Modern Landscape Paintings

Mid 20th century oil and spackle painting featuring an abstracted cityscape with a bridge and buildings by Henriette "Yetti" Stolz. Signed by the artist in the lower right margin. Pa...

This small work, entitled flocks of houses measures 7 inches tall by 5 inches wide. It is oil on canvas on wood sketchers. It's signed on the reverse. The writing on the reverse rea...

Oil on board painting by Alfred James Wands (1904-1998) titled "Mexico". Mountain landscape painting with village of buildings and a church in the foreground painted in colors of gre...

Oil on mounted paper, Colorado modern mountain landscape painting by early 20th Century female artist, Eldora Pauline Lorenzini (1910- 1993) from 1937....

Work on canvas Gold molding frame 67 x 82 x 7 cm

Work on canvas Not signed

Seaside is an original modern artwork realized by Gennaro Villani in the first half of 20th Century. Mixed colored oil on canvas. Hand signed on the lower right margin. Includes f...

Signed lower left, and lower right, 'Patricia Cunningham' for Patricia Stanley Cunningham (American, 1907-1984) and painted circa 1965. A vibrant, Post-Impressionistic oil showing a view of Paris with two nuns wearing wimples and cornets, one carrying a basket of daffodils, standing beneath the shade of a tree and with a view beyond to the facade of the Cathedral of Notre-Dame lit by bright sunshine. The first woman to serve as president of the Carmel Art Association, Patricia Stanley Cunningham first studied at UC Berkeley and, subsequently, with Hans Hofmann in Munich and with André Lhote in Paris. While in Paris, in 1930, she wed the American artist, John Cunningham. Settling on the Monterey Peninsula after returning from Europe, Cunningham joined the Carmel Art Institute, of which she became president, the Southwest Artists...

William Sommer (American, 1867–1949) Spring Beauty Watercolor on paper Signed lower right 12.5 x 17 inches 18 x 22.75 inches, framed William Sommer is seen as a key person in bringi...

Saint Moritz is an original modern artwork realized by Carlo Ferrari in 1907. Mixed colored oil painting on board. Hand signed, dated and place on the l...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. Thes...

View over the Bay of Naples is an orginal old master artwork realized by Master of Northern Europe School of the second half of 19th Century. Mixed colored oil on canvas. Relined....

Melissa Sims’ work utilizes motifs from collage and pop art, in that several different images are combined into one cohesive but surreal landscape. Sims c...

The Bubblers (Los Burbujeros.. Figurative painting. Landscape with figures in Renaissance setting. Acrylic on canvas. Author: Igor Fomin. Measurements in ce...

Claude Muncaster ( 1903-1974) PRSMA, RWS, ROI, RBA British. Chap Wells and Chap Fell, Cumbria (The Lake District). Oil on board circa 1936. Signed , and old London...

Emilio Trad (Argentinian, b. 1953) Untitled, 1978 Oil on Masonite 18 x 14 inches Signed and dated on the reverse Emilio Trad was born in 1953, in Buenos A...

Abstracted fall landscape by Claire Weist (American, 1930-2014). Bare treetrunks and limbs crisscross the composition, creating a contrast between dark lines and bold color. Warm reds and yellows fill in the spaces between the limbs. Beyond the foliage, a grey sky can be seen. Signed and dated "Weist 69" in the lower right corner. Title and artist's name on verso. No frame. Board size: 16"H x 20"W Claire Weist (American, 1930-2014) was an artist known primarily for her watercolor compositions. She won several awards throughout her career, including the jury award for graphics from the Illinois Watercolor Society. Weist was originally from the Boston area and studied at the Massachusetts College of Art and then Harvard. After spending time teaching art and as an illustrator, Weist moved to Crete, Illinois and opened her own studio, where she spent the remainder of her professional career. Education: 1949-50 Lomma, Sweden 1951, Massachusetts College of Art, Boston, MA 1953, B.F.A. Degree, Harvard University, Cambridge, MA Work: 1953, Commercial Artist, Vincent Edwards Art Agency, Boston, MA 1954-1957, Art Editor and Illustrator, Baby Post Magazine, New York, NY 1960-1964, Painter and Art Teacher, Lynchburg, VA 1965-1971, Book and Magazine Illustrator, Delafield, WI 1972, Studio, Crete, IL Exhibitions and Memberships: 1971 - Alverno Art Fair, Milwaukee, WI 1971 - Elmwood Plaza Art Fair (Best in Show), Racine WI 1971 - Brookfield Square Winter Art Show (First Place, Watercolors), Waukesha, WI 1973 - Marathon County Historical Museum, Wausau, WI 1982 - Park Forest Art Fair, Park Forest, IL Member, Wisconsin Watercolor Society Member, Kettle Moraine...

Pötsch was an artist of the Austrian interwar period whose oeuvre can be found between moderate Expressionism and realistic tendencies. With his loosely and dynamically placed brushs...

From the estate of the artist. Published: Katz, Lois, The Paintings of Jason Berger, 1997: Page 295, Figure A-100.

French Landscape by Bernard Labbe (French mid 20th century) original gouache on artist paper, unframed size: 10.5 x 21 inches condition: very good and ready to be enjoyed provenance...

Stormy sea is an original modern artwork realized by Artist of Northern Europe School of the mid-19th Century. Mixed colored oil on canvas. Includes frame.

'Victor, Colorado', 1942 oil painting on masonite by Martyl Suzanne Schweig (1918-2013). This classic Colorado landscape was painted overlooking a ghost town with the Rocky Mountains visible across the background, completed in rich tones of green, gold, and brown. This painting was completed on a trip with fellow artist, Adolph Dehn...

Non Angli sed Angeli is an original lithograph on ivory-colored paper, realized by G. Scharf and E. Webb. The state of preservation of the artwork is good. On the lower left margin...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour/ gouache on artist paper, unframed Mounted on card frame size: 17 x 11 inches condition: very good an...

River Landscape with Bystanders is an original old master artwork realized by Artist of 18th Century. Mixed colored oil painting on canvas. The painting is approachable to traditio...

Gouache on paper signed en verso Throughout his sixty-year artistic career, David Hayes created sculptural forms abstracted from organic forms encountered in daily life. He first studied with American sculptor David Smith, who was among the first to work with welded steel. Hayes' sculptures have affinities to Alexander Calder's playful stabiles (Hayes met Calder in Paris) and to the shapes and colors of Matisse's late paper cutouts. Hayes works are firmly rooted in modern artists' interests in industrial materials and in commercial fabrication processes. He has had more than 400 exhibitions of his work. His work is in more than 70 museum collections, including MOMA and the Guggenheim. Throughout his career, Hayes painted models for his sculptures and sculptural-like landscapes of the geography surrounding his home in Northwestern Connecticut. In these landscapes, the gently rolling hills become modernist forms and shapes, recognizable as landscapes but also as explorations of shape and color. These are intriguing works of art in and of themselves. Lawrence Fine Art...

Work on wood Golden wooden frame 36 x 43 x 6 cm

Blue landscape is an original contemporary artwork by Mario Asnago (1896-1981). Mixed colored oil painting. Hand signed on the lower margin. Includes frame.

Modern abstract green and purple toned landscape painting by American artist Jane Tate. The work features a wild grove of trees and brush with the sun framed...

Work on wood

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studie...

Tony Khawam is an established contemporary artist known for his semi-abstracted work of the New York urban and industrial landscape and recently of South Florida. He holds a BFA from the School of Visual Arts in New York, NY and has exhibited in galleries throughout the U.S. and Europe. He has experimented with outdoor paintings throughout his artistic career to learn from the predecessor artists of the Hudson...

Suburbs is an original modern artwork realized by Renso Vespignani in 1970s. Mixed colored tempera on canvas. Stamp behind the artwork. Provenance: Vivaldi Collection.

'Winter in Provence', gouache on art paper, by Raymond Debiève (circa 1970s). There is both beauty and melancholy in this delightfully charming artwork. The artist's naive style is at odds with the refinement, poise and sophistication of the painting. Perhaps the artist was making a statement as well with the broken wall...

Oil on canvas painting by Charles Ragland Bunnell (1897-1968) circa 1928-1929 of a Manitou, Colorado with a view of Pikes Peak. Early 20th century mountain landscape painting. Presen...

Antique American modernist landscape abstraction. Oil on board, circa 1940. Signed. Image size 30L x 25H. Housed in a period modern frame.

Landcape is an original modern artwork realized by Mario Asnago. Mixed colored oil painting on canvas. Hand signed on the lower margin

Antique American modernist portrait painting of an industrial worker. Oil on canvas, circa 1925. Signed lower right "Maurice Lee". Displayed in a giltwood frame. Image, 14"L x 18"H.

Antique French modern painting of a fall forest. Oil on board, circa 1950. Signed. Image size, 15.5L x 9.75H. Housed in a period giltwood f...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to P...

Work on canvas without frame

French Landscape by Bernard Labbe (French mid 20th century) original gouache on artist paper, mounted in a card frame size: 25.5 x 21 inches condition: very good and ready to be enjo...

Initially read as archaic and simple, Halleluja is a complex celebratory spring painting full of color, imagination, and humor and combines many elements seen throughout her later ca...

Larisa was an important painter who lived the last twenty years of her life in Arizona. She was very popular nationally and was a well-known teacher. The body of work she left behi...

Mid 20th century oil on canvas of a crowded harbour scene, showing the local fisherman or sailors saying farewell to their families before going to sea. The painting is signed bottom right but the artist remains as yet unidentified. A colourful yet slightly brooding and dreamlike painting. The figures are faceless and the shapes loose and undefined reminiscent of the works by Balthus who in turn was influenced by LS Lowry and his scenes of industrial districts. The colours are deep and glowing and the shapes of the figures are rounded giving a sense of warmth and evoking the quality of light seen at either dawn or dusk. Balthasar Klossowski de Rola (February 29, 1908 – February 18, 2001), known as Balthus, was a Polish-French modern artist. He is known for his erotically charged images of pubescent girls, but also for the refined, dreamlike quality of his imagery. Lowry is famous for painting scenes of life in the industrial districts of North West England in the mid-20th century. He developed a distinctive style of painting and is best known for his urban landscapes peopled with human figures often referred to as "matchstick men".

Bela De Tirefort (1894 - 1993) New York City Harbor, 1932 Oil on canvasboard 14 x 18 Signed and dated lower left: De Tirefort 32 Bela de Tirefort was born in Eastern Europe, painted...

Vintage American school modernist painting. Oil on canvas, circa 1940. Unsigned. Image size, 30L x 24H. Housed in a period frame.

David Arnold Burnand, born in Paris on December 2, 1888 and died in Lausanne on July 23, 1975, is a Swiss painter and illustrator. Son of Eugène B...

Oil Painting of Camlough Lake in Northern Ireland by 20th Century Modern Artist, Patrick O'Neill Art measures 30 x 20 inches Frame measures 35 x 25 inches A beautiful colourful ...

Vivid mid century modern maritime seascape by P. Mantos (20th Century), 1968. Expressive brushstrokes in a bold palette of blue and turquoise is acce...

"Forest" is a 29 x 36 inches, oil on canvas painting by American modernist, female artist Peter Miller. The work is painted in a vibrant color palette. The work is estate stamped on ...

Antique American modernist signed original oil painting. Oil on canvas, circa 1930. Signed illegibly. Image size 20L x 16H. Housed in a period giltwood frame.

This beautiful oil on linen canvas painting, entitled "Rail Crossing: Middletown, was executed by the esteemed artist Jules Halfant (American, 1909-2001)...

French Chateau by Bernard Labbe (French mid 20th century) signed original watercolour/ gouache painting on artist paper, unframed size: 13 x 15 inches condition: very good and ready ...

Work on canvas without frame

Otis Dozier (1904 - 1987) Dallas Artist Image Size: 30 x 40 Frame Size: 32 x 42 Medium: Oil Dated 1980 "In Flight" Biography Otis Dozier (1904 - 1987) Otis Marion Dozier is noted as a member of a group of Texas regionalist artists known as the "Dallas Nine". His style was characterized by brilliant colors and strong forms, often focusing on the plight of farmers affected by the Great Depression. Dozier was born in Forney, Texas in 1904. Raised on a farm in Mesquite, Texas with three siblings, his surroundings provided the materials that allowed him to cultivate a love for nature and wildlife. He once said, "youve got to start from where you are and hope to get to the universal." His surroundings became a primary focus for subject matter in his art. Other areas providing inspiration for his works would include the Big Bend and Gulf Coast areas of Texas, the Four Corners area of New Mexico, Arizona, and Utah, and the bayous and swamps of Louisiana. His earliest art training was in Dallas from Vivian Aunspaugh, Cora Edge, and Frank Reaugh when his family moved there in the early 1920s. Dozier became a member of the Dallas Artists League in the 1930s after becoming involved with a group of regionalist artists. He taught at the Dallas School of Creative Arts from 1936 to 1938, while at the same time studying the various works of European artists such as Picasso, Leger, and Matisse. His initial style included bright colors and dominant forms but later moved to the earthy tones of beige, green, brown, and gray. In 1940, Dozier married and together he and his wife contributed much to the Dallas cultural scene. Dozier attended the Colorado Springs Fine Arts Center in 1938 on a scholarship, studying with Boardman Robinson. For the next seven years he served as Boardmans assistant. While in Colorado, the Rocky Mountains became a favorite painting ground where he completed more than 3000 sketches of ghost towns and mountains. Influenced by Robinson, he developed a more fluid style and became an expert in the lithographic medium. Upon returning to Dallas, Dozier taught life drawing at Southern Methodist University from 1945 to 1948. From 1948 until 1970 he taught drawing and painting at the Dallas Museum of Fine Arts. He participated in sole exhibitions in the early to mid 1940s, as well as other major exhibitions at the Whitney Museum of American Art and the Metropolitan Museum of Art in New York City. Dozier completed murals at the Agricultural and Mechanical College of Texas (Texas A&M University) and at various post offices in Texas. He won many awards at various exhibitions, including the International Watercolor Exhibition in San Francisco in 1932; the Museum of Modern Art in New York in 1933; the First National Exhibition in New York in 1936; Allied Arts exhibitions in 1932, 1935, and 1947; and two Texas General exhibitions in 1946 and 1947. His works may be found in the permanent collections of the Museum of Fine Arts in Houston; the Archer M. Huntington Art Gallery at the University of Texas at Austin; the Modern Art Museum of Fort Worth; the Marion Koogler McNay Art Museum in San Antonio; the Dallas Museum of Art; and the Panhandle-Plains Museum in Canyon, among others. Dozier died of heart failure in 1987. Additional exhibition venues: Otis Dozier: A Centennial Celebration 1904-1987 The McKinney Avenue Contemporary, November 6 - December 10, 2004 OTIS DOZIER (1904-1987) Otis Dozier was born in Forney, Texas in 1904 and was raised on a farm in nearby Mesquite. Dozier enjoyed drawing and painting from an early age, and a visit to the Texas State Fair convinced him to pursue art as a vocation. Dozier recalled visiting the Fair’s rotunda and, there, seeing an early work by Mexican muralist Diego Rivera. Dozier did not understand the image but was fascinated by it, later recalling that looked like blood and buttermilk to him; he just looked and looked; the newspaper said it was so great and he was willing to learn but couldn’t understand why it was so great. Dozier’s family moved to Dallas at the beginning of the 1920s, and it was there that he would receive artistic training under Vivian Aunspaugh, Cora Edge, and Frank Reaugh. Dozier would study with Aunspaugh for two years. She introduced Dozier to art history and spoke highly of the Impressionists, although she was cooler towards the Cubists and Fauvists who represented France’s new vogue. Dozier became a member of the Dallas Artists League in the 1930s. He taught at the Dallas School of Creative Arts from 1936 to 1938 and was a significant member of the burgeoning Dallas art scene. Otis Dozier was a member of the cadre of Dallas artists known as the “Dallas Nine.” Though the disparate group of painters, printmakers and sculptors who composed the Nine could be broadly categorized as regionalists, they often displayed a decided fascination with the European avant-garde. This is especially true of Otis Dozier’s works, in which regionalist subject matter was often mingled with Surrealist and Cubist techniques. Starting in 1936, Dozier—as well as the other members of the Dallas Nine—began exhibiting their work at local, regional and national exhibitions. In 1936, Dozier, along with 713 artists from 47 states, attended the First National Exhibition of American Art at Rockefeller Center in New York. Dozier himself participated in numerous solo exhibitions during the mid-1940s and contributed to exhibitions in New York’s Whitney Museum of American Art and Metropolitan Museum of Art. In 1945, Dozier returned to Dallas. He had been invited by fellow artist Jerry Bywaters...

Waldo Peirce painted View from My Room, Spain while traveling throughout Spain with his good friends, Jack Johnson, a former heavyweight champion, and the...

Work on paper