19th Century Figurative Paintings

Portrait French PS 247 Starry Night Diving Portrait of a diving woman dress with a Vincent Van Gogh swimsuit A daring dive in the unknown! This is one of the famous artwork from V...

Jean Louis Hamon artfully presents the mythological subject: Aurora the Goddess of Dawn. She is dressed in a flowing toga, standing on a large leaf and smelling the sweetness of a flower in bloom. Surrounded by lush plants in an idyllic setting of pinks and blues, one would not think that this peaceful and beautiful work was painted in 1864 at the time of the American Civil War. Hamon meticulously renders the scene with the academic precision of Bouguereau. The closer you get, the more detail you discover. Two butterflies sit atop Aurora's head. Droplets of water gracefully roll down her hair. There was a hand colored steel plate...

ZILLER Leopold (1859-1910) Views of Venice and Istambul in Pair Oils on canvas signed low right Frames with gold leaves (Gault - Paris) Dim canvas (each) : 33 X 46 cm Dim Frames (eac...

An exceptionally vibrant original oil painting of chrysanthemums, estimated late 1800s. The movement of the flowers contrasts beautifully with a charmingly naiive vase and table. Ye...

Stormy Seas at Dusk, Cornwall by George Henry Jenkins (British, 1843-1914) Signed oil on board, framed Framed: 12 x 18 inches Board: 9 x 15 inches Provenance: Private collection, South West England This dramatic seascape painting...

Camille METRA or METRA-HUBBARD (Paris, 1864 – Paris, 1936) The cup of the King of Thule Oil on canvas Signed lower right and dated 113.5 x 146 cm 1896 Exhibition: Salon de l'Union des Femmes Peintres et Sculpteurs de 1896 (N°627) Camille Métra, eldest daughter of the chemist Louis Métra and Rosalie Merny, was born on November 28, 1864 in Paris. We know nothing to this day of her artistic training, however she was recognized in Parisian circles for her qualities as a figure painter and pastellist. Camille married for the first time on January 18, 1887 in Paris with Adolphe Fernand Blayn...

‘The Fortress of Charlemont’ by George Clarkson Stanfield (1828-1878). The painting – which depicts the 16th century stronghold built by Emperor Charles V at the French town of Giv...

19th Century oil on canvas portrait of a cavalier. The painting is signed or annotated top right. There is a supplier's trade stamp to the back of the canvas. A wonderful jewel of a...

"La Comida" is an abstract figurative Impressionist oil on canvas painting by María Blanchard. The artwork is 21 1/2 x 28 3/4 inches and is 24 3/4 x 32 1/4 x 2 inches with the frame,...

This atmospheric painting depicts a group of people gathered in a dimly lit, rustic interior, likely an inn or tavern. The eye is drawn to a large table where a man and woman look pl...

Oil on canvas Canvas size: 12 x 9 inches Framed size: 19 x 15.75 inches Signed upper left

ÁNGEL MARÍA CORTELLINI Spanish, 1819 - 1887 OFRECIENDO UNA COPA unsigned oil on canvas 13-1/4 x 11 inches (33.5 x 28 cm.) framed: 17-1/4 x 15 (44 x 38 cm.) Ángel María Cortellini. Sanlúcar de Barrameda (Cádiz), 27.09.1819 – Madrid, 1887. Painter. Ángel María Cortellini was born in Sanlúcar de Barrameda on September 27, 1819, to an Italian father and a Spanish and Sanlúcar mother. Contrary to family opinion, he decided to dedicate himself to painting and already, at the age of nine, he was enrolled in a drawing academy in his hometown. They soon sent him to Seville, where he was a disciple of Joaquín Domínguez Bécquer...

This painting is signed bottom left. This Monumental Middle Eastern Figurative painting by Charles Theriat (1860-1937) is an oil on canvas and comes with frame. His artistic training...

Fine late 19th century marine scene in oil. Indistinctly signed to the reverse. On canvas on stretchers.

Signed oil on panel circa 1895 by French modernist painter Louis Anquetin. This beautiful piece depicts an elegant lady dressed in a blue dress and hat walking in the Grand Boulevard...

The English Vicar early/ mid Victorian English artist, circa 1850's oil on canvas, unframed canvas: 14.5 x 12 inches provenance: private collection, England condition: overall good a...

Como pueden apreciar, la obra no va firmada Se presenta enmarcada la obra El estado de la obra es aceptable Medidas obra: 73 cm. de altura x 50 cm. de ancho Medidas obra enmarcad...

Pio Joris (Rome, 1843-1922). The Via Flaminia, a Sunday morning," 1869, with frame 160 x 83 cm. Signed P. Joris, Pio Joris attended the Istituto di Belle Arti in Rome and in 1861 he enrolled at the Accademia di San Luca, where he remained for just a year. On a visit to the 1st Esposizione Nazionale di Belle Arti of Florence in 1861 he was attracted by the naturalistic works from the Naples school. He came into contact with Domenico Morelli and Filippo Palizzi during a trip to Capri, Sorrento and Naples in 1866. In Rome, he kept company with Mariano Fortuny, whose painting, with its pleasant, captivating luministic effects, made a very strong impression on Joris. That was how he developed his own very personal artistic language, which went on to bring him remarkable commercial success on an international scale, helped by his collaboration with Paris art dealer...

Oil painting on Pannel probably representing an Orthodox priest of Russian origin . Dated 1872 .

Christian-Henri Roullier was born in Lyon, France, in 1845, and was an infant when his parents arrived in gold-rush San Francisco. After much difficulty, Roullier senior found employment at the White House, a pioneer department store owned by a popular and successful French businessman, Raphael Weill. From then, the Roulliers' life took a prosperous turn. Christian-Henri resided with his family in San Francisco at the beginning of his career. During the Franco-Prussian War he was listed, with other members of the city's French community, as a local subscriber to a French patriotic fund. He subsequently traveled to Paris to study painting with Jean-Leon Gerome the leading teacher of the day. He also studied sculpture with W. E. Fremiet and explored both media throughout his life. A successful artist, Roullier exhibited widely in France. His work was included in most Paris Salon exhibits between 1878 and 1914. He exhibited at the San Francisco Art Association and the Mechanics' Institute of San Francisco in 1883, suggesting that he had returned to San Francisco, perhaps working with Jules Tavernier, whom he depicted in buckskin and knee-high boots in an oil entitled Tavernier Painting. Roullier probably joined the gregarious Tavernier in Monterey as well. Among his portraits, he executed two of Josiah Stanford, now in the collection at the Cantor Center for Visual Arts at Stanford University. When in France, Roullier and his sister Blanche spent half of their time in Paris, the remainder at a beautiful property the family bought in the small town of Saint-Nizier sous Charlieu, some ten miles from Roanne. Blanche became a successful pastellist who also exhibited at the French salons and received several awards. Like his friend and fellow-painter Armand Charnay, Roullier painted rustic, local scenes of his native region, except for a few canvases of Tunisia done in colors reminiscent of his California work. He died in Paris on July 25, 1926. A retrospective exhibit of his work was held at the 1926 Paris Winter...

In German, there is a word called "Sommefrische" , meaning summer freshness, which describes this painting perfectly. Looking at this Swiss mountain and lake is like a perfect, restf...

Artist/ School: French School, 19th century Title: The Battlefield. Medium: oil painting on canvas, unframed. canvas: 26.75 x 35 inches Provenance: private collection, South o...

English School 19th Century Sleeping Angel Oil on canvas Image size: 29 x 40 inches Contemporary gilt frame

Oil on panel Panel size: 14 x 10 inches Initialled and dated '1906' lower left to the bench

A charming scene depicting a mother warming a young child's hands as they collect kindling in a woodland setting. Signed to the lower right. Presented in an ornate gilt frame embelli...

Georgine Lara English Village landscape A painting by Georgina Lara depicting a 19th-century English village scene offers a charming and evocat...

Mountain Landscape, Betws-y-Coed Wales by Thomas Morris Ash (British 1851-1935) signed and inscribed verso Oil painting on board, framed Framed: 14 x 19 inches Board: 10.5 x 15.5 inc...

Antique French Orientalist Oil Painting Market Scene Mosque Narcisse Berchère French, 19th Century Canvas: Height 47cm, width 38cm Frame: Height 75cm, width 67cm, depth 10cm This c...

Village Landscape With Governor John Penn, Isle Of Portland, Dorset, 1805 John Penn (1760-1834) was the chief proprietor of Pennsylvania until 1776 when it was confiscate following ...

French School, "The Proposal", Oil on Oak Panel, 19th century, depicting a gentleman presenting a bouquet of flowers to a young lady and her chaperone, unsigned, giltwood frame. Imag...

ULPIANO CHECA Spanish, 1860 - 1916 VENICE CANAL signed & located "U. Checa" Venezia (lower left) Also dedicated: "A Marguerite Pinédo affectueusement" ...

An original oil painting by the prolific and well collected Württemberg soldier and battle painter, Otto von Faber Du Faur (1828-1901). Entitled ' Legionare'. Presented in a modern g...

Oil on panel Image size: 20 x 16 inches (51 x 40.5 cm) Handmade gilt frame Provenance Family estate This preliminary oil sketch for one of O'Neil's most famous works, "Eastward Ho!...

"Young Lady Sewing on Rocking Chair" by an 1860s American School artist is a charming watercolor painting that captures a traditionally domestic moment...

Marius Vasselon, 1841-1924 "Bouquet de Fleurs dans un Vase " Oil on canvas, Signed lower left Canvas: 29 1/2" high x 23 5/8" wide Frame: 36 1/4" high x 29 7/8" wide

This Egyptian desert scene "An Oasis in the Desert" depicts a group of a people pitching a tent near a cluster of palm trees in view of the Ancient...

Portrait French PS 247 Starry Night Diving Portrait of a diving woman dress with a Vincent Van Gogh swimsuit A daring dive in the unknown! This is one of the famous artwork from V...

Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8). Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly. In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe Yvon, among other leading French painters. In December 1869, Moore traveled around Spain with Eakins and the Philadelphia engraver, William Sartain. In 1870, he went to Madrid, where he met the Spanish painters Mariano Fortuny and Martin Rico y Ortega. When Eakins and Sartain returned to Paris, Moore remained in Spain, painting depictions of Moorish life in cities such as Segovia and Granada and fraternizing with upper-crust society. In 1872, he married Isabella de Cistue, the well-connected daughter of Colonel Cistue of Saragossa, who was related to the Queen of Spain. For the next two-and-a-half years, the couple lived in Morocco, where Moore painted portraits, interiors, and streetscapes, often accompanied by an armed guard (courtesy of the Grand Sharif) when painting outdoors. (For this aspect of Moore’s oeuvre, see Gerald M. Ackerman, American Orientalists [Courbevoie, France: ACR Édition, 1994], pp. 135–39.) In 1873, he went to Rome, spending two years studying with Fortuny, whose lively technique, bright palette, and penchant for small-format genre scenes made a lasting impression on him. By this point in his career, Moore had emerged as a “rapid workman” who could “finish a picture of given size and containing a given subject quicker than most painters whose style is more simple and less exacting” (New York Times, as quoted in Hajdel, p. 23). In 1874, Moore settled in New York City, maintaining a studio on East 14th Street, where he would remain until 1880. During these years, he participated intermittently in the annuals of the National Academy of Design in New York and the Pennsylvania Academy of the Fine Arts in Philadelphia, exhibiting Moorish subjects and views of Spain. A well-known figure in Bay Area art circles, Moore had a one-man show at the Snow & May Gallery in San Francisco in 1877, and a solo exhibition at the Bohemian Club, also in San Francisco, in 1880. Indeed, Moore fraternized with many members of the city’s cultural elite, including Katherine Birdsall Johnson (1834–1893), a philanthropist and art collector who owned The Captive (current location unknown), one of his Orientalist subjects. (Johnson’s ownership of The Captive was reported in L. K., “A Popular Paris Artist,” New York Times, July 23, 1893.) According to one contemporary account, Johnson invited Moore and his wife to accompany her on a trip to Japan in 1880 and they readily accepted. (For Johnson’s connection to Moore’s visit to Japan, see Emma Willard and Her Pupils; or, Fifty Years of Troy Female Seminary [New York: Mrs. Russell Sage, 1898]. Johnson’s bond with the Moores was obviously strong, evidenced by the fact that she left them $25,000.00 in her will, which was published in the San Francisco Call on December 10, 1893.) That Moore would be receptive to making the arduous voyage across the Pacific is understandable in view of his penchant for foreign motifs. Having opened its doors to trade with the West in 1854, and in the wake of Japan’s presence at the Philadelphia Centennial Exposition of 1876, American artists were becoming increasingly fascinated by what one commentator referred to as that “ideal dreamland of the poet” (L. K., “A Popular Paris Artist”). Moore, who was in Japan during 1880–81, became one of the first American artists to travel to the “land of the rising sun,” preceded only by the illustrator, William Heime, who went there in 1851 in conjunction with the Japanese expedition of Commodore Matthew C. Perry; Edward Kern, a topographical artist and explorer who mapped the Japanese coast in 1855; and the Boston landscapist, Winckleworth Allan Gay, a resident of Japan from 1877 to 1880. More specifically, as William H. Gerdts has pointed out, Moore was the “first American painter to seriously address the appearance and mores of the Japanese people” (William H. Gerdts, American Artists in Japan, 1859–1925, exhib. cat. [New York: Hollis Taggart Galleries, 1996], p. 5). During his sojourn in Japan, Moore spent time in Tokyo, Yokohama, Kyoto, Nikko, and Osaka, carefully observing the local citizenry, their manners and mode of dress, and the country’s distinctive architecture. Working on easily portable panels, he created about sixty scenes of daily life, among them this sparkling portrayal of a young woman dressed in a traditional kimono and carrying a baby on her back, a paper parasol...

Oil on canvas Canvas size: 33.5 x 49 inches Signed lower right

This peaceful pair of 19th Century paintings show two rural scenes from the Chinese countryside. One is a shepherd sitting by the river,...

Basile de Loose Portrait of a Child signed and dated „1861“ Basile De Loose (17 December 1809 – 24 October 1885) was a Belgian painter. He was born in Zele, East Flanders, United K...

Canvas Size: 30 x 30" (76 x 76cm) Outside Frame Size: 37 x 37" (94 x 94cm) Unsigned Provenance: Christies REUBEN Thomas William SAYER(S) 1815 - 1888 British Painter born in 18...

"Little Girl with Fishbowl," an 1860s American school portrait, captures a tender moment in the life of a young girl. The painting showcases the subjec...

EDUARDO LEÓN GARRIDO Spanish, 1856- 1949 AN ELEGANT DANCE signed "E. L Garrido" (lower right) oil on mahogany wood panel 25-1/8 x 32 inches (63.5 x 81 cm.) framed: 31 x 38 inches (78.5 x 96 cm.) PROVENANCE Private Spanish Collector Eduardo León Garrido (Madrid, 1856 - Caen, 1949) was a Spanish painter. He began his training at the Higher School of Painting in Madrid and as a disciple in Vicente...

Artist/ School: American School, 19th century Title: Portrait of a Seated Lady Medium: oil painting on canvas, unframed canvas: 38 x 30 inches Prov...

Figures in Old Street Scenes Dutch School, 19th century signed oil paintings on board ( x 2) framed each framed: 8.25 x 8.25 inches each board: 4.5 x 4.5 inches Provenance: private c...

Set of Three 19th century Tibetan Tsakali with Depictions of Dancing Dakinis Mineral pigment on paper Approximately 4 5/8 x 4 inches each (24 x 14 frame) It's important to note this are very fine examples of Tibetan tsakali; more akin to fine art than the usual Tibetan artifacts...

John Arthur Lomax. English ( b.1857 - d.1923 ). When I Was A Boy. Oil On Panel. Signed Lower Right. Image size 9.5 inches x 11.4 inches ( 24cm x 29cm ). Frame size 17.3 inches x 1...

Giuseppe Costa (Italian, 1852-1912) Untitled, c. late 19th-early 20th century Oil on wood panel 12 x 7 in. Framed: 16 1/2 x 11 2/3 x 1 in. Signed lower right Giuseppe Costa was an I...

Woman Reading by JOZEF ISRAËLS (1824-1911) Oil on Panel 21 x 12.5 cm (8 1/4 x 4 15/16 inches) Signed lower right Executed circa 1870 Artist biography D...

Austrian genre painting of children in a classroom by Rudolf Geyling Austrian, late 19th Century Frame: Height 94cm, width 126cm, depth 8cm Canvas: Height 75cm, width 101cm, depth 2c...

Karel Frans Philippeau Dutch, (1825-1897) Home from the Vineyard Oil on panel, signed & dated 1867 with old label verso Image size: 11.25 inche...

Georges Croegaert 1848-1923 Belgian An Amusing Thought Signed "Georges Croegaert Paris" (lower left) Oil on panel This oil on panel by Belgian artist Georges Croegaert is a rich ...

Orientalist watercolor of a guard standing watch. He stands at the ready, attentively listening while resting his hand on his sash which holds a sheathe...

This captivating gouache on paper painting, dating from the early 19th century, offers a beautifully detailed view of St. Peter's Square in Vatican City, making it a likely relic of ...

Antique painting, 19th century, oil on canvas, harvest by the river. Signed lower right. Dimensions without frame. Paintings by Alexandre Kircher have already raised more than $ 20...

A delightful mid-19th century portrait depicting a young girl with her beloved pet cat. Rendered in a naive style, the artwork nonetheless reveals the artist's careful attention to d...

Oil painting of a Whitsuntide fair after Munnings English, early 20th Century Frame: Height 78cm, width 96cm, depth 5.5cm Canvas: Height 50cm, width 70cm, depth 2cm This fine oil pa...

Wonderful Early 19th-century Still life of different fruits on an earth bank. Very much painted in the same way as George William Sartorius painted his still lives this piece has al...