Small Landscape Paintings

A rare mid 19th Century watercolor depicting Native Americans approaching a fort by Peter Peterson Tofft. This painting depicts a Fort built by Major John Owen in what is now Steve...

"Lueur d'Azur" captures the essence of a minimalist seascape, where light plays a central role. Through rich textures and layered applications of paint, Sophie Dumont creates an impr...

Autum Gardens signed by Georges Bordonave (French contemporary) oil painting on board, unframed board: 18 x 21.5 inches condition: very good provenance: from a large private collecti...

Frame size 78x87 cm. Rafael Griera Calderón was born incidentally in Las Palmas de Gran Canaria in 1934. After residing in Olot from 1942 to 19...

French Mid Century oil on board coastal landscape by Ferdinand Breffort. The painting is signed and dated bottom left and titled bottom right. Presented in a very fine carved wood an...

Untitled (Surrealist rendering of Pyramids at Giza with alligator) watecolor and gouache on paper, 1960 Unsigned Beni Kosh estate stamp No. 717 verso, unsigned. (see photo) Condition: Minor condition issues minor folds Not objectionable Image/Sheet size: 18 1/4 x 24 inches Provenance: Estate of the Artist Bingham Vance, Shaker Heights...

READY TO HANG with the edges painted! Original abstract painting The technique: stretched heavy canvas on wooden reinforced chassis and professional acrylic pigments layered by palle...

Ernest Voegeli is an artist who has found his path through a combination of solid technique and a clear, insightful approach to color, form, and composition. While his work is primar...

Nocturne is a mixed colored oil painting realized by Nazareno Gattamelata in the second half of XX century. Hand signed by the artist on the lower right margin. Includes frame. Th...

Wonderfully painted American impressionist street scene oil painting. Framed. Oil on board. Signed. Image size, 12H by 16L.

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

Sunset over the Highland Loch signed by F. E. Jamieson (British 1895-1950) oil on canvas, unframed canvas: 16 x 24 inches provenance: private collection, UK condition: The painting i...

Walter Launt Palmer is best known as “the painter of the American Winter.” In Bars of Light, the cool areas of shade haphazardly crisscross and then blanket the warm sunlight on the ...

Signed lower right, "C. Stilling" for Carl Conrad Stilling (Danish, 1874-1938) and inscribed 'Hyères'; dated lower left, '1928' and titled in Danish, verso...

The name of Yuri Krotov [Юрий Кротов] as an artist became known to the art-lovers in Europe in 1992 during the sale of Russian paintings at the auction room Drouot in Paris, Thanks t...

Landscape mixed media on canvas 50x50 cm Original Art Ready to Hang her painting tells of the relationship between man, nature and time, the landscape, the sign and the trace, thr...

Wonderfully painted luminous European sunset landscape painting. Framed. Oil on canvas. Signed. Image size, 16H by 11L.

As the Sun dips below the horizon, the winter landscape is bathed in a warm glow. The river, partially frozen, meanders through the snow-covered banks like a silver ribbon, its surfa...

Title: Half Hillside Medium: Oil on canvas Size: 23 x 19 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paint...

Ernest Fiene China Town, 1925 Signed and dated to lower right ‘Ernest Fiene 1925’. Watercolor on paper 18 1/2 x 14 5/8 inches Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings from this trip were featured in an exhibition held at the First National Bank in Pittsburgh in October of 1937 by the Pittsburgh Commission for Industrial Expansion. Fiene said of these works that he formed rhythm, opportunity for space and color, and integrity in the Pennsylvania mill and furnace paintings. Fiene received the silver medal for one of the Pittsburgh paintings...

A very nice and charming painting with a view of King Gustav III´s Haga pavilion by Carl Abraham Rothstén, (1826 - 1877). Oil on canvas, signed with monogram CAR. Probably painted in...

5113 Danish Impressionist harbor scene

Original painting of Burford Church, Costwolds Life. Sean uses very toned down colours but draws the attention to the Burford Church in Costwolds. The range of colour displayed on pe...

Farmyard Friends French artist, late 19th century oil on canvas, unframed canvas: 10.75 x 11.75 inches provenance: private collection, Paris condition: very good and sound condition

3D GALLERY QUALITY - READY TO HANG PAINTING - FREE SHIPPING A beautiful modern floral painting, an opium red poppy field, made with professional varnished acrylics and Amsterdam acry...

This stunning piece of art titled "Neve in Val Ceresio" is a captivating original work by renowned Italian artist Carlo Aimetti. Aimetti was known for his captivating scenes portrayi...

Tranquil River Landscape French Impressionist School, antique signed with monogram lower corner oil on canvas, framed in antique Gil frame framed: 16.5 x 19 inches canvas : 11.5 x 14...

Sunlight & Shadow Winter Trees oil/canvas 9 x 12 image unframed, 15.5 x 18.5 framed SELLERS STATEMENT I have been in the art business as an artist and dealer since the early 80's. ...

Antique original nocturnal cityscape oil painting. Oil on board, circa 1920. Signed illegibly. Image size, 12L x 16H. Housed in a period frame.

River Meadow with Cattle & Cottage in the English Countryside by British Artist, Tony Mercier (Born 1945) Art measures 16 x 12 inches Frame measures 20 x 16 inches Signed Vintag...

Harbor at Dusk signed by Fanch Lel (French b. 1930) Size: 18 x 21.5 inches Inscribed verso Oil painting on canvas, unframed Condition: The painting is in good condition, with minor s...

Michael Magrin's ( US based) "Healing Promise" is an original, handmade oil painting of a tranquil sunrise. This piece is framed in a natural float fram...

"Approach to Lee's Ferry" by Kim Whitesides, oil on canvas, 18 X 22 inches (Framed size: 21.5 x 25.5 inches) Whitesides made an impact in the art community at a very young age. While working as an illustrator in New York City from the late 60s through the mid 80s, his paintings appeared in many publications, including Time Magazine, Rolling Stone and Playboy. He received numerous awards from The Art Directors Club of New York and The Society of Illustrators. It was at this time that Whitesides began a period of bold work with the airbrush that emphasized the simplified spaces and clean lines of art deco and art moderne, for which he gained a national reputation. A native Utahn, Whitesides believes art is a language and an opportunity for his vision to inspire others. He continues to grow as an artist, as his art is constantly opening doors on new vistas...

Landscape painting depicting a cloudy morning in the Texas Hill Country. By Jim Rodgers 20" x 24" Oil on Board

oil on linen on homasote board, unframed 14.5 x 19 inches Harry Orlyk is celebrated for his ability to capture a rural country landscape with impressionistic brushstrokes and a bright color palette. Painting daily, the artist drives throughout the upstate New York, stopping to observe and paint 'en plain air' whenever and wherever a landscape strikes him. Orlyk prefers to leave his canvases unframed to reveal the exposed linen which are nailed to sturdy homasote boards for easy installation. '#5418 A Washington County Vineyard' is a perfect example of Orlyk's impressionistic aesthetic. Here, the artist captures a lush green field towards the end of summer. Orange leaves begin to appear atop green trees, creating a bright contrast with the blue mountains lining the horizon. Thick layers of paint are applied with expressive brushstrokes and culminate onto a textured surface. About the artist: Harry Orlyk was born in Troy, New York in 1947. In 1971 after graduating college, he went on to graduate school at the University of Nebraska at Lincoln . Over the next nine years, he was influenced by several Nebraskan artists. "Still-life painter Robin Smith taught me how to use paint without turpentine - to paint from the tube." He also admits the influence of photographer Lawrence McFarland who taught him what spiritual space was, and how to emphasize it. Lastly he credits well-known Lincoln painter Keith Jacobshagen...

Important, Impressionist original oil painting on artist's board, a landscape of Hong Kong circa 1950s, by the renowned Chinese Artist Hu Shanyu (1909-1993). Hu Shanyu was born in G...

Colourful Expressive Abstract River Bank Lakeside Landscape Scene by Contemporary British Artist, Angela Wakefield Art measures 16 x 16 inches Frame me...

Fred Darge (1900-1978) Dallas Image Size: 18 x 24 Frame Size: 27.5 x 33.5 Medium: Oil on Board "Approaching Storm" Biography Fred Darge (1900-1978) Friedrich Ernst Darge Born: March ...

Les mâts de bateaux, Cannes, France, oil painting by Pierre Coquet (1926-2021) Framed with a natural oak floating frame 49 x 46 x 2,5 cm (52 x 49 x 3,5 cm frame included) Boat masts...

Artist/ School: Irish artist, 19th century, indistinctly signed & dated 1880s Title: The Irish Landscape & Homestead Medium: oil painting on board, framed. framed: 14.25 x 18.75 i...

Structure: The Panthéon, a neoclassical monument, dominates the scene. Setting: A Parisian street with people and buildings creates a city atmosphere. The artwork is an oil paintin...

Jean-Baptiste-Camille Corot Soir dans une gorge Boisee, 1850-55 Signed lower right Oil on board 13 1/2 x 9 inches Provenance: Dutilleux, Paul Tesse, etc. Quincy Adams Shaw Pauline S...

Ivan Bergdahl, born in 1929 in Säbrå, is a celebrated Swedish artist renowned for his evocative landscape paintings that capture the stunning natural beauty of Sweden. His work, ofte...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

In this passionate oil creation, I infused the canvas with the serene beauty of an awakening spring nestled in a cozy village. The majestic mountains stand as silent guardians over t...

A Cowboy And His Horse - Gouache On Paper Gouache on paper painting depicting a cowboy and his horse by a campfire by Reinaldo Manzke (Brazilian, 1906-1980). A cowboy is seen sittin...

Intersection 18x14, oil on panel City Scene Landscape The artist is a regional landscape painter working in oils and pastels whose subject matter varies from the mountains and desert of west Texas to the wetlands along the Texas coast, with a strong focus on Texas forests and trees. and to the Rocky Mountains The artist is in corporate and private collections around the world. Garrett Middaugh is a regional landscape painter working in oils and pastels whose subject matter varies from the mountains and desert of west Texas to the wetlands along the Texas coast, with a strong focus on Texas forests and trees. His palette is muted, stark, embracing the neutral colors of everyday experience. Avoiding the romantic, his landscapes are often painted at high noon or in the dead of winter. He paints in a fluid hyper realist style and feels most influenced by other landscape artists such as Neil Welliver and Rackstraw Downes. He sees landscape painting as a form of meditation, projecting outward, while solving equations and mapping the scene, realizing accuracy of objects and relationships, of light, color, textures, distances. "Landscape painting is for me a means of projecting outward, of meditating, examining the here and now of place. The process often feels similar to the satisfaction of solving math equations, intuitively realizing accuracy of objects and relationships, of light, color, textures, distances. For the most part I paint Texas. For several years I devoted a significant amount of time to painting its forests -- the complexity of forest alleviated my sense and the nearness and density of growth was comforting. I have also ventured into west Texas and Big Bend, and occasionally have attempted to capture the mesmerizing serenity of central Texas farm and ranchland." Garrett Middaugh Also shown is a new Texas tractor painting...

Richard Ballinger is a British landscape and still-life painter. “I do not draw in the landscape, I draw from it. It’s taken me inside, to the studio, imagining how it should be ...

Oil on canvas sold with frame Total size with frame 58x67 cm Signed A. Zosso (artist unknown from the gallery) Dated 1951

Carl Johansson's "Summer Landscape with Road" is an exquisite landscape that encapsulates the serene beauty of the Swedish countryside. Painted in 1889, the same year Johansson showcased his work at the Exposition Universelle in Paris, one can't help but wonder if this very painting was among those displayed at the fair. "Summer Landscape with Road" offers a glimpse into the idyllic Swedish countryside through its masterful depiction. The scene is bathed in the distinctive light of the sun positioned at 30 degrees north-northwest, a unique aspect of Johansson's artworks. The viewer's eye is drawn along a winding dirt road that meanders through a tranquil pastoral landscape. Birch trees, with their white bark and tender green leaves, stand tall and sway gently, marking the passage toward a distant homestead nestled beside a calm lake. The rustic wooden fences and the clear sky, dotted with soft, billowing clouds, evoke a sense of peaceful solitude. Johansson's meticulous attention to detail and colour is evident in every brushstroke, from the lush greenery to the soft, earthy path leading to the horizon. The artist's signature use of light not only highlights the natural beauty of the North but also enhances the sense of depth and realism in the painting. Johansson's early works, such as this one, are exceedingly rare, making "Summer Landscape with Road" not only a visual delight but also a collector's gem. The painting's magnificent gold frame enhances the bright, vivid colours of the small-format artwork, creating an impactful presence. Carl Johansson's blue impressionistic depictions of Northern Sweden earned him the nickname "Ultramarine Johansson", and his paintings are celebrated in prestigious collections, including the Nationalmuseum in Stockholm, Kalmar Art Museum, and the municipality of Hudiksvall. oil on canvas signed and dated Carl Johansson . 89 . unframed 27 x 39 cm framed 41,5 x 53 cm Provenance: The previous owner bought it in 1988 at Åmells Stockholm...

George Petrie (1790–1866) - Romantic Irish Landscape, Oil on Canvas This captivating oil on canvas by the renowned Irish artist George Petrie, often referred to as the "Father of Ir...

Reinhold Grohmann (1877-1915) was a German painter who studied at the Académie Julian in Paris, a renowned art school that attracted students from all over the world. Grohmann's wo...

Vibrant Sea Landscape signed by Georges Bordonave (French contemporary) dated 1994 oil painting on canvas, unframed canvas: 15 x 22 inches condition: very good provenance: from a lar...

Adolphus Knell 19th-century English Warship at sea Owning in a 19th-century English fishing boat captured at sea circa 1880 by Adolphus Knell, with the sun rising or setting, offer...

Charles Pachter’s elegant contemporary paintings of barns pay homage to Canada’s rural roots and its strong agricultural heritage. In this piece, the clean lines of a bright red barn...

Original oil on canvas painting in very heavy impasto of a cityscape by the Serbian/French artist, Nicolas Markovitch. Signed Philippe lower left, one of the pseudonyms used by the artist. Dated to the right of signature 1960. Condition is very good. Bourg-la-Reine is the likely subject matter of the painting and was where the artist had made his home until his death in 1964. The painting is housed in its original frame in fine condition. Overall framed measurements are 28.75 by 25.25 inches. Provenance: A Ellenton, Florida collector. Bourg-la-Reine is a commune in the southern suburbs of Paris, France. It is located 9.1 km (5.7 mi) from the center of Paris. Nicolas Markovitch (Serbian-French, 1894-1964), artist, watercolorist, architect and block printer. Markovitch used more than a few pseudonyms over the course of his career, such as; A. Marc or just Marc, and J. Philippe or Jean Philippe. Alternate sources state other pseudonyms with the full name listed as Andre Marc or Andre Marc Rothenburg, which are both still incorrect for the artist. Markovitch was an architect who worked and lived in France, and is primarily known for his architectural paintings of city buildings, cathedrals and monuments, along with Swiss, Italian, German, English and Belgian landscapes, cityscapes, mountainscapes and seascapes, lake and marine scenes, and many scenes in the U.S. especially cityscapes of New York City and other places such as Gloucester, MA. Markovitch painted watercolor illustrations for several books (Paris, Editions, Alpina) from the late 1920's-early 40's, and is credited for the watercolors in the Editions with his real name Nicolas Markovitch or N. Markovitch. He was one of the best watercolorists of the time and went on to do a lot of work with the Stehli Brothers company Stehli Frères, Editeurs, Zurich, Switzerland throughout the 1930's and 40's. Stehli Frères published many different watercolor series of his works, and they were printed in various sizes, typically from about 9" x 12" to 12" x 16", and others as large as 18" x 24".?? For his original watercolor paintings, he always signed them with his true name Markovitch. For the reproduction lithographs of his landscapes and architectural series he signed them with the name A. Marc or just Marc. For his flower/botanical lithos...

"Hudson Gardens" (2023) Is a beautiful impressionist landscape by contemporary painter Harold Deist, which depicts an autumn landscape with trees overhanging a river in warm sunlight...