Linen Paintings

Beautiful impressionistic landscape of Shongum Lake, New Jersey countryside in Spring with Stream and blossoms by Rudolph J. Eicher (1884 - 1958), Circa 1940s. Bright springtime fo...

Young Girl with Horse Illustrations Original Oil on Linen by John Turner Impressionist painting of a young horse enthusiast by John Turner (American, 19th,20th C). Exceptional detai...

The White Horse - Abstracted Landscape, In The Style Of Charles Heaney Abstracted landscape oil painting depicting a white horse. Attributed to and painted in the style of Charles Edward Heaney (American, 1897-1981). A white horse grazes alone in a grass field, as mountains of brown are intertwined with abstracted white clouds. Deep greens, browns and reds make up this piece. Presented in a distressed wooden frame. Frame: 21.5"H x 39"W Image: 15.5"H x 32.5"W Unsigned. Charles Heaney lived in Oregon and was primarily known for his landscapes of Oregon and Nevada. From 1917 until well into the 1920s, Heaney studied intermittently at the Pacific Northwest College of Art. One of his primary instructors was legendary painter Harry Wentz, who befriended and inspired him. A fellow student was Kyuzo Furuya who, Heaney recalled, goaded him into taking himself seriously as an artist. But Heaney's deepest friendship was with Clayton Sumner (C.S.) Price, an artist twenty-three years Heaney's senior who settled in Portland in 1929 and who would become a pioneering figure in Oregon modern painting. Heaney admired and emulated Price's dedication to art-making and found in the older man an important companion. Heaney's prints of the 1920s and 1930s were mostly woodcuts, a technique he learned from Catherine DeWitt MacKenzie, a fellow student at the Pacific Northwest College of Art. In the 1930s, he experimented with etchings with his friend William McIlwraith and studied intaglio processes with William Givler...

Against The Tide - Oil On Linen Oil painting of the California coastline at sunset in the style of Edgar Alwin Payne (American, 1883-1947). Deep grey clouds pose in the top corners with hues of pink light shining through. Choppy waves crash against deep red and brown rocks, as the whites of the wave hurl upward. The ocean shows tones of green, blue and yellow as the sunlight shines from above. Condition: professionally restored, previous reline onto Masonite with edge and corner wear. New UV resisting, non yellowing varnish applied. Unsigned. Unframed. Oil on linen on masonite. Image: 16"H x 30"W Edgar Alwin Payne was an American painter known for his landscapes, seascapes and western paintings. He was born in Washburn, Missouri on March 1, 1882, and began painting at the age of 14. He began his career by designing and painting scenery for the stage, and murals for homes and theaters. Primarily a self taught artist, he did though study briefly at the Art Institute in Chicago. Recognized as one of California's leading landscape artists, Payne earned the respect of his peers and art critics for his Impressionistic landscapes painted in the plein-air style. Possessing a reverence for nature, he especially loved the mountains. Frequently he took pack horses in the Sierra Nevada Mountain Range to the upper lakes to sketch and paint, there he glorified the areas majestic peaks and cobalt blue lakes. Payne Lake was named in his memory. Drawn to Europe, Payne trekked to and painted the elevated heights of the Swiss Alps, the colorful fishing boats of Concarneau Harbor and Brittany, France and the picturesque sailing vessels of Chioggia, Venice, Italy. He spent time capturing on canvas Arizona's Canyon De Chelly and Navajo horsemen traversing the region's arid tablelands. He painted California...

Winter's Snowy Tatra Mountains with Pines and Stream Beautiful post-war winter snowy scene with mountains and pine by Laszlo Neogrady (Hungarian, 1896-1962), circa 1940. Lovely textu...

China Camp Fishing Village - San Rafael California - Abstract Impressionist Wonderfully vivid nocturnal of coastal town by Roger Holt (American 1905-1979). Signed faintly lower right (see enhanced image of signature). Condition: good; professionally cleaned; edge wear consistent with age professionally restored; craquelure throughout, New UV-resistant, non yellowing varnish applied. Unframed. Image size: 14.25"H x 17.25"W. Signed indistinctly lower right. China Camp State Park is a 1,514-acre park in San Rafael, California. The park is known for its scenic views, hiking and mountain biking trails, and open spaces. It also features a historic Chinese American shrimp-fishing village and a salt marsh. By the mid-1880s, Chinese Americans had established a settlement of about 500 people in a village they called China Camp. Many of these villagers were originally from Canton, China, and supported themselves and their families here by shrimp fishing in San Francisco Bay. The village had three general stores, a barbershop, and a marine supply shop at its peak. China Camp was one of about twenty-six other shrimp-fishing villages along the coast that supported Chinese American immigrants fleeing San Francisco due to racial prejudice and persecution. Following the 1906 San Francisco earthquake, the population of China Camp ballooned as nearly 10,000 residents of San Francisco’s Chinatown fled the destruction and mayhem. Roger Holt was born in New Haven, Connecticut. After attending Rollins College and St. Paul's School of Art in Minnesota, he traveled extensively through the United States and Europe, forming his educational background. Hold was the recipient of five major awards, Mr. Holt exhibited in thirteen museums, including the Metropolitan Museum of Art, the Corcoran Gallery, Carnegie Institute and the United Nations Building. Settling in Jerome, Arizona in 1954, Roger assisted his wife, Shan Holt, in the operation of the Verde Valley Artist's Gallery and concentrated on his work, experimenting with different painting surfaces such as masonite, canvas board and stiff cardboard. His early work identified with the Expressionist school, while his later work tends toward increasing abstraction. Roger Holt's paintings are included in the collections of Abraham Ribicoff, Vincent Price, John McCloy, Artie Shaw, Burl Ives and numerous universities across the country including the Ogden Museum of Southern Art at the University of New Orleans. Arizona painter...

White and Purple Dahlias - Floral Still Life in Oil on Illustration Board Delicate still life of dahlias in a green vase by Gertrud Stimming ...

Seated Nude Woman American Figurative School 1940s Mid-century American impressionist painting of a woman by American artist Frederick "Fred" Yost (American/Swiss, 1888-1968). He studied: at Mt. Union Col., Alliance, OH; American Students League, New York, and with Homer Boss, John Sloan, Robert Henri, R. Lahey. The painting gleans much form his studies with John Sloan and Robert Henri in the French post-impressionist style. Image 24"H x 18"W Frame, 30"H x 24"W x 1.5"D Signed "Yost" lower right Painter, lithographer, teacher, lecturer About Fred's life: by Hal Fry of the Herald “Fred Does Whatever He Likes” was a title given to a biography written about Fred Yost by Hal Fry of the Herald. The following is taken directly from this column: “Fred Yost’s living style is like his painting style. He has fun with it. Fred John Yost was born in Switzerland, he’ sure, on November 6, 1889, he thinks. His father John brought the family to his country when Fred was about a year old—first to New York and later to Canton, Sebring and finally Alliance, where Yost Sr. loaded freight for a railroad. Fred like drawing and painting so far back he can’t remember how or when it started—it was always that way. But through the public schools in Alliance he didn’t think of this as a career possibility. He wanted to be a newspaperman. He worked his way through Mt. Union College, finishing, he thinks, about 1912. Then he beat it for New York and after kicking around for a time got a job as a proofreader for the Wall Street Journal. He combined this and art school until World War I took him into the Army. In infantry, field artillery and ordnance duties he served with the 27th New York Division through St. Mihiel and the Argonne and the rest—in the process getting his hearing clobbered by blasts from his outfit’s own guns. Coming out a Sergeant in 1919, he went back to the Wall Street Journal briefly—then caught on as a staff artist for the (New York) Herald. For several years, when he felt like it, Yost would take a bus to the Mexican border and switch to a Mexican bus to carry him way down south, then make it any way he could to the places he wanted to see. On these trips he virtually becomes a peon, disappearing totally from those who know him—living with, like and clearly thoroughly liked by the people among whom he moves.” Yost was a graduate of the Art Students League and past president of the Ohio Watercolor Society. Fred Yost, a man who eminently loved the Mexican landscape, Exhibited: S. Indp. A., 1928, 1930-33; MMA, 1945; AIC; Butler AI, 1947-1951; Ohio WC Soc.; PAFA, 1948-1950; Akron AI, 1947-1951, 1958; Fla. Southern Col., 1952; Ohio Univ., 1950; Columbus Gal. FA, 1947-50; AWCS, 1958; Salons of Am.; 3 solo: Canton AI; Akron AI, Springfield Mus. A. Contributor to Ford Times, 1958-59. Awards: prizes, Massilon Museum, 1944; Ohio Watercolor Society, 1944, 1948; Indianapolis, Ind., 1944; Tri-State Pr. M., 1945, 1946; Butler AI, 1946; Youngstown Pub. Schools, 1946 (prize); Ohio Univ., 1950; Ethel Printz award, 1950; Fla. Southern Col., 1952; Akron AI, 1952, 1956-1958; Canton AI, 1961, 1963; medal, Phila. Pa., 1950 Member: Ohio Watercolor Society (president) Work: Massillon Mus.; Youngstown Pub. Sch. Coll.; Butler AI; Akron AI; Kennedy & Co., NY; Beaver Col., Beaver Falls, Pa.; Block Gal., Indianapolis; Prospect Park, NY; murals, Sioux City Steak House; Sioux City A. Center; City Hall, Sioux City; Akron AI; Evangelical Church, Akron; Rockefeller Center; Radio City, NY; Brooklyn Zoological Park. Affiliated with NYC Park Dept. Mural Projects. Comments: Came to U. S. in 1889. Position: teacher, Butler AI; Akron AI; instr., Akron AI, Akron, Ohio; cur. Historical House of Refuge...

Elegant 1940's still-life of pussy willows in a white vase with a rich royal blue drape by an unknown artist (American, 20th Century). Unsigned and unfram...

"Day of Rest" San Pedro Harbor Fishing Boats Oil on Linen 1948 Oil on linen of San Pedro fishing docks, Los Angeles, California by California artist Harry (Harris) Mishkin (American/...

Beautiful Blue Eyed Boy Vintage Portrait California Impressionist Wonderful 1940s portrait of young boy on cusp of adulthood. His piercing blue eyes draw y...

Gorgeous horse portrait by Ada Ducker Kruse a Santa Cruz artist (American, 1900-1995), 1947-1948. Signed and dated lower right corner "Ada Ducker "1940". Presented in vintage giltwo...

Blue Lake in the Rockies and Hunter - Oil on Linen Cascades and snow capped mountains over look a blue lake with a successful hunter carrying his trophy deer by Vern Byers (American...

Gorgeous landscape of Sierra Mountains and lake in autumn by Oliver Glen Barrett (American, 1903 - 1970), circa 1940. Signed lower right corner; ti...

Picacho Peak, Arizona 1945 - Mid Century Southwest Desert Landscape by Dejoiner Beautiful mid-1940's impressionist southwest desert landscape by...

Gorgeous heavily impasto landscape that captures the high summer charm. Unknown artist, (Edda or Edde) Partial illegible signature/inscribed lower r...

Surreal Full Moon Hawaii Cliff House Nocturnal Hawaiian 1940s Landscape Symbolic and surreal mid century nocturnal landscape of a lone house on a s...

Wonderful reclining nude in modern style, circa 1940. Faint illegible signature lower right edge. Condition: Good: Professionally cleaned; two tears professionally repaired/inpainted...

Gorgeous European figurative of a simpler time. Horses being watered in the plains by Janos Viski (Hungarian/American 1891-1965), circa 1940. Signed lower ...

Gorgeous mid century Arts & Craft landscape of rolling Indiana farmland with haystacks, trees, and verdant hills in the distance by Harry E. Wood, Sr. (American, 1879-1951), 1948. Signed lower right; letter of provenance provided. Exhibited in New York's Salmugundi Art Club in 1948. Presented in gilt-toned frame. Image size: 14"H x 20"W. Framed size: 18"H x 23.50"W. Harry E. (Emsley) Wood, Sr., was born 26 September 1879 near Lexington, Illinois, the third child of Emsley Harrison Wood, Jr., and Florence Robinson Wood. The family moved to Indianapolis shortly after Harry was born. Florence Robinson Wood died around 1882 and Emsley Wood married Sallie Bunger Lewis eleven months later. Emsley Harrison Wood worked in various jobs, including real estate sales and as a grocery clerk. Harry E. Wood attended public schools in Indianapolis until about 1889 when he contracted Scrofulous, a strain of tuberculosis. The condition, coupled with his family's poverty, disrupted his formal education. He attended Manual Training High School in 1899 and worked as a cartoonist for the Indianapolis Star in 1900. Wood illustrated Our Public Servants, a column of political satire written by Kin Hubbard. Wood's affiliation with Indianapolis Public Schools (IPS) as an educator began in fall 1900 when he returned to Manual Training High School as an assistant art instructor under Otto Stark...

1940s Surrealistic Environmental Apocalypse Still Life Hawaiian Surrealism Symbolic still life of gas mask, dead wood pecker, clock and branches in mist of...

Wonderful still life of the red Flanders Field Poppy by Heide van Doren (Germany, 20th Century), circa 1940. Signed lower right "Heidi van Doren". Presented in carved gilt-toned fram...

Beautifully detailed mid-century coastal landscape of Pillar Point Fishing Dock near Half Moon Bay, California by William Winthrop Ward (American, 1901-1985). Signed lower left: "W. ...

Beautiful mid century California landscape of trees reflecting over a nearby lake by an unknown artist (American, 20th Century), c.1940s. This idyllic setting is dotted with wild flo...

Charming and bright mid century California figurative landscape with a female figure walking down a verdant and inviting path by William Hiller (America...

Wonderful mid century still life composition with Brass vessel, apples, turnip and pepper by Charles Kingham (American, 1895-1984), c. 1940's. The artist uses a bold color palette an...

Vivid mid-century floral still-life with anemones and statue by Marguerite Stuber Pearson (American, 1898-1978), circa 1940s. Signed lower right corner. Presented in rustic gilt-toned bamboo and wood frame. Image size: 20"H x 24"W. Framed size: 24"H x 28"W. Born in Philadelphia August 1, 1899, Marguerite Stuber Pearson was the daughter of confectioner, Arthur G...

Destiny's Path, Hawaii - Surreal Mid Century Hawaiian Figurative Abstract Symbolistic and romantic 1940s surreal figurative of pastel orange figure...

Medium: Oil on Linen Signature: Signed and Dated The stretcher is dated 4/23/40 in pencil on the back. Next to this date is what looks like to be an inventory number -8755 Featured...

Gorgeous still life of red Poinsettia flowers by California artist Claudia Dobbins (American, 1889-1969). Signed "C. Dobbins" lower left. Signed "Claudia Dobbins" on stretcher bars a...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

Portrait of a woman holding a bouquet of flowers by Helen Enoch Gleiforst (American, 1903-1997). Signed "Gleiforst" lower right. Unframed. From the Estate of Helen Gleiforst. Helen...

1940's Carmel Landscape, Sycamore Grove by Nell Walker Warner Beautiful, substantial and period painting of Sycamore Grove, Carmel Valley by Nell Walker Warner (American, 1891-1970...

Surrealist Nocturnal Hawaiian Figurative Landscape w. Blue Skirted Woman & Moon by Marguerite Louis Blasingame Striking mid century modern Hawaiian noct...

Road Less Traveled Hawaii Surrealist Mid Century Figurative Abstract Landscape Symbolistic and romantic Surrealist 1940s figurative abstract landscape with a figure journeying down a path in an idyllic landscape by Marguerite Louis Blasingame circa 1940-45. Signed Blasingame lower right corner; from a collection of her work. Unframed. Condition: Excellent; professionally cleaned and UV varnished. Image, 30"H x 20"W. Marguerite and her husband Frank Blasingame...

Mid Century Surrealist Nocturnal Tide Hawaiian Islands God Symbolism Landscape Symbolic nocturnal landscape with tide God in foam of wave, in a dream-like surreal landscape, by Margu...

Hawaiian Symbolism Flowering Tree and Acolytes Symbolism Landscape Symbolic landscape with four figures worshiping flowering tree by Marguerite Louis Blasingame (American; 1906-1947)...

Life is But A Dream - Mid Century Hawaii Surreal Abstract Landscape with Boat Symbolic mid century landscape with surreal elements, of a lone row bo...

Symbolic Hawaiian nocturnal figurative of whispy angel figures with mountains and bridge by Marguerite Louis Blasingame (American; 1906-1947), circa 1940-45. Marguerite and her husband Frank Blasingame...

Symbolic figurative abstract of wispy figures surrounding a heart by Marguerite Louis Blasingame (American; 1906-1947), circa 1940-45. Marguerite and her husband Frank Blasingame...

Hawaii "The Journey - Anti-matter" - Mid Century Abstract Hawaiian Mythology Symbolistic and romantic 1940s figurative of pasteled figures journeying down path titled "Journey - Anti...

Hawaii "Future Dreams" - Surrealist Mid Century Modern Abstract 1940 Hawaiian Symbolistic and romantic mid century modern abstract with figure coming out of the mist...

Summer Seas, Mid-Century Asilomar California Seascape by William Clothier Watts A beautiful and substantial mid-century seascape by William Clo...

Beautiful and arresting oil painting of women in an abstracted springtime forest bringing flower leis to Hawaiian Island Earth Spirit by Marguerite Louis Blasingame (American, 1906-...

Romantic still-life of a beautiful porcelain lady and her two dogs - perhaps Borzoi - set among a display of fresh cut lilies by listed artist Nell Walker Warner (American, 1891-1970). Signed "Nell Walker Warner" lower left. Displayed in a giltwood frame with linen liner. Image, 30"H x 36"L. Nell Walker Warner was born in Richardson County, Nebraska on April 1, 1891. She was educated in Colorado Springs, Colorado and graduated from the Lexington College in Missouri in 1910. She moved to California in 1916 where she studied and graduated from the Los Angeles School of Art and Design. After her marriage to Dr. Bion Smith Warner in 1920, the couple settled in La Canada. During the 1920's, Nell was the curator of the Tuesday Afternoon Club in Los Angeles and further studied with Nicolai Fechin, Paul Lauritz and Fritz Werner. Her floral paintings are radiant; an article in the Christian Science Monitor stated, ''California flowers...

Beautiful modern still life done in the baroque style: staged fruit, glass with reflections of light from an unseen source, a cup of tea and a crystal server filled with a variety of...

Symbolic and surreal mid century nocturnal landscape with figure walking toward a lone house on a stark cliff overlooking peaceful, rippling water u...