American Realist Landscape Paintings

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of w...

This piece is an original oil painting on panel by American artist Ginny GC Williams. It was painted en plein air during a painting expedition to Vermont. Catching the waning light of an autumn day, the artist has captured the brilliant yellow of birch trees. The piece is beautifully framed in a handmade curly maple floater frame with contrasting spline joints at the corner. a beautiful presentation. GC Williams has a degree in art history which gave her an understanding of, and appreciation for, not only the art of the past, but the historical events and ideologies that fostered various aesthetics, movements, and styles. She has studied at several classical ateliers, including three years at Boston's Academy of Realist Art. Her work has been shown in galleries throughout the US and is included in public and private collections. She maintains a studio on the north shore of Massachusetts. "My work is about the little moments of beauty that comprise our existence: the greening of the landscape in early spring, the glint of light on an object; growing things and made objects. I enjoy creating interesting interactions, and making up narratives. I love the way light animates objects...

Gordon Brown's (US based) "Pacific" is an oil painting that depicts rolling waves crashing against a rocky shore. Bio/artist statement: "My paintings are all about light and mood,"...

The S.S. San Jose shown making way in medium water. This early refrigerated freighter, built in 1904, was designed to transport bananas between the Caribbean and the American mainlan...

Industrial Mural Study, Veterans Memorial Building, Santa Barbara WPA American Joseph Edward Knowles (1907-1980) "Study for Industry Mural, Veterans Memorial Building, Santa Barbara, CA" 19 1/2 x 50 1/2 inches Oil on board, c. 1930s. Estate stamp verso Framed: 27 x 60 inches The completed mural is currently hanging on the wall, part of the building actually, at the Veterans Memorial Building in Santa Barbara. A photo of the work insitu is included in the attached photos. BIO Joseph Edward Knowles was born in Kendall, Montana, on June 15, 1907. He grew up in San Diego, California. At age twenty, two years before the beginning of the Great Depression, he moved north to another town on the coast of California---Santa Barbara. There he began studying fine art at the Santa Barbara School of the Arts* (1927-1930), under the supervision of Frank Morley Fletcher, previously director of the Edinburgh College of Art. Fletcher, who was trained in portraiture, landscape painting, and woodblock* printing, was a great influence on young Knowles. It was there that Knowles learned the art of color woodblock printmaking, a medium in which he showed great skill. Not long after completing his studies with Fletcher, Knowles began teaching art. For a period of thirty years, from 1930 to1960, he taught at the Cate School in Carpinteria, California. In 1934-1935, Knowles traveled throughout Europe, further developing his artistic skills in England, France, and Italy. Upon his return, he continued to teach art at various schools and institutions: Cate School, Crane Country School, extension classes at the University of California at Santa Barbara (UCSB), and at the Santa Barbara Museum of Art (SBMA). Knowles also served as an art education consultant for the County of Santa Barbara. In addition, he was founding co-director and president of the Santa Barbara Fine Arts Institute (1969-1972), which later developed a specialization in photography and became the Brooks Institute of Photography. Knowles died at his home in Santa Barbara on September 8, 1980. Much of Knowles' watercolor work is associated with what has been termed the "California School*," a loose grouping of artists throughout the state that included such figures as Millard Sheets, Phil Dike, Dong Kingman, George Post, and the Santa Barbara painters Dan Lutz and Standish Backus, Jr. The California School artists, including Knowles, were known for their fresh, direct, spontaneous style of watercolor painting. Knowles and other members of the school found inspiration in nature and the built environment alike, emphasizing elements of design in their exuberant, boldly stated, colorful scenes from everyday life. While painting in a representational* manner, Knowles generally avoided photographic realism, preferring subjective interpretation of his subjects. In this, as well as in his experimental approach and vigorous brushwork, he displayed a strongly modern sensibility. Knowles often used the wet-on-wet watercolor technique as he painted seascapes and landscapes, mostly along the California coast. He also employed dry-brush* techniques in many of his paintings, often leaving some of the white of the watercolor paper exposed. Some of the latter depict trees and other forms in a broken and airy manner that recalls Cezanne. Knowles' colored woodblock prints are more reserved and exact in their draftsmanship than his paintings. Spare, clean, lyrical lines are drawn to illustrate floral motifs and boat scenes with a touch of asymmetry conjuring Japanese woodblock prints. His murals from the post-World War II period are considerably more modern in their approach and show an emphasis on design and color. PROFESSIONAL ORGANIZATIONS California Watercolor Society (1940 - 1955) Santa Barbara Art Association (Vice President - 1952) ONE-MAN EXHIBITIONS Golden Gate International Exposition (GGIE) - San Francisco, California San Diego Fine Arts Gallery (SDMA) - San Diego, California Santa Barbara Museum of Art (SBMA) - Santa Barbara, California Cowie Galleries - Los Angeles, California Gallery de Silva - Santa Barbara, California Bradley Galleries - Santa Barbara, California MURALS Westmont College - Ellen Porter Hall Mural - Santa Barbara, California Safeway Grocery (now Vons Grocery on West Victoria Street) - Exterior Tile Mosaic - Santa Barbara, California Santa Barbara Bank & Trust - Interior Mosaic Panels, Santa Barbara, California Santa Barbara Girls Club - Interior Mosaic Mural - Santa Barbara, California Ernest Righetti High School - Mosaic Mural - Santa Maria, California Shell Oil Company - Mosaic Panel - California Beckman Instruments, Corporate Headquarters - Mosaic - Fullerton, California STAINED GLASS WINDOWS, WALLS and PANELS Katherine Thayer Cate Memorial Chapel - Cate School, Carpinteria, California William S. Porter Memorial Chapel - Cottage Hospital, Santa Barbara, California La Rinconada Building - Santa Barbara, California ILLUSTRATIONS "California's Wonderful Corner: True Stories for Children from the History of the Santa Barbara Region," by Walter A. Tompkins (1962 & 1975) China Designs: Two sets of dinnerware for Winfield China...

Dr. Rowland S. Russell PhD. writes about his experience directly witnessing Greg's practice as a “plein air” artist: Whether he’s portraying quiet scenes from Brooklyn’s Prospect Park or the Botanical Gardens, intriguing remnants of New York’s varied industry (grain silos...

A quintessential New England snow scene in the impressionist style. Snow scenes by this artist were considered to be some of his finest works. Frame...

Represented by George Billis Gallery, NYC & LA -- Alex Roulette’s paintings depict false realities. The artist constructs landscapes from numerous source photographs, which he uses a...

"Perkins Cove" with glowing water reflections of wooden boats tied up to the dock is a quintessential example of Tom Swimm's enhanced realism. This colorful o...

Signed (at lower left): W.R. Miller/ 1851

Signed lower right American, b. 1958 Designated a living master by the Art Renewal Center and widely regarded as a leader of the American landscape school, Joseph McGurl is one of ...

Kevin Weckbach's (US based) "Double Shadow" is an original, hand made oil painting that depicts a busy city avenue filled with throngs of bundled walkers casting long shadows on the ...

Fletcher Martin Lunch Break, circa 1940 Signed lower right Oil on canvas 31 1/2 x 37 3/8 inches When Fletcher Martin died in 1979, the New York Times entitled his obituary “Artist o...

Though he was born in Norwich, England in 1833 and lived in London for the second half of his life, George Henry Boughton’s formative years as a self-taught artist began in Albany, New York, where his family settled in the 1830’s. Recognized as a leading landscape and genre painter in the United States and abroad, Boughton illustrated editions of Washington Irving’s Rip Van Winkle...

​Represented by George Billis Gallery, NYC & LA -- Gary Faigin says of Kurt Solmssen’s work, “Though a realist, Kurt Solmssen does not so much record what ...

Irises by Texas artist Julie England is an Ink and Watercolor, Oil on Yupo paper. The size of Irises is Image 26” x 40” Framed 31 ¼” x 45 ¼” Art is...

Gordon Brown's (US based) "Elk River" is an oil painting that depicts trees on a green river embankment. Bio/artist statement: "My paintings are all about light and mood," says Co...

This wonderful urban landscape painting showed up in our inventory, but we have lost the name of the artist who created it. At any rate, it depicts a train arriving in the station of...

"Spirit of the Woods" is an American Realist depiction of light streaming through a forest. Lucas painted the woods near her studio and was able to capture the light that streams thr...

Long Island City Contemporary artist Frederick Mershimer created this oil painting on a wooden panel in 2005. The painting (wood panel) is 10.25 x 21.25 inches (26 x 54 cm). This ...

"Savannah Shadows" is a colorful sun lit scene of a tree shaded street in this charming city, and is a quintessential example of Tom Swimm's enhanced realism. This colorful oil pain...

Lionel S. Reiss (1894 - 1988) Lobstermen in Gloucester, Massachusetts, circa 1943 Watercolor on paper Sight 17 1/2 x 23 inches Signed lower left Provenance: Private Collection, Las Vegas, Nevada In describing his own style, Lionel Reiss wrote, “By nature, inclination, and training, I have long since recognized the fact that...I belong to the category of those who can only gladly affirm the reality of the world I live in.” Reiss’s subject matter was wide-ranging, including gritty New York scenes, landscapes of bucolic Bucks County, Pennsylvania, and seascapes around Gloucester, Massachusetts. However, it was as a painter of Jewish life—both in Israel and in Europe before World War II—that Reiss excelled. I.B. Singer, the Nobel Prize winner for Literature, noted that Reiss was “essentially an artist of the nineteenth century, and because of this he had the power and the courage to tell visually the story of a people.” Although Reiss was born in Jaroslaw, Poland, his family immigrated to the United States in 1898 when he was four years old. Reiss's family settled on New York City’s Lower East Side and he lived in the city for most of his life. Reiss attended the Art Students League and then worked as a commercial artist for newspapers and publishers. As art director for Metro-Goldwyn-Mayer, he supposedly created the studio’s famous lion logo. After World War I, Reiss became fascinated with Jewish life in the ‘Old World.’ In 1921 he left his advertising work and spent the next ten years traveling in Europe, the Middle East, and North Africa. Like noted Jewish photographers Alter Kacyzne and Roman Vishniac, Reiss depicted Jewish life in Poland prior to World War II. He later wrote, “My trip encompassed three main objectives: to make ethnic studies of Jewish types wherever I traveled; to paint and draw Jewish life, as I saw it and felt it, in all aspects; and to round out my work in Israel.” In Europe, Reiss recorded quotidian scenes in a variety of media and different settings such as Paris, Amsterdam, the Venice ghetto, the Jewish cemetery in Prague, and an array of shops, synagogues, streets, and marketplaces in the Jewish quarters of Warsaw, Lodz, Krakow, Lublin, Vilna, Ternopil, and Kovno. He paid great attention to details of dress, hair, and facial features, and his work became noted for its descriptive quality. A selection of Reiss’s portraits appeared in 1938 in his book My Models Were Jews. In this book, published on the eve of the Holocaust, Reiss argued that there was “no such thing as a ‘Jewish race’.” Instead, he claimed that the Jewish people were a cultural group with a great deal of diversity within and between Jewish communities around the world. Franz Boas...

"1 E" is an American Realist painting of a parked vintage car at a motel in Florida. Framed. Signed at bottom left. Carl Bretzke is a representational painter who specializes in urban scenes, nocturnes, and plein-air landscapes. He is a member of the Plein Air Painters of America since 2021. Carl's work has been exhibited extensively in Minnesota and California, including the Minneapolis Institute of Art. Carl's work has been described in the Washington Post as "simultaneously intimate and detached…The artist's unadorned style recalls Edward Hopper and The Ashcan school." Carl holds an MD degree from the University of Minnesota Medical School. His undergraduate degree is from the University of Colorado...

Kevin Weckbach's (US based) "Light Pattern Dance" is an original, hand made oil painting that depicts a busy city sidewalk where passerby walk along the city avenue lined with towering buildings of a bustling neon metropolis. Artist Statement: "Subject matter to me is a vehicle for me to explore how I observe life. My urban influences are an assembly of varied fabrics stitched together to form a tapestry. It is not to resemble a literal story of what it is; moreover, it is a quilt that explains my visual expression. What I find particularly interesting in human intervention in nature is how we are still intertwined with it. Roads, buildings, and farmlands bend with the natural curves of mountains, hills, and streams. City nights are lit up like lightning bugs...

"Blois" realist plein air landscape oil painting of French village from field. Framed Dimensions: 40 x 50 inches Marc Dalessio was born in 1972 in Los Angeles, California. Even in ...

Look for Free Shipping at Checkout Morning Fog I Hilton Head Impressionism Landscape Oil on Canvas 22" x 28" Archival Frame Helene Robinson's Comment : As I was taking a walk ...

Wendy’s Garden with Trellis Ink, Watercolor and Oil on Yupo Paper 26″ x 40″ 2021 Texas artist Julie England Look for free shipping at checkout Annually the perennial cr...

"The Winning Yacht," painted by Edward Moran in 1883, stands as a striking example of maritime art, capturing the exhilaration and beauty of yacht racing in the late 19th century. Mo...

Dee Milbocker (American, 20th Century) Signed: Dee Milboker 1984 (Lower, Right) " The Old Farm ", 1984 Oil on Canvas 18" x 24" Housed in its original 1 1/2" Frame Overall Size:...

This is an important, large tempera painting of the sand dunes that line Michigan's coast. Zolton Sepeshy, who lived and painted in Michigan, also wrote a book on tempera painting. ...

"Laid Bare" is a landscape painting featuring hues of grey, green, blue and yellow. Kathryn Keller is inspired by the works of George Inness, Edward Hopper, Giorgio Morandi & Alexander Drysdale. Kathryn Keller is a painter based in New Orleans and Alexandria, Louisiana. She received a BA in Fine Art and English from the University of the South...

Artist: Sandu Liberman, Romanian/Israeli (1923 - 1977) Title: Woman on a Park Bench Year: Circa 1970 Medium: Oil on Canvas, unsigned Size: 24 x 24 in. (60...

Look for free shipping at checkout Tree Trunks Oil on Canvas 40″ x 30″ Tree Trunks is part of The Meadows which is an interpretation of the pine trees which are east of Taos, ...

A sweeping landscape of Rapid City, South Dakota. Lights glow against a dark atmosphere filled with cliffs and mountains. Artist Bio Stephen Hannock's formal artistic training began at Bowdoin and led him to participate in the Twelve College Exchange, where at Smith College he came under the influence of Leonard Baskin, the renowned sculptor, illustrator, printmaker, and graphic artist. Hannock is deeply influenced by the great American landscape painters of the nineteenth century, especially Thomas Cole, whose sweeping vistas of rugged Eastern terrain were imbued with a sense of the romantic and the sublime. Hannock's dramatic neo-Luminist paintings...

'Central Park, Spring Afternoon' 2009 by American artist, Lawrence Kelsey. Oil on panel, 19.5 x 13.5 in. / Handmade gold frame: 24 x 18 in. Depicting a view of Central Park in New Yo...

Cast Iron Garden Oil on Canvas 30″ x 40″ Look for free shipping at checkout Cast Iron Garden is a tribute to the Southern Methodist University campus, students and professors wher...

Outlaw Mesa Shadows, oil on canvas 17 x 30 inches (Framed size: 18 x 31 inches), $2,900 Leslie Thomas returned to painting after working 20 years as a computer engineer. She has since studied painting under Mark Knudsen...

Boy with Fish Thomas Kerry, British/American Date: circa 1970 Oil on Board, signed and dedicated verso Size: 24 x 20 inches Frame Size: 29 x 25 inches

"Collegeville Farm" is a 23 x 41 inches, regional landscape, painted in Montgomery County, Pennsylvania. The oil on canvas is framed in a stunning, 22k gold, handcrafted frame. The a...

FREE SHIPPING Meting the Shade is done in pastel by Garrett Middaugh who lives in San Antonio, Texas. Meeting the Shade is 18 x 24 without the frame....

Both spare and dynamic, Karl Hartman’s hyper-saturated countrysides and surreal depictions of Americana perfectly match the vividness of our late-summer heatwave. Hartman’s tightly c...

Out for a breath of fresh air late on a wintery day, this adult and child are walking in a world of wonder in this painting. Crunching on the ice covering the shoveled pathway, the p...

Original Painting New Yorker Mag Cover proposal. Army Wedding American Scene WPA Antonio Petruccelli (1907 – 1994) Army Wedding New Yorker cover proposal, c. 1939 11 1/2 X 8 inches ...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

This is a great American landscape painting by the artist, Clyde Singer. Gorgeous tonal shades of green and grey depict a stormy midwestern landscape. Framed 16 x 24 inches Canva...

Signed lower right. Aldro Thompson Hibbard, a master of New England impressionism, was renowned for his evocative winter landscapes. His paintings often capture the serene beauty of...

This watercolor is part of our exhibition America Coast to Coast: Artists of the 1930s Circus Wagons, 1927, watercolor on paper, signed and dated lower left, 10 x19 ¾ inches (sight), provenance includes Stary-Sheets Art Gallery (Gualala, CA); J. Ralph & Louis Stone Foundation; presented in a newer metal frame behind glazing About the Painting Millard Sheets was only twenty years old and in his third year of studies at the Chouinard Art Institute when he painted Circus Wagons. Despite his youth, Sheets was already an accomplished artist who had publicly exhibited his work and won prestigious prizes. Within several years, he would have his first solo exhibition at one of Los Angeles’ premiere galleries and become a painting instructor at his alma mater. In Circus Wagons we already see Sheets deft handling of the watercolor medium and his interest in the California Scene. In this case, Sheets captures a back lot view of a traveling circus, a subject he sometimes returned to, including in a color screen print in the collection of the National Gallery. Sheets made a career by painting what he knew and observed firsthand. This approach allowed Sheets to capture with authenticity the details of each narrative. Even with a narrowly limited palette and an economy of brushstrokes, Sheets effectively depicts the southern California scene with its strong and mysterious shadows, as well as the workers and circus animals. Seen through the hindsight of his six-decade long career, Circus Wagons offers a fascinating insight into the early development of California Scene painting which would by the mid-1930s become the best recognized style on the West Coast. About the Artist Millard Sheets was the dean of California watercolorists. His list of accomplishments is so extensive that his entry in Who was Who in American Art is over forty lines. Born in Pomona, California, Sheets became a painter at an early age, winning a prize at the Los Angeles County Fair in 1918. By the mid to late-1920s, Sheets became a regular at art exhibitions in the western part of the United States, winning several additional prizes before he reached the age of twenty-five. Sheets studied at the prestigious Chouinard Art Institute from 1925 through 1929 with Frank Tolles Chamberlin and Clarence Hinkle and had his first solo show with Los Angeles’ Dalzell Hatfield Gallery in 1929. During the 1930s, Sheets was invited to exhibit at almost every major American Museum and in many ways, his work came to represent the California watercolor school...

Tetris by Ali Mourabet [2021] original and hand signed by the artist Acrylic on canvas Image size: H:80 cm x W:60 cm Complete Size of Unframed Work: H:80 cm x W:60 cm x D:2.5cm Sold...

American, b. 1950 Marla Korr attended Brooklyn College, earning both a B.A. and a M.F.A. There she studied with Philip Pearlstein, Lennart Anderson and Jimmy Ernst. She has also s...

Represented by George Billis Gallery, NYC & LA --A walk through any major museum will reveal paintings that depict or legitimate only certain kinds of experience. Despite the good in...

The career of William Stanley Haseltine spans the entire second half of the nineteenth century. During these years he witnessed the growth and decline of American landscape painting, the new concept of plein-air painting practiced by the Barbizon artists, and the revolutionary techniques of the French Impressionists, all of which had profound effects on the development of painting in the western world. Haseltine remained open to these new developments, selecting aspects of each and assimilating them into his work. What remained constant was his love of nature and his skill at rendering exactly what he saw. His views, at once precise and poetic, are, in effect, portraits of the many places he visited and the landscapes he loved. Haseltine was born in Philadelphia, the son of a prosperous businessman. In 1850, at the age of fifteen, he began his art studies with Paul Weber, a German artist who had settled in Philadelphia two years earlier. From Weber, Haseltine learned about Romanticism and the meticulous draftsmanship that characterized the German School. At the same time, Haseltine enrolled at the University of Pennsylvania, and took sketching trips around the Pennsylvania countryside, exploring areas along the Delaware and Susquehanna rivers. Following his sophomore year, Haseltine transferred to Harvard University. After graduating from Harvard in 1854, Haseltine returned to Philadelphia and resumed his studies with Weber. Although Weber encouraged Haseltine to continue his training in Europe, the elder Haseltine was reluctant to encourage his son to pursue a career as an artist. During the next year, Haseltine took various sketching trips along the Hudson River and produced a number of pictures, some of which were exhibited at the Pennsylvania Academy of the Fine Arts in the spring of 1855. Ultimately, having convinced his father that he should be allowed to study in Europe, Haseltine accompanied Weber to Düsseldorf. The Düsseldorf Academy was, during the 1850s, at the peak of its popularity among American artists. The Academy’s strict course of study emphasized the importance of accurate draftsmanship and a strong sense of professionalism. Landscape painting was the dominant department at the Düsseldorf Academy during this period, and the most famous landscape painter there was Andreas Achenbach, under whom Haseltine studied. Achenbach’s realistic style stressed close observation of form and detail, and reinforced much of what Haseltine had already learned. His Düsseldorf training remained an important influence on him for the rest of his life. At Düsseldorf, Haseltine became friendly with other American artists studying there, especially Emanuel Leutze, Worthington Whittredge, and Albert Bierstadt. They were constant companions, and in the spring and summer months took sketching trips together. In the summer of 1856 the group took a tour of the Rhine, Ahr, and Nahe valleys, continuing through the Swiss alps and over the Saint Gotthard Pass into northern Italy. The following summer Haseltine, Whittredge, and the painter John Irving returned to Switzerland and Italy, and this time continued on to Rome. Rome was a fertile ground for artists at mid-century. When Haseltine arrived in the fall of 1857, the American sculptors Harriet Hosmer, Chauncey B. Ives, Joseph Mozier, William Henry Rinehart...

Jeffrey Vaughn, from Alton, Illinois, received his Bachelor of Fine Arts degree in 1978 from Washington University, St. Louis, Missouri, and his Master of Arts degree in 1981, and Master of Fine Arts degree in 1983 from the University of Dallas. Vaughn has focused his energies as an artist working in landscapes for over thirty years. Vaughn approaches his work with a quiet contemplativeness that reflects the serene aspects of the natural world and reveals the underlying spiritual nature that can be found in the environments he portrays. His paintings have been published in New American Paintings and reviewed in the American Arts Quarterly and the St. Louis Post...

"Books and Butterflies #6" is a contemporary American realist painting. The still life shows a tower of eighteen books, a collection of art, history, and famous literary texts. The t...

Derek Buckner is represented by George Billis Gallery NYC and LA. Born in 1970, Derek Buckner lives in Brooklyn, NY, with his wife, novelist Joanna Hershon, their twin sons and daug...

William Mason Brown was born in Troy, New York, where he studied for several years with local artists, including the leading portraitist there, Abel Buel Moore. In 1850, he moved to ...

'Sentinel (Midcentury Modern)' - oil on canvas is 36 x 48 inches, meticulously painted by American Realist Brooks Anderson. Canvas edges are painted dark in artist's signature style....

Sidney Goodman (1936-2013) The Tryout Oil on Canvas Hand signed lower right Dated 1965 Provenance: bears labels verso from Terry Dintenfass Gallery (partial label) George Krevsky Ga...

Joseph Orr (b. 1949) "The Home Place" Acrylic on Canvas Canvas Size: 9 x 12 Framed Size: approx 12 x 16 Joseph Orr, from Missouri, has been painting profes...

Circle Cycle is a realist painting of the cycle of waves crashing onto the shore, returning to the expansive ocean, and crash again. Minoff translates the constant motion of the oce...

A walk through any major museum will reveal paintings that depict or legitimate only certain kinds of experience. Despite the good intentions of critical theorists questioning the va...

Both spare and dynamic, Karl Hartman’s hyper-saturated countrysides and surreal depictions of Americana perfectly match the vividness of our late-summer h...

Oil on canvas Dr. Rowland S. Russell PhD. writes about his experience directly witnessing Greg's practice as a “plein air” artist: Whether he’s portraying quiet scenes from Brooklyn...

John Duffin Blackheath Original Cityscape Painting Oil Paint on Canvas Canvas Size: H 76cm x W 102cm x D 3cm Framed Size: H 80cm x W 106cm x D 4cm Sold Framed in a Black Float Frame ...

Gammell Trust #W126. Signed and dated in pencil lower right: "R.H. Ives Gammell, Paris, 1917". This is a very early work and despite the fact that it is squared off for enlargement,...

Karl Hartman was born in Billings, Montana (1956) and grew up mostly in the plains states of Texas, Kansas and Oklahoma. He received his BS from the University of Oklahoma, majoring ...

"Study for Long Beach" WPA Mid 20th Century American Scene Social Realism Modernism Ashcan Daniel Ralph Celantano (1902-1980) "Study for Long Beach" 8 x 10 inches Oil on artist bo...

Michael Coleman (b 1946), is known for his landscapes of rich colors in a combination of realism and atmospheric styles, often with animals depicted and the suggestion of natural har...

"White Peonies with Ribbon" is a contemporary classical realist still life painting. Framed dimensions: 31.25 x inches 35.25 inches Signed lower-right corner Steven J. Levin - (b....