art is recognizing the artist's style instantly. This is the case with Richard Erdoes. His highly stylized comic figures are expressive and communicate the story delightfully and joyfully. Even though this work is rendered in flat, minimalistic two colors, the inventive shape relationships and positive and negative areas convey a very high level of artistic skill. The present work was done on assignment for the prestigious Standard Oil ( Exxon's predecessor ) corporation's company magazine, The Lamp. Although not a newstand magazine, The Lamp had the highest editional and artistic content. Work is unsigned and unframed. Richard Erdoes (Hungarian Erdős, German Erdös; July 7, 1912 – July 16, 2008) was an American artist, photographer, illustrator and author. Early life Erdoes was born in Frankfurt,to Maria Josefa Schrom on July 7, 1912. His father, Richárd Erdős Sr., was a Jewish Hungarian...

PRICE IS FOR EACH FRAMED PRINT "Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...

Orientalist watercolor of a guard standing watch. He stands at the ready, attentively listening while resting his hand on his sash which holds a sheathe...

A unique, original gouache on paper by Érte, also known as Romain de Tirtoff. Érte was a vastly diverse artist who excelled in an array of fields including fashion, jewelry, graphic ...

Original mixed media drawing with watercolor on paper. Hand signed by Peter Max. Frame size approx 21 x 19.25 inches. Artwork size 13.75 x 12 inch...

French Orientalist watercolour by Émile Boivin French, late 19th Century Frame: Height 33cm, width 39.5cm, depth 3cm Sheet: Height 23cm, width 29.5cm Thi...

The Embrace French, 21st century gouache painting on artist paper, framed Glass covering framed: 13 x 10.5 inches board: 12 x 9 inches condition: very good provenance: private collec...

Raju Sarkar - Untitled Watercolour on Paper, 10 x 10 inches, 2021 (Shipment in a roll form) Raju Sarkar is a resident of Kolkata. He completed his BVA (pa...

'Tribal Swag' by celebrated figurative artist Kim Frohsin, painted in 2018. The artwork is 10 1/4 x 8 1/2 inches and it is professionally framed in a museum quality white maple hardw...

Odilon Roche was born in Chateauneuf-sur-Loire in 1868. He was a professional wine taster who traveled around Europe attending wine fairs. In 1902 he opened a shop selling artists'...

Rhythms. Stage. 1927, paper, watercolor, 41x28 cm Women figures, watercolor on paper. Adolfs Zardins (1890 08 II Riga, Latvia – 1967 07 II Jurmala, Latv...

June Glasson is an artist, illustrator, and designer. She live in Laramie, WY. Her paintings have been exhibited at the National Portrait Gallery in London, Nature Morte Gallery in B...