Board Paintings

Paperback Cover Cover of "Dark Fire," Harlequin Books Signed Lower Right Man and Woman holding each other

Medium: Oil and Gold Paint on Board Signature: Signed Lower Right Sight Size 19.00" x 16.00" Oval, Framed 24.00" x 21.00" April. 1920 Good Houseke...

Medium: Oil on Board Signature: Signed Lower Right Sight Size 15.50" x 15.00", Framed 23.00" x 22.00" signed Jessie Willcox Smith (lower right); signed Jessie Willcox Smith and titl...

Medium: Gouache and Pencil on Board Signature: Signed Lower Left Carter's Monthly, February 1898, cover illustration. Newly Framed.

Medium: Oil on Board Signature: Signed Lower Right Vogue magazine cover 3/15/13

Medium: Oil on Board Signature: Signed Lower Right Maclean's Magazine Cover, September 15th, 1930

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Ben...

Medium: Oil and Pencil on Canvas Laid Down on Board Study for the December 23rd, 1939 issue The Saturday Evening Post.

Beer Belongs advertisement. The illustrations of Douglas Crockwell were often simply signed “Douglass” to avoid confusion with the signature of Norman Rockwell, particularly since their work was being published on the covers of The Saturday Evening Post during the same period. Necessary too, because Crockwell also worked very realistically, and like Rockwell, was particularly good with children. Their backgrounds, however, were entirely different. Crockwell was born in Chicago, Ohio, and took his degree in Science at Washington University, followed by study at the Academy of Fine Arts in Chicago and the St. Louis School of Fine Arts. He received his first commission for a cover for The Saturday Evening Post in 1933, and this was followed by many more, as well as work for other periodicals and a long list of national advertisers. During the ‘thirties, he also completed Post Office murals in Vermont, New York State and Mississippi, and began to work on experimental animated films. The films, and inventing a “pan-stereo” viewing...

Landscape oil painting of misty mountains in Vermont with farms scattered at their feet. In the foreground is some shrubbery and small trees dominated by a larger one.

Date: 1945 Medium: Oil on Board Dimensions: 16.00" x 33.75" Signature: Signed Lower Right Exhibitions: Exhibited at International Galleries Contemporary American Illustration, May 1...

Montgomery Clift and Admirers

Medium: Oil on Board Signature: Signed Lower Right Sight Size 15.00" x 13.00;" Framed 18.00" x 15.00" This painting was originally published on the Fleetwood First Day Cover for the U.S. 37c Flag Folding Fan...

Harry Jelinek (1905-1986) “Lady Posing in a Red Dress” Signed and dated 1965 Acrylic on board

Medium: Oil Board Dimensions: 40.00" x 25.50" Signature: Signed Lower Left Frank G. Slaughter 'Sword and Scalpel" Book Cover

Medium: Acrylic on Board Dimensions: 16.00" x 20.00" Signature: Signed Lower Right GIrls of Canby Hall Book Cover

Contemporary impasto oil painting rendering a traditional croft and loch scene in rich color with a modern aesthetic, by British artist Charles Wyatt Warren (1908-1993). Mountains w...

The whaling ship, Essex, in calm seas. On the reverse, the artist writes that—for wind-powered sailing ships—a day with no wind was feared almost as a sto...

Late 19th century still life of a beautiful floral bouquet by Elisabeth Von Wundt (German, b-1856) . Signed " Wund"; lower left. Artist's signature on verso. Presented in a giltwood ...

Rene Genis (French 1922-2004) “Les Grues” - The Cranes. Oil on matt board. Scene of a merchant ship being loaded in port (noted on back as possibly Bordeau...

This painting is part of our exhibition America Coast to Coast: Artists of the 1940s. Untitled (Horns and Bow), 1941, oil on board, signed and dated lower right, 15 x 20 1/x inches...

Trees by the Pond at Sunset - Landscape in Acrylic on Artist's Board Signed "Bobbi Doyle Maher" in the lower left corner. Signed on verso. No frame. Panel size: 8"H x 10"W Bobbi ...

This painting is part of our exhibition America Coast to Coast: Artists of the 1940s. Untitled (Biomorphic Composition), 1948, oil on textured paper mounted on board, signed and da...

Abstract Cubist Construction Collage Mid 20th Century American Modernism Cubism Vaclav Vytacil (1892 - 1984) Abstract Construction #2 Caesin on board collage 11 x 13 1/2 th inches S...

Sandra Cohen’s “wake” is a 36 x 24 x .25 inch acrylic painting on tempered hardboard, loosely painted in colors of blue, green, red and white. At the top of this seascape is a hazy h...

Stockbroker turned artist Dawne Raulet stumbled into painting when she least expected it. Frazzled by a fulltime financial career and two small infants at home and in desperate need ...

Stockbroker turned artist Dawne Raulet stumbled into painting when she least expected it. Frazzled by a fulltime financial career and two small infants at home and in desperate need ...

Aldro Thompson Hibbard (1886 - 1972) Autumn in New England Oil on canvasboard 18 x 25 inches Signed lower right; estate stamped on the reverse Born in Falmouth, Massachusetts, Aldro Hibbard was an Impressionist landscape painter much concerned with light and shadow. He was one of the founders of the Rockport Art Colony, and the Rockport Art Association now occupies his former studio. Hibbard grew up in Dorchester and Boston and spent much time in the summers in Boston and Cape Cod. He showed early artistic talent, an interest he shared with a life-long love of baseball, which led to his becoming a professional baseball player. For his art training, he graduated from the Massachusetts Normal School and studied at the Boston Museum School with Edmund Tarbell...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. This is a miniature watercolor and gouache vibrant, colorful bouquet of flowers in a vase. Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. Simka painted what he thought was typical of Jackson. His impression of pre-civil rights Mississippi was evidently Greek Revival column houses, weeping willow trees, working class families, and the oppression of African Americans. He painted African American men picking cotton, while a white man took account of the harvest and a white judge advised a white family, calling it Pursuits of Life in Mississippi. Though clearly endorsed by the government and initially generally well-received, the mural soon raised concerns with locals as the climate toward racial segregation began to change. The main concern was whether depictions that show African Americans in subjugated societal roles should be featured in a courtroom. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...

Classic mid-century floral still-life featuring large red flowers painted with dynamic impasto brushstrokes with a background in warm orange and yellow tones by Frank McConnell (Amer...

Wonderful mid-century modern oil painting of wheat and fruit by Wanda Faust (American, 20th century), c.1950. Signed lower left corner "Faust." Displayed in rustic wood frame. Image,...

“Late Night at The Studio” by Catherine Picard-Gibbs is an Expressionist interior factory scene in a palette of teal-blue and yellow. This evocative 18 x 24 inch oil on panel painting focuses on light pouring out from the haunting depths of an empty hallway. This textural artwork is framed in a silver crackle floater frame with a black interior, making the framed size 19 x 25 x 1.5 inches. Catherine Picard-Gibbs paints with bold brush strokes, using vibrant colors to show emotion and movement in landscapes and urban scenes. Her inspiration comes from the nuance and drama of her everyday world. Her evocative works have been featured throughout Massachusetts, in New York, and in the Midwest. Picard-Gibbs is represented by Fountain Street Gallery...

Clown with Bouquet - Acrylic and Ink on Cardstock Colorful portrait of a clown holding a bouquet of flowers by Jassen Marek (20th Century). A sad clown in a suit with a straw hat ho...

Gorgeous, vibrant early 20th century seascape painting of Point Lobos looking toward Monastery Beach, Carmel by Rinaldo Cuneo (American, 1877-1939). Signed "Cuneo" lower right. Presented in a giltwood frame. Image, 11"H x 12"W. Dubbed “The Painter of San Francisco." Well received at the Panama Pacific International Exhibition in 1915. Born in San Francisco, California and raised in the North Beach area, Rinaldo Cuneo was a painter of landscape, still lifes, city views and muralist who, commissioned by the Federal Art Project adminstrators, painted murals in Coit Tower in San Francisco in 1934. His studio and cottage in San Francisco, later in his career, had a panoramic view of the bay from Telegraph Hill. His family were painters including two of his brothers, Cyrus and Egisto Cuneo, and several family members were founders of the Tivoli Opera Company in San Francisco. He served in the Spanish-American War and then studied at the Mark Hopkins Institute of Art with Arthur Mathews and Gottardo...

Signed lower left 'Nura' for Nura Woodson Ulreich (American, 1899–1950). Additionally signed, verso, dated March 1928 with artist's New York City ...

Impasto oil painting of a Carmel Valley Sycamore Grove. Presented in a wood frame. Signed lower left "H. Vanderhoof." Image, 20"H x 24"L.

Untitled (Houses and Railroad Tracks), c. 1940s, oil on canvas board, signed lower right, 16 x 20 inches, presented in a newer frame This work is part of our exhibition America Coas...

Born in New York City in 1959, Max Ferguson started as a filmmaker, making award-winning animated films as a teenager. But it was while he was a visiting student at an art school in ...

Charming 19th-century painting of two Cairn Terrier puppies playing in sewing basket by Katherine L. Fitz (American, 19th Century). Written on verso, "Pa...

Catskills from Claverack (Plein Air Hudson Valley Landscape Painting, Framed) 14 x 11 inches, 15.75 x 12.75 inches framed, white stained wood floater frame This landscape painting by the artist and carpenter Joseph Rapp...

"Cloudy Evening, Dering Harbor" is an impressionist night view of the northeastern harbor. Kelly Carmody’s work has been widely exhibited and collected. One of her major figurative...

Personale original contemporary mixed media painting. Cándido Ballester is a contemporary Mallorcan painter who was born in 1926. As a child he had to emigrate to Argentina. In the ...

Personaje original surrealist acrylic painting Cándido Ballester is a contemporary Mallorcan painter who was born in 1926. As a child he had to emigrate to Argentina. In the 60's he ...

windmills in Mallorca- original neo-expressionist acrylic painting. framed contemporary work by the mallorquin artist Toni CALDENTEY Painting on paper CALDENTEY, Toni - (Portocolom...

"Skater with Night Sky" is a lovely and calming work depicting two children in the midst of a colorful background with palm trees. The painting gives off a calm and relaxed vibe. Art...

"Beach Pool" is a lovely and calming work depicting two children in the midst of a colorful background with palm trees. The painting gives off a calm and relaxed vibe. Artist Dan Par...

"Sunset Swim" is a lovely and calming work depicting two children in the midst of a colorful background with palm trees. The painting gives off a calm and relaxed vibe. Artist Dan Pa...

Original Miniature 19th Century Austrian Pastoral Figurative Oil Painting on Wood Painted in the manner of late Romanticism, this charming miniature pastoral landscape by Edmund Fri...

Chess Players WPA Depression Era Mid-20th Century American Scene Realism Modern. Signed upper right and verso 8 x 10 inches oil on board. BIO The son of a men's haberdasher, Mervin ...

Dynamic seascape along rocky Big Sur beach with surf by Willard Little (American, 20th century), circa 1940. Aqua blue water, both shallow and deep, reflects the golden sunlight. Are...

Amazing double sided Original Artwork by Al Diaz. Al Diaz is also famous for being the other half of 70’s- 80’s SAMO© duo along with Jean Michel Basquiat. One side has thought provok...

Gigi Mills' work is born out of her desire to simplify and reduce each moment to its essence; she achieves this by omitting mundane details from life that can often obscure genuine e...

"Red Dot on Black" and "Red Dot on Grey" are two 22.5 x 14.4 inches each, oil on board, geometric abstracts by Philadelphia artist Morris Lewis Blackman. The paintings are estate st...

"Green Dot on Black" and "Green Dot on Grey" are two 22.5 x 14.4 inches each, oil on board, geometric abstracts by Philadelphia artist Morris Lewis Blackman. The paintings are estat...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

A nature scene showing the edge of a palm tree and a potted flowering plant. Oil on Board. 21" x 21" Framed

Lesley Anne Spowart, an abstract artist hailing from Cape Cod, Massachusetts, is renowned for her transformative creations that blur the boundaries of mediums and styles. With a di...

Quaint early 20th century landscape of an old man traveling down a dirt road in a covered wagon led by two donkeys and a dog, through rolling hills and wildflowers, by S. Bassett Wei...