Landscape Paintings

Late 19th century figurative painting of the battle of Trevilians Station and of the wounding of Colonel Sackett June 11, 1864. Oil on canvas in giltwood frame. Signed or notated indistinctly lower right. Image, 20.25"H x 36.25"W. Military History Prior to 1865 The 9th New York Cavalry contained two companies from Cattaraugus County. It was mustered into the service October 1, 1861 and, until mustered out in July, 1865, lost 619 officers and men out of a total enlistment of a little less than two thousand. It participated in many battles and skirmishes and lost its colonel, William Sackett, who was killed at Trevilian Station, Virginia, on June 11, 1864. From the Albany Evening Journal, July 20, 1864: Another name is added to the list of hero martyrs who have fallen in the service of their country. Col. WILLIAM SACKETT, of the Ninth New-York Cavalry, (son of Hon. W.A. SACKETT,) was mortally wounded in the engagement, under Gen. SHERIDAN, at Pavillion Station, Va., and died on the 14th ult. As he was left behind, the sad intelligence of his decease has but just been received. Col. SACKETT had seen much service. He entered the army on the 22d of April, 1861, was appointed Major of the Ninth New-York Cavalry in October of the same year, was promoted to Lieutenant-Colonelcy in August, 1862, and in March, 1863, became commander of the regiment. He was with Gen. MCCLEELAN in the Peninsula campaign, was in all the cavalry actions of the campaign which followed, was with the army in its advance after the battle of Antietam, and in almost constant conflict with the enemy until after the battle of Fredericksburgh. He participated in most of the cavalry engagements under Gen. HOOKER's command, was in all the principal cavalry actions during LEE's invasion of Maryland and Pennsylvania in 1863, and was among the first engaged in the terrible conflict at Gettysburgh, where he performed distinguished service in holding a rebel brigade in check a long time while our forces were getting into position on the crest of the hill. He was active in the cavalry skirmishes which ensued in the latter part of the Summer. During the present campaign he was with Gen. SHERIDAN in all his brilliant expeditions up to the time when he fell. He died while leading a charge against the enemies of his country -- died, as he wished to die, doing his whole duty. He was brave, he was generous, he was unflinchingly faithful to the cause of the Union. He loved the old flag with a love that was stronger than life, and esteemed it glorious to fall in its defense. He was born in Seneca Falls, and was 25 years of age. When the great civil war broke out [William Sackett] was practicing law at Albany, N. Y., having a short time previous been admitted to the bar. In December, 1861, he was commissioned Major of the 9th Regiment of New York Cavalry, and taking the field served with credit in several engagements in which that command participated. On June 27, 1862, his immediate superior, Lieutenant- Colonel Hyde, resigned and three days later Major Sackett was commissioned to fill the vacancy. On the 30th of the following May he was advanced to the Colonelcy of his regiment, with rank from March 15, 1863. It is stated in "Battles and Leaders of the Civil War" that the cavalry pickets commanded by Colonel Sackett fired the first shot at the battle of Gettysburg. He subsequently led his command, in a gallant manner, in numerous engagements, including the battle of Trevilians Station, fought June 10, 1864. There he received a mortal wound and died inside of the enemy's lines some three days later. The report that he had been severely wounded and was in the hands of the enemy soon reached his wife, who immediately determined to make an effort to reach and care for him, not knowing that he was already dead when the report reached her. The following correspondence, copied from Official Records published by the War Department, tells in most emphatic terms of her devotion. City Point, Va., July 7, 1864. General R. E. Lee, Commanding Confederate Army, Mrs. Sackett, the wife of Colonel William Sackett, who was wounded on the 11th of June, near Trevilians Station, Va., is here in deep distress and feeling great anxiety to learn the fate of her husband. Colonel Sackett was left at a house some two miles and a half from the station, in charge of...

Free US CONTINENTAL shipping, incl Europe and Asia. The Clare family, Victorian artists, specialised and became famous for their highly detailed and precise still lifes of fruit and...

Study Of Wild Hares, 19th Century by William Melchior (1817-1860) 19th century English study of a pair of wild hares hiding with a huntsman in the distance...

Antique French impressionist landscape oil painting by Leon Richet (1847 - 1907). Oil on canvas. Signed. Framed. Measuring 22 by 29 inches overall and 15 by 20 painting alone.

An impressive, panoramic view of the River Stour looking towards Harwich and Felixstowe in Suffolk. It is very much a snapshot of times gone by with the hay barge loaded with hay. F...

Addison Thomas Millar (American, 1860-1913) Barn scene, 1892 Oil on board Signed and dated lower left 10.25 x 13.5 inches 15 x 18.5 inches, framed Addison Thomas Millar was an American painter and artist; best known for his genre scenes and Orientalist paintings. He was born to William H. Millar and Permelia Kennedy Millar. His father had emigrated to the United States from Scotland in 1845. He grew up in Warren, Ohio. During his primary education, he took some painting lessons from John Bell, a local landscape painter. In his late teens, he won three consecutive awards from The Youth's Companion, in their annual art contests. This prompted his parents to allow him to go to Cincinnati to take formal lessons from the genre painter, De Scott Evans...

English 19th century Victorian Sailing scene, with fishing vessels off of a landscape. Outstanding Victorian marine scene of a yacht at sail possible in the English Channel. Knell w...

OLD MASTER W . THORNLEY OIL PAINTING High Quality 19th CENTURY Gold Gilt Frame OLD MASTER LARGE OIL PAINTING 19th Century NEW COLLECTION Of RARE PIECES OF ENGLISH HISTORY “Very ...

Splendid landscape signed and dated 1895. Oil on canvas painting, first canvas, depicting a seascape animated by two large ships, a steamboat and a sailing boat. Painting of excellen...

William Frank CALDERON Signed and dated 1891 oil painting. A beautifully painted painting of a racing horse with its companion pony used to keep it calm and not lonely. Picture Size:...

Alessandro La Volpe (Italian, 1820-1887) View of Mt. Etna From the Ruins of the Theatre at Taormina, 1883 Oil on canvas Signed and dated lower right 29.5 x 52.5 inches 39 x 62 inches...

"Scene in Mohawk Valley, Utica, NY," c. 1860 by Hudson River School painter Lemuel Maynard Wiles (American, 1826-1905) was painted during the Civil War years. Wiles's red striated cl...

William Mellor British, (1851-1931) A River Glen Oil on canvas, signed Image size: 19 inches x 29 inches Size including frame: 27.5 inches x 37.5 inches A lovely landscape painting of a river glen by William Mellor. In the foreground, the river flows over large boulders whilst sheep graze on the banks and beyond the trees in the distance. William Mellor was a landscape painter who was born in Barnsley, Yorkshire in 1851, the son of Joseph Mellor, an artist and Mary Mellor. Initially, he was employed as a loom turner in the weaving industry before becoming a professional artist. He would have received tuition from his father who clearly influenced his style and subject matter. In 1876, he married Mary Elizabeth Watson...

Country Tranquility English School, late 19th century oil on canvas, framed Framed: 17.5 x 21.5 inches Canvas: 12 x 16 inches Provenance: private collection, UK Condition: very good ...

A fine original Scottish Impressionist oil painting by Joseph Morris Henderson dating to circa 1900. The work depicts a coastal scene with a dwelling in the landscape and a tranquil ...

A luminous Autumn oil on canvas board landscape, probably of the hills in the Hudson River Valley, by the noted American artist William Louis Sonntag (1822-1900). Signed in the lower right. Sonntag was born near Pittsburgh, PA and moved to Cincinnati, OH in the 1840’s to study art. He studied for a brief time with G. Frankenstein at the Cincinnati Academy of Fine Art and his idealized paintings of American wilderness and visionary paintings of imagined European ruins were commercially successful. He traveled twice to Europe in the 1850’s to improve his skills, eventually settling in New York City. He joined the National Academy of Design, where he exhibited his works for forty years. His mature works identify him with the Hudson River School of landscape painters. A romantic and naturalistic painter of his surroundings, Sonntag also created idealized paintings of Roman ruins, recalling his European trips of earlier years. Sonntag was an Associate (1860) and Academician (1861) at the National Academy of Design, and a member of the American Watercolor Society, Artists Fund Society, and the American Art Union...

Tall ships in a rocky bay, with figures in Eastern costume in boats and on the shoreline 19th Century School oil on canvas, framed framed: 39.5 x 3...

Edward Benjamin Herberte British, (1830-1896) On the Scent Oil on canvas, signed & dated 1890, embossed makers mark to stretcher Image size: 15.5 inches x 23.5 inches Size including...

The Pass of Glencoe by Edwin Longstaffe (British, late 19th century) signed with monogram to the lower corner titled to label verso Oil painting on canvas, framed Framed: 24 x 18 inc...

The Harvest French School, 19th century oil painting on canvas, framed canvas: 16 x 21.5 inches framed: 20 x 25.5 inches condition: the painting is in very good and presentable cond...

Jean-Baptiste-Camille Corot Soir dans une gorge Boisee, 1850-55 Signed lower right Oil on board 13 1/2 x 9 inches Provenance: Dutilleux, Paul Tesse, etc. Quincy Adams Shaw Pauline S...

"The Three-Masted Ship" by John Tudgay stands out as a remarkable piece of marine art for several compelling reasons. At first glance, the painting captures the viewer with its intri...

Robert Gallon British, (1845-1925) An Old Surrey Farm Oil on canvas, signed & inscribed verso Image size: 17.5 inches x 27.5 inches Size including frame: 23.5 inches x 33.5 inches ...

Riverside Chateau Signed by artist, French circa 1855 Oil painting on canvas, unframed Canvas: 10.5 x 16 inches Condition: The painting is in very good condition, with well-preserve...

Alfred Pollentine British, (1844-1910) The Dogana, Venice Oil on canvas, signed & further inscribed verso Image size: 15.5 inches x 23.5 inches Size including frame: 22.5 inches x 30.5 inches A lovely painting of the Grand Canal, Venice towards the Punta Della Dogana by Alfred Pollentine. The view shows the entrance to the Grand Canal with the Dogana and Santa Maria Della Salute on the right. Alfred William Pollentine was born in St Pancras, London on 26 August 1844, the son of William Pollentine, a carver gilder and picture dealer and Caroline Smith. After the death of his father in 1856, his mother married the artist Adam Barland...

James Edward Butteerworth Owning a painting by James Edward Buttersworth depicting the heroic rescue of passengers from the ship 'Winchester' by the inscribed steamship 'Washington...

Signed and dated oil on canvas landscape by French impressionist painter Victor Alfred Paul Vignon. The piece depicts a view of scenery in Oise, a department in the north of France, ...

Coastal Landscape Simone Forge 1930's French Impressionist oil on board unframed board: 13 x 16 inches Provenance: private collection Condition: great condition For more any more...

A wonderful and detailed landscape painting signed and inscribed oil on canvas painting by Edmond Petitjean, (French 1844-1925). Condition: Excellent. Looks like it was recently cle...

Georg Garbe (19th Century) "Alpine River Landscape" This captivating 19th-century oil painting on canvas by Georg Garbe presents a breathtaking Alpine landscape, featuring a rushing ...

Late 19th/early 20th century oil on canvas painting in the manner of Abraham Hulk the Younger (1851-1922), this painting was acquired by Saltire Gallerie with a larger painting signed by Hulk the Younger, (just SOLD). Presented in a period decorative gilt frame, the painting is of a cottage in a woodland with cattle by a pond, a little black dog and man and a woman standing by. In the distance is a glimpse of a river and grasses, framed by trees and an overcast sky. Hulk is renowned for his treatment of the changing season from summer to autumn, and the golden leaves and fading greens in this painting suggest this changing time of year. Hulk is the son of a well known Dutch maritime...

The Close of Day English School, mid 19th century oil painting on canvas, framed framed: 23 x 27 inches canvas : 14 x 18 inches Provenance: private collection, England Condition: ver...

This lovely painting is a British Old Master late 18th century or early 19th-century oil painting by Thomas Barker of Bath. It is stylistically very similar to his other works of the...

A good antique antique oil on canvas New England landscape painting by Milton H. Lowell (1848-1927), signed, circa 1890. A very beautiful painting of a New England cottage...

This charming French Old Master oil painting is by noted French artist Philippe Budelot. Painted circa 1800 the composition is of figures on a woodland path by a lake. In the foreground is a drover on horseback with some cattle and a goat. They are being greeted by the sheep dog of the shepherdess behind them who has sheep scattered amongst the trees. More figures are coming along the path in the distance. The group in the foreground are well illuminated beneath the blue sky above and it is probably early morning. The brushwork on the trees is superb and the whole scene is quite charming. This is an excellent example of a French Old Master landscape...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: The Diving Board Medium: gouache on paper, loosely laid over card, unframed card: 12.75 x 9.75 ...

This charming Victorian landscape oil painting is by noted British artist Henry Dawson. It was painted circa 1850, when Dawson was working in London, producing some of his best works...

A Governor’s Mansion - Countryside Couple - Original Watercolor on Paper 1860s Governor’s Mansion during the Civil Water. A watercolor painting depicting horse carriages and disting...

Among the treasured classic arts we offer for sale is this stunning painting by the artist Anton Genberg. Born in 1862 to Pehr Jonsson and Anna Genberg, he left an indelible mark on the art world through his magnificent creations. Genberg's life was colored with a passion for exploration, study, and artistic expression. His artistic journey began with studies at the Tekniska skolan in Stockholm from 1882 to 1884, during which he also honed his skills at Oscar Törnås' private painting school. He furthered his education under the tutelage of Per Daniel Holm at the prestigious Konstakademien from 1884 to 1889. During these years, Genberg's exceptional talent was recognized with numerous scholarships and medals. Our painting, dated 1889, transports us to a captivating scene just some minutes after sunset. The canvas is imbued with a beautiful golden glow as the sun's last rays kiss the sky. Amidst a serene lake, the heavenly light reflects, painting the water's surface with mesmerizing shades of purple. In the distance, the landscape is dominated by a mountainous forest, while in the foreground, a stretch of land adorned with bushes creates a sense of depth. The impressionist style comes alive through Genberg's swift brushstrokes, reminiscent of the masterful techniques employed by Rembrandt, with branches delicately etched using the opposite end of the brush. Genberg's fame as a landscape artist was solidified through his enchanting depictions of snow-laden landscapes from Norrland, particularly the majestic "fjällen" (mountains). His art also captured the allure of Stockholm, Dalarna, and his birthplace in Jämtland. Notably, his masterpiece "Vinterafton" earned him a place of honor at the esteemed Nationalmuseum. Beyond his creative pursuits, Anton Genberg was actively involved in the art community. He served as the vice-chairman of the Svenska konstnärernas förening from 1913 to 1918 and held a position on the board of Sveriges allmänna konstförening from 1906 to 1939. His exceptional contributions were recognized when he was elected as a member of the Konstakademien in 1922. Throughout his life, Genberg resided in various places, leaving behind a trail of artistic inspiration. From 1916 to 1924, he lived in the enchanting Villa Wallbeck-Hansen, a masterpiece of national romanticism...

Fine work by celebrated 19th century artist, Colin Hunter (1841-1904) ARA, RI, RSW, RE. 'Highland Bridge' shows one of the old stone bridges in the Scottish countryside with horse an...

Original oil on canvas painting by the well known British artist, David Bates. Signed lower right and dated 1886. The canvas has been relined. Condition is very good. The painting is housed in a period ornate gold frame. Overall framed measurements are 19 by 22.75 inches. About: David Bates British, (1840-1921) David Bates was born in March, Cambridge in 1840 to Benjamin Bates a shoe maker and Sarah Bates. By 1851, the family had moved to Upton upon Severn in Worcestershire and from 1855 Bates became an apprentice at the Royal Worcester Porcelain Works in Worcester. There he developed his artistic talent, painting flower decorations onto vases and plates. At some point after 1861, he became a full time artist and made his debut at the Royal Academy in 1863, continuing to exhibit there until 1893. He also exhibited at the Royal Birmingham Society of Artists, Suffolk Street and the Grosvenor Gallery. He married Elizabeth Higgs from Worcester in 1867 and they lived at Cherry Orchard, Bath Road in Worcester where their children were later born. Their second child John Bates Noel (1870-1927) became a landscape artist and their younger son David Samuel...

H.Jackson. 19th century English landscape with sheep English late 19th-century painter of animals either in barns or landscapes. His paintings have the influence of the work of the Belgium painter Cornelius van Leemputten...

This lovely British Victorian oil painting is by Edward Charles Williams of the Williams Family of artists and related to George Morland. The painting is a figurative landscape entitled the Woodman's family and entails five figures and a dog gathered around a tree that the Woodman is tackling with his axe. The painting is signed and indistinctly dated (only visible with ultra violent light) lower left, the date being 1869. For me, the highlight of the painting is the artistry and attention to detail with which Williams has portrayed the light on the trees above and the exquisite colouring of the leaves. There are even two birds finely depicted in the tree foliage. Signed and indistinctly dated 1869 lower left (only visible under ultraviolet light). Provenance. Berkshire estate. Condition. Oil on canvas, image size is 40 inches by 36 inches and in good condition. Housed in a complementary frame. Framed size is 48 inches by 44 inches and in good condition. Edward Charles Williams (London 10 July 1807 – 25 July 1881) was an English landscape painter during the Victorian Era, and a member of the Williams family of painters. He was the eldest son of the painter Edward Williams (1781–1855) and Ann Hildebrandt (c.1780–1851), and a member of the Williams family of painters, who were related to such famous artists as James Ward RA and George Morland. His father was a well-known landscape artist, who taught him how to paint; otherwise he received no formal instruction. He adopted much of his father's style and technique, and like the other painters of his family, he devoted himself to landscapes, producing rich and tranquil views of Barnes, Cumberland, Kent, Surrey and the Thames. His paintings are now highly sought after. Williams married his first wife Mary Ann Challenger on 11 December 1839 in Westminster. Mary Ann died in 1857 in London, and his only child Alice Williams was born shortly afterwards to Sarah Susannah Horley, who had been Mary Ann's nurse – Edward and Sarah did not marry for another 10 years until 3 October 3, 1868, when they wed at the St. Pancras Old Church in Camden, London. He largely stopped painting after the 1859 death of his second wife, adding value to the small number of paintings that he did produce from 1859 on − Springer in the Bracken, The Lap Dog, The Ploughman's walk home, The Ducks at Tilbury and Primrose at St Mary's (Primrose was the Verger's Cat). Some suggest that he suffered a breakdown after his wife's death, given his choice of subjects in these later years. The location of three of these post-1859 works are unknown, and they are assumed lost during two world wars. He signed some of his work as E Williams, which leads to confusion with his father, who painted in a similar style, and at times he signed as C Williams to purposely avoid such confusion. Because many of the paintings of both father and son are unsigned, it can be difficult to correctly attribute their work. Edward Charles also collaborated on several paintings with William Shayer, where Williams would paint the landscape, and Shayer would add in figures and animals; his Near Wantage, Berkshire is a good example. He died 25 July 1881 at Shepherds Bush in London and is buried with Sarah Horley and their daughter Alice in Hammersmith Old Cemetery, close to other family graves. Edward Charles Williams was born into an artist family that is sometimes referred to as the Barnes School. His father and five surviving brothers were all noted landscape painters during the Victorian era. Three of the sons of Edward Williams changed their last names to protect the identity of their art. Edward Williams (father) Henry John Boddington, George Augustus Williams, Arthur Gilbert, Sidney Richard Percy, Alfred Walter Williams.

HUGH OIL PAINTING Antique 19th Century Fine Quality Piece of Winds OLD MASTER OIL PAINTING BRITISH SCHOOL 19th Century Gold Frame Description Late 19th century Piece “Good Condi...

Here for your consideration is a very well executed luminous oil on artist board painting by the American artist, Franklin Dullin Briscoe. Signed and dated by the artist lower righ...

Figures in a Classical Landscape French School, 18th/ 19th century oil painting on copper, unframed copper: 4 x 5 inches provenance: private collection condition: the work has paint ...

This charming Lowry-esque late 19th-century oil painting by Swedish artist Ernst Philip De Fine Licht (1855-1929) depicts the old town hall at Helsingborg, Sweden. De Fine Licht was ...

This charming British Old Master exhibited landscape oil painting is by noted artist John Rathbone. It was painted in 1800 and exhibited at the Royal Academy London the same year so ...

Charming Hudson River school antique oil painting of a sailboat on a lake, circa 1880-90. Signed "R. Labarr." after Richard LaBarre Goodwin...

Alfred Pollentine British, (1844-1910) The Grand Canal looking towards St Marks Square & the Doge’s Palace, Venice Oil on canvas, signed Image size: 19.25 inches x 29.25 inches Size including frame: 25.25 inches x 35.25 inches A wonderful view of the Grand Canal featuring the Doge’s Palace and St Mark’s Square, Venice by Alfred Pollentine. The scene shows the entrance to the Grand Canal with the Santa Maria Della Salute with its distinctive rotunda and the Dogana to the left. Ahead can be seen the bell tower of St Mark’s with the Doges palace to its right. Alfred William Pollentine was born in St Pancras, London on 26 August 1844, the son of William Pollentine, a carver gilder and picture dealer and Caroline Smith. After the death of his father in 1856, his mother married the artist Adam Barland...

Charles Jones British, (1836-1892) Sheep Resting Oil on canvas, signed with monogram & dated 1877, further inscribed verso Image size: 35 inches x 59 inches Size including frame: 47 inches x 71 inches Exhibition Size Painting A fantastic exhibition sized landscape painting of sheep on a cliff top by the coast by Charles ‘Sheep’ Jones. At the time he produced this painting, Jones was living at Heathercroft, Balham Hill in London. Given the size and quality of the work it was most likely an exhibition piece. The topography and landscape suggest that this is the Dorset coast, one of his favourite places to paint. Charles Jones was an animal painter who was born in Stepney, London in 1836. He was the son of the artist Samuel John Egbert Jones (1797-1861) and Dinah Jones. He lived with his parents and 9 siblings in Mile End and was a pupil of his father. In September 1859, he married Frances Rosalinda Downe, who was born in America. His son Arthur Bertram Loud (1863-1930) also became an artist. They lived at 12 Hayes Place, Lisson Grove from where he made his debut in London at the Royal Academy in 1861. He also exhibited at the British Institution, Suffolk Street, New Watercolour Society, Royal Institute of Oil Painters and the Royal Institute of Painters in Watercolours. By 1867, he had become a successful artist and they had moved to 7 Paragon Place, Brixton Hill. From 1874 he lived at Heathercroft, Balham Hill where he spent the rest of his life. Jones became well known for specialising in paintings of sheep, cattle and deer in landscape settings. He spent his time travelling around visiting areas such as Devon, Dorset, Kent, Sussex and the Highlands. However, it is for his skilful painting of sheep that he is perhaps best known, and for which earned him the nickname of ‘Sheep’ Jones. As well as the major London galleries, he also exhibited provincially at various locations including: the Royal Cambrian Academy where he was elected a member in 1886, the Glasgow Institute of Fine Arts, Manchester City Art Gallery, Royal Hibernian Academy, Royal Society of British Artists, Birmingham and the Walker Art Gallery, Liverpool. Some of the smaller more intimate galleries he exhibited at were Arthur Tooth & Sons and Thomas...

William Stephen Coleman British, (1829-1904) By the Fish Pond Oil on canvas, signed & dated 1898 Image size: 23 inches x 35 inches Size including frame: 30.25 inches x 42.25 inches A beautiful painting by William Stephen Coleman of a woman with two girls in a semi classical style by a Mediterranean pond. The woman is depicted resting on a terrace with her young daughter asleep on her lap, whilst another child catches goldfish in a bowl. This tour de force would have most likely been painted by Coleman as an exhibition piece. William Stephen Coleman was a figurative painter who was born in Horsham in 1829. He was one of 12 children born to a physician named William Thomas Coleman and his wife Henrietta (née Dendy). Three of his siblings Rebecca Coleman (b1837), Helen Cordelia Angell (1847–1884) and George Coleman also became artists, inheriting their artistic talent from their mother’s side of the family. Coleman developed an interest in nature from an early age, producing drawings as a hobby. Despite his ability, he initially followed in his father’s footsteps and trained as a surgeon. However, this proved unsuccessful and by the age of 21 he had turned back to art, later gaining employment with the Dalziel Brothers, a firm of wood engravers who specialised in natural history illustrations. Sometime during the late 1850’s he moved to London where he married his first wife Henrietta Augusta Boultbee in 1858. Around the same time, he began producing illustrations for books; the first of which was entitled ‘Common Objects of the Country’ and published in 1858. He subsequently published two of his own books ‘Our Woodlands. Heaths, and Hedges’ in 1859 and ‘British Butterflies’ in 1860. After the death of his wife in 1860, his sister Rebecca and brother George went to live with him in Garway Road, Paddington. Rebecca would often assist him with the wood blocks for his illustrations. As well as working as an engraver, he also began producing classically influenced paintings featuring figures in landscapes. Initially these were executed in watercolours but later extended to oil paintings. He began exhibiting at the Dudley Gallery in 1865 and was one of the original committee members. He continued to exhibit there until 1879 and was a committee member up until 1881. By 1869, he had also begun to work on pottery decoration and in 1871 was asked by Minton’s to establish an Art Pottery Studio at Kensington Gore. Whilst at Minton’s, he produced figure designs for their ceramic ware. His sister Rebecca also worked at Minton’s and they moved to Belle Vue in Chelsea to be closer to the studio. From 1881, he lived at 3 St John’s Wood Studios, Queens Terrace in Paddington and in 1888 moved to 43 Broadhurst Gardens in Hampstead. In 1893 one of his classically inspired works ‘The Gold Fish Bowl...

Artist/ School: Kate Macaulay (1872 - 1884), signed Title: Scottish landscape with atmospheric, brooding skies over castle ruins (Kilchurn?) and cattle watering in the shallows of t...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: River Boat + Gardner Medium: 2x gouache on paper, loosely laid o...

19th century Scottish Highland Sheep in a landscape. A Scottish 19th century Highland landscape painting featuring Highland sheep by Vincent Collier offers more than just aesthetic ...

"Dusk Forest Scene, Catskills," 1875 by Hudson River School painter Lockwood DeForest (American, 1850-1932) is oil on artists card-stock and measures 9.5 x 7 inches. The work is signed by DeForest, and dated May 13, 1875 at lower right. The work is framed in an elegant, period appropriate frame, and ready to hang. Lockwood de Forest was born in New York in 1850 to a prominent family. He grew up in Greenwich Village and on Long Island at the family summer estate in Cold Spring Harbor. As was customary for a cultivated family in the Gilded Age, the de Forests made frequent trips abroad. Excursions to the great museums, which were prominent on the de Forests agenda, deepened the young Lockwood's familiarity with European painting and sculpture. Though he had begun drawing and painting somewhat earlier, it was during a visit to Rome in 1868 that nineteen-year-old de Forest first began to study art seriously, taking painting lessons from the Italian landscapist Hermann David Salomon Corrodi (1844–1905). More importantly, on the same trip, Lockwood met one of America’s most celebrated painters, (and his maternal great- uncle by marriage) Frederic Edwin Church (1826–1900), who quickly became his mentor. DeForest accompanied Church on sketching trips around Italy and continued this practice when they both returned to America in 1869. Early on in his career, de Forest made a habit of recording the date and often the place of his oil sketches, as to create a visual diary of his travels. Lockwood’s profession as a landscape painter can be primarily attributed to Frederic E. Church and his belief in the young artist’s talent. De Forest often visited Church in the Hudson River community of Catskill where, in addition to sketching trips and afternoons of painting, he assisted with the architectural drawings and planning of Olana. In 1872, de Forest took a studio at the Tenth Street Studio Building in New York. During these formative years de Forest counted among his friend’s artists such as Sanford Robinson Gifford (1823–80), George Henry Yewell (1830–1923), John Frederick Kensett (1816–72), Jervis McEntee (1828–91), and Walter Launt Palmer (1854–1932). Over the next decade de Forest experienced success as a painter. He exhibited for the first time at the National Academy of Design in 1872, and made two more painting trips abroad, in 1875–76 and 1877–78, traveling to the major continental capitals but also the Middle East and North Africa. His trip to the Middle East and the library at Church’s home, Olana, established his interest in design during his mid-twenties. From about 1878 to 1902, landscape painting was overshadowed by his activities and preoccupation with East Indian architecture and décor, a style that became quite fashionable in late nineteenth century America. From 1879-1883, de Forest founded Associated Artists along with Louis Comfort Tiffany, Candace Wheeler...

French 19th century Fall River landscape, with later afternoon sunlight, Autumn trees and River bank flowers. William Baptiste Baird was born in Chicago, moving to Paris in the 1870s where he spent most of his working life. He exhibited both in Paris, at the Salon des Beaux-Arts and at the Royal Academy in London from 1877 to 1899. In 1877 he gave his address as 47, Bloomsbury Square, London; in 1879 as 20 Cheyne Row...

'Kirkeneaton, Nr Pontefract' *see notes below by George Alexander (British, 1832-1913) signed oil painting on canvas, framed framed: 35 x 35 inches canvas: 30 x 30 inches Provenance: private collection, England Condition: great condition George Alexander (1832–1913) was a British painter known for his detailed landscape and genre paintings. His works typically depicted rural life, countryside scenes, and pastoral settings, reflecting the 19th-century British Romantic...