Arthur Walker Redgate

19th Century landscape oil painting of geese in a Nottinghamshire cornfield

C1880

Edward Henry Eugene Fletcher British, (1857-1945) Shipping in the Pool of London with Tower Bridge & St Paul’s Beyond Oil on canvas, signed Image size: 14.25 inches x 29.25 inches Size including frame: 19.25 inches x 34.25 inches A wonderful painting of a steamship and other boats in the Pool of London by Edward Henry Eugene Fletcher. A two funnelled steamship is shown in the foreground next to sailing boats and a dock. Tower Bridge can be seen in the distance with St Paul’s Cathedral beyond. The Pool of London is a stretch of the River Thames between Tower Bridge and Limehouse and is divided into two sections, the Upper Pool and the Lower Pool. Edward Henry Eugene Fletcher was a marine artist who was born in Marylebone, London on 23 July 1857 to Robert Henry Fletcher and Julia Pennell. His father worked for the Bengal Pilot Service guiding shipping along the Hooghly River between Calcutta and the Bay of Bengal. After the death of his father in 1862, his mother married the picture dealer Reuben Brooks. He attended the Bradmore House School in Chiswick Lane before enrolling at the Chelsea School of Art, where he became a close friend of the landscape artist Daniel Sherrin. Fletcher initially enlisted in the Army Hospital Corp, serving in Nova Scotia but was invalided out in 1882 at the age of 24 due to an eye condition. His records indicate he was 6ft tall with fair hair and grey eyes. He continued to paint in his spare time and undoubtedly his travels would have inspired his subject matter and given him a deeper knowledge of shipping and the sea. He married Annie Reed Moses in 1886 at Norwich and they lived in Margate before moving back to London to live in Blackheath around 1890. He is widely believed to have set up an auction business during this time to help support his growing family, however , perhaps due to the return of ill health he decided to give it up to focus on painting. Although he did not exhibit, he sold his work mainly through art galleries, possibly aided by his step father. He also used the pseudonym of John Hayes which was probably for contractual reasons. By 1901, he had established himself as a full time artist and was living at Georgette Place in Greenwich with his wife and their 5 children. He later moved to 99 Lee Road, Blackheath where he spent the rest of his life. He died at Blackheath on 23 June, 1945. Much of Fletcher’s work consisted of views of the river Thames or ships in harbours...

William Shayer British, (1787-1879) Fisher Folk on the Beach Oil on canvas, signed & dated 1839 Image size: 27.25 inches x 35.25 inches Size including frame: 37.25 inches x 45.25 in...

Edward Williams British, (1781-1855) The Old Abbey Ruins Oil on canvas Image size: 22.25 inches x 30.75 inches Size including frame: 28.25 inches x 36.75 in...

John Clayton Adams British, (1840-1906) Hay Making Oil on canvas, signed & indistinctly dated 187(5)? Image size: 19.5 inches x 31.5 inches Size including frame: 28.5 inches x 40.5 inches Provenance: SA Spenser, 16b Grafton Street, Old Bond Street, London A lovely landscape painting of hay...

This very fine quality 19th century oil on canvas in dark brown wood frame with gold leaves details throughout is signed by Joseph Brunner (Vienna 1826-...

Oil and acrylic on canvas Signed lower right Unique work 1 / Hélène DUCLOS, 2016 – Artist Statement “Questioning the human condition and the position of being alive – What is it to...

Oil paint and acrylic paint on canvas Signed lower right Unique work 1 / Hélène DUCLOS, 2016 – Artist Statement “Questioning the human condition and the position of being alive – W...

Oil paint on canvas Signed lower right