1940s Landscape Paintings

Oil on cardstock painting of oil tankers docked in port along with people dockside on a bright clear day by the Long Island American artist, Whitney Myron H...

WILLIAM DIDIER - POUGET French, 1864 - 1959 BRUYÈRES EN FLEURS signed and dated “Didier-Pouget / 1949” (lower right) inscribed, located and signed ““Le Malin dans la vallée du Lot.”...

Swiss painter of the XIXth XXth century Work on canvas without frame

French painter of the twentieth century. Work on wood Brown wooden frame 51 x 58 x 4 cm

A charming and stylized depiction of a day at the Central Park Zoo. with World War Two uniformed visitors front and center. Sea lions put on a show in front of a packed audience. The...

Riccardo Magni: 1886-1964. Well listed artist born in Italy and studied in Paris before moving to United States in the 1930s. He has an auction result high of $6625 for a smaller portrait painting. This fabulous Central Park piece is a great slice of NY city history. It depicts the famous Bethesda Terrace...

Antique American surreal abstract landscape painting Will Hollingsworth. Oil on canvas, circa 1940. Signed. Displayed in a period modernist fr...

Beautiful mid-century landscape painting of large boulders in a rushing stream by listed California artist James Russell Ford (American, 1888-1963). Signed lower right: "J.R. Ford." ...

43 x 37.5 is the FRAMED SIZE. , 36 x 30 is the live size. Post-impressionist pointillist bush strokes describe this image of Americana. The location looks like New England. Signed ...

Beautifully detailed mid-century coastal landscape of Pillar Point Fishing Dock near Half Moon Bay, California by William Winthrop Ward (American, 1901-1985). Signed lower left: "W. ...

John Edward Costigan, N.A. American, 1888-1972 Woman and Child Oil on canvas Signed ‘J.E. Costigan N.A.’ lower left 24 by 30 in. W/frame 32 by 38 in. John Costigan was born of Irish-American parents in Providence, Rhode Island, February 29, 1888. He was a cousin of the noted American showman, George M. Cohan, whose parents brought the young Costigan to New York City and was instrumental in starting him on a career in the visual arts. They were less successful in encouraging him to pursue formal studies at the Art Students League (where, however, he later taught) than in exposing him to the commercial art world through the job they had gotten him with the New York lithographing firm that made their theatrical posters. At the H. C. Miner Lithographing Company, Costigan worked his way up from his entry job as a pressroom helper, through various apprenticeships, to the position of sketch artist. In the latter capacity he was an uncredited designer of posters for the Ziegfeld Follies and for numerous silent films. Meanwhile, he had supplemented his very meager formal studies in the fine arts with a self-teaching discipline that led to his first professional recognition in 1920 with the receipt of prizes for an oil painting and watercolor in separate New York exhibitions. A year earlier, Costigan had wed professional model Ida Blessin, with whom he established residence and began raising a family in the sleepy little rural New York hamlet of Orangeburg, the setting for the many idyllic farm landscapes and wood interiors with which he was to become identified in a career that would span half a century. John Costigan’s first national recognition came in 1922 with his winning of the coveted Peterson Purchase prize of the Art Institute of Chicago for an oil on canvas, “Sheep at the Brook.” It marked the start of an unbroken winning streak that would gain him at least one important prize per year for the remainder of the decade. The nation’s art journalists and critics began to take notice, making him the recurring subject of newspaper features and magazine articles. The eminent author and critic Edgar Holger Cahill was just a fledgling reporter when he wrote his first feature, “John Costigan Carries the Flame,” for Shadowland Magazine in 1922. Costigan had his first one-man show of paintings at the Rehn Gallery on New York’s 5th Avenue in November, 1924, to be followed less than three years later by another at the Art Institute of Chicago. In addition, Costigan’s work has been—and continues to be included, side-by-side with that of some of America’s most high-profile artists, in museum and gallery exhibitions throughout the country. His renown had peaked in the early 1930s, by which time his work had been honored with nearly every major award then being bestowed in the fine arts and had been acquired for the permanent collections of several prestigious American museums, including New York’s Metropolitan (which only recently, in 1997, deaccessioned his “Wood Interior,” acquired in 1934). Although Costigan’s celebrity had ebbed by the late 1930s, the Smithsonian Institution saw fit in 1937 to host an exhibition exclusively of his etchings. And, in 1941, the Corcoran Gallery (also Washington, D.C.) similarly honored him for his watercolors. (Another Washington institution, the Library of Congress, today includes 22 Costigan etchings and lithographs in its permanent print collection.) During World War II, Costigan returned briefly to illustrating, mainly for Bluebook, a men’s pulp adventure magazine. A gradual revival of interest in his more serious work began at the end of the war, culminating in 1968 with the mounting of a 50-year Costigan retrospective at the Paine Art Center and Arboretum in Oshkosh, Wisconsin. Oils, watercolors and prints were borrowed from museums and private collections throughout the country, and the exhibition was subsequently toured nationally by the Smithsonian Institution. John Costigan died of pneumonia in Nyack, NY, August 5, 1972, just months after receiving his final prestigious award —the Benjamin West Clinedinst Medal of the Artist’s Fellowship, Inc., presented in general recognition of his “...achievement of exceptional artistic merit...” in the various media he had mastered in the course of his career. This painting depicts one of the artist's favorite themes --the farm family bathing...

Swiss painter Sculptor, painter and ceramist. Landscape. Wall painting and drawing Artwork on cardboard

Charming watercolor by B.M. Kremitske signed BMK (LL) from June, 1948 painted after Winslow Homer Art Sz: 6"H x 10 1/4"W Frame Sz: 11 3/4"H x 16"W

Vintage circa 1930s-1950s original oil painting of Boulder Canyon - a Colorado Landscape painting with mountains and Aspen trees with autumn/fall coloring. Presented in a custom gold frame, outer dimensions measure 25 ¼ x 21 ¼ x 1 ½ inches. Image size is 22 ¼ x 18 ¼ inches. About the Artist: Born Illinois, 1884 Died Denver, Colorado 1969 An important figure in the development of Denver as an artistic city, Irene Fowler was a public school teacher and founding member of the Denver Artist’s Guild (now the Colorado Artist’s Guild) in addition to being a prolific artist. She exhibited in Denver at the Schlier Gallery (where she had a solo exhibition), at the Chappell House, the University Club...

Antique American impressionist seascape oil painting by Mabel Silver. Oil on board, circa 1940. Signed. Displayed in a giltwood frame. Image, 16"L x 12"H.

Wonderful mid-century impressionistic landscape of Ogden, Utah mountain foothills by Grace H. Peterson (American, 20th Century), 1944. Signed and dated...

Gorgeous watercolor landscape of Alaska's Aleutian Islands by Chikara "Don" Oka (American, 1920-2015). Signed and dated "Don '44" lower right. Notation on verso, Don C. Oka for Don ...

Work on cardboard Gilded wood frame 35 x 43,5 x 4 cm

Beautiful mid century California landscape of trees reflecting over a nearby lake by an unknown artist (American, 20th Century), c.1940s. This idyllic setting is dotted with wild flo...

Fisherman on the River Nicolai Cikovsky, Russian-American (1894–1984) Date: 1949 Oil on canvas, signed and dated lower right Size: 24 x 30 in. (60.96 x 76.2 cm) Frame Size: 35 x 41 i...

Vintage American modernist landscape oil painting. Oil on canvas, circa 1940. No signature found. Displayed in a period modern frame. Image, 20"L x 16"H.

An original french impressionist plein air painting depicting the Caldwell Woods Nature Preserve in Chicago, IL. Louis Phillipe Kamm traveled to the US, visiting major cities, and p...

Charming and bright mid century California figurative landscape with a female figure walking down a verdant and inviting path by William Hiller (America...

Samuel Grunvald excelled at watercolors and was a native New Yorker who portrayed his city as such as he depicted its skyline, architecture and particular character with love and ent...

A wonderful oil on artist's board by French Impressionist painter Henri Duhem depicting beautiful purple wisteria on the side of a building as a cat walks through the courtyard and t...

Paris, France by Henri Miloch (1898-1979) signed and double sided watercolour and gouache painting on artist's paper, unframed sheet 12.5 x 15.5 inches Nicely executed study over ...

American modern 1945 winter landscape painting by Edgar Britton (1901-1982) with a tree driving among snowy mountains and trees (likely Colorado). Signed and dated by the artist in t...

Antique American modernist oil painting by Jeanette Blair (1922-2016). Oil on board, circa 160. Signed. Displayed in a period modern frame. Image, 16"L x 12"H.

Vintage American school signed original oil painting. Oil on board, circa 1950. Signed. Displayed in a period frame. Image, 24"L x 18"H.

Painted by Robert Gilberg (American, 1911-1970) circa 1950. Unsigned and accompanied by a certificate of authenticity. Born in Oakland, Robert George Gilberg first studied at the O...

Swiss painter Sculptor, painter and ceramist. Landscape. Wall painting and drawing Artwork on cardboard

Merio Ameglio Italian, 1897-1970 Notre Dame, Autonne Oil on Canvas 18 by 21 ½ in. W/frame 26 by 29 ½ in. Signed lower left & titled on reverse Merio noted impressionist painter p...

Ponte Garibaldi is an original oil on canvas realized by the Italian artist Antonio Vangelli (Rome, 1917 – Rome, 2003) in 1941. Hand-signed and dated by the artist on the lower righ...

5-3494 Oil on canvas figurative traveling to orient. Set in a silvered wood frame

Small oil on canvas board painting by Lucia Wilcox. Signed lower right Lucia. Dated lower left 1948. Condition is very good. Provenance: A gentleman fr...

Swiss painter Sculptor, painter and ceramist. Landscape. Wall painting and drawing Work on cardboard

Beautiful mid century Dutch figurative landscape watercolor of a group of figures at a harbor, two young girls and three men conversing beside a fishing dock with sailboats in the ba...

Stunning desert landscape of red rocks and desert shrubs by California artist Olive Von Bergen (American, 20th Century). Signed “Olive Von Bergen” in ...

Work on canvas Gilded wood frame 38,5 x 45,5 x 6 cm

Landscape signed lower left beautiful original gold leaf frame. ​ Frank Peyraud earned a lasting reputation for rural landscapes, especially snow scenes in broadly defined forms and glowing colors. Excepting a trip from 1921 to 1923 to Italy and Switzerland, he was based in Chicago, where a Registrar of the Chicago Art Institute in materials for a traveling exhibition, described him as the "dean of Chicago landscape artists." (Richter) Peyraud was one of the first American painters to focus on the Midwestern landscape and did many river and farm scenes including his signature snowscapes. Many of his paintings reflected Impressionism, an abstract style executed with rapid technique and broken brushstrokes brought over from France towards the end of the 19th Century. Impressionism received much attention in Chicago in some of the artwork exhibited at the 1893 Exposition. Of Peyraud and Impressionism, it was written that "he was the most successful of the progressive Chicago painters who experimented with impressionist approaches in the years following Exposition." He was credited with more discipline of execution than many of his peer impressionists and with a "valid impressionism", (Greenhouse) that conveyed poetic interpretations to what many persons regarded as very ordinary rural Illinois landscape. His snow scene haystack painting, Winter Light on the Farm, in the Marshall Collection of Peoria and exhibited at the Terra Museum, shows "crystalline atmosphere and fleeting light of a waning winter afternoon". (Greenwood) and seems to reference the serial haystack paintings by Claude Monet. Many of Peyraud's works had luminous back-lighting, and careful arrangement of contrasting shapes, and a tone inviting the viewer into a "slightly enchanted world into which quotidian human elements rarely intrude." (Richter) Peyraud was born in Bulle, Switzerland, and enrolled as an architecture student at the Ecole des Beaux-Arts in Paris. In 1881, at age 22 and an established architect in France, he emigrated to Chicago where he spent the remainder of his career. He found employment there as a cyclorama painter, which meant creating huge panoramic paintings in the round, "forerunner of the wide-screen motion picture." (Richter). In 1891, he became involved in retouching Paul Phillipoteaux's panorama, The Battle of Gettysburg, when it came to Chicago for exhibition He continued to work on panoramic and cycloramas spectacles including The Creation for the 1903 Louisiana Exposition. Spring Painted Desert in the Santa Fe Railroad Collection shows at least one trip West. Peyraud also did mural painting, several of them in Peoria, Illinois including a series of allegorical murals with Hardesty Maratta in the Peoria at the newly-built Public Library. In Peoria, he also taught classes and gave lectures. In 1906, he married Elizabeth Krisher, a portrait painter, and illustrator. Sources include: Marianne Richter, Union League Club of Chicago Art Collection, "Frank Charles Peyraud...

Oil on artist board original painting by the well known American artist, Nicolai Cikovsky. Thick vibrant colors with a vase of flowers, a banjo and a notebook with photographs with a rough sea as the background. Circa 1940. Condition is very good. Overall framed in a circa 1960 frame, 23 by 27.25 inches. Landscape and figure painter Nicolai S. Cikovsky, 1894-1984, was born in Russia, where he studied at the Vilna Art School, 1910-1914; the Penza Royal Art School, 1914-1918; and Moscow High Tech Art...

Artist: Margaretha E. Albers, American (1881 - 1977) Title: South Street, New York Year: circa 1940 Medium: Oil on Canvas, signed l.r. Size: 20 in. x 16 in. (50.8 cm x 40.64 cm)

FLIGHT American Futurism Modernism Scene WPA Mid-Century Oil Painting Realism Daniel Celentano (1902-1980) "Flight," 26 x 26 inches. Oil on canvas, c. 1940s. Signed lower right. Ori...

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Surrealist Nocturnal Hawaiian Figurative Landscape w. Blue Skirted Woman & Moon by Marguerite Louis Blasingame Striking mid century modern Hawaiian noct...

Detailed and vibrant mid century mountain village landscape by an unknown artist. Signed ("Dosa" or "Josa") and dated ("47") in the lower ri...

Gorgeous mid century Arts & Craft landscape of rolling Indiana farmland with haystacks, trees, and verdant hills in the distance by Harry E. Wood, Sr. (American, 1879-1951), 1948. Signed lower right; letter of provenance provided. Exhibited in New York's Salmugundi Art Club in 1948. Presented in gilt-toned frame. Image size: 14"H x 20"W. Framed size: 18"H x 23.50"W. Harry E. (Emsley) Wood, Sr., was born 26 September 1879 near Lexington, Illinois, the third child of Emsley Harrison Wood, Jr., and Florence Robinson Wood. The family moved to Indianapolis shortly after Harry was born. Florence Robinson Wood died around 1882 and Emsley Wood married Sallie Bunger Lewis eleven months later. Emsley Harrison Wood worked in various jobs, including real estate sales and as a grocery clerk. Harry E. Wood attended public schools in Indianapolis until about 1889 when he contracted Scrofulous, a strain of tuberculosis. The condition, coupled with his family's poverty, disrupted his formal education. He attended Manual Training High School in 1899 and worked as a cartoonist for the Indianapolis Star in 1900. Wood illustrated Our Public Servants, a column of political satire written by Kin Hubbard. Wood's affiliation with Indianapolis Public Schools (IPS) as an educator began in fall 1900 when he returned to Manual Training High School as an assistant art instructor under Otto Stark...

Paris, France: A City Street Scene by Henri Miloch (1898-1979) unsigned watercolour and gouache painting on artist's paper, unframed sheet 9.75 x 12.25 inches Very nicely execu...

Serenity is an impressive, giant oil painting realized by the Italian painter Felice Carena in 1948. Signed lower left. Not framed, framing optio...

Tranquil figurative landscape of two people sitting on a dock by a lake near Medina, Ohio by Joseph Yeager (American, 20th Century). Unsigned, but was purchased with a collection of ...

Gorgeous American impressionist mid century coastal landscape painting of sailboats near Santa Barbara by John Dominque (Swedish/American, 1893 - 1994), 1946. Signed "Dominique" and ...

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To see our other Modern British Art, including others by Hennes, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you...

Marguerite Rousseau was born in 1888 in Belgium died in 1948. She is known​ for her French Impressionist style in her earlier work, she was painting parks, beaches, the woman with an...

Paris: Atelier Rue Alain Chartier by Henri Miloch (1898-1979) unsigned but inscribed by Miloch verso watercolour and graphite painting on artist's paper, unframed sheet: 11 x 14 inc...

Merio Ameglio Italian, 1897-1970 Parisian Street Scene Oil on Canvas 18 by 21 ½ in. W/frame 26 by 29 ½ in. Signed lower left Merio noted impr...

Gorgeous still life of burgundy calla lilies by listed artist Helen Enoch Gleiforst (American, 1903-1997). Signed "Gleiforst" lower left. Unframed. Size: 20"H x 16"W. Gleiforst was born in Crete, Nebraska and soon moved to Oregon where she studied at the University of Oregon. She then settled in Beverly Hills where she began to paint. Her teachers included Nicolai Fechin...

Paris: Street Cafe Society by Henri Miloch (1898-1979) signed lower right watercolour and gouache painting on artist's paper, unframed Sheet:: 9.75 x 12.5...