Small Landscape Paintings

Gaston Rebry, Canadian, 1933-2007 Quebec Landscape Oil on canvas 16 x 20 in (image) signed signed , titled, and artist’s stamp verso Masters Gallery, Calgary, label verso; framed

MAGDALENA SPASOWICZ Studied painting under prof. Jan Cybis and graphic arts with prof. Tadeusz Kulisiewicz at the Academy of Fine Arts in Warsaw. She received her diploma in 1953. He...

Impressionist scene in oil. Cottages by the village bridge. Illegibly signed to the lower left. Presented in a contemporary burr wood frame. On canvas ...

original Acrylic on Linen Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:60 cm x W:60 cm x D:1.5cm Sold Unframed Please note that insitu images are purely an indicat...

Polzeath, evening [2021] original Acrylic on canvas Image size: H:40 cm x W:50 cm Complete Size of Unframed Work: H:40 cm x W:50 cm x D:2cm Frame Size: H:43 cm x W:53 cm x D:3cm Sol...

Italian painter (early 20th century) - Trieste, view of Miramare Castle with the Italian flag. 35.5 x 50 cm without frame, 42.5 x 56.5 cm with frame. Antique oil painting on canvas...

This artwork "Landscape with Tree" c.1950 is an oil painting on hardboard by British/American artist Julius Maximilian Delbos, 1879-1970. It is signed at the lower left corner. The hardboard size is 12 x 10 inches, framed size is 22.25 x 20.25 inches. Custom framed in a wooden gold frame, with fabric liner. It is in excellent condition. About the artist: Julius M. Delbos, born in 1879 in London, England, was a landscape painter, teacher, and lecturer. He was elected an Associate of the National Academy of Design, New York City, in 1945, an Academician in 1948. He was also a member of the American Watercolor Society; the New York Watercolor Club; the Society of Graphic Art; Old Dudley Art Society, London; American Artists Professional League; National Arts Club; and the Century Club...

Two Early Massachusetts Paintings Boy fishing "Beaver Pool" - "The Conway" 1897 Pair of early Massachusetts paintings on walnut wood pane...

Beautiful plein air landscape of an old Mendocino country house by listed artist Jon Blanchette (American, 1908-1987). Signed "Jon Blanchette" lower right. Presented in a giltwood ...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

Rene Charles Edmond His (1877 – 1960) French 'A Church on a Hill' A View of Villefranche, South of France Oils on canvas: 13x16 in. (Frame: 20x2...

A wonderful example of a winter scene by the Cape Ann Master: Aldro T. Hibbard. This painting has beautiful color, expressive brushwork and a great design. It has recently been cle...

Oil on canvas. Signed in the lower right. Well presented in a contemporary white frame.

The Mill Stand Montauk oil/panel 1928 original frame In as purchased condition and not examined out of frame or blacklighted. Walter Granville-Smith was an illustrator and painter w...

Oil on canvas board. Signed to the lower left. Well presented in a contemporary wooden frame.

Signed (at lower left): W.R. Miller/ 1851

Work on canvas

Ulrich Gleiter's (EUR based) "Hoarfrost (Sweden)" is an original, handmade oil painting on linen that depicts a snowy forest scene with the sun reflecting brightly off the snow in th...

Vintage 1920's California landscape of a path through tall evergreen trees with the grand Sierra mountains in the background by listed female artist Willamean Soderberg Tufts (Americ...

Nicely painted impressionist coastal view with a lighthouse. Oil on canvas. Framed. No signature found.

The Island Inn on Monhegan Island Maine, a beautiful landscape by Richmond Irwin Kelsey (American, 1905 - 1987), 1977. Titled "Island Inn - Monhegan", signed and dated "Kelsey '77" ...

A. GUILLAUME (Active in the 1830s) Watercolor on paper 32.5 x 47 cm (60 x 74.5 cm with frame) Signed and dated lower left (on the rock) “A. Guill. / 1838 » Beautiful 19th century fra...

Conditions : Excellent overall with a genuine canvas stamped by DEFORGES PARIS. The unique little restoration on the tree by the house (as seen on picture under UV light). The signa...

THIS WORK IS CURRENTLY ON LOAN TO THE MUSEUM OF MODERN ART IN LE HAVRE AND IS BEING EXHIBITED IN THEIR ELECTRIC NIGHTS EXHIBITION 2020 A stunning oil on original canvas by Achile-Emile Othon Friesz depicting a night time view of the Pont Neuf bridge over the Seine, Paris. The painting shows deep blues and reds - richer than those of traditional impressionist paintings - and shows the transition into Fauvism. Signed and dated 1903 lower right. Framed dimensions are 24.5 inches high by 20 inches wide. Achille Friesz was the son of a family of sailors from Le Havre. From 1885 he often spent time in Marseilles visiting his maternal uncles. As a child he dreamed of going to sea, but from the age of 12 he developed a passion for art, and after secondary school he attended the École des Beaux-Arts in Le Havre. There, from 1896 to 1898, he studied under Charles-Marie Lhullier who had been a friend of Jongkind and whom, like Dufy and Braque, he remembered fondly throughout his life. Lhullier introduced his students to the work of Chardin, Corot, Géricault and Delacroix. After receiving a bursary from the local authorities in 1898, he went to Paris and, while his friends Matisse, Rouault and Marquet studied under Gustave Moreau, enrolled at the École des Beaux-Arts at the studio of Léon Bonnat, where he was joined by Dufy. However, he scarcely attended the studio, preferring to go to the Louvre and make copies of the works of Clouet, Veronese, Rubens, Claude Lorraine and Delacroix. He did his military service in Paris in 1902 but continued with his art. Around this time he met Camille Pissarro and sought his advice. As a young man he began to make frequent trips away, not necessarily travelling very far, but looking for subjects for his work, usually landscapes. Among the places he visited were the Creuse region around 1903, Antwerp in 1905, returning there with Braque in 1906, and La Ciotat, Cassis and L'Estaque in 1906-1907, again in the company of Braque. In Paris he frequently moved lodgings until 1914. He moved in with Henri Matisse at the Couvent des Oiseaux from 1905-1910, that is to say at the period when Fauvism was at its height. In 1908 he returned to his native Normandy to reimmerse himself in his early environment; he would return to the region throughout his life. He made a trip to Munich with Dufy in 1909, and visited Portugal in 1911-1912 and Belgium in 1912. In 1914 he was called up and assigned to technical services, not being demobilised until March 1919, although he did manage to maintain a certain independence. From 1914 until his death he lived in Paris at 73 Rue Notre-Dame-des-Champs, where he occupied Bouguereau's old studio. He made frequent trips to Cap-Brun near Toulon where, in 1923, he acquired a property called Les Jarres, as well as making numerous visits to Normandy and Le Havre. In 1925 he received the highest commendation at the Carnegie Prize in Pittsburgh for Portrait of the Decorative Artist Paul Paquereau. Also in 1925, at the same time as Matisse, he was made a Chevalier of the Légion d'Honneur, rising to in Officier in 1933 and Commandeur in 1937. He was also made Commander of the Swedish order of Vasa in 1934. Throughout his life, Friesz was a teacher: from 1913 at the Académie Moderne; from 1929 at the Académie Scandinave; and from 1941 until his death at the Académie de la Grande-Chaumière. Alongside his activity as a painter, he illustrated several works of literature, including: in 1920 Le Pacte de l'Écolier Juan by Jules Tellier; in 1924 Échelles de Soie by Jean Pédron; in 1926 Le Jardin sur l'Oronte by Maurice Barrès; in 1926 En Suivant la Seine by Gustave Coquiot; in 1929 Rouen by André Maurois; in 1931 The Song of Songs; in 1934 Poésies by Pierre de Ronsard; in 1945 Le Bouquet de la Mariée by Gabriel-Joseph Gros; in 1947 Paul et Virginie by Bernardin de St-Pierre; in 1949 Le Livre de Job by Pierre Poussard; in 1949 Petronius's Satyricon, and in 1949 a collection of 12 unpublished lithographs for Le Désert de l'Amour by François Mauriac. He also designed several pieces of decorative art: from 1906 to 1909 ceramics executed by Metthey among others; a façade for a private house in Le Havre; a china service for two for the Le Havre writer J.-G. Aubry; vases, dishes and plates; in 1912 four sets for La Lumière by Georges Duhamel, performed at the Odéon; in 1916 a screen for the Le Havre collector Léon Pédron; in 1918 panels for Pédron's dining room; in 1920 a mural entitled Children Dancing (Enfants Dansant); in 1920 Les Volières for the apartment of Vicomte Amédée de Flers; in 1935 Peace (La Paix), a Gobelins tapestry presented by France to the Palais des Nations in Geneva; in 1937 La Seine in collaboration with Dufy for the Palais de Chaillot, with each artist taking half of the river's course - From the Source to Paris by Friesz and From Paris to the Estuary by Dufy. The Fauves were producing Fauve paintings before they knew it: it was not until the critic Louis Vauxcelles saw their work at the Salon des Indépendants in 1905 and mockingly used the word Fauve to describe it that the term was born. It is known that Vlaminck and Derain worked together and that the École de Chatou was composed of just these two artists. Friesz was living with Matisse and after his first trip to Antwerp in 1905, he returned in 1906 with Braque. In 1906-1907 Friesz and Braque went to La Ciotat to paint and there they met up with Matisse. The paintings Friesz produced in Antwerp are Fauve inasmuch as they are painted in pure colours and are more or less free of the divisionism of the Impressionists, although the draughtsmanship is fairly standard; these works include The Port, The Escaut, The Canals, The Dock with Sailing Ships and The Red Slipway. Those of Braque the following year, in particular Terrace on the Escaut, show great similarities with those Friesz painted of the same subject. Friesz was already avoiding the hardness of pure flat tints by graduating them in thin glazes, allowing the whiteness of the canvas to penetrate the transparency, a technique that came to characterise his entire Fauve period. At La Ciotat Friesz and Braque adopted completely different Fauve styles, with Braque composing his paintings on horizontal and vertical orthogonals painted in small, regular, spaced-out touches, whereas Friesz developed his own personal rhythmical style of wide arabesques of colour in works such as The Bec-de-l'Aigle, Women Bathing and L'Estaque. Many of Friesz's Fauve works were produced in the south of France, and his Portrait of Fernand Fleuret also dates from this period. When he returned to Normandy in 1908 the period that he described as his 'return to form' began; with compromise paintings such as Entrance to the Port of Honfleur, Côte de Grâce Landscape, The 'Bains Marie-Christine' in Le Havre and the great compositions characteristic of this period - Autumn Labours, Spring, Fisherman on a Rock and Women Bathing. His draughtsmanship retains something of the rhythm of the Fauve period, his figures following the lines of the landscape and the colour remaining clear and resonant. In 1909 he painted the Cirque Médrano series: The Trapeze Artist, The Clown and The Horsewoman. In the south of France he also painted the Olive Trees series. He made a trip to Munich with Raoul Dufy resulting in Winter in Munich. This was also the year of his first trip to Italy. Boat in a Rocky Inlet of 1910 marks one of the pivotal points between a totally rhythmic drawing style of sensual curves typical of his Fauve period and a reduced palette of muted ochres, browns and blues. From 1910 onwards, the final traces of Fauvism become less and less apparent in his work. His use of colour follows the same course, towards the transcription of reality, with broken tones, ochres and browns. After his demobilisation, as well as in his studio in Paris, Friesz spent time in his house in Toulon, returned to Normandy and Le Havre and continued to make frequent, often local, forays in search of new subjects: in 1919 to Jura, producing the series Forests, Pine Trees, Road in the Snow and Invitation to Skate; in 1920 to Italy producing Piedmont Village, Florence Grape Pickers; in 1920 to Le Havre, producing The Étretat Cliffs, People Bathing at Étretat; in 1923 to his house in Toulon, producing View of Coudon, Women Bathing, Grape Harvesting, Jars; in 1924 he painted the Large Nude (which he exhibited at the Salon d'Automne the same year) and landscapes of Toulon; in 1928 he made a trip to Algiers, producing The Algiers Kasbah and its Phantoms; in 1931 to Annecy, producing Women Bathers by a Lake; in 1934-1935 to Dinan and St-Malo producing The Great Dinan Viaduct, The Dock with the Terre-Neuvas, After Bathing; in 1936 to Honfleur; in 1941-1944, remaining in Paris because of the war, he painted mainly still-lifes, including Studio Corner, Earthenware. In 1946 he returned to Honfleur; and in 1947 to La Rochelle producing The Port Tower, Tuna Boats, The Red Sail. Numerically Friesz's work is dominated by landscapes but it should be remembered that throughout his career he tackled more ambitious compositions and appeared to do so with great ease. These include Boat in a Rocky Inlet of 1910 with its frolicking women bathers, Allegory of War of 1915 executed in 24 hours, Invitation to Skate of 1919, numerous paintings of Women Bathing over several periods and much later Women beside a Pond of 1944, which clearly demonstrates his attachment to Cézanne. He exhibited at the Salon des Artistes Français from 1901 to 1903 and then at the Salon des Artistes Indépendants. From 1906 he exhibited annually at the Salon d'Automne, of which he later became a committee and jury member. In 1923 he took part in the founding of the Salon des Tuileries and became head of two of the Salon's sections. His work has been exhibited at countless group exhibitions all over the world. Among the most recent thematic exhibitions is Fauvism in Black and White. From Gauguin to Vlaminck, Fauvist Engraving and its Setting (Le Fauvisme en Noir et Blanc. De Gauguin à Vlaminck, l'Estampe des Fauves et son Environnement) at the Musée d'Art Moderne in Villeneuve d'Ascq in 2001. He also showed his work in numerous solo exhibitions in Paris: his first in 1904 at the Galerie des Collectionneurs and another the same year at the Société des Peintres du Paris Moderne...

Original and unique artwork by Hunt Slonem. Oil on wood Painting is framed, as seen in the images. Dimensions of the artwork with the frame: 56 x 66 cm Signed Verso, Dated and Title...

An original oil on board painting measuring 11 x 14 inches by Polish/American artist Leonard Rodowicz, signed lower right.

Nathan Hoffman Ocean Parkway Beach, October 2, 1941 Signed, titled, dated on the reverse Oil on artists board 9 3/4 x 14 inches Born in Russia, the son...

On the Northern California Coast and Golden Gate Bridge by Richard Brian Hazel Lavish paint and impasto layered oil paint of the Rocky Coast ...

Signed 'Riva' and dated 1940 in the lower left corner. Presented in a wooden frame with a gilt inner window. On board.

Title: Hiking Day Medium: Oil on canvas Size: 16 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting...

"En el Jardin - In the Garden" by Gloria Saez is a vertical abstract, oil paint on paper with soft blues, greens and reds. The layers of under-painted color infuse each stroke. Thi...

This artwork "Sierra Foothills" c.1980, is an oil painting on canvas by noted California artist Bill Shaddix, b.1930. It is signed at the lower left corne...

Hall is a highly respected contemporary artist. It is framed in a contemporary lacquered off white float frame. The surface of the board is slick and almost photographic in feel. The...

L'Arbre au Bord de l'Eau by Paulémile Pissarro (1884-1972) Oil on canvas 46 x 55 cm (18 ¹/₈ x 21 ⁵/₈ inches) Signed lower left, Paulémile. Pissarro - 1928. Executed in 1928 This wor...

Portrait of an English Brown and White Otter, on the banks of a River Landscape. Very Pretty English Otter, in an extensive landscape, painted circa 1970. The painting is an amazin...

Vibrant depiction of a view from a window by an unknown artist (American, 20th Century). This sweeping landscape, composed in a horizontal panoramic view, depicts a distant vineyard ...

Where the Light Falls [2022] Signed by the artist oil and oil pastel on canvas Image size: H:50 cm x W:50 cm Complete Size of Unframed Work: H:50 cm x W:50 cm x D:4cm Frame Size: H:54 cm x W:54 cm x D:5.5cm Please note that insitu images are purely an indication of how a piece may look A painting completed in the studio after a visit to the Outer Hebrides, the unpredictable weather patterns and light played an important role in creating this piece. The weather on Skye is forever changing and the dramatic and mystical landscapes are what inspires me to try to capture the feeling of energy and atmosphere. This painting is framed in a white tray frame to fit with any decor. laine Fox - Artist - Painter Elaine Fox...

Claude Cambour: A Life of Light and Impressionism Free US CONTINENTAL shipping, incl Europe and Asia. Claude Cambour, born in Dreux, west of Paris, in ...

In Beyond the Blues, Patti Davis Ganek captures the expansive calm of the shoreline with her signature blend of abstraction and impressionism. Layered oil strokes evoke shifting tide...

Silver View [2021] by Rebecca Tucker Original painting Acrylic on cradled wooden panel Sold frames, in white box tray frame, as shown in images Please note that insitu images are pur...

Title: Old Alley Series II Medium: Oil on canvas Size: 20 x 24 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This...

WINTER PATHWAY Size: 53 x 45 cm (including frame) Oil on canvas A tranquil and atmospheric mid-century landscape composition, executed in oil onto canvas. Simple yet effective in i...

Stephanie Amato – The Morning in Summer – Original Oil Painting on Linen Bring the warmth of a golden sunrise into your space with The Morning in Summer, a beautifully rendered 8 x ...

Luminoso Paesaggio primaverile Boris Lavrenko (Rostov, 1920 – St. Petersburg, 2001) Works by Boris Lavrenko can be found in various private collections in Europe, Japan, United St...

Impressionist landscape in oil. Signed lower right. On canvas on stretchers.

Vibrant watercolor still life of a harvest scene with a vase of sunflowers, pumpkins, and other fruits spilling out of a basket with a bold multicolor background by Les (Leslie Luver...

Panoramic Coastal Scene of Devon Coastline with Orange Sunset on English Channel by Contemporary British Artist, Angela Wakefield. Art measures 20 x 8 inches (unframed box canvas)...

A fine 20th Century snowy scene in oil, showing the trees and undergrowth on the edges of a park, covered in thick, freshly fallen snow. The black metal railings and stone wall of th...

Signed, verso, in Cyrillic, 'Аlexander Yurievich Tyutrin', (Russian, born 1951) dated 1982 and titled, 'Kazantipsky Bay'. Old attached label verso, from 'Art Salon-Shop', bearing a...

The painting is being offered with a work and authenticity certificate

Original painting on canvas. Hand signed on front by the artist. Canvas size 10 x 10 inches. Custom framed in white with hand painted fillet. Frame size approx 19 x 19 inches. ...

Original oil painting on canvas 60 x 50 cm, entitled RIVER. It could remind the genuine untouched nature, could be somewhere in the North.

Julijs Vilumainis (1909–1981) Asters. 1979, oil on board, 54,5x42 cm

Bright yellow poppy subtly shaded with a hot pink center surrounded by richly ornate dark leaves setting off the poppy. A frame contains it with the artists brushes appearing in the ...

Pedro Lazcano (1909-1970) San Antonio Artist Image Size: 18 x 24 Frame Size: 25 x 31 Medium: Oil on Canvas Dated 1967 "Rough Coast" Pedro Lazcano (1909-1970) I was always curious abo...

"Old Store, Copperopolis California", a 1950s landscape by Cecil F. Chamberlin (American, 1899 -1963). Signed "C. F. Chamberlin" lower left. Unframed. Image, 24"H x 30"W. Cecil F. Chamberlin was born in Santa Rosa, CA on May 5, 1899. Chamberlin was educated at Stanford University and then studied art at the CSFA. He then taught art in San Francisco for many years. During the later part of his life he lived down the coast in Santa Cruz where he operated an art gallery, lectured, and had many students. He was a nephew of artist Winnie Chamberlin...