Paint Interior Paintings

In this passionate dance of colors, I've captured the vibrant essence of life itself through the allegory of pomegranates. Oil paint weaves a textural symphony, blending realism with...

Wonderful early American modernist cactus still life oil painting. Framed. Oil on canvas. Signed. Image size, 20H by 24L.

The Chair by the Window Surrealist School, circa 1970's signed lower left, indistinctly (see photos) framed: 24 x 30.5 inches provenance: private collection, London Superb Surreali...

‘Teppiche' Acrylic and Eggtempera on Canvas, 115 x 85 cm, 2016 Fides Becker The leading theme of the artist’s interventions is the staging of temporality, transience, and change. ...

Substantial and period mid-century still life of a bowl of bearded irises with a parrot figurine by noted California artist Nell Walker Warner (American, 1891-1970), c.1940's. A charming parrot statue...

Famed Disney artist Mary Blair was also an illustrator for assignments outside Disney. The present work appears to be for a Gelolo Mchugh children's book called Baby's House. There i...

An impressionistic sunny painting with snow, evening sunlight and purple shadows was created un plein air. The evening spring Sun creates incredible combinations of warm and cold col...

to confront the arts, to merge them, to mix writing and brush, such is the challenge of the artist. Table of a library with collage of fabric allowing the painting to vibrate more. C...

In this painting, I've melded acrylics and oils to create a passionate symphony of colors, where the rain-drenched streets spring to life. Blending expressionism with touches of impr...

French artist Natalya Mougenot presents "Fusion," a captivating piece from her latest series dedicated to the essence of summer. This vibrant abstract floral painting is executed in ...

The paintings of Aleix Font (Sabadell, Spain, 1984) function as a narrative between the collective and the individual world, exploring space and its interac...

This work depicts a picturesque landscape, where the main accents are a row of tall poplars located along the border of the field. A vast golden field unfolds before the viewer, fil...

JOSÉ VILLEGAS Y CORDERO Spanish 1844 - 1921 "The Florence Sisters" signed "Villegas" (lower left) oil on canvas 33-1/2 X 40-1/2 inches (84.5 X 102.5 cm.) PROVENANCE Private Collector, Seville, Spain José Villegas Cordero (Seville, August 26, 1844-Madrid, November 9, 1921) was a Spanish painter. He directed the Prado Museum between 1901 and 1918. Biography He was the brother of the painter Ricardo Villegas Cordero. He began his apprenticeship very young with José María Romero, with whom he remained for two years until entering the School of Fine Arts in Seville, where he was under the tutelage of Eduardo Cano. In 1860, when he was only 16 years old, he sold his work Little Philosophy for 2,000 reais at the Seville Exhibition. In 1867 he traveled to Madrid, where he entered Federico Madrazo's studio. There he established friendship with painters Eduardo Rosales and Fortuny. He went regularly to the Prado where he copied Velázquez, from whom he acquired spontaneity and the use of color for his technique. Finally, and out of admiration for Fortuny's orientalist painting, he returned to Seville and organized an excursion to Morocco. At the end of 1868 he decided to travel to Rome accompanied by the painters Rafael Peralta and Luis Jiménez Aranda...

This superb, large British Victorian portrait in an interior oil painting is attributed to circle of Ralph Peacock. Peacock painted a large number of children of wealthy 19th century families, often with luscious ornate backgrounds and textiles such as the wall paper, marquetry piano...

Amit Kalla - Symphony - 84 x 144 inches (unframed size) Acrylic on Canvas, 2019 ** Free Shipment ...... will be delivered in rolled form. Style : Kalla’s work can be represented by ...

A painting in abstract acrylic is an explosion of shapes, textures, and colors that invite personal interpretation. Across the canvas, dynamic and free brushstrokes intertwine, creat...

Sylvie by Paul-Louis Bolot (French 1918-2003) signed & dated 1981 signed oil on canvas canvas: 22 x 15 inches original oil painting condition: very good an...

This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior. ABOUT THE ARTWORK "In 'Promise of Eternal Friendship' from my 'Made...

Artist/ School: Guy Benard (French b.1928) signed lower corner. Painter from Rouen, Normandy, exhibited throughout France. Title: Interior Still Life Medium: signed oil on canvas,...

This beautiful floral painting, "The Symbiosis of Waterlilies and Lotus", created by French artist Natalya Mougenot, is a tribute to the artistic legacy of Claude Monet. As an artist...

Portrait of an Elderly Lady, mirror behind French Impressionist artist, late 19th/ early 20th century extensively inscribed verso with details oil on canvas canvas: 22 x 18.5 inches ...

This superb, large British Victorian oil painting is by noted Newlyn and Menton artist Arthur Alfred Burrington. It was painted circa 1890 when Burrington was most likely in Newlyn, ...

EMILIO GRAU SALA Spanish, 1911 - 1975 INTERIEUR AUX FLEURS JAUNES signed "Grau Sala" (lower left) signed again, located, dated and titled "Grau Sala, Paris 61, Interieur aux fleurs jaunes" (on the reverse) oil on canvas 15 x 18-1/4 inches (38 x 46 cm.) framed: 23-1/2 x 26-1/2 (59.5 x 67 cm.) PROVENANCE Private Parisian Collection Interieur aux fleurs jaunes This interior with two female figures where also the plans made in different colors are drawing the composition. The abundant pictorial material distributed in geometric portions, gives life to the tablecloth and mother and daughter figures, in black and white colors of the jacket, while the black line takes care of the environments so as not to separate them. The fruit bowl and flowers give a cheerful touch with their pastel tones. Emilio Grau Sala came from a family of artists. He was born in Barcelona in 1911 and his father, a good cartoonist, had been one of the promoters of the "Salon des Humanistes" and made his exhibitions normally in "Sala Parés", Barcelona. His first works were exhibited at the Salon des Independents. In the years 1930-33 he had painted under the influence of Cubism, especially that of Torres García. It is from that time a painting of the port of Barcelona, ​​geometric and structural, which completely anticipated what would later be his work. His personality began fully painting watercolors and oils with a certain fantasy character, with a point of decorative instinct and themes full of naivety and grace. Romantic interiors, paddocks, port scenes, sailors, etc. Grau Sala was essentially a Mediterranean painter, son of post-impressionism and enriched with French painting of the last fifty years. Mediterranean because his work has the color and light of that land. He understood and assimilated impressionist painting very well, and for that reason he was never subject to the modules of a formulist realism, nor the sexigencias of the forms. In Paris he found the best environment to give us a fruitful and intense work, because he could use the expressive potential of French art to enrich it. All this made him a very esteemed artist everywhere where his work was known. He was also very often required to illustrate books and publications in Paris. Also his posters were very successful. He painted a large number of subjects, but perhaps the theme of horse racing is where you can see in a very clear way the joyful and optimistic life that was lived at that time. In this fabric there is an explosion of juicy and vivid colors full of ingenuity and simplicity in its composition. Only a teacher could turn the complicated into something simple and beautiful. Before this work we feel a deep emotion, the emotion of before starting a horse race. Joy and nervousness at the same time. Especially since it is a direct emotion. There are no intermediaries between our eyes and what the work intends to tell us. This is precisely what seduces and catches us of this painting. His works can be found in the Museums of the Villa de Paris, L'Ile de France Museum, at the Château de Sceaux, Honfleur Museum, La Rochelle Museum, Barcelona Museum...

NYC Subway Mid 20th Century American Modernism WPA Realism industrial Colorful "New York Subway," 36 x 48 inches. Oil on Masonite (backed with a wood frame), Signed and dated ’47 upper left. The colors of the painting are extraordinarily vibrant. The white gold frame, signed Richard Tobey...

Contemporary pastel toned hyperrealist still life painting of a light switch by Texas-based artist Michael J. Abraham. Recently featured in "Michael J. Abraham: Quasi-Realism" at Ree...

Artist : Alex Senchenko © Title: Abstract R 2420 . Acrylic Paints. The painting was created on 100% cotton 340gsm Canvas made in Italy (Pintura). 2024 • Size of a painting: 16...

The Lobster by Georges Bordonave (French contemporary) signed oil painting on canvas, unframed dated 1978 canvas: 15 x 18 inches condition: very good provenance: from a large priva...

READY TO HANG with the edges painted. A beautiful modern floral painting, made with professional varnished acrylics and Amsterdam acrylic sprays on stretched heavy canvas. I ship thi...

In crafting this artwork with acrylics, I've channeled the raw emotions of storm and tranquility. The dripping blues and grays against the stark white embody a torrential downpour, w...

Experience the beauty and interconnectedness of nature through my original artwork. This abstract textured acrylic painting on canvas measures 60x70x3,5 cm (23,6x27,5x1,7 inches) and...

Horizontal oil painting on canvas, notable for its rich texture and multiple layers that create visual depth. The piece features a fantastical winged creature in earthy tones, standi...

Sunny Summer Vibes invites you into a world of color, energy, and joyful movement. This large-scale artwork on 100% linen canvas (155x155 cm / 61x61 inches, on the stretcher 145x145 ...

This work consists of two canvases of Diptych Work composed of a wooden frame supported by a high-quality cotton fabric. It is a large work of marvelous beauty. The scene is an evoca...

Interior with Man at Table American Modernism WPA Social Realism Modern Painting Philip Evergood (1901 - 1973) Untitled (Interior with Man at ...

French mid-Century Flower painting with thick impasto brush or palette knife strokes. One notable artist known for their mid-20th-century flower paintings with impasto is Vincent va...

P Deltour (?) French school of the 19th century The artist with his model and friend in his workshop Oil on canvas Signed "P Deltour" (?) and dated 1879 on the lower, an indistinct i...

Signed lower right, "Karl Larsen" (Danish, 1897-1977) and painted circa 1955. Beginning in 1917, Karl Larsen participated in numerous exhibitions in France and Denmark including the...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. In t...

Artist/ School: French School, circa 1970's Title: Orange Flowers and green plant within an interior setting Medium: oil painting on canvas, unframed canvas: 24 x 20 inches Prov...

" Rain Melodies/5" is a painting that conveys the feeling during a downpour, when nature plunges into a dance of the elements. Deep shades of gray-green sky and dark clouds create t...

Two canvases that feature warm shadows and cascading light which is the focus of these sophisticated abstract oil on canvas paintings by artist Anne Subercaseaux, whose gleaming oil ...

Circle of Giambattista Piazzetta (Venice 1683 - Venice 1754) - San Tommaso. 62.5 x 52.5 cm without frame, 72.5 x 62.5 cm with frame. Antique oil painting on canvas, in a contempora...

Untitled 018 [Remains of the Remains 018], 2019 oil on canvas 78 47/64 H x 59 1/16 W in. 200 H x 150 W cm The large-sized paintings, signed by Zsolt Berszán...

In this work, I have poured my passion using acrylics to evoke depth and movement. Blues and whites intertwine, reflecting abstract emotions that flow freely, like ocean waves on a s...

This floral artwork called " Purity " makes part of my series dedicated to "Springtime". This floral painting was done in an expressive impressionist style. This beautifully floral...

Impressive early American modernist still life oil painting. Framed. Oil on canvas. Signed. Image size, 10H by 8L.

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "House of Flamingos" by Nathan Neven is a captivating blend of...

"Look at the flowers. It is simply unbelievable how happy flowers are." -Osho Capturing delicacy through floral imagery, the meticulous strokes and carefully chosen colors create a ...

In this interior painting, the corner of a bathroom is slightly visible through the doorway along a white wall in an artist's quiet studio space. The warmth of the worn, paint splatt...

"Tea, Reading" impressionist composition of woman at the kitchen table, Tuscany. A woman sits in Fenske's kitchen, reading a book and sipping on tea. Light streams in through an open...

Oil on canvas, signed in the lower left. Measures 26" x 22" including the frame. An excellent example of De Hoog's work, which he was well known for depicting Dutch interior scenes. ...

Richard Andres (American, 1927-2013) Blue Wall, c. 1959 oil on canvas signed and titled verso 42 x 60 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

"All living beings strive towards the light" - so the great German poet Johann Wolfgang Goethe once said. Plants strive for light in order to grow taller and stronger. And the people...

"Sojourner" by Morakinyo Femi is a captivating artwork that presents a young man seated in a fashionable attire, adorned with striking jewelry and sport...

Gorgeous mid century floral still life in soft spring palette with roses and apple blossoms by J. Herron (American, 20th Century), circa 1960. Signed lower right. Unframed. Image siz...

Visual arts and the history of art have always been integral to Natalie Vassil’s life, whether while attending school in Europe or studying in the Unite...