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Charles Edwin Lewis Green
Farmhouse in Newlyn
circa 1890

Name: Farmhouse in Newlyn
Brand: Charles Edwin Lewis Green
Price: 10974.54 AUD
Availability: InStock
Rating: 5 (4 reviews)

$7,000

£5,323.19

€6,140.04

CA$9,805.72

A$10,974.54

CHF 5,730.42

MX$133,889.99

NOK 72,740.18

SEK 69,025.95

DKK 45,850.94

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About the Item

Signed lower right: 'C.E.L. Green'. Two labels verso: 'Brockton Art Center/Fuller Memorial/Cat. #19/C.E.L. Green:/Shore and Landscape/Painter of Lynn and Newlyn/Sept.9-Nov.1, 1980'; 'Charles Edwin Lewis Green/(1844-1910)-American/Titled:/Farm House in Newlyn'. Inscription verso:'Perley'. . Exhibited: 'C. E. L. Green (1844-1915) Shore and Landscape Painter of Lynn and Newlyn': Essex Institute May 29-Sept. 1, 1980 and Brockton Art Museum-Fuller Memorial Sept. 11-Nov. 9, 1980. Published: Frederick Alan Scharf and John Hardy Wright, 'C. E. L. Green (1844-1915) Shore and Landscape Painter of Lynn and Newlyn', Essex Institute, Salem, Massachuetts, 1980. Catalogue #19 p. 47, illus fig. 6. p. 28. D. Roger Howlett, 'The Lynn Beach Painters' Lynn, Massachusetts, 1998, p 56. From the Scharf/Wright text: 'Typical architecture of the fishing village of Newlyn consists of are whitewashed stone cottages usually enclosing a courtyard; long, horizontal roof shapes; and, steep stairs leading to the second floor. The name of one of Green's sons, 'Perley,' was written in pencil on a stretcher of this painting, indicating ownership.' According to Howlett in 'The Lynn Beach Painters' : Post Newlyn Green was back from Europe by the fall of 1890 and in February 1891 Chase's Gallery held an exhibition of twenty-three of his paintings, mostly of Newlyn, St. Ives, and Penzance. 'His experience in Newlyn had taught Green a new sophistication in composing his pictures,' Greens biographers Sharf and Wright state ... 'His 'Newlyn Fish Auction' was largely composed in a triangle; his 'Farmhouse in Newlyn' was composed using the structure of the house to dominate the picture, thus keeping the eye of the viewer focused. He used both techniques in dealing with American subject matter after his return. The influence of Newlyn is also apparent in the many pictures of low tide in which the wet, sandy beach is an important focus of the artist's attention. He had learned to deal with the sense of wetness while in Newlyn.'

Creator:

Charles Edwin Lewis Green (1844-1915, American)

Creation Year:

circa 1890

Dimensions:

Height: 18.25 in (46.36 cm)Width: 19.75 in (50.17 cm)Depth: 2 in (5.08 cm)

Medium:

Oil,Panel

Movement & Style:

American Impressionist

Period:

Late 19th Century

Condition:

Gallery Location:

Boston, MA

Materials

Canvas, Oil

Leo Blake
[Harbor View, Cape Ann], c. 1935

$9,000

Au Revoir October

Located in Boston, MA

Signed lower right: “Beatrice Whitney Van Ness”. From the estate of the artist. Beatrice Whitney Van Ness, acclaimed painter and art educato...

Category

Mid-20th Century American Impressionist Landscape Paintings

Materials

Canvas, Oil

Category

Mid-20th Century Impressionist Landscape Paintings

Materials

Oil

Paul Wescott Attributed, Fishermen's Houses, Maine, Oil on Panel, Unknown

$1,450

English Farmhouse - Early 20th Century Impressionist Oil Piece by Paul Earee

By Paul Earee

Located in Watford, Hertfordshire

As Frederick Percy Eary, he was born at Sudbury, Suffolk on 16 July 1888, son of Albert Henry Eary (11 November 1862-1941), mat weaver, and his wife Hannah (6 July 1860-1939), who married at Sudbury in 1883 and in 1939 were living at 5 Acton Square, Sudbury. Known as Paul Earee, an artist who was a professionally trained as an ecclesiastical architect, art teacher and illustrator, using his spare time in painting, etchings and drawing with strong regional content. As an architect he designed many buildings and interiors in Sudbury including the pulpit of St Gregory...

Category

1920s Impressionist Landscape Paintings

Materials

Oil, Board

Paul Earee
English Farmhouse - Early 20th Century Impressionist Oil Piece by Paul Earee, Circa 1925

$1,970 Sale Price

20% Off

Early 20th Century American Impressionism -- Old Lyme New England Farm

By George M. Bruestle

Located in Soquel, CA

Gorgeous early 20th Century American Impressionist landscape of New England Farm by George M. Bruestle (American, 1871 - 1939), Circa 1914. Signed lower left and on verso. Presented in gilt-toned wood frame. Image size: 8"H x 10"W. George Matthew Bruestle is an American Realist/Impressionist painter known for his intimate landscapes. Born and raised in New York City, Bruestle studied at the Art Students' League of New York in 1886 at the young age of fifteen and later in Paris. That same year, Bruestle visited Essex, CT and eventually purchased a second home in Hadlyme, Old Lyme as the Art Colony formed. Bruestle's main studio was in New York City. Inspired by Jean-Baptiste-Camille Corot [1796-1875] and other French landscape painters, Bruestle's style was a mix of Early Realism and Early Impressionist techniques. He was an adept draftsman and his paintings favored earlier European examples but, later took on a brighter Impressionist palette and brushy quality of the Old Lyme Art...

Category