Landscape Paintings

This is an amazing original oil painting on canvas of the famous Portuguese-American painter, Humberto da Silva Fernandes (1937-2005) depicting a Seascape. Humberto da Silva Fernandes (1937-2005) was a Brazilian artist known for his maritime-themed paintings. He was born on March 20, 1937, in the city of Niterói, in the state of Rio de Janeiro, Brazil. Fernandes started his artistic career in the 1950s, working as a sign painter and creating murals for public buildings. In the 1960s, he began to focus on painting maritime scenes, particularly ships, and boats. His work is characterized by a realistic style that captures the beauty and power of the sea, as well as the intricate details of ships and boats. Fernandes' paintings often depict historic vessels...

A good large post impressionist/expressionist Landscape oil circa 1938 oil on canvas 75cmx90cm Gallery frame 87cmx102cm Fields with a small dwelling painted in expressive impastoed b...

"3rd Avenue EL" NYC American Scene Ashcan WPA Modern 20th Century Social Realism Bernard Gussow (1881-1957) 3rd Avenue El 28 1/8 x 30 1/4 inches Oil on canvas Signed lower left Fram...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

20th Century Painting of a River Landscape Winter Snow Scene with Gypsy Caravans, by Roger Charles Desoutter. A unique original oil painting. S...

Well painted French late 20th Century Anglo/American Impressionist painter Charles B. Hall. This was painted on a trip to France circa 1988 Hall painted marine scenes, landscapes,...

Impressive early American impressionist view of New York City oil painting by Johann Berthelsen (1883 - 1972). Framed. Oil on canvas. Signed. Image size, 12H by 16L.

'Parc des Buttes-Chaumont' in Paris, gouache on art paper, by Lucien Génin (circa 1930s). A charming depiction of well turned out Parisians enjoying a day at the park. Boaters, strollers and swans all co-mingle around the peaceful lake. The reflection of the rocky bluff in the water is superbly treated by Génin. It's a cheerful and uplifting image of days-gone-by in 1930s Paris. The park takes its name from the 'bare hill' (chauve-mont) that once occupied the site. It became a place where gypsum was mined, and where the limestone was quarried to be used in buildings in Paris and the United States. Worse, though, it was a site that also became a dumping ground. Luckily, during the 19th-century renovation of Paris under Napoleon III, chauve-mont was chosen as a place for a large park, as part of the emperor's fascination with endowing Paris with green spaces. The artificial lake created at that time wraps around a hilly central island. The lake attracts waterfowl and other birds and is stocked with fish. The 19th-century planners cleaned up the site and added tons of soil to fill the pits left by a limestone mining operation. Then dynamite was used to "sculpt" the site into the craggy shapes seen today, including the 50-metre-high central hill with cliffs, an interior grotto, pinnacles, and arches. Up on top, overlooking the rest of the park - and depicted in this artwork - is a small, round belvedere, based on the Roman Temple of Vesta in Italy. From that spot you can see a lovely view of Montmartre and the white cupolas of the Sacre-Coeur. The painting is in very good condition. It has been newly framed and glazed with museum-quality glass (anti-reflective and UV protection) to preserve this significant artwork for decades to come. Dimensions with frame: H 62 cm / 24.4" W 76 cm / 29.9" Dimensions without frame: H 48.5 cm / 19.1" W 63 cm / 24.8" About the Artist: After the devastation of the First World War, Lucien Génin (1894 - 1953) left his provincial home in the autumn of 1919 to find his fortune among the lively Parisians in the heart of Montmartre. Génin befriended the painters Frank Will, Gen Paul, Émile Boyer, Marcel Leprin...

Benito Magallón (1947-2011) - Landscape - Oil on canvas Oil measurements 54x65 cm. Frameless. Benito Magallón was born in Cascante, Navarra, in 1947. At the age of 6 he went to live...

Technical Data of the Artwork Title: Life by the Pier Artist: Rosendo González Carbonell Medium: Oil on panel Dimensions: 8.3 x 10.2 inches (unframed), 13 x 15 inches (framed)...

Ireland Lake Seascape Landscape with Boats & Figures by Contemporary Irish Artist, Frank Fitzsimons Art measures 36 x 16 inches Frame measure 41 x 21...

'Inscribed lower right, 'Len Chmiel' (American, born 1942) and painted circa 1980. Born in Chicago, Chmiel moved to California at the age of eight. He firs...

Work on cardboard with frame. Total size with frame is 53x69x5 cm Roberto Gherardi is an Italian-Geneva painter born in 1933 in Ascensione in northe...

Oil on wooden panel realized by Fausta Settimj in the 1930s. Good condition.

River bay. 1987. Oil on cardboard, 44x58 cm Summer landscape by the river Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints...

Day at the Beach - Realistic Figurative Illustration in Gouache Original figurative illustration of people at the beach by Charles Ross Kinghan (American, 1895-1984). Several women are looking at someone's foot, as if there is a splinter being removed. Three of the women are closer, with their heads in the frame. Two of them have are standing with their backs to the viewer. Between the women, the viewer can catch glimpses of other activities on the beach. Possibly a sketch for Good Housekeeping Magazine. Signed "Charles Ross" in the lower right corner. (Charles Ross Kinghan) Acquired with other signed estate works by the artist. Presented in a new cream mat. Mat size: 16"H x 13"W Board size: 14"H x 11.75"W Charles Ross Kinghan (American, 1895-1984) was born in Anthony, KS on January 18, 1895. A teacher, he moved to Wichita as a teenager and did sign painting for the Western Sign Works. He studied at the Chicago Academy of Fine Art in 1916, the American Academy of Art in Chicago, the Audubon School of Art and the Art Institute of Chicago. He was a pupil of Carl Scheffler, J. Wellington Reynolds, and H.A. Oberteuffer. He taught at the Art Institute of Chicago and at the American Academy of Art in Chicago. He was an illustrator for McCalls, Good Housekeeping, Saturday Evening Post, Colliers, and many others, including American Artist magazine. He was author and illustrator of Rendering Techniques for Commercial Art and Advertising (1956) and of Ted Kautzky...

Wonderful painting of mist at the base of Grand Teton Peak in the Grand Tetons titled "Morning Mist" by Keith Fay (American, 1920 - 2008), circa 1980), C. 19...

Signed post impressionist figures in landscape oil on canvas circa 1980 by French painter Max Michel Agostini. The work depicts a park in spring. There are flowerbeds filled with red...

"Early [Newspaper] Edition," an original mixed media on canvas by Linnea Pergola, is a piece for the true collector. Pergola's style is whimsical and she is most well-known for her cityscapes, landscapes, and vivid works on silk. Many artists have copied her cityscape style, but she has been creating these works since the 1980s and was one of Martin Lawrence Galleries...

Early 20th Century Oil Painting Grand Canal Palazzos and Gondolas , Venice Italy (2-Sided) Peaceful and substantial romantic scene of a gondola alo...

Original oil on canvas painting of a seaside vista by the American artist, Robert Waltsak. Signed lower left. Condition is excellent. Overall framed in a grey wash frame with gold h...

Original oil on canvas painting of a Scottish village in winter. Signed lower right. The “R.O.I. after the artist’s name is the abbreviation for the R...

Spring Storm is an original vintage painting by renowned New Mexico and Oklahoma modernist Doel Reed (1894-1985). This captivating piece, painted in June 1980, depicts a dramatic Sou...

Big Spring Flower Surrealistic Landscape Painting 1990 Artist signed lower right corner, oil on canvas 15"x18 in Gold Leaf Frame 23"x26" Ivan Rabuzin was born in Novi Marof in 1921 a...

Oil on wood sold with frame Total size with frame 102x122 cm Jean Krillé is a Swiss artist from Geneva, recognized for his significant contributions to contemporary art. Born in the...

Original Post-War Oil Painting of Mulroy Bay Donegal Ireland by Irish Artist Denis Thornton (1937-1999) Art measures 22 x 16 inches Frame measures 27 x...

Under the Viaduct American Scene Social Realism WPA Era Mid-20th Century Modern Syd J. Browne (1907-1991) Under the Viaduct 22 x 30 inches Oil on canvas. c. 1930s Signed lower left ...

Josep Navarro Vives (1931) - Paris France - Oil on panel Oil measures 25x35 cm. Frame measures 28x38 cm. Josep Navarro Vives (Castelsarrasin, France 193...

Artist: Lowell Nesbitt (1933-1993) Title: Impossible Series Year: 1987 Medium: Oil on canvas, triptych Size: 66 x 54 inches, each; 66 x 162, overall Inscription: Signed, dated by the...

Signed impressionist landscape oil on canvas circa 1930 by French painter Antoine Bouvard Snr. The work depicts a gondolier sailing a gondola on a Venetian Canal. The last light of t...

Expressive Abstract Landscape Painting of Ireland by Contemporary Irish Artist, Frank Fitzsimons Art measures 30 x 16 inches Frame measure 35 x 21 ...

Old Town Oil on canvas 50x60 cm

P. L. Hohnstedt (Peter Lanz) (1872 - 1957) San Antonio, Comfort Artist Image Size: 12 x 16 Medium: Oil Circa 1930s "Texas Summer" Hill Country Biography P. L. Hohnstedt (Peter Lanz) ...

Louis Bosa (Italian-American, 1905–1981) Island of the Monks, c. 1930 Oil on masonite Signed lower right 14 x 24 inches 23 x 33 inches, framed Born in Codroipo, a small village only...

Gary Niblett (Born 1943) New Mexico Artist Image Size: 24 x 36 Frame Size: 38 x 50 Medium: Oil "A Fine Welcome" Nocturnal Western Biography Gary Niblett (Born 1943) Born and raised in Carlsbad, New Mexico and living with his wife, Monika in Santa Fe, Gary Niblett is a painter, primarily with oil, of western scenes especially Navajo and Pueblo Indians, cowboys on horses in landscape, and frontier genre. He has also done paintings from his travels such as Streets of Warsaw and Women of Golondrinas, and during these travels exhibited work in Moscow, Taiwan, Beijing and the Royal Watercolor Society in London. From birth, Niblett grew up with the American West as a part of his daily life. Recognizing his talent, local ranchers paid him to do portraits of his horses. After high school graduation, he attended the Art Center School of Design* in California and then spent eight years in Los Angeles with Hanna-Barbera* animation studios as a background and animation artist. There he met his wife, Monika, and they married in 1970. Deciding to focus on western art, Niblett left commercial art in 1973. He and his wife, Monica, returned to New Mexico where they live in an adobe style home. In New Mexico, he has received much attention for the quality of his painting. In 1990, he was named "Distinguished Calendar Artist" for New Mexico Magazine, and one of his oil paintings is in the collection of the New Mexico state capitol building. He has also been featured in magazines such as International Fine Art Collector, Time, Saturday Review and New Mexico Magazine. In 1976, Niblett was voted into the Cowboy Artists of America...

A modernist oil painting by New York modernist Karl Fortress (1907-1993). The painting has provenance from the Cornell Art Museum. In excellent original condition. Signed lower le...

Charles Walter Simpson. English ( b.1885 - d.1971 ). Dartmoor Ponies, Devon. Oil On Board. Signed Lower Right. Image size 20.7 inches x 28.2 inches ( 52.5cm x 71.5cm ). Frame size 29.5 inches x 37 inches (75cm x 94cm ). Available for sale; this original oil painting is by Charles Simpson and dates from the 1930s. The painting is presented and supplied in a contemporary and sympathetic wood frame (which is shown in these photographs) mounted using conservation materials and behind non-reflective Artglass AR 70™ glass. The previous ply backboard has been retained and is secured onto the new replacement backboard for posterity. This vintage painting is in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display. The painting is signed lower right. Previously with Harris & Sons, 70 George Street, Plymouth, Devon in July 1936. Charles Walter Simpson, known as Walter, was a leading figure in the Newlyn and St Ives art colonies in the early part of the twentieth century. He is perhaps best known in America for his horse paintings but is also widely acclaimed for his mastery of birds. It has been said that as a painter of wildfowl Simpson can have few rivals. He worked in oils, watercolors and tempera. Walter was born at Camberley on 8th May 1855. His mother was Leonora (nee Devas) and his father was Major-General Charles Rudyard Simpson of the Lincolnshire Regiment. Initially Walter was educated by a private tutor, and he later attended the Herkomer School at Bushey. As a youngster Walter was destined for a military career. However, this was prevented by a riding accident which affected both his hearing and sight. He had a considerable talent for drawing and determined to become an artist instead. Walter was initially largely self-taught, but then received guidance from family friends such as G.F. Watts and H.W.B. Davis, RA. He later studied for a short time under the renowned animal artist Lucy Kemp-Welch at Bishley, then with Sir Alfred Munnings, with whom he developed a life-long friendship, at Swainsthorpe. Munnings encouraged him to visit Cornwall, where he studied under Stanhope Forbes RA in Newlyn. Simpson’s first home in West Cornwall was Penzer House in Newlyn, where he was living in 1908. Finally, Simpson completed his studies at the Academie Julien in Paris in 1910. On his return from Paris, Simpson moved to Cornwall again and became engaged to fellow artist Ruth Alison just a couple of days after first meeting her. They were married in 1913, living first in Newlyn and then in Lamorna at “Brodriggy”. They had a daughter, Leonora, born in 1914. In 1916 Simpson and his family moved to St. Ives to set up their own School of Painting, which they ran from numbers 1 and 2 Piazza Studios. During this period Simpson dominated the St. Ives art scene. The family moved back to London in 1924 but returned to Cornwall in 1931. Altogether, they moved between West Cornwall and London eleven times. From his studio in Cornwall Simpson painted in earnest, often on a grand scale, producing wonderful large decorative canvases, specialising in wild ducks, gulls and other sea birds. He had a reputation as an outstanding animal and bird painter. Paget described Charles Simpson in 1945 as “undoubtedly the best bird painter living. He alone, of all artists past and present, can make his birds appear out of their backgrounds as one approaches them, or the light is increased as in nature…”. Simpson relished painting en plein air and Laura Knight commented, "He was so prodigal with paint, he could be traced by the color left on the bushes!". Simpson first exhibited at the Royal Academy in 1906, initially painting mainly non-sporting subjects. From then on, he was a regular contributor to the Royal Academy exhibitions. It was not until 1924, when a rodeo was held at Wembley during which he worked in the ring and produced a book call El Rodeo...

Red Barn Near Foothills - Landscape in Oil on Canvas A beautiful pastoral scene of a red barn near the foothills by Nellie M. Hodgson (American, 20th Century). A barn is nestled in ...

Ignasi Mundó Marcet (1918-2012) - Plaza Nueva Barcelona Spain - Oil on canvas Canvas measures 73x60 cm. Frameless. MUNDO Ignasi Ignasi Mundó trained at t...

CARLOS NADAL Spanish, 1917 - 1998 PONT DE VILLE signed "Nadal" (lower right) titled, signed and dated "PONT DE VILLE / Nadal / 1981" (on the reverse) with the atelier stamp (on the r...

Gorgeous Sausalito and the Golden Gate Bridge landscape oil painting by Calderon (Spain, 20th Century). Presented in a giltwood frame. Signed "Calderon" lower right. Image size, 30"H...

Walton Leader (1877-1966) Austin Artist Image Size: 28 x 36 Frame Size: 34 x 41 Medium: Oil on Canvas 1930s Onion Creek Austin Texas Biography ...

Oil on artist board painting by the American artist, Paul Wesley. Signed lower right. Titled and signed verso. Circa 1930. Condition: excellent. Provenance: A private estate, East ...

Oil Painting of River Landscape in Ireland Countryside by Modern Irish Artist. This original oil painting is an early example of the more traditional...

"On The Beach" By Greg Harris is a perfect example of his most sought after paintings. Measuring 36x48 in., this painting is timeless with woman and children at the beach...

Work on canvas

The roofs of Paris, oil painting by Pierre Coquet Reference number F205 Framed with a natural oak floated frame painted in black 70 x 55 cm frame included (65 x 50 cm without frame) This work is painted with oil on a paper that is mounted on a board and placed in a made to measure wood strectcher. It is signed in the bottom right. Paris is one of Pierre most important subjects. Pierre's Paris is always depicted in a grey atmosphere. Buildings are stylized but the city is recognizable with its typical grey galvanised steel and orange terracota chimneys. Provenance : Workshop of the artist (stamped and numbered on the back) Pierre Coquet (1926-2021) is a French painter who was born in Limas near Lyon, France. He entered the Ecole des Beaux Arts in Lyon in 1942 and followed the teaching of Antoine Chartres, Henri Vielly and René Chancrin...

Work on canvas Wooden frame and gilded plaster 70 x 86 x 6 cm

Industrial Mural Study, Veterans Memorial Building, Santa Barbara WPA American Joseph Edward Knowles (1907-1980) "Study for Industry Mural, Veterans Memorial Building, Santa Barbara, CA" 19 1/2 x 50 1/2 inches Oil on board, c. 1930s. Estate stamp verso Framed: 27 x 60 inches The completed mural is currently hanging on the wall, part of the building actually, at the Veterans Memorial Building in Santa Barbara. A photo of the work insitu is included in the attached photos. BIO Joseph Edward Knowles was born in Kendall, Montana, on June 15, 1907. He grew up in San Diego, California. At age twenty, two years before the beginning of the Great Depression, he moved north to another town on the coast of California---Santa Barbara. There he began studying fine art at the Santa Barbara School of the Arts* (1927-1930), under the supervision of Frank Morley Fletcher, previously director of the Edinburgh College of Art. Fletcher, who was trained in portraiture, landscape painting, and woodblock* printing, was a great influence on young Knowles. It was there that Knowles learned the art of color woodblock printmaking, a medium in which he showed great skill. Not long after completing his studies with Fletcher, Knowles began teaching art. For a period of thirty years, from 1930 to1960, he taught at the Cate School in Carpinteria, California. In 1934-1935, Knowles traveled throughout Europe, further developing his artistic skills in England, France, and Italy. Upon his return, he continued to teach art at various schools and institutions: Cate School, Crane Country School, extension classes at the University of California at Santa Barbara (UCSB), and at the Santa Barbara Museum of Art (SBMA). Knowles also served as an art education consultant for the County of Santa Barbara. In addition, he was founding co-director and president of the Santa Barbara Fine Arts Institute (1969-1972), which later developed a specialization in photography and became the Brooks Institute of Photography. Knowles died at his home in Santa Barbara on September 8, 1980. Much of Knowles' watercolor work is associated with what has been termed the "California School*," a loose grouping of artists throughout the state that included such figures as Millard Sheets, Phil Dike, Dong Kingman, George Post, and the Santa Barbara painters Dan Lutz and Standish Backus, Jr. The California School artists, including Knowles, were known for their fresh, direct, spontaneous style of watercolor painting. Knowles and other members of the school found inspiration in nature and the built environment alike, emphasizing elements of design in their exuberant, boldly stated, colorful scenes from everyday life. While painting in a representational* manner, Knowles generally avoided photographic realism, preferring subjective interpretation of his subjects. In this, as well as in his experimental approach and vigorous brushwork, he displayed a strongly modern sensibility. Knowles often used the wet-on-wet watercolor technique as he painted seascapes and landscapes, mostly along the California coast. He also employed dry-brush* techniques in many of his paintings, often leaving some of the white of the watercolor paper exposed. Some of the latter depict trees and other forms in a broken and airy manner that recalls Cezanne. Knowles' colored woodblock prints are more reserved and exact in their draftsmanship than his paintings. Spare, clean, lyrical lines are drawn to illustrate floral motifs and boat scenes with a touch of asymmetry conjuring Japanese woodblock prints. His murals from the post-World War II period are considerably more modern in their approach and show an emphasis on design and color. PROFESSIONAL ORGANIZATIONS California Watercolor Society (1940 - 1955) Santa Barbara Art Association (Vice President - 1952) ONE-MAN EXHIBITIONS Golden Gate International Exposition (GGIE) - San Francisco, California San Diego Fine Arts Gallery (SDMA) - San Diego, California Santa Barbara Museum of Art (SBMA) - Santa Barbara, California Cowie Galleries - Los Angeles, California Gallery de Silva - Santa Barbara, California Bradley Galleries - Santa Barbara, California MURALS Westmont College - Ellen Porter Hall Mural - Santa Barbara, California Safeway Grocery (now Vons Grocery on West Victoria Street) - Exterior Tile Mosaic - Santa Barbara, California Santa Barbara Bank & Trust - Interior Mosaic Panels, Santa Barbara, California Santa Barbara Girls Club - Interior Mosaic Mural - Santa Barbara, California Ernest Righetti High School - Mosaic Mural - Santa Maria, California Shell Oil Company - Mosaic Panel - California Beckman Instruments, Corporate Headquarters - Mosaic - Fullerton, California STAINED GLASS WINDOWS, WALLS and PANELS Katherine Thayer Cate Memorial Chapel - Cate School, Carpinteria, California William S. Porter Memorial Chapel - Cottage Hospital, Santa Barbara, California La Rinconada Building - Santa Barbara, California ILLUSTRATIONS "California's Wonderful Corner: True Stories for Children from the History of the Santa Barbara Region," by Walter A. Tompkins (1962 & 1975) China Designs: Two sets of dinnerware for Winfield China...

The Banks of the Lake by Marc Guillard (French b.1896) signed oil on board, framed Framed: 22 x 28 inches Board: 21 x 27 inches Inscribed Verso Provenance: Private collection, Loire ...

Antique Expressionist Painting of Ibiza by the American Artist Martin Baer (1894-1961), 1935. Baer was born in Chicago and early in his career worked in Germany, North Africa, and Pa...

ADOLF ARTHUR DEHN (American, 1895-1969) San Francisco Bay Area street scene, with Trolley, Streetcar, Cable Car with bay and Alcatraz Island in background. Hand signed LRC. Sight 19" x 15", overall 23" x 19". Adolf Dehn (November 22, 1895 – May 19, 1968) was an American artist known mainly as a lithographer. Throughout his artistic career, he participated in and helped define some important movements in American art, including regionalism, social realism, and caricature. A two-time recipient of the Guggenheim Fellowship, he was known for both his technical skills and his high-spirited, droll depictions of human foibles. Adolph Dehn was born in 1895 in Waterville, Minnesota. He began creating artwork at the age of six, and by the time of his death had created nearly 650 images. Dehn went to the Minneapolis School of Art (known today as the Minneapolis College of Art and Design), where he met and became a close friend of Wanda Gag. In 1917 he and Gág were two of only a dozen students in the country to earn a scholarship to the Art Students League of New York. He was drafted to serve in World War I in 1918, but declared himself a conscientious objector and spent four months in a guardhouse detention camp in Spartanburg, SC and then worked for eight months as a painting teacher at an arm rehabilitation hospital in Asheville, NC. Later, Dehn returned to the Art Students League for another year of study and created his first lithograph, The Harvest. In 1921 Dehn's lithographs were featured in his first exhibition at Weyhe Gallery in New York City. From 1920 to 1921 in Manhattan, he was connected to New York's politically left-leaning activists. In 1921, he went to Europe. In Paris and Vienna he belonged to a group of expatriate intellectuals and artists, including Andrée Ruellan, Gertrude Stein, and ee cummings...

View of Paris is a modern artwork realized by Henri Hamm in the 1930s. Oil on wooden Panel. Good conditions.

Impressive early American modernist landscape oil painting. Framed. Oil on board. Signed. Image size, 11H by 16L.

Painting of River with Winter Trees in the English Countryside by 20th Century British Artist, James Wright. Signed, Original, Oil on Canvas, housed in a beautiful ornate gold frame....

Signature: Signed lower left and on the reverse Provenance: Shannon's Auctions D. Wigmore Fine Art Krushaar Galleries Christie's East October 3, 2000 Hand Carved Period Frame fr...

Mid-20th century Impressionist scene, French landscape with cottage The painter was active around the middle of the 20th century, painting landscapes, portraits, and city scenes. ...

Beautiful ca. 1935 painting by American artist, Frank Stanley Herring (1894-1966). Watercolor on heavy rag handmade paper measures 14.5 x 19 inches, 23 x 28 inches in original vintag...