Linen Paintings

Filipe Cortez (Portugal, 1986) holds an MA in Painting from the Faculty of Fine Arts of the University of Porto and a BA in Painting from the same instit...

"Day Remains I", 2023, Paris, France Rich painting of blue dye, deep red and yellow ochre oil paint, on natural, antique cotton. Consider pairing with its counterpart "Day Remains I...

Represented by George Billis Gallery, NYC & LA --Every painting begins with a place to stand. Sometimes I find one in seconds; sometimes the hunt goes on for many seasons. A canvas c...

When The Swallows Are Back is an original painting by Mary Chaplin. This large, abstract painting inspired by the colours of spring, green yellowish and the yellow of forsythias surrounded by the blue the sky of a nice day of spring. Not framed but ready to be hung. Mary Chaplin is available on our website and in our gallery at Wychwood Art. Mary is a French artist and lives and works in Wailly, a picturesque hamlet surrounded by ponds, rivers and woods, in the North of France. Mary Chaplin for more than twenty years has worked as a self-taught professional artist, always inspired by nature and by the varying effects of light. She started her career by painting figurative scenes she saw around her in the French countryside. Her first artworks were representations of landscapes, gardens, forests, rivers or lakes, which allowed her to explore different techniques, including pastel, oil, acrylic and watercolour. However, both her life and career reached a turning point in 2005 when she witnessed the ‘holy light...

Chromatic Expression II. Mixed Media abstract, modern, colorful and powerful painting on raw canvas with floating natural wood framed . 52H x52W x 2.5D Discover the vibrant world ...

Gorgeous mid century San Francisco Bay seascape oil painting by California artist Hartzell Harrison Ray (American, 1896-1991). Signed "H. Ray" lower right and on verso. Texture added...

Luminous Hudson River School landscape of sunset over water with red buoy in foreground and sailing ships in background in the style of Alfred Thompson Briche...

Signed and dated lower right of center: Yost ‘22

This work is from the Wonderment of Otherness series of paintings by New York City-based artist Christopher Stout, whose pronouns are he/him or inclusive they/them. Each work within the Wonderment of Otherness series is a sculptural monochrome painting and is part of the contemporary genre of art referred to as queer abstraction. A statement of practice regarding all of Christopher Stout’s work is that it intends to surround us with the notion of radical joy and a vision of queerness as found in our imaginations. But what do the term queer abstraction mean and represent? In the artist’s own words: “I would suggest that queer abstraction might be most easily defined as activist art about the queer experience that does not employ representation of the human figure. Queer abstraction, along with Black abstraction, feminist abstraction, and even Arte povera are examples of 4 distinct types of sociopolitical protest work birthed in the late 1960s and early 1970s, which primarily eschew the use of figuration. In providing additional context, art critic and curator Eric Sutphin theorizes that contemporary artists practicing queer abstraction, 'are in close dialogue with their forbears, and bring to the milieu of queer abstraction a new set of social, economic, and political concerns…including a series of questions: What is the relationship between queerness and formalism? Without explicit political references, how can abstract work transmit the urgency of its content?'” In returning the conversation to the Wonderment of Otherness paintings, each painting in this body of work has been designated as a 'quilt painting' because the central visual element and topography of the works are textile pieces of Belgian linen and cotton sewn together with wire in a manner akin to quilting. It should be noted that quilting here is not a reference to the AIDS quilt, but rather an extension of the tradition of quilting as a form of political art by marginalized people. These quilts are stretched on stacks of wooden panels, so that the works retain elements to suggest being textile pieces, and also elements of being sculptures, and also elements of being paintings. This is a reference to the nonbinary. An equally important concentration within these works is to express a linear relationship between queer abstraction and queer theory. Alongside each painting has been designated a notable academic text, biography, or resource book documenting a spectrum of queer ideas and experiences. Stout noted that, “Some of these books are longtime friends, and some of the more contemporary works were read as part of my research for these paintings.” Whilst these paintings are not designed to illustrate the work of these queer academics, they do hope to activate a through line, manifesting the shared goals within queer abstraction. This painting is titled, Wonderment of Otherness Quilt Painting 001, A Monument to the Work and Queer Personhood of José Esteban Muñoz (which is slightly longer than the 80 characters permitted in the online catalog) and is a monument to the work and Queer personhood of José Esteban Muñoz. Stout painted this piece after re-reading Muñoz’s text, “Cruising Utopia, The Then and There of Queer Futility.” A much-loved quote from this book: “Queerness is not yet here. Queerness is an ideality. Put another way, we are not yet queer. We may never touch queerness, but we can feel it as the warm illumination of a horizon imbued with potentiality. We have never been queer, yet queerness exists for us as an ideality that can be distilled from the past and used to imagine a future. The future is queerness’s domain. Queerness is a structuring and educated mode of desiring that allows us to see and feel beyond the quagmire of the present. The here and now is a prison house. We must strive, in the face of the here and now’s totalizing rendering of reality, to think and feel a then and there. Some will say that all we have are the pleasures of this moment, but we must never settle for that minimal transport; we must dream and enact new and better pleasures, other ways of being in the world, and ultimately new worlds, queerness is a longing that propels us onward, beyond romances for the negative and toiling in the present, queerness is that thing that lets us feel that this world is not enough, that indeed something is missing. Often we can glimpse the worlds proposed and promised by queerness in the realm of the aesthetic. The aesthetic, especially the queer aesthetic, frequently contains blueprints and schemata of a forward-dawning futurity. Both the ornamental and the quotidian can contain a map of the utopia that is Queerness.” ― José Esteban Muñoz ... Process: Stacked wooden panels, on which is stretched a quilt that I fashioned from Belgian linen and cotton fabric sewn together with wire. The finished work is a monochrome painted...

Artwork with acrylic on canvas

Millennials were raised to strive for the best possible life, because that is what had been given to them — access to opportunity, and the emotional support they’d need to achieve it. Hovering family and friends laud their successes, listen to their complaints, and clear the paths of the obstacles and challenges that made their own experiences so trying. And yet, despite this foolproof, cushy narrative that was created for them, millennials struggle, leaving the generation that raised them wondering — what happened? With the unrelenting exposure to news, social media, and the increasing societal pressures to “achieve” what their parents did amidst a completely different economy and culture, paralyzing anxiety and fear of the unknown future have taken root in their young minds. At the same time, they acknowledge and celebrate the diversity of their experiences, of race, sexual identity...

Turn of Century American Figurative Maine Lobster Fisherman - Grandfather's Joy A Old Lobster Fisherman ponders the future and the joy of grandchildren. Wonderful turn of century Ame...

Signed (at lower right): A. Weiskopf

Signed (at lower right: A. Weiskopf

Signed (at lower right): A. Weiskopf

Oil on linen Soonnam Kim is a Korean artist born in 1969. Kim studied painting at Changwon National University (BFA) in Korea and New Jersey City University (MFA) in the US. She tau...

The quirky humor in this painting speaks for itself

Industrial Landscape with Trees in Oil on Linen Bold industrial landscape by Doris Lyons Hoover (American, 1927-2014). A large red building with a water tank and silos above a tree studded road dominates the landscape. The sky is blue-grey and filled with puffy clouds. Signed "Lyons" in the lower right corner and on verso. Canvas size: 24"H x 30"W No frame. Doris Lyons Hoover (American, 1927-2014) was born in Fort Payne, Alabama, on Oct. 8, 1927, on her grandparents' farm. She was raised in Chattanooga, Tennessee, and attended college at the University of Chattanooga, (now UTC) where she received honors in ar. At U.C. she met her husband Jack Hoover, and the couple moved to Palo Alto in 1954. Doris Hoover became a nationally known fabric artist, teacher, lecturer and co-founder of the Peninsula Stitchery Guild, a leading organization in the Bay Area Crafts Movement of the 1970s. Her beautiful, often playful quilts, soft sculptures and creative stitchings grace homes...

Industrial Landscape with Row Houses in Oil on Linen Bold industrial landscape by Doris Lyons Hoover (American, 1927-2014). A large red building with smoke...

Factories - Industrial Landscape in Oil on Linen Bold industrial landscape by Doris Lyons Hoover (American, 1927-2014). A large red building sits at the left edge of the composition with a grey building across the composition to the right. Three smokestacks let of smoke or steam, surrounded by piping and tanks running throughout the scene. Signed "Lyons" in the lower right corner and on verso. Canvas size: 24"H x 30"W No frame. Doris Lyons Hoover (American, 1927-2014) was born in Fort Payne, Alabama, on Oct. 8, 1927, on her grandparents' farm. She was raised in Chattanooga, Tennessee, and attended college at the University of Chattanooga, (now UTC) where she received honors in ar. At U.C. she met her husband Jack Hoover, and the couple moved to Palo Alto in 1954. Doris Hoover became a nationally known fabric artist, teacher, lecturer and co-founder of the Peninsula Stitchery Guild, a leading organization in the Bay Area Crafts Movement of the 1970s. Her beautiful, often playful quilts, soft sculptures and creative stitchings grace homes...

Lauded by critics and collectors alike, the art of Gary Ernest Smith resonates in the mind and memory of contemporary America. Over the past years the artist’s one-man shows have att...

Siamese Cat with Kittens by Orovida Pissarro (1893-1968) Egg tempera on linen 39 x 48 cm (15³/₈ x 18⁷/₈ inches) Signed lower right Orovida and dated lower left 1934 Provenance J Ankri, 8th October 1967 Literature K L Erickson, Orovida Pissarro: Painter and Print-Maker with A Catalogue Raisonné of Paintings, (doctoral thesis), Oxford, 1992, Appendices, no. 51, p. 56 (illustrated) Exhibition London, The Leicester Galleries, Paintings by Orovida, February 1935, no. 6 Women’s International Art Club, 20th February - 13th March 1937, no. 273 London, Redfern Gallery, Ten Years of Work by Orovida, 5th-28th May 1938, no. 7 London, The Royal Society of British Artists, Summer Exhibition, 1947, no. 281 (possibly the etching) London, O’Hana Gallery, Paintings, Drawings and Coloured Etchings: Orovida, 3rd-18th October 1957, no. 13 Artist biography Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...

Circular oil and acrylic painting by artist Wenyu Zhu. This work shows a passionate kiss of two people interwoven together by many red threads. The symbol of red thread can be traced...

« Embruns » offers a sensorial approach as you can almost feel you re actually diving into the ocean, feeling the wave crushing gently on you and the smoothness of the sand below. Th...

Wonderful mid century Mexico street scene by Hector Lara Orozco (Mexican, 1892 - 1958), 19a65. Orozco is a Mexican postwar & contemporary artist. Unfra...

"Timeless", from the series Horizons, handwoven painting, linen yarn, acrylic textile paint, 60 x 80 cm, 2022. Canvas is entirely constructed on a weaving loom...

Michel Brosseau was born in Nantes and has lived in Bordeaux for many years. Both cities are on the Atlantic coast of France and have rich maritime histories, highlighted by prospero...

David B Smith Gallery is proud to present What Is Time Stretching And When Would You Use It?, the gallery’s second solo exhibition with Chicago-based artist Cody Hudson...

Tulips and Lemons by Fiona Carver [2022] original Oil Paint on Linen Panel Image size: H:30 cm x W:20 cm Complete Size of Unframed Work: H:30 cm x W:20 cm x D:0.4cm Frame Size: H:40...

Denied Warhol Flowers, (White) Silkscreen Linen Painting by Charles Lutz Silkscreen and acrylic on linen with Denied stamp of the Andy Warhol Art Authentication Board. 14 x 14" inches 2008 Lutz's 2007 ''Warhol Denied...

"Drift no.2" by Alyson Kinkade Abstract Landscape, clouds over the Colorado Plains Oil on Canvas 12x12" image 15x15" framed in silver as pictured "The ever-changing sky often causes...

Passenger [2023] Please note that insitu images are purely an indication of how a piece may look Extra Large Oil on linen . I attempt to create spaces that are simultaneously physic...

Oil painting of woman holding heart shaped balloon. Barron has a very distinctive stylization of the human figure. Both specific and general which makes the work relatable and calm...

The view across St Ives harbour.
 Colin Taylor’s expressive paintings are created with oil, acrylic, pastel and charcoal on linen. Wooden Tray Frame Oil Acrylic Paint,Linen, pastel...

Exquisite, modulated, and sensitive, Mathieu Weemaels' painted world centers around his home and studio, where his subjects comprise the subtle shifts of light and color reflected on...

Large Scale 19th Century American Impressionism Garden and Lighthouse Landscape Wonderfully large American Impressionist landscape of garden overl...

Charming 19th Century Italian School portrait of peasant girl by unknown artist, circa 1840. Partial signature lower right edge. Condition: fai...

Ningura Napurrula was born at Watulka, south of Kiwirrkurra, Western Australia c.1938. She is the widow of Yala Yala Gibbs Tjungurrayi, a highly respected Pintupi elder who held sign...

Exquisite, modulated, and sensitive, Mathieu Weemaels' painted world centers around his home and studio, where his subjects comprise the subtle shifts of light and color reflected on...

Stunning large scale painting of an early 20th century Braque sailing ship named "Medusa" by Charles Miller (American, 19th/20th Century), 1926. Signed and dated lower left corner. C...

Ningura Napurrula was born at Watulka, south of Kiwirrkurra, Western Australia c.1938. She is the widow of Yala Yala Gibbs Tjungurrayi, a highly respected Pintupi elder who held sign...

Original acrylic painting by Karli Henneman. Executed in hard-edge painting technique. Framed in white washed box frame. Karli Henneman is a Los Angeles based artist exploring abstr...

Original minimalist acrylic painting by Karli Henneman. Executed in hard-edge technique. Artist Statement: Karli Henneman is a Los Angeles based artist exploring abstraction throug...

Tracy Burtz is a figurative painter whose still-lifes and paintings of women explore intimate moments of everyday life and the emotions those moments ...

Exquisite, modulated, and sensitive, Mathieu Weemaels' painted world centers around his home and studio, where his subjects comprise the subtle shifts of light and color reflected on...

Exquisite, modulated, and sensitive, Mathieu Weemaels' painted world centers around his home and studio, where his subjects comprise the subtle shifts of light and color reflected on...

Original minimalist acrylic painting by Karli Henneman. Executed in hard-edge technique. Artist Statement: Karli Henneman is a Los Angeles based artist exploring abstraction throug...

Original minimalist acrylic painting by Karli Henneman. Executed in hard-edge technique. Artist Statement: Karli Henneman is a Los Angeles based artist exploring abstraction throug...

Original minimalist acrylic painting by Karli Henneman. Executed in hard-edge technique. Artist Statement: Karli Henneman is a Los Angeles based artist exploring abstraction throug...

Original minimalist acrylic painting by Karli Henneman. Executed in hard-edge technique. Artist Statement: Karli Henneman is a Los Angeles based artist exploring abstraction throug...

Original minimalist acrylic painting by Karli Henneman. Executed in hard-edge technique. Artist Statement: Karli Henneman is a Los Angeles based artist exploring abstraction throug...

"Endless Waves of Transformation no.7" by Alyson Kinkade Abstract Landscape, clouds over the Colorado Plains Oil on Canvas 23x19" image 28.5x24.5" framed in gold as pictured "The ev...

"From Above" is a plein air landscape painting featuring red, blue and grey hues. This work is in a frame measuring 18.5 by 22.5 inches. David Boyd is insp...

Art Sz: 15 1/2"H x 19 1/2"W Frame Sz: 19 3/8"H x 23"W "Golden Eye Decoy", oil on linen, signed lower left, titled verso, with his Haddonfield, NJ address and label from James Graham...

Unorthodox; yet effective, Suki treats us to a series of works that tantalizes the imagination with bold strokes of dark and light, hinting at shapes both human and ethereal and pull...

Gorgeous mid century impressionist seascape of Southern California coastal rocks and waves by Georgia Crittenden Bemis (American, 1908-2008), 1939. Signed lower left corner and on verso. Presented in gilt-toned gesso frame of period. Image size: 30"H x 36"W. Framed size; 34"H x 40"L. Painting was exhibited at the San Diego Fine Arts Gallery, 1939. Georgia Crittenden Bemis was born in Delano, MN on Jan. 13, 1908. Bemis moved to San Diego, CA in 1928. She studied there at the Academy of Fine Arts and with Pauline DeVol, Charles Reiffel, Otto Schneider...

American, b. 1950 Marla Korr attended Brooklyn College, earning both a B.A. and a M.F.A. There she studied with Philip Pearlstein, Lennart Anderson ...

Call and Response: Like most of my work, my paintings are painted “ alla prima”. “alla prima (Italian, meaning at first attempt), direct painting or au premier coup,[1] is a pain...