Metal Paintings

Minimalist abstract done in watercolor, acrylic and metallic paint (gold and light gray/blue). Titled, signed and dated on verso: "Chasm, de Joly, '88", Presented in a brick red sta...

"Retablo Excotos (Replica Bride & Groom)" is an original oil painting on tin by Monica Flores Martinez. The artist signed the piece. This artwork features a bride and a groom and an ...

Sunil Das - 9 x 14 inches (unframed size) Rare Collage Series, Pen and Ink Plastic Feather Acrylic Foil on paper pasted on board Inclusive of shipment in ready to hang form. Sunil D...

Sunil Das - Untitled - 6 x 6 inches (unframed size) Acrylic Foil Burn, Metal Screens, Acrylic Paint, Metal Wire on Board (Three Dimensional) Inclusive of shipment in ready to hang fo...

Artist: Michael Knigin, American (1942 - 2011) Title: Nothing Ventured Year: 1995 Medium: Acrylic & Enamel on Canvas, signed and titled verso Size: 26.5 x 48 inches

This Walter Valentini art work is made in cast lost wax bronze: "sun city" represent the dream of the man, a postive future for all. Signed by the artist.

È la promessa di Kimra is an amusing enamel and China ink on cardboard realized in 1970 by Pablo Echaurren. On the back, title, year of creation, and signature are hand-written in bl...

Franco Mauro Franchi was born in Castiglioncello (Livorno) on 9 October 1951. He completed his artistic studies at the Lucca State Institute of Art and the Academy of Fine Arts in Fl...

Jim’s of Lambertville is proud to offer this artwork by: M. Elizabeth Price (1877 – 1965) Harer signed period frame. Mary Elizabeth Price was born in West Virginia and raised on a farm in Solebury, Pennsylvania, on the outskirts of New Hope. She studied at the Pennsylvania School of Industrial Arts and the Pennsylvania Academy of the Fine Arts under Hugh Breckenridge. Additionally, she studied in New Hope with William Lathrop. Following her art studies, Price went to New York. While there, she conducted the “Baby...

Sunil Das - Untitled - 6 x 6 inches (unframed size) Acrylic Foil Burn, Metal Screens, Acrylic Paint, Metal Wire on Board (Three Dimensional) Inclusive of shipment in ready to hang fo...

Toasted Hermes is a very amusing and surrealist enamel and China ink on cardboard realized in 1970 by Pablo Echaurren. Signed and dated in black ink on the lower right margin. On the...

Sulla ricostruzione di una trappola a paniuzze is a colorful original painting (enamel and China ink on cardboard) realized in 1970 by Pablo Echaurren. Signature, date, and title in ...

I nostri esperti sono giunti ad una conclusione determinante is an amusing and ironic enamel and China ink on cardboard realized in 1970 by Pablo Echaurren. Signed and dated in blac...

Come mestiere faccio il poeta e quindi devo scriverlo con una esse sola is an amusing and ironic enamel and China ink on cardboard realized in 1970 by Pablo Echaurren. Signed and da...

John Chambers (British, 1934-2015) Superb original painting by the British abstract artist, John Chambers (1934-2015). The work is signed with his initials to the front and also sig...

Artist: Michael Knigin, American (1942 - 2011) Title: Loyal Pal Year: 1994 Medium: Acrylic on Canvas, signed, titled and dated on stretchers Size: 72 inches, Diameter

"Landscape - Harbor Scene (Honfleur)" is a porcelained enamel on steel reproduction of Andre Derain's Landscape - Harbor Scene, c. 1905. Because of this piece's medium, it can be dis...

Artist: Michael Knigin, American (1942 - 2011) Title: Sign of Power Year: 1990 Medium: Acrylic and enamel on canvas, signed and dated in pencil Size: 75...

Artist: Michael Knigin, American (1942 - 2011) Title: Guilded Native Year: 1988 Medium: Acrylic on Canvas, signed and dated in pencil Size: 84 x 45 inches

An original acrylic on paper expressionist painting by American contemporary female artist Jackie Felix. This painting from Felix's Beauty Series was exhibited in the artist's solo ...

This aluminium painting engraved by Alberto Viani, is a soft female portrait. The woman's figure is in an ethereal way, as a poetry. This artwork is a multiple of a limited edition o...

Artist: Rene Brochard, French/Canadian (1926 - ) Title: Faces de Jazz, New Orleans Year: 1963 Medium: Oil and Metal Collage on Board, signed upper right ...

Enamel on four wood panels Signed, titled, and dated, verso 12 x 12 inches, each These paintings are offered by ClampArt, located in New York City. About the artist: Julia Jacquette...

"Evening Before Haircut--Self-Portrait" is an original acrylic and enamel painting on paper by Reginald K. Gee. The artist signed the piece lower right. It depicts the artist in blac...

Inspired by the cities of France, New York, and the Bay Area, Fréderic Choisel’s elegant abstractions that are created in rich sculptural paint, tell ...

Signed and dated top left: Raphael Jaimes-Branger '99. Medium: Silver leaf and acid on four wood panels. Each panel measures 25 x 25 inches.

Enamel on cardboard. Signed at lower right. Signed, dated, titled on overleaf. Authentication by Fondazone Pablo Echaurren.

Enamel on cardboard. Signed at lower right. Signed, dated and titled on overleaf. Authenticity certificate by Fondazione Pablo Echaurren.

Acrylic/neon/objects on iron. Signed by the artist in the lower right. Free shipment worldwide. Acquired directly from the artist. Artist Peter Klasen is a master of contrasts. Of...

Medium: Oil, Ink and Gold Leaf on Paper Dimensions: 15.00" x 12.00" Signature: Signed Lower Center The present work was published as the cover of the December 2nd, 1899 issue of Lif...

Dramatic and compelling mixed media, collotype by Patricia A. Pearce (American, b. 1948). A mixed media artist test project painting using brown wash, gold leaf, silver leaf, and co...

Ceravolo was introduced to Lichtenstein at a museum show in 1995, at that show, Lichtenstein and Ceravolo discussed the fact that Andy Warhol had painted portraits of Roy in the 1970...

Artist: Michael Knigin, American (1942 - 2011) Title: Outside Choice Year: 1984 Medium: Acrylic and Enamel on Canvas, signed l.l. and verso Size: 34 x 96 in. (86.36 x 243.84 cm) Fram...

Impressionist piece depicting the famous and ancient Carnivale in the Piazza di San Marco di Venezia. The scene is set before the iconic Basilica di San Marco, the chief basilica of ...

Enamel on cardboard. Hand signed, 1970. Dimensions: 27x22 cm. This artwork by Pablo Echaurren is a typical example of his production in 70s. Echaurren, son of Sebastian Matta, is ...

Artist: Francesco Scavullo, American (1921 - 2004) Title: Elizabeth Taylor Year: 1983 Medium: Photo-Silkscreen and Enamel on Canvas, signed verso ...

Passage, high fired porcelain enamel, indoor/outdoor vibrant reds purple green Harriet Johns began working in enamel in the early 70s in industrial enamel plants in United States. T...

La Vie #71, Yoshida Kenji, nihonga painting, silver gold copper leaf cobalt, Japan Yoshida was born in 1924 in Ikeda City (part of present-day Osaka). He studied art under the grea...

An original watercolor painting by Westley "Wes" Olmsted. This work is currently featured in the exhibition Man of Extremes at Benjaman Gallery in Buffalo, NY. Westley G. Olmsted ...

Mario Schifano (Homs 1934 – Roma 1998), Futurismo rivisitato (1972 – 1976) Smalto spray su tela di cm 100 x 120 in perspex policromo firmato Schifano. L’opera risulta archiviata ...

LOT:20231124N01 Medium: Collage, pastel, enamel, ink on paper Artist signed and dated 1975 in lower left; Artist signed, titled and dated 1975 on the reverse Unique This work includ...

This is a rare ceramic plaque painted with enamel glaze by famed Israeli German artist Irene Awret (these are generally hand signed Awret Safed on the verso. I just have not opened the frame to check) the actual glazed ceramic is 10.25 X 14.75 inches. It depicts a girl or woman with potted plants, birds, pomegranates and other fruits and flowers in a naif, folk art style. Irène Awret was born to a Jewish family in Berlin called Spicker, the youngest of three children. Her mother died in 1927, when Irène was six years old. In 1937 she was forced to stop high school, due to the Nazi race laws. Because she could not continue her regular studies, her father sent her to study drawing, painting and art restoration with a Jewish painter. Among his students were a large number of German Jews who knew they would have to leave Germany within a short time and would require a profession to enable them to support themselves. When the situation grew worse, following the Kristallnacht (the first major attack on German and Austrian Jews in November 1938), her uncle decided to move to Belgium. In 1939 the situation became even worse - her father was fired from his job and the family were forced to leave their home. As a result, Awret's father tried to send her and her sister to Belgium, with the help of smugglers. The first smuggler proved to be a double agent and they were sent back from Aachen to Berlin. Two weeks later they made a second, successful, attempt to sneak across the border. Awret worked for a Dutch Jewish family as a maid. As she had her room and board there, she was able to save enough money to study art part-time at Brussels' Académie Royal des Beaux-Arts. A few months later Awret's father joined her and her financial situation became easier. She left her job and studied full-time, helping support herself with restoration work when it was available and by painting portraits to order. Later, Awret found a hiding place on a farm in Waterloo with a Jewish family who were connected with the underground. In January 1943 she had to return to Brussels, living with a false identity card which stated she was a married woman with two children. Awret succeeded in renting an attic without informing the police where she was - she told her landlady that she had been forced to flee her husband because he beat her. While there, she supported herself by restoring wooden sculptures. A Jewish informer gave her up to the Gestapo, accompanying the two Gestapo men who arrested her. Awret was able to take a bag containing food and drawing materials. She was detained in the Gestapo cellars in Brussels where she drew. Because there was nothing there to draw, she sketched her own hand (view this work). Awret was interrogated in order to reveal the hiding place of her father who was still in Brussels. The National Socialist regime was determined to persecute him, even though he had fought for Germany in World War I and been permanently disabled. They stepped up their torture and brought Awret before Hartmann, the head of the Gestapo in Brussels. When Hartmann saw her block of drawings, he asked her where she had studied art and halted the interrogation. Awret was placed in a narrow cell and then transferred to Malines camp, which the Belgian's called Mechelen. Malines was a transit camp to Auschwitz, regularly sending 2000 people at a time. Although she arrived just before Transport No. 20, Irène Awret avoided being included. Instead she was put to work in the leather workshop, decorating broaches. While she was there, Hartmann visited the camp and spotted her: "I could have discovered where your father is hiding," he told her. When her artistic talents became known, she was transferred to the Mahlerstube (artist's workshop) where she worked producing graphics for the Germans until the end of the war. When Carol (Karel) Deutsch (whose works are now on view at Yad Vashem) was sent from Mechelen to his death with his wife, he left young Irene his paintbox. Irene also recalls seeing the great painter Felix Nussbaum and his wife being pushed into a boxcar bound for the gas, and tells of the aftermath of the famous 20th Train incident, when a young Jewish doctor armed only with a pistol and helped by two unarmed friends with a lantern ambushed one of Mechelen's Auschwitz-bound trains carrying 1,618 Jews, most of whom had fled Eastern Europe for Belgium. Awret's job enabled her to paint and draw - mainly in pencil, but also in watercolors and oils. In the artists' workshop she met a Jewish refugee from Poland - Azriel Awret - who would later become her husband. Among the other artists in the workshop were Herbert von Ledermann-Vütemberg, a sculptor from an aristocratic family with Jewish roots, Léon Landau, and Smilowitz, who perished in the camps in the East. Irène and Azriel tried to bribe a German officer to prevent Smilowitz's deportation. Not only were they unsuccessful, but they were almost put onto the same train. Jacques Ochs was another artist with whom they became friends in the camp. Ochs, a French-born Protestant who lived in Belgium, was interned as a political prisoner. He remained in Belgium after liberation. After the war the Awrets immigrated to Israel and made their home in Safed. They continued to work, and were instrumental in founding Safed's artists' quarter. The Beit Lohamei Haghetaot (Ghetto Fighters' House Museum) art collection holds works donated by Awret. These date from her time in Malines camp and from her stay in Brussels after the war, when she was in the company of orphans who had hidden while their parents were sent to Auschwitz. Her highly expressive works have made their way to exhibitions at theTel Aviv Museum, the Haifa Museum of Modern Art and the Modern Art Gallery in Washington, D.C., as well as into the private collections of such individuals as Dr. Jonas Salk...

This is a rare ceramic plaque painted with enamel glaze by famed Israeli German artist Irene Awret is signed Awret Safed on the verso. the actual glazed ceramic is 10X15 inches. Irène Awret was born to a Jewish family in Berlin called Spicker, the youngest of three children. Her mother died in 1927, when Irène was six years old. In 1937 she was forced to stop high school, due to the Nazi race laws. Because she could not continue her regular studies, her father sent her to study drawing, painting and art restoration with a Jewish painter. Among his students were a large number of German Jews who knew they would have to leave Germany within a short time and would require a profession to enable them to support themselves. When the situation grew worse, following the Kristallnacht (the first major attack on German and Austrian Jews in November 1938), her uncle decided to move to Belgium. In 1939 the situation became even worse - her father was fired from his job and the family were forced to leave their home. As a result, Awret's father tried to send her and her sister to Belgium, with the help of smugglers. The first smuggler proved to be a double agent and they were sent back from Aachen to Berlin. Two weeks later they made a second, successful, attempt to sneak across the border. Awret worked for a Dutch Jewish family as a maid. As she had her room and board there, she was able to save enough money to study art part-time at Brussels' Académie Royal des Beaux-Arts. A few months later Awret's father joined her and her financial situation became easier. She left her job and studied full-time, helping support herself with restoration work when it was available and by painting portraits to order. Later, Awret found a hiding place on a farm in Waterloo with a Jewish family who were connected with the underground. In January 1943 she had to return to Brussels, living with a false identity card which stated she was a married woman with two children. Awret succeeded in renting an attic without informing the police where she was - she told her landlady that she had been forced to flee her husband because he beat her. While there, she supported herself by restoring wooden sculptures. A Jewish informer gave her up to the Gestapo, accompanying the two Gestapo men who arrested her. Awret was able to take a bag containing food and drawing materials. She was detained in the Gestapo cellars in Brussels where she drew. Because there was nothing there to draw, she sketched her own hand (view this work). Awret was interrogated in order to reveal the hiding place of her father who was still in Brussels. The National Socialist regime was determined to persecute him, even though he had fought for Germany in World War I and been permanently disabled. They stepped up their torture and brought Awret before Hartmann, the head of the Gestapo in Brussels. When Hartmann saw her block of drawings, he asked her where she had studied art and halted the interrogation. Awret was placed in a narrow cell and then transferred to Malines camp, which the Belgian's called Mechelen. Malines was a transit camp to Auschwitz, regularly sending 2000 people at a time. Although she arrived just before Transport No. 20, Irène Awret avoided being included. Instead she was put to work in the leather workshop, decorating broaches. While she was there, Hartmann visited the camp and spotted her: "I could have discovered where your father is hiding," he told her. When her artistic talents became known, she was transferred to the Mahlerstube (artist's workshop) where she worked producing graphics for the Germans until the end of the war. When Carol (Karel) Deutsch (whose works are now on view at Yad Vashem) was sent from Mechelen to his death with his wife, he left young Irene his paintbox. Irene also recalls seeing the great painter Felix Nussbaum and his wife being pushed into a boxcar bound for the gas, and tells of the aftermath of the famous 20th Train incident, when a young Jewish doctor armed only with a pistol and helped by two unarmed friends with a lantern ambushed one of Mechelen's Auschwitz-bound trains carrying 1,618 Jews, most of whom had fled Eastern Europe for Belgium. Awret's job enabled her to paint and draw - mainly in pencil, but also in watercolors and oils. In the artists' workshop she met a Jewish refugee from Poland - Azriel Awret...

Andreas Nottebohm is a German painter known as a key innovator in metal painting. The painting measures 48 x 40 inches and is signed and dated verso. Provenance: Private Collection, NYC

CLEVE GRAY Silver Song, 1967 Acrylic on canvas with aluminum paint and bronze 101 x 80 inches Signed, titled and dated

CLEVE GRAY Silver Voyage, 1967 Acrylic on canvas with silver enamel 79 x 80 inches Signed, titled and dated

La Vie 64, painting by Kenji Yoshida, oil paint, gold leaf, copper leaf, silver Nihonga

The Naga is the God of Water, which blesses the earth with rain for replenishment. Artist Details: Sompop Budtarad "The Water Naga" 1997 Acrylic, Gold Leaf, Mixed Media on Wood 63...

Ever-turning, life's inevitable cycle of birth and death, reminds us of the rising and falling of all things. Artwork Details: Parinya Tantisuk "Cycle" 1996 Acrylic, Gold and Silv...

Similar to Nine Forms (Red), Nine Forms (Blue) relates to good feelings. This painting refers to the love and respect the Thai people have for their King. Artwork Details: Parinya ...

The color red and the odd numbers of one, three, five and nine are all considered lucky by many Asians. By presenting these nine triangular forms on red, Parinya communicates good fe...

Similar to Nine Forms (Red), Nine Forms (White) relates to good feelings and purity that is attained by living a spiritual life. Artwork Details: Parinya Tantisuk "Nine Forms (Whit...

Kelly Fearing (1918 - 2011) Title: "Unicorn with a Golden Wall" Medium: Mixed Media on Paper Dimensions: 18" x 12" (image) Markings: Signed LR Framed

Flowers in a Vase, intensely and seductively colored: almost in a Japonaise style. Swooning purples and reds, ecstatic lemon yellows, Jostling shapes, lyrical and soft-edged, refuse ...

Signed, titled and dated

Signed, titled and dated