1940s Landscape Paintings

Josep Castellanas Garrich (Barcelona, 1896 - Majorca, 1980) Born in Barcelona in 1896, and in 1919 he moved to Mallorca following in the footsteps of Santiago Rusiñol...

Winter by MIGUEL TUSQUELLAS CORBELLA (Spanish, 1884-1969) signed - and painted on artists studio stamped board oil painting on board, unframed board: 5.5 x 8.5 inches provenance: pri...

Good wholesome mid-century Americana is on full display in the joyous illustration that depicts a red horsedrawn sled of merrymaking folks being rreated at an inn. Signed lower left ...

Work on canvas

This retablo was purchased by the gallery in Mexico City. I knew the family that sold this retablo to me. The writing says" Puebla 1940,. It is a prayer to St. George thanking him that his dog saved him from being attached from a snake. He is is thankful that his dog was not bitten by the snake. Bernardino Pantoja This ex-voto is in excellent condition. It is framed behind conservatorship glass. The framed size is 14" x 15". The class should only be cleaned with ammonia free cleaner. An ex-voto is a votive offering to a saint or to a divinity; the term is usually restricted to Christian examples. It is given in fulfillment of a vow (hence the Latin term, short for ex voto suscepto, "from the vow made") or in gratitude or devotion. Ex-votos are placed in a church or chapel where the worshiper seeks grace or wishes to give thanks. The destinations of pilgrimages often include shrines decorated with ex-votos. Ex-votos can take a wide variety of forms. They are not only intended for the helping figure, but also as a testimony to later visitors of the received help. As such they may include texts explaining a miracle attributed to the helper, or symbols such as a painted or modeled reproduction of a miraculously healed body part, or a directly related item such as a crutch given by a person formerly lame. There are places where a very old tradition of depositing ex-votos existed, such as Abydos in ancient Egypt. Especially in the Latin world, there is a tradition of votive paintings, typically depicting a dangerous incident which the offeror survived. The votive paintings of Mexico...

Signed figures in landscape oil on canvas circa 1940 by sought after French post impressionist painter Marcel Dyf. The piece depicts people enjoying a sunny winter's day at the port ...

Le Fiacre au Cheval Blanc, Pont St. Michel – Paris ( 1945 ) Dimensions: 21 5/16 x 28 3/8 in (54.1 x 72 cm) Medium: Oil on board Signed and inscribed ‘Fr. Gall Pont St. Michel Paris’ (lower right) Painted in Paris in 1945 Provenance Private Collection rancois Gall – Gáll Ferenc was born in Kolozsvar Hungary (at the time)from where he moved to France. After having Aurel Popp for the first master, he studied art at the Royal Academy of Fine Arts – Workshop Coromaldi in Rome before joining the Collegium Hungaricum (equivalent to Villa Medici), then travel to Europe through Scholarship to study obtained for his talents as a sculptor, ceramicist, designer, painter and portraitist already large, including Roman and Hungarian families, bystanders and onlookers, friends, musicians, singers, street scenes of markets and caravans circuses street. The first exhibition of his work was organized by his hometown in 1932, the second to the Gallery Moderna in Rome, where he presents his many social issues. Arriving in Paris in 1936, he enrolled at the Fine Arts (workshops Charles Guerin and Andrew Devambez), meet other artists such as Christian Bérard, Othon Friesz, André Derain and Pablo Picasso, is befriended fishermen Seine, the booksellers who help to learn French through versifications Victor Hugo Gavillon the family with whom he exchanges breads and cakes against tables, their daughter Nadine – who has the reputation of the House Dalloyau around the world – is on one of them in a pram between Samaritan and Belle Jardinière. Happy in this free country dreamed, he walks Paris Montmartre to Montparnasse, through the docks and the Grands Boulevards, in search of new subjects. This is the animation of the Parisian life that he will present the summer of 1937 to Szalmasy Gallery in Budapest. Success is complete! Back to Paris in 1938, Ferenc Gall receives Honorable Mention for his painting “The Spanish refugees” acquired by the French State. 1939 Silver Medal at the Salon d’Asnieres. Early in 1939 he was recalled to Kolosvàr with his dying father, but he can not return to France, the declaration of war is imminent .. Liberated by the Allies in Wels in Austria, where it is then medical director and caregiver (a moving letter many Jews with typhus demonstrates), it is finally repatriated to Paris, returning to his attic of 16 Dauphine. He resumed his artistic activities, meeting on the banks of the Pont Neuf his bride a young Quercy, Eugenie Chassaing, which will give him three children, three future models: Lize-Marie (1947), Jean-François (1948), Elizabeth – Anne (1956 – year of the Budapest uprising) but will die in 1980 in a serious car accident, leaving the artist destroyed … 1947 – year of the bread crisis – his canvas “bread for the people”, highlight of French Artists “(4000 works and 800 exhibitors) the title of an article in France-Soir , he receives Gold Medal. Commented by Bourdan Pierre, Minister of Youth, Arts and Letters, is reproduced on the cover of all the newspapers and reviews of art. This year was also marked by his participation in a important collective exhibition gallery in Paris Debussy, along with Fernand Léger , Lhote and Lurgat presented by Jean Cassou . This is the Barreiro Gallery François Gall befriends Kisling who wishes to take a picture of this beautiful brunette that is Eugenie, languid on a sofa … but it does ask for her husband, who is now experiencing a growing reputation in Switzerland, England and Scandinavia. 1946, he joined his friend Marco G.de group Free Art “receives the Silver Medal at the French for his canvas” Exodus “that the” Pont Saint Michel fall “in his first solo exhibition in Paris Galerie Alexandre, then” Honfleur “Galerie Saint Philippe du Roule are acquired by State. 1949 good year again, his pride in being finally naturalized French, and get a solo exhibition at the gallery of the Impressionists, Durand-Ruel , where one of his paintings, “The port ‘of Honfleur “is acquired by State. This honor is due to the private secretary of the great gallery owner who discovered the young artist painting in all weathers on the banks of the Seine, Gall was organizing raffles with his sketches for the production of large canvases. Some of them are now found on sale at Christie’s, Sotheby’s. Marlborough Fine Art Gallery in London brings together thirty of his works that are very successful and is warmly welcomed by Dunoyer de Segonzac which follows immediately after exposure. The same gallery will present its 1951 “Landscapes of France” From the beginning of the 1950s traveling exhibitions and multiply throughout France and the world, including Belgium, the USA, where the artist is also slated to play the role of Manet cinema, but his participation in the other exhibitions “prevents” the French Week “in Sweden where he befriends Maurice Chevalier which he made sketches and portraits, Mexico, Israel. Then the ports and beaches to attract, he went there during the school holidays with his family he does ask, before returning home parents Eugenie Martel-en-Quercy and the landscape of the Causses around. Martel, where you can meet Gen Paul and his bicycle. In 1954, Gall family acquired the romantic house with workshop and yard flowered acacia, purchased from the widow of the painter J.Emile Zingg at 8 Villa Brune, in the 14th arrondissement of Paris. In 1961, wanting to replace an older worker on the ladder while hanging paintings in the organization of the Salon des Independants, François Gall suffered a fall of several meters Grand Palais and remains paralyzed in a plaster shell for more than a year. Participating each year in Paris at the Salon of Painters witness to its time, the price Francis Smith he was awarded in 1963, the Galliera Museum . This enables him to make a study tour to Portugal, he comes back amazed and a rich amount of bright and colorful paintings, exhibited at the Casa Portugal to Paris. Artist increasingly recognized, François Gall became laureate of the Institut de France and his works are subject, in the late 1960s, prestigious exhibitions in France and abroad. They took him to Italy, Rome, Florence, Venice, Germany, Switzerland, where he has a permanent exhibition in Bern and Neuchâtel Bevaix and Corsica, Austria, Spain, Russia, Canada at the Dominion Gallery Max Stern, which discovered the first fake paintings of the artist from Eastern Europe, including Romania. Recognized portraitist, he worked among other portraits, that of his muse Edith Piaf, Marielle Goetschel, France Gall...

Work on canvas Golden wooden frame 65 x 77 x 2.5 cm

Bathers 1940s Mid 20th Century American Scene Social Realism WPA Modern Ashcan Marion Gilmore (1909-1984) Bathers 15 1/2 x 19 1/2 inches oil on canvas boar...

Charles Harsanyi (American, 1905-1973) The Ferry No 2, 1946 Oil on board 40 x 52 in. Framed: 46 x 58 in. Signed and inscribed verso Exhibited: Grand Central Art Galleries, 1946 Charles E. Harsanyi was born in Tapolcza, Hungary in 1905. He studied at the Royal Academy in Budapest, Hungary with A. Bankhard from 1923 to 1928. Nineteen years later, in 1947, Harsanyi moved to the U. S., settling in Jackson Heights, New York. The painter and drawing specialist became a member of numerous prestigious art clubs including the Salmagundi Club, The Society of Independent Artists and the Allied Artists of America. Harsanyi served as an awards director and chairman of admissions for the Audubon Artists Association during the 1950s. Later in life after living in Stephentown, New York and Cape Coral...

Antique American modernist abstract street scene oil painting. Oil on board. Framed. Image size, 12L x 7H.

Work on wood Green wooden frame and gold borders 70 x 81 x 2.6 cm

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Harry Leith-Ross (1886 - 1973). The son of an English father and a Dutch mother, Harry Leith-Ross was born in the British Colony of Mauritius, an island in the Indian Ocean a thousand miles off the southeast coast of Africa. His first formal art instruction began in England under Stanhope Forbes, followed by studies with Jean Paul Laurens at the Academie Julian in Paris. Leith-Ross came to the United States to enroll at the National Academy of Design in New York City in 1910, and then to Woodstock, in 1913. It was in Woodstock at the Art Students League, under the tutelage of Birge Harrison and John F. Carlson, that Leith-Ross would receive the training that most influenced his career as an artist. There he formed a lifelong friendship with fellow artist, John Folinsbee. The two artists shared a studio during this time and participated in several joint exhibitions exclusively featuring their work, including an exhibit at the Louis...

Blue Lake in the Rockies and Hunter - Oil on Linen Cascades and snow capped mountains over look a blue lake with a successful hunter carrying his trophy deer by Vern Byers (American...

Josep Puigdengolas Barrella (Barcelona (1906 - 1987), was a Spanish landscape painter of the 20th century. The Marqués de Lozoya said of Puigdengolas that ...

Vintage 1930s - 1940s oil painting of an adobe church in New Mexico with a brilliant blue sky and clouds (likely Rancho de Taos), circa 1940. Painted by Denver modernist, Paul K...

Signed J. Sureda Lloveras - Fishermen's beach - Oil on board Oil measures 33x41 cm. Frameless. Signed J. Sureda Lloveras.

Work signed but artist unknown from the gallery- Sold with frame, total size with frame is 82x67 cm

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Gershon Benjamin (1899 – 1985). An American Modernist of portraits, landscapes, still lifes, and urban scene...

Hand-signed and dated "Franks 44" lower right. This work is in its original hand painted frame, made by the artist. The frame measures 29 ½" x 35 ½" x 1 ¾" and the canvas measures 26...

Original Painting. Fortune Mag Cover Proposal. American Mid Century Industrial Antonio Petruccelli (1907 – 1994) 92 Fortune cover proposal, c. 1945 13 X 10 3/4 inches (sight) Framed...

Antique American modernist pig oil painting. Oil on board. Signed. Framed. Image size, 11L x 9H.

Fortune Magazine Cover Published 1941 Illustration Precisionist American Scene Antonio Petruccelli (1907 - 1994) Military Tent City Fortune Cover published, May 1941 17 1/2 X 15 in...

Work on canvas

Work on wood Brown wooden frame 36.2 x 42 x 3 cm

Nice modernist American school painting. Oil and watercolor and gouache on board. Signed. Framed. Image size, 18L x 23H.

4034 Antique Impressionist oil on artist board Set in a vintage carved wood frame image size 11.5x9.5"

Vicenç Ferrer Torradellas (1927) - Ibiza Market - Oil on canvas Oil measures 46x55 cm. Frameless. Reus 1927. He studied at the School of Work. He dedicated himself to easel painting...

Work on canvas Molded plaster frame and gilded wood 74 x 93 x 6 cm

Work on canvas Wooden frame 69 x 77.5 x 5.5 cm

Work on canvas Illegible signature

Joaquin Terruella Matilla (1891-1957) - Impressionist Marina - Oil panel Oil measures 32x35 cm. Frame measures 43x46 cm. The table has irregu...

Wonderful signed figures in landscape oil on canvas circa 1940 by French post impressionist painter Lucien Adrion. The painting depicts families enjoying a sunny summer's day at the ...

Six O-Clock, c. 1942, oil on canvas, 30 x 20 inches, signed and titled several times verso of frame and stretcher (perhaps by another hand), marked “Rehn” several times on frame (for the Frank K. M. Rehn Galleries in New York City, who represented Craig at the time); Exhibited: 1) 18th Biennial Exhibition of Contemporary American Oil Paintings from March 21 to May 2, 1943 at The Corcoran Gallery of Art in Washington, D.C. #87, original price $450 (per catalog) (exhibition label verso), 2) Craig’s one-man show at the Frank K. M. Rehn Galleries, New York City, from October 26 to November 14, 1942, #10 (original price listed as $350); and 3) Exhibition of thirty paintings sponsored by the Harrisburg Art Association at the State Museum of Pennsylvania in Harrisburg in March, 1944 (concerning this exhibit, Penelope Redd of The Evening News (Harrisburg, Pennsylvania) wrote: “Other paintings that have overtones of superrealism inherent in the subjects include Tom Craig’s California nocturne, ‘Six O’Clock,’ two figures moving through the twilight . . . .” March 6, 1944, p. 13); another label verso from The Museum of Art of Toledo (Ohio): original frame: Provenance includes George Stern Gallery, Los Angeles, CA About the Painting Long before Chris Burden’s iconic installation outside of the Los Angeles County Museum of Art, Urban Light, another artist, Tom Craig, made Southern California streetlights the subject of one of his early 1940s paintings. Consisting of dozens of recycled streetlights from the 1920s and 1930s forming a classical colonnade at the museum’s entrance, Burden’s Urban Light has become a symbol of Los Angeles. For Burden, the streetlights represent what constitutes an advanced society, something “safe after dark and beautiful to behold.” It seems that Craig is playing on the same theme in Six O-Clock. Although we see two hunched figures trudging along the sidewalk at the end of a long day, the real stars of this painting are the streetlights which brighten the twilight and silhouette another iconic symbol of Los Angeles, the palm trees in the distance. Mountains in the background and the distant view of a suburban neighborhood join the streetlights and palm trees as classic subject matter for a California Scene painting, but Craig gives us a twist by depicting the scene not as a sun-drenched natural expanse. Rather, Craig uses thin layers of oil paint, mimicking the watercolor technique for which he is most famous, to show us the twinkling beauty of manmade light and the safety it affords. Although Southern California is a land of natural wonders, the interventions of humanity are already everywhere in Los Angeles and as one critic noted, the resulting painting has an air of “superrealism.” About the Artist Thomas Theodore Craig was a well-known fixture in the Southern California art scene. He was born in Upland California. Craig graduated with a degree in botany from Pomona College and studied painting at Pamona and the Chouinard Art School with Stanton MacDonald-Wright and Barse Miller among others. He became close friends with fellow artist Milford Zornes...

Work on wood Brown wooden frame 51 x 61 x 3 cm

Eugene Camille Fitsch Am./Fr., 1892-1972 - Signed lower right. Framed dimensions 20 3/4" x 34 7/8" framed Provenance: Studio of the Artist to Private Collection Boston, Massachuse...

Work on canvas

Born in Russia, the son of Friede (1878 – 1956) and Benjamin Hoffman (1878 – a. 1942). Benjamin was a dealer in mineral and seltzer water and the family resided on Snediker Avenue in Brooklyn, New York, just down the streetfrom the home where George Gershwin (1898 – 1937) was born. This area of Brooklyn, known as Brownsville, “witnessed the development of one of the largest communities of Eastern European Jewish immigrants during the last decade of the 19th century and the first two decades of the 20 th century.” Today, little remains of this once thriving Jewish section of Brooklyn, which today houses many commercial and repair businesses. Hoffman studied at the Art Students League of New York, the National Academy of Design and in the art program at Cooper Union. His work at the National Academy received praise, and in 1921 he was awarded the 2nd prize and an honorable mention from the John Armstrong Chaloner Paris Prize Foundation at the National Academy, which allowed the recipient to study in Paris, France for as long as five years. The following year he was awarded the 1 st prize in the competition (with The Reform Advocate running the headline “Young Jew Wins Art Prize”) as well as the Suydam Bronze Medal for his achievements in the Academy’s Men’s Night Class. In 1923 he was residing in Long Branch, New Jersey, when he was awarded 4th place in the Chaloner competition. Early on, Hoffman exhibited his work throughout the city, including in 1925 with the recently organized Society of Independent Artists. He also received several solo exhibitions during the first part of his career, including one at Ferargil Galleries in 1929. In the spring of 1930 a solo exhibition of his portraits, including paintings and drawings, was held at at Babcock Galleries, where a reviewer noted: “Portraiture is obviously Mr. Hoffman’s specialty… his best work is characterized by a sensitive appreciation of character set down in a vigorous decisive statement. Later that same year, in August, he participated in Babcock’s summer exhibition where reviewer Jerome Klein, writing for The Baltimore Sun, felt Hoffman’s and other artists work was already becoming old fashioned, remarking “…if an effort toward accomplishment is to be made, it must be in the language of today. It is for that reason that such contemporaries as Eugene Higgins and Nathan Hoffman, in this show, seem artists of a bygone era…” The onset of the Great Depression appears to have slowed his success, as was the case for many up-and-coming artists. By 1939 Hoffman had become a gallerist in addition to being a painter, operating the collective exhibition space “Sutton Gallery,” which was originally located at 358 East 57th Street. There Hoffman exhibited his own works as well as those created by other prominent New York artists including David Burliuk (1882 – 1967), Charles C. Curran (1861 – 1942), Louis Eilshemius (1864 – 1941), Ann Goldthwaite (1869 – 1944), Maurice Kish (1895 – 1987), Lawrence Lebduska (1894 – 1966), Bradford Perin and Ellis Wilson...

Original oil painting on artist canvas board painting by the California artist, Fern F. Cunningham. Signed lower right. Titled in pencil on stretcher verso. Circa 1940. Condition is very good. Recently professionally cleaned. The painting is housed in its original period frame. Overall framed measurements are 14.5 by 17.5 inches. Provenance: A Sarasota, Florida collector. Fern Cunningham Stone (1889-1975). She was born in Defiance, Ohio on August 4, 1889. A painter, she specialized in impressionist still life works, landscapes, and seascapes of California. Born Fern F. Smith, she married Napoleon Arthur...

Work on canvas Golden wooden frame 55.5 x 48 x 6 cm

Gorgeous landscape of Sierra Mountains and lake in autumn by Oliver Glen Barrett (American, 1903 - 1970), circa 1940. Signed lower right corner; ti...

Abel Warshawsky (American 1883-1962) Spring Fantasy, 1948 Oil on artist's board Signed lower right and verso 16 x 13 inches 20 x 17 inches, framed Impressionist painter A.G. Warshaw...

Les Guilleries. Original acrylic painting Casimiro Martínez Tarrassó, a painter known simply as Tarrassó. He was trained at the La Llotja School in Barcelona. He completed his studies in Paris, where he got to know first-hand the Fauvist works that were shaking the Parisian art scene at the time. This Fauve influence will continue to be palpable in his work throughout his life in features such as the strong chromatic contrast, the elevated and somewhat exaggerated perspective, the absolute disinterest in the human figure, which appears only sketched as a complement to the landscape, and the representation of trees as electrified, subjected to tortuous inclinations. It is these formal features that give his works their own vitality and reduce their connection with the referential to a mere pretext. Tarrassó followed in the wake of the great Catalan landscape painters, paying particular attention to Joaquín Mir, although with a clearly differentiated personality due in part to the impact that Fauvism had on his artistic thinking. He cultivated still life and Catalan and Majorcan landscapes. He held his first exhibition in 1928 in Barcelona. Since then his shows have followed in Barcelona, Madrid, Palma de Mallorca and Bilbao. In 1935 he visited Mallorca for the first time, and from 1940 on he will have a studio there, specifically in Palma, where he lived for long periods and developed most of his artistic production. After the Civil War, during the 1940s, Tarrassó took part in several National Exhibitions of Fine Arts, in their editions of 1942, 1943 and 1950. Although the landscape was always the center of his production, Tarrassó also made works such as the mural decoration of the church of Santa María de Badalona. In Mallorca he also carried out a unique undertaking, planting his trestle in the Campanet caves to capture the stalactites and stalagmites from their stone cavities, developing a series of works that he presented in 1948. Throughout his career, Tarrassó was awarded the Pollença Prize of the I International Painting Contest, in 1962; the Santiago Rusiñol...

Oil on panel, inscribed and dated '1946' bottom right Image size: 19 1/2 x 15 1/2 inches (49.5 x 39.5 cm) Period frame This painting stands out for its use of full-bodied brushstrokes and thick impasto application of paint. It depicts an Italian harbour in the 1940s, probably on one of the islands in the bay of Naples, such as Procida. The Artist Ezelino Briante was born and trained in Naples and he traveled around Italy and abroad (France, Switzerland, Sweden, Brazil, United States of America) looking for naturalistic subjects that he preferred. This celebrated painter studied at the Accademia di Bella Arti di Napoli and his scenes of Italy won him great support and fame in Italy and internationally. His paintings of Italian piers, in particular those of Campania; well known are also his marine landscapes of Sorrento, Capri, Maiori, Amalfi Coast and Sorrento Coast...

Work on cardboard Golden wooden frame 46 x 53.5 x 4.5 cm

Work on wood Green wooden frame 65 x 76.5 x 4 cm

Antique Canadian modernist signed oil painting. Oil on board. Signed. Framed. Image size, 16L x 12H.

Apartment Interior #2 - Watercolor and Pen on Paper Detailed interior scene by Doris Lyons Hoover (American, 1927-2014). The apartment is furnished with several chairs, one of which is wicker, with a bookshelf behind them. The room is decorated in shades of green, brown, and blue-grey. There are two light green carpets on the floor. Signed "Doris Hoover" in the lower right corner. Location information in lower left corner. Presented in a wood frame. Frame size: 17"H x 21"W Image size: 9.75"H x 13.5"W Doris Lyons Hoover (American, 1927-2014) was born in Fort Payne, Alabama, on Oct. 8, 1927, on her grandparents' farm. She was raised in Chattanooga, Tennessee, and attended college at the University of Chattanooga, (now UTC) where she received honors in ar. At U.C. she met her husband Jack Hoover, and the couple moved to Palo Alto in 1954. Doris Hoover became a nationally known fabric artist, teacher, lecturer and co-founder of the Peninsula Stitchery Guild, a leading organization in the Bay Area Crafts Movement of the 1970s. Her beautiful, often playful quilts, soft sculptures and creative stitchings grace...

A beautifully composed scene reminiscent of the Impressionist School. The original frame compliments this charming artwork. Year: c. 1940s Framed size: 36cm x 35cm Signature: Signed at the back “C.C. McDowell” Detailed Condition: Good condition. Simple frame...

Work on wood Golden wooden frame 80 x 95.5 x 6 cm

Industrial Railroad WPA Mid 20th Century American Scene Rural Modern Realism Large oil on canvas genre painting depicting laborers working on a railroad, with rural landscape in the...

Rabbit Hunters, egg tempera on Masonite, 12 x 9 inches, 1947, signed and dated lower left, signed, titled and dated verso “Rabbit Hunters Egg Tempera Roger Medearis 1947,” exhibited ...

Watercolor on paper

Work on canvas Golden wooden frame 62.5 x 72 x 4 cm

Arthur Dove: 1880-1946. One of the most important early American Modernists and Abstract Expressionists. He has had auction results over $8,000,000 and that record was 2 weeks ago. A...

Original oil painting on artist canvas board by the California artist, Fern F. Cunningham. Signed lower right. Titled in pencil on stretcher verso. Condition is very good. Recently professionally cleaned. Circa 1940. The painting is housed in its original period frame. Overall framed measurements are 14.5 by 17.5 inches. Provenance: A Sarasota Florida collector. Fern Cunningham Stone (1889-1975) She was born in Defiance, Ohio on August 4, 1889. A painter, she specialized in impressionist still life works, landscapes, and seascapes of California. Born Fern F. Smith, she married Napoleon Arthur...

Elaine de Kooning said of De Hirsh Margules that he was "[w]idely recognized as one of the most gifted and erudite watercolorists in the country", and New York Times critic Howard Devree stated in 1938 that "Margules uses color in a breath-taking manner. A keen observer, he eliminates scrupulously without distortion of his material." Devree later called Margules "one of our most daring experimentalists in the medium." In 1929, Margules attended an exhibition of John Marin’s paintings. While at the exhibition, he "launched into an eloquent explanation of Marin to two nearby women", and was overheard by an impressed Alfred Stieglitz. The famous photographer and art promoter invited Margules to dine with his wife, the artist Georgia O’Keeffe, and his assistant, painter Emil Zoler. Stieglitz thereafter became a friend and mentor to Margules, becoming for him "what Socrates was to his friends." Stieglitz introduced Margules to John Marin, who quickly became the most important painterly influence upon Margules. Elaine de Kooning later noted that Margules was "[i]ndebted to Marin and through Marin to Cezanne for his initial conceptual approach." His work can be found in the collections of the Whitney, MOMA, Boston Museum of Fine Art, the Brooklyn Museum and the Provincetown Art...

Antique American modernist abstract landscape oil painting. Oil on canvas. No signature found. Framed. Image size, 24L x 22H.