1960s Figurative Paintings

Title: Sitges Artist: Rafael Durancamps i Folguera (1891–1979) Technique: Oil on canvas Dimensions: 38 x 61 cm (14.96 x 24.01 in) Support: Canvas stretched over wooden stretcher Framing: Unframed Signature: Signed lower left: Durancamps Period: 1960s (estimated based on style, technique, and materials) Work Description The painting Sitges depicts an evocative scene of the iconic Catalan coastal town. At the center stands the unmistakable silhouette of the Church of Sant Bartomeu i Santa Tecla, surrounded by cascading white houses that descend toward the shore. A solitary fisherman in the foreground casts his rod from the sand, adding a human and melancholic dimension to the landscape. The composition reflects Rafael Durancamps’s mastery in atmospheric construction: the balance between sky, architecture, and figure is achieved through loose yet controlled brushstrokes, and a sober palette dominated by earthy tones, ochres, blues, and greys. The scene conveys stillness, everyday life, and a sense of belonging to the landscape—recurring qualities in the artist’s work. Artist Biography: Rafael Durancamps i Folguera (1891–1979) Born in Sabadell, Rafael Durancamps was one of the leading Catalan figurative painters of the 20th century. Initially trained under Joan Vila Cinca and a friend of Joaquim Mir, he chose a personal path that distanced him from avant-garde movements. In 1926, he moved to Paris, where he founded La Fenêtre Ouverte gallery, bringing together artists such as Salvador Dalí, André Derain, Joan Miró, and Pablo Picasso. After permanently returning to Barcelona in 1939, he exhibited regularly at Sala Parés and established a distinctive style rooted in lyrical light, intimate observation of everyday life, and a refined technique—particularly in still lifes, landscapes, and solitary figures. His work is held in major collections, including the Museu Nacional d’Art de Catalunya (MNAC), the Montserrat Museum, the Sabadell Art Museum, and the BBVA Collection. Comparable Artists Rafael Durancamps can be linked stylistically or spiritually to several major names in modern figurative art: Joaquim Mir – for his lyrical treatment of the Catalan landscape and vibrant light Santiago Rusiñol – for his poetic approach to architecture and the Mediterranean environment Maurice Utrillo – in his sober and nostalgic depictions of towns and vernacular architecture Edward Hopper – for the silent presence of solitary figures in open spaces Darío de Regoyos...

Title: Beach Day, Costa Brava, Spain Artist: Josep Puigdengolas Barella (1906–1987) Medium: Oil on panel Dimensions: 33 x 46 cm (12.99 x 18.11 in) Period: 1960s Signature: Signe...

Title: Torero and Bull Artist: José María Tuser Vázquez (1919-1986) Technique: Oil on canvas mounted on board Dimensions: 18.9 x 15 inches Framing: Unframed Art Movement: Costumbrismo, Figurative Expressionism Theme: Bullfighting Date of Creation: Second half of the 20th century DESCRIPTION The painting Torero and Bull depicts a classic bullfighting scene, where a matador, elegantly dressed in a golden and violet traje de luces, performs a pass with the cape while the bull, wounded with banderillas, bows toward the ground. The composition conveys dynamism and tension, emphasizing the drama of the moment with loose and expressive brushstrokes. The background is rendered in warm, diffused tones, contrasting with the deep black of the bull and the vivid hues of the cape. The thick brushwork and vibrant oil application enhance the sense of movement and emotion in the scene, a distinctive feature of Tuser Vázquez’s bullfighting paintings. ARTIST'S BIOGRAPHY José María Tuser Vázquez (Barcelona, 1919 - 1986) was a Spanish painter specializing in bullfighting themes. He trained at the School of Arts and Crafts in Barcelona, where he developed a strong foundation in drawing and painting. From 1947 onwards, he dedicated his artistic production to tauromaquia, creating posters, illustrations, and paintings that captured the intensity of the bullfighting spectacle. He was a regular contributor to the magazine El Ruedo and designed a series of postcards featuring traditional Spanish costumes for Editorial Artigas in the 1940s. His work has been auctioned numerous times and is highly valued by collectors of bullfighting art...

Title: Bullfighting Scene Artist: José María Tuser Vázquez (Barcelona, 1919 - 1986) Medium: Oil on panel Dimensions: 18.1 x 15 inches Signed: Yes, lower right corner "Tuser" Framed: ...

Oil and tempera on cardboard realized by Sirio Pellegrini in 1968. Hand signed and dated. It represents a seascape in Falconara Marittima. A wooden frame realized by the Artist in...

Rafael Duran Benet (1931-2015) - River port - Oil on canvas on board Oil measurements 22x27 cm. Frame 24x29. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan paint...

Oil on cardboard realized by Sirio Pellegrini in 1968. Hand signed lower right. Includes a beautiful wooden frame, one-of-a-kind realized by the Artist cm. 59x68.5.

Oil on canvas realized by Sirio Pellegrini in 1960s. Hand signed lower right. Includes a wooden frame 37.5x27 cm. Very good condition. Sirio Pellegrini, born in Rome on March 1, ...

Mid Century Nocturnal Surrealist Oil Painting--San Francisco Unreal Dreams by Russell Tripp Dramatic and atmospheric San Francisco surrealist figurative painting by Russell R. Tripp...

Oil and tempera on cardboard realized by Sirio Pellegrini in 1960s. Hand signed. Includes a beautiful wooden frame cm. 66x54.5.

This captivating mid-century Spanish painting by Alfredo Opisso immerses the viewer in the lively atmosphere of a café or bar, where figures gather to drink, sing, and dance. Rendere...

Oil on canvas painting of “Bouquet and Figure” by the well known Spanish artist, Ramon Pichot. Signed lower right. Titled and signed verso. In excellent condition. Original gold l...

Gloria Vanderbilt Untitled mother and child painting Gouache on paper Signed by the artist on the front Frame included A poignant painting of a mother and child from the 1960s. While the title is not known, some have suggested this could be a self-portrait of the artist with one of her sons – either her youngest, Anderson Cooper or eldest, Wyatt. Provenance: This work was originally sold by Hammer Galleries...

Charming mid century figurative landscape of Aptos Village Apple Shed and Market by listed California artist Jon Blanchette (American, 1908-1987). Aptos is just south of Santa Cruz,...

Painting by Donald Purdy (1924 - 2016). Oil on masonite Measures 25"L x 23"W. Work is behind glass and comes with exceptional antique frame. Acquired from the Schoneman Gallery in NY...

Wonderful mid-century abstract figurative by North Carolina artist Charles Chapin (American, 20th Century), 1964. signed and dated lower right (Chapin 8/64). Condition: Excellent. Image size: 38"H x 28"W. Presented in painted slat rustic frame. Framed size:: 39"H x 30"W x 1". Charles Chapin received his BA from North Carolina and was associated with the Chapel Hill...

Oil on canvas painting by the Polish born artist, Ernest Kosmowski. The painting is done with palette knife and brush typical of his style and children theme in the 1960’s. Soft, pa...

Judith Yellin Ginat is one of the most prominent artists working in Israel today. She was born in Jerusalem and is a fifth generation Israeli. Her work has a naive, folk art quality...

Balinese Landscape by Ketut Soki – Tempera on Paper, Signed, 20th Century This vibrant tempera painting by renowned Balinese artist Ketut Soki captures the lush tropical scenery and...

Constantine Kluge (French 1912-2003) Les Pommiers en Fleurs Oil on canvas of apple trees in bloom Hand signed lower right. Provenance: purchased from Wally Findlay Galleries. (bear...

A strong modernist oil painting depicted in 1969 by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful representation of his bold still life paintings, with expressive use of color, shape, and form. Later in his career, Baxte explores Expressionism, infusing both European and North American stylistic trends. This piece is from later in his career, but we can feel this underlying style throughout. Art measures 21.75 x 18 inches Michael Posner Baxte was born in 1890 in the small town of Staroselje Belarus, Russia. For the first half of the 19th century it was a center of the Chabad movement of Hasidic Jews, but this group was gone by the middle of the 19th century. By the time the Baxte family immigrated to the United States at the beginning of the 20th century, the Jewish population numbered only on the hundreds. The native language of the Baxte family was Yiddish. It is likely that the death of Michael Baxte’s father triggered the family’s immigration. Three older brothers arrived in New York between 1903 and 1905. Michael and his mother, Rebecca, arrived in 1907. By 1910 Michael, his mother, and brother, Joseph, were living in New Orleans and may have spent some time on a Louisiana plantation. Around 1912, Michael Baxte returned to Europe to study the violin. In 1914 he, his mother, and Joseph moved to New York City. Meanwhile, in Algeria, a talented young woman painter, Violette Mege, was making history. Since for the first time, a woman won the prestigious Beaux Art competition in Algeria. At first, the awards committee denied her the prize but, with French government intervention, Mege eventually prevailed. She won again 3 years later and, in 1916, used the scholarship to visit the United States of America. When Violette came to New York, she met Baxte, who was, by then, an accomplished violinist, teacher, and composer. Baxte’s compositions were performed at the Tokyo Imperial Theater, and in 1922 he was listed in the American Jewish Yearbook as one of the prominent members of the American Jewish community. As a music teacher he encouraged individual expression. Baxte stated, “No pupil should ever be forced into imitation of the teacher. Art is a personal experience, and the teacher’s truest aim must be to awaken this light of personality through the patient light of science.” By 1920 Michael Baxte and Violette Mege were living together in Manhattan. Although they claimed to be living as husband and wife, it seems that their marriage did not become official until 1928. On their “unofficial” honeymoon around 1917, in Algiers, Baxte confided to her his ambition to paint. There and later in New Mexico where the wonderful steeped sunlight approximates the coloring of Algiers, she taught him his heart’s desire. He never had any other teacher. She never had any other pupil. For ten years she devoted all her time, energy, and ambition to teaching, encouraging, inspiring him. Then in 1928, their mutual strivings were rewarded, as his works were being chosen as one of the two winners in the Dudensing National Competition for American Painters. Out of 150 artists from across the country participated in the Dudensing, and Michael Posner Baxte and, Robert Fawcett...

Oil on canvas by Paul Collomb (1921-2010), France, 1960s. The beautiful view. Measurements : with frame: 54.5x41.2 cm - 21.5x16.2 inches, without frame: 46x33 cm - 18.1x13 inches, fo...

Title: Market of Olot, Spain Artist: Manuel Zamora Muñoz (1928–2006) Technique: Oil on canvas Dimensions: 65 x 81 cm (25.6 x 31.9 in) Framed dimensions: 90 x 106 cm (35.4 x 41.7 ...

Title: Bullfighting Scene Artist: José María Tuser Vázquez (1919-1986) Technique: Oil on canvas Dimensions: 16.1 x 13 inches (unframed) Date: c. 1950-1960 Condition: Good Provenance:...

Ralph Rosenborg (American, 1913-1992) "American Landscape, Sky and Shore, 1973" Oil on canvas. Signed 'Rosenborg' (lower right). Titled (verso). 30 x 40 in Ralph Rosenborg (1913–199...

Vibrant coastal village scene by Ramoz (Ramos) (20th Century). The setting sun casts an orange glow across a coastal village. Two people carry baskets on their heads as they unload a...

5150 French oversized Surreal oil on canvas A Man's Fantasy Framed

Miguel Condé (Mexican/American, b. 1939) Untitled, 1968 Oil on canvas Signed and dated verso 55.25 x 44 inches Miguel Condé is a Mexican figurative painter, draughtsman, and print m...

Original oil on canvas painting of a Parisian beauty in Paris, France by Gustave Cheri Manes. Signed lower right “Cheri” the artist’s middle name. Condition is very good. Circa 196...

Oil and tempera on paper realized by Sirio Pellegrini in 1960s. Includes a wooden frame realized by the Artis cm. 61x46. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo...

5115 Vintage French Impressionist landscape oil painting in a carved gilt frame Image size 13x9.5" Signed Giltner

View of the Towers of Chartres Cathedral in Acrylic on Artist's Board Colorful, idealistic representation of Chartres Cathedral and the surrounding area by Ben Venezky (American, 18...

100 NYC cocktail party oversized oil on canvas signed on verso

Potter, oil on canvas, Pueblo Indian Potter Gay Betts Born and raised in New York City, Grace (Gay) Betts (1883-1978) became a peripatetic painter of Western and Southwest landscapes and Indians, and her subjects included Yosemite National Park and Arizona tribal members. She was also a muralist who did backdrops for animal displays...

Highly textured landscape, with thick impasto illustrating a glorious scene of figures swimming in calm waters near large rocks and swaying trees, by Tyler Micoleau (American, 1911-2001). Signed and dated "Tyler Micoleau 1968" in the lower left corner. Presented in a gold colored wood frame. Image size: 12"H x 16"W Tyler Micoleau (American, 1911-2001) was born in Rhode Island but spent most of his life in Nevada County, California. He was a graduate of the Rhode Island School of Design and an instructor at Brown University. Micoleau moved to Nevada City...

Wonderful mid century impasto seascape of Brittany fishing boats on the water by Walter Prescher van Ed (German/French, 1916-1988), circa 1960. ...

Signed lower right, 'Palmer Schoppe' (American, 1912-2001) and dated 1966. Displayed in a gilt frame with a water-gilded, silver-gilt liner. Framed dimensions: 27 H x 1.25 D x 23 W inches. Born in Utah, Palmer Schoppe moved with his family to southern California in 1920 and settled in Santa Monica. Artistically inclined and precocious, he began painting as a child. After graduating from UCLA, he spent a year in the Merchant Marines before attending Yale School of Fine Arts and the Art Students League in New York. At the ASL, he was initially drawn to the paintings of Jean Charlot and Thomas Hart Benton but grew increasingly frustrated with their insistence on rigid compositional principles. His native artistic talents prevailed over his lack of formal training, however, and he was promptly employed by both the Chouinard Institute and Walt Disney Studios as a drawing instructor. During this pre-war period, he exhibited with success including at the Golden Gate International Exposition (1939) and with the California Watercolor Society. Outside of his teaching responsibilities, he worked on his personal artistic endeavors and. like many artists of the time, focused primarily on figurative subject matter. Schoppe's early travels in the low country of South Carolina; Harlem, New York and Los Angeles informed his work as he sought to capture the regional life of manual laborers, musicians, circus performers, sun bathers and surfers. Schoppe once stated that, "It seems fairly certain that my work is not 'art about art', but art that is a reaction to a given stimulus. These are 'subject' pictures in that they are definitely in response to a certain place, type of people, cultures and customs". Following his service in World War II, Schoppe returned to teaching at the Art Center College of Design in Pasadena, CA. He became increasingly disillusioned by the changing focus of the art world in the 1950s, when "the' drip' , the' blot', and the' isms' had taken over". He stated that, "it was difficult for the figurative painter to exhibit and I retired from the scene." However, a new artistic outlet presented itself when Schoppe began working as a muralist and architectural sculptor for the architect Aurthur Froelich, who designed race tracks and club houses around the country. This led to a proliferation of mural projects ranging from restaurants to scores of hotels and casinos, such as the Aladdin Hotel, Las Vegas; Circus-Circus, Las Vegas; the Queen Mary ship...

Sakti Burman - Two Friends Watercolour on Paper 26 x 20 inches, 1978 ( Framed and delivered ) Born : 1935 Kolkata Education : 1956 Government College of Arts and Crafts in Kolkata ...

Uprising - a huge and incredibly powerful and topical painting by Jamaican master painter Barrington Watson (1931-2016). It depicts the 1865 Moran...

The Clown by Claude Weisbuch, is 50 X 40 framed. The canvas is 46 X 35. This painting has been in a family collection since the 1960's. This esteemed artist...

Oil on cardboard realized by Sirio Pellegrini in 1960s. Includes a wooden frame realized by the Artist. cm. 157.5x113.5. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo...

EMILIO GRAU SALA Spanish, 1911 - 1975 SCÈNE FAMILLIALLE signed "Grau Sala" (lower right) signed, titled, located and dated "GRAU SALA / SCÈNE FALLIALLE / PARIS 1969" (on the reverse)...

A fine and pertinent example of Nathan Hoffman's charming New York City scenes. Here we find a Central Park pathway looking South East and the General Motors Bulging along with some ...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowi...

The first thing to ask about any Clementine is: is it authentic. Yes, there are fakes, and paintings by her son that are mistaken for (or presented as) hers. I won't touch anything by her that hasn't been verified, and this one has been verified by the #1 Clementine expert, Tom Whitehead. Of course it has my own guarantee as well; I have sold many Clementines. You can find fakes at auction houses (many of them outside of the New Orleans area) and other venues that don't ask questions, for a lot less money, but don't be fooled! Now, about the painting. This one has a clear, wonderful provenance, which is unusual for these. Weddings were a common theme for Hunter, but this one has a specific history. It was gifted to Mr. and Mrs. Merrill by Ann and Jack Brittain in 1967 as a wedding present; then went by descent to the estate of Mary Jane "Cookie" Grace Merrill of Baton Rouge, Louisiana. 18" x 24", slightly larger with frame. I will be including a free copy of the hardcover book (show in photo) by Art Shiver and Tom Whitehead about Clementine (Whitehead is the expert who verified this painting). Proudly presented by Guy Lyman Fine Art, New Orleans, with our firm guarantee of satisfaction. From AskArt: Often referred to as “the black Grandma Moses,” Clementine Hunter...

SALE ONE WEEK ONLY UNTITLED by Fanny Rabel a Mexican artist who was born in Poland in 1922 is a soul wrenching work depicting among other things, the children killed by Nazi bombing in Spain during the Second World War. The lavender and purple surrounding the seated female figure and the kneeling child suggest both grief for the innocents' deaths and the prayers being offered for an end to the carnage. The bright gold and red can be read as either explosions or the hopeful light of redemption after death. Like Picasso's Guernica from 1937, this painting from 1965 can stand as a powerful anti-war statement. Numerous key galleries and museums such as Morton Auctions, Cerro de Mayka have featured Fanny Rabel's work in the past. Her anti-Nazi and anti-Fascism politics resulted in her participation in a mural called Retrato de la Burguesía in 1940 for the Sindicato Mexicano de Electricistas building on Alfonso Caso Street in Mexico City. Rabel met a group of exiled Spaniards in Mexico along with Antonio Pujol, who invited her to take part in a mural project headed by him, David Alfaro Siqueiros, Joseph Renau, Luis Arenal, Antonio Rodríguez Luna and Miguel Prieto. The artist died in 2008. Fanny Rabel born August 27, 1922, in Poland born Fanny Rabinovich, was a Polish-born Mexican artist who is considered to be the first modern female muralist and one of the youngest associated with the Mexican muralism of the early to the mid-20th century. She and her family arrived in Mexico in 1938 from Europe and she studied art at the Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda", where she met and became friends with Frida Kahlo. She became the only female member of “Los Fridos” a group of students under Kahlo’s tutelage. She also worked as an assistant and apprentice to Diego Rivera and David Alfaro Siqueiros, painting several murals of her own during her career. The most significant of these is "Ronda en el tiempo" at the Museo Nacional de Antropología in Mexico City. She also created canvases and other works, with children often featured in her work, and was one of the first of her generation to work with ecological themes in a series of works begun in 1979. She is considered to be the first female muralist in Mexico. She was an assistant to Diego Rivera while he worked on the frescos for the National Palace and an apprentice to David Alfaro Siqueiros. Her most important mural is Ronda en el tiempo located in the Museo Nacional de Antropología, which was created from 1964 to 1965. She also created murals at the Unidad de Lavaderos Público de Tepalcatitlán (1945), Sobrevivencia, Alfabetización in Coyoacán in 1952 Sobrevivencia de un pueblo at the Centro Deportivo Israelita (1957) Hacia la salud for the Hospital Infantil de México (1982), La familia mexicana at the Registro Público de la Propiedad (1984) (which Rabel preferred to title Abolición de la propiedad privada) and at the Imprenta Artgraf. In collaboration with other artists, she participated in the creation of the murals at the La Rosita pulque bar (disappeared) and at the Casa de la Madre Soltera. She entered the Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda" shortly after it was established in 1942, taking classes with José Chávez Morado, Feliciano Peña and Frida Kahlo, with whom she became close friends. She changed her last name from Rabinovich to Rabel during her career. Rabel married urologist Jaime Woolrich and had two children Abel and Paloma Woolrich, both of whom became actors. The first exhibition of her work was in 1945 with twenty-four oils, thirteen drawings, and eight engravings at the Liga Popular Israelita with Frida Kahlo writing the presentation. In 1955, she had an individual exhibition at the Salón de la Plástica Mexicana. She had a large exhibition at the Museum of the Palacio de Bellas Artes to commemorate a half-century of her work. Her last exhibition was in 2007 at the Universidad Autónoma Metropolitana. Her work can be found in collections in over fifteen countries including those of the New York Public Library, the Library of Congress in Washington, D.C., the Royal Academy of Denmark, the National Library in Paris, the Casa de las Américas in Havana, the Benemérita Universidad Autónoma de Puebla and the Museo de Arte Moderno in Mexico City. A retrospective of her work after her death called Retrospectiva in Memoriam, Fanny Rabel (1922-2008) was held at the Museum of the Universidad Popular Autónoma del Estado de Puebla . She is considered to be the first modern female muralist in Mexico although she also did significant work in painting, engraving, drawing, and ceramic sculpture. Her work has been classified as poetic Surrealism, Neo-expressionism and is also considered part of the Escuela Mexicana de Pintura (the dominant art movement of the early to mid 20th century in Mexico) as one of the youngest muralists to be associated with it along with Arnold Belkin and José Hernández Delga. Rabel was more drawn to depicting mankind’s pain rather than happiness, sharing other Mexican muralists' concerns about social injustice. However, she stated to Leopoldo Méndez that she could not create combative works, with clenched fists and fierce faces, and she wanted to leave the Taller de Gráfica Popular. Méndez convinced her to stay, saying that more tender images are important to political struggle as well. Children with Mexican faces...

Oil on cardboard realized by Sirio Pellegrini in 1960s. Hand signed. Includes a wooden frame realized by the Artist. cm. 43.5x34. Sirio Pellegrini, born in Rome on March 1, 1922, ...

Portrait of a Lady by Wladyslaw Szary, circa 1960’s See label reverse for bio details Oil painting on canvas with applied mixed media Canvas is 64cm x 44cm Original frame Good condi...

Lithograph on Arches paper Exemplaire B/165

Original Oil on Canvas by Jose Salazar Ruiz Esparza signed by the artist lower left. The work presents in the original frame and is in excellent condition. Created circa 1960's. The...

Oil and tempera on paper realized by Sirio Pellegrini in 1960s. Hand signed lower left. Includes a wooden frame realized by the Artist cm. 58.5x48.5.

Here is one of Paul Guiragossian's 1960s oil paintings on canvas. The artwork's size, without the frame, is 31 x 23 inches. The overall composition represents a family, with the figu...

Girl at the morning toilet is a contemporary artwork realzied in 1962 by Francisco Ribera Gomez (1907-1990) Mixed colored oil on hardboard. Ha...

Title: Isla Cristina, Spain Artist: Michel de Alvis Year: c.1960 Technique: Oil on canvas Dimensions: 9.45 x 16.14 inches (24 x 41 cm) Subject: Seascape Condition: Excellent Provenan...

Oil and tempera on cardboard realized by Sirio Pellegrini in 1960. Hand signed lower right. Includes a wooden frame realized by the Artist cm. 80x60. Sirio Pellegrini, born in Rom...

Born and raised in New York City, Grace (Gay) Betts (1883-1978) became a peripatetic painter of Western and Southwest landscapes and Indians, and her subjects included Yosemite National Park and Arizona tribal members. She was also a muralist who did backdrops for animal displays...

Dynamic, mid century multi colored abstract by Erle Loran (American, 1905-1999). Depicts a group of hunters and their horses participati...

Richard Andres (American, 1927-2013) Panama Garden, c. 1964 acrylic on canvas signed lower right, signed and titled verso 46 x 38 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

A printmaker, painter, and commercial artist, Marion Huse created work that ranged from realism to abstraction and included portraits, figure subjects, landscapes, and floral still l...

Como pueden apreciar, la obra va firmada en la parte inferior y fechada del año 1961 En la parte trasera, va con una etiqueta con los detalles de la obra Se presenta enmarcada la p...