Mixed Media Paintings

George Dannatt (1915-2009) Portland Structured Landscape 1992 Medium: Mixed media on waxed paper Image: 114.8 x 21.0 cm Mount: 32.4 x 37.4 cm George Dannatt’s long career as a pa...

" Informalisme " original abstract mixed media painting. virtual framed RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi Schoo...

We are proud to premier for the first time in more than twenty years, the paintings of Austrian/American artist Gustav Rehberger (1910–1995). ...

Visions is an original contemporary artwork realized by a European Artist in the second half of 20th Century. Mixed media on board. Includes frame Hand signed by the artist with t...

Gerry Gersten (1927-2017). Dian Fossey, ca. 1980. Gouache, watercolor and pencil on vellum paper, image measures 9 x 11 inches. Studio stamp on verso. Vellum sheet glued down to b...

Striking in colour and form, this contemporary composition is by Yvonne Lammerich. The Canadian artist has garnered an international reputation for her inspired exploration of abstra...

Tom Holland Untitled (Truck in Hills), 1965 (Mid Century Modern Art) Tempera, Wood with PVC finish. Hand signed, dated and titled on the back Framed with Charles Cowles Gallery labe...

Erik Scholz was a Hungarian artist who trained at the Academy of Fine Arts in Budapest. He was awarded the prestigious Munkácsy Award in 1950, and received stipends to work and study...

Larry Calcagno Untitled Mixed media on canvas 36 x 23 1/3 inches Lawrence Calcagno, better known as Larry, was an artist who gained notoriety during t...

Brown- Original abstract informalistmixed media painting. virtual framed Argimon (Sarriá 1929 - Barcelona 1996) is one of the great Catalan informalist artists. This painter, engrav...

Horitzo al mediterrani. original expressionist acrylic painting. virtual framed RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jord...

"La Rose Rouge" After Rene Gruau Portrait painting of woman wearing hat covered in roses Signed "ARF " Oil on canvas 30 x 36 unframed, 34.5 x 40.5 framed

James Balla Untitled gouache painting, 1992 Mixed Media Oil on Linen Signed and dated on the front of the work; the verso of the frame bears the UFO (Albert Merola) gallery label. F...

Our Gallery acquired the estate of a Northern California artist, Thelma Terrell. Terrell lived in Oakland and was an illustrator and professional graphic artist. "Springtime" is an ...

Artist: Jacob Kainen Title: Untitled Year: 1978 Medium: Mixed media Framed dimensions: 27.5 inches width; 33 inches high; 1" depth Framed in a beautiful gold gilt frame

Artist: Paul von Ringelheim Title: Abstract in Purple, Green and Red Year: 1974 Medium: Airbrush and Mixed Media on Panel, signed and dated verso Size: 53 x 41.75 in. (134.62 x 106...

Roses original contemporary mixed media painting. Pau Alemany Mascareñas estudió la carrera de arquitectura, pero destacó sobre todo en el campo de la pintura. Formado con artistas ...

Dripping Garden - Textured Expressionist Composition in Acrylic on Canvas Textured abstract composition by California artist Charles "Dave" Francis (American, 1951-2018). Blended co...

Erin Parish draws on patterns found in nature for the subject matter of her tactile, bold, and brilliant abstract paintings created with oil and resin on wood and canvas. Inspired by...

Erik Scholz was a Hungarian artist who trained at the Academy of Fine Arts in Budapest. He was awarded the prestigious Munkácsy Award in 1950, and received stipends to work and study...

Artist: Anton Solomoukha, Russian (1945 - ) Title: Yoko Ono and John Lennon Year: 1990 Medium: Oil and Collage on Canvas, signed and dated l.r. Size:...

Edna Andrade Mirage (de-accessioned from the Reader's Digest Art Collection), 1988 Original Collage painting on board Signed, titled & dated on the front; the back bears labels from Marian Locks Gallery & Readers Digest Association with inventory (RDA) number Original frame included with collection and gallery labels verso This is a unique work Exquisite 1980s collage on board painting (framed) titled "Mirage" by renowned female Op artist Edna Andrade...

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas cardboard. Work measurements 46x38 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish pa...

Robert Petersen June 1984 Color Study #1, 1989 Mixed media on paper Hand signed, titled and dated on the lower front This is a unique work Frame included; held in the original vintag...

Jordi Curós Ventura (1930-2007) - self portrait Mixed technique on canvas board. Work measurements 46x38 cm. Frame size 63x55 cm. Jordi Curós Ventura (Olot, Girona, March 4, 1930) i...

IDF Tzahal Fighter Pilots Dimensions: framed 31 X 25.25 canvas 30 X 24 inches Moshe Katz ( Romanian, Israeli ) Moshe Katz was born March 2 1937 in Bucharest, Romania. With his pa...

Clown is an original contemporary artwork, colored oil painting on paper, realized by the Italian artist Antonio Vangelli. Original mixed media artwork. Hand-signed by the artist on the lower left: Vangelli. Excellent conditions. On the back of the artwork, reflected image of the Clown. Beautiful colorful work on paper depicting a Clown: figure of a typical circus games...

Provenance: Private Collection, San Diego, CA. Framed Giovanni Martino, National Academy of Design* member, was born on May 1, 1908 in Philadelphia PA where all seven brothers and one sister, Filomina, Frank, Antonio, Albert, Ernest, Giovanni, Edmond, and William became painters. They were under the tutelage of their eldest brother, Frank, who in the late 1920s, founded the first commercial art* studio, Martino Studios, at 27 South 18th Street. Besides studying with his two eldest brothers, Giovanni also studied with Albert Jean Adolph at La France Institute, The Pennsylvania Academy of the Fine Arts*, The Graphic Sketch Club, and Spring Garden Institute in Philadelphia. In his mid teens he accompanied his two eldest brothers to New Hope searching for subjects to paint. In the 1930s, he also started to paint in Manayunk, a hilly mill town along the Schuylkill River. At this time he signed his paintings M. Giovanni. These colorful impressionistic* works proceeded more thinly painted dramatically poetic street scenes of the mill town. These images developed into impasto* laden oils in the 1960's with some of the paintings worked with a palette knife*. In Manayunk, he was a common sight on the streets and sidewalks, painting on-the-spot with his wife, Eva Marinelli and his two daughters, Nina & Babette. In the 1980's and 90's he also painted in Conshohocken and Norristown with his youngest daughter, Babette. His paintings became more sharply executed like his earlier work but were more colorful. In the late '90's he worked in his studio to enlarge paintings. He is the recipient of over 100 awards and honors. He received the Benjamin Altman Prize in Landscape Painting in 1975 at the National Academy of Design, NYC where he was elected an Academician (NA) in 1944. He mentored not only his wife and two daughters but also taught at Lehigh University and the Graphic Sketch Club, Philadelphia. He died at his home in Blue Bell on February 1, 1997. (Babette Martino...

We are proud to present the original paintings by American artist Peter Korling. Peter Korling was classically trained at the Chicago Institute of Art, and then moved to New York wh...

Jene Highstein Untitled, 1982 Pastel and Chalk on Paper Hand signed and dated by artist on the front 32 × 40 inches Frame included Original hand signed pastel and chalk drawing, with...

⭐ Pineapple Starwars ⭐ Still life _ painting of vegetables. Dripping creates movement and dynamic. Technique: oil, acrylic, glue, ink on pan...

Henry Nadler (1930–1990) "Abstract" Mixed media on paper, Sight size: 18 x 24 inches Overall size including frame: 26.5 x 32.5 inches In this dynamic composition, Henry Nadler orc...

GEORGE PUSENKOFF (RUSSIAN Born 1953), "New Life" 1988, mixed media (paint, ribbon, Metallic foil) on canvas, 160 x 200 cm (63 x 78 3/4 in.), signed and titled verso in Cyrillic, and dated on verso, George Pusenkoff, Russian painter and installation artist, spent most of his formative years in Moscow. In his early career, Puskenoff worked predominantly with acrylic, rendering vibrant forms at various stages of abstraction, though he gave them titles that anchored them in specific narrative contexts, often referencing historical (and art-historical) subject matter, as in Kidnapping of Europe (1988) and Bronzino, Ciccolina and Yves Klein (1992). Pusenkoff painted his first digital border in 1996, simulating the 8bit look of the first computerized windows. He continued to experiment with the visual language of the computer screen, at times using just the browser window bar as an abstracted geometrical form. He invokes famous icons of modern art such as Kazimir Malevich’s Black Square, Josef Albers’ Homage to the Square or Piet Mondrian’s reduced geometric paintings and transfers them into a new aesthetic. In 1996, Pusenkoff painted his version of Andy Warhol’s take on the iconic Renaissance Da Vinci...

This superb abstract painting is by American abstract artist Roger Bruinekool. Painted in 1962 it is a square mixed media/oil on board with great impa...

Erin Parish draws on patterns found in nature for the subject matter of her tactile, bold, and brilliant abstract paintings created with oil and resin on wood and canvas. Inspired by...

Rabbis, Jewish Scholars over collaged Hebrew text Dimensions: framed 37.5 X 25.25 canvas 24 X 36 inches Moshe Katz ( Romanian, Israeli ) Moshe Katz was born March 2 1937 in Buchar...

VICTOR VASARELY (1908-1997) CHOKK-MINI C, 1988. Colored paper collage, signed in black ink lower right Titled, signed, dated and numbered 'VAS-440' on the verso; Frame: 24.75" x 18" ...

MARK DI SUVERO Abstract Expressionist drawing with artist signed COA, ca. 1963 Pen and black ink and brush and black ink wash on paper. Hand signed on the front. Framed, with separa...

Adolf Arthur Dehn Haitian Scene #7, ca. 1951 Watercolor gouache, hand signed; framed with AAA Gallery label verso Signed on the front bearing the original label on the verso of Dehn'...

This is a mixed media abstract painting collage with string, plaster texture, stencilled letters in a bold typeface. Size includes frame. James Coignard was born in Tours, France in...

Hand signed lower right. Oil and mixed media on cardboard. Authenticity by the Parisian Gallery Baudoin Lebon. Published in the Catalogue of Michaux's Personal Exhibition "40 Opere d...

Modern colorful mixed media abstract surrealist landscape painting by American artist Mary Lou Zelazny. The work features a central swirling shape made of collaged magazine clippings...

Provenance – Annely Juda Fine Art (label verso) Sotheby’s June 2006 – 20th Century British Art (labels verso) Personal Collection of Jonathan Grimble Image 24" x 19.5". Framed 28....

MARZENA KAWALEROWICZ Polish artist. Currently, she lives and works in Warsaw. She has been exhibiting her paintings all over the world. Most important exhibitions were in "Galerie Je...

Robert Baribeau (1949 - ) is an American Abstract painter, best known for his mixed-media paintings. This painting is signed and titled verso.

Still life painting - Pineapple Starwars Structural analysis: Drippings creates movement. Technique: oil, acrylic, and ink on cardboard canvas 40 x 40cm (15.75x15.75 inch) ⏩》R...

Work in the fields - Achille Beltrame italia - Mixed technique on cardboard cm. 45 x 22 . Mesaure with wooden frame are cm. 54 x 32

Henry Rayburn Table 2, Couple 1 (unique framed collage by beloved Texas artist), 1995 Acrylic and Mixed media collage on paper Signed in graphite pencil on the front Unique Frame inc...

Kevin Larmon, (American, b. 1955), 1985-1986, oil on canvas; hand signed, titled, and dated on the reverse Provenance: bear a Curt Marcos Gallery label verso This is one of a pair we are offering for sale Kevin Larmon (1955-) is an American artist and was assistant monitor of painting at Syracuse University. Kevin Larmon was born in Syracuse, New York in 1955. He grew up on a small horse farm. Larmon's mother was a school secretary while his father was a construction worker. He graduated from Binghamton University with a Bachelor of Fine Arts degree and moved to New York City as an undergraduate senior, where he finished his schooling at the New York Studio School. In the late 1970s, Larmon played guitar for Mudmen, a three piece band in the East Village of New York City with Craig Gillis playing bass, Mike Caffes playing drums, and percussionist Jill Burkhart. Mudmen played in venues such as CBGB, Danceteria, A7 (bar), Pyramid Club, Mudd Club, and The Limelight. Larmon started making still life paintings in 1979. He has also worked with atmospheric drawings and paintings since 1989, many of which are made on canvas or wood. In 2009, he began to paint his cell paintings. Larmon's paintings are built up through layers of collage and paint. Most famously, Larmon's work includes collages of gay male pornography that have been painted over with images that exist somewhere in between abstraction and form. These images are often anatomical. Conceptually, Larmon's work deals with issues such as the male body image and fascist culture. Similarly, Larmon's drawings on wood deal with ambiguously anatomical and abstracted forms. His work has been associated with the post-conceptualism and neo-conceptual art movements, which were prominent aspects of exhibitions at Gallery Nature Morte and with Tricia Collins and Richard Milazzo shaping the nature of painting after the rise of conceptual art. Larmon was also associated with Feature Inc., a gallery that was first established in Chicago in 1984. In August 1988, the gallery's director, known as Hudson, moved Feature Inc. to New York City. Larmon's first exhibition with Feature Inc. occurred in 1987 in Chicago, Illinois. Over the years, Hudson and Larmon would work together on many exhibitions. As a young artist, Larmon spent his Thursdays working to sustain Gallery Nature Morte together with the gallery owners, Alan Becher and Peter Nagy, when the gallery existed in New York City. Larmon was heavily influenced by his contemporaries at Gallery Nature Morte such as Robin Weglinski, Joel Otterson, and Steven Parrino. Other influential artists include Oliver Wasow, Robert Gober, Nancy Shaver, Carter Hodgkin, and Steven Wolfe. Larmon also drew inspiration from Rembrandt, Giorgio Morandi, Jackson Pollock, and Agnes Martin. During his time as a professor at Syracuse University, Larmon made an impact on many emerging artists including Deborah Roberts and Paul Weiner. Larmon participated in Aperto 86 at the 1986 Venice Biennale in Venice, Italy, where his paintings were exhibited at the Corderie at the Arsenal. From 1983–2013, Larmon was invited to exhibit in the Metropolitan Museum of Art, New York, New York; Feature Inc, New York, New York; Phoenix Art Museum, Phoenix, Arizona; the University Art Museum at the University of California, Berkeley; the Aldrich Contemporary Art Museum, Ridgefield, Connecticut; Weatherspoon Art Museum at the University of North Carolina, Chapel Hill, North Carolina; Visual Arts Museum, New York, New York; the Morris Museum, Morristown, New Jersey; Cleveland Center for Contemporary Art, now the Museum of Contemporary Art Cleveland, Cleveland, Ohio; Aspen Art Museum, Aspen, Colorado; Jersey City Museum, Jersey City, New Jersey; and the Carpenter Center for the Visual Arts at Harvard University, Cambridge, Massachusetts. In 2013, Larmon was included in a group show at the Leslie Sacks Gallery in Los Angeles, California alongside artists Christo, Jim Dine, Pablo Picasso, Chuck Close, Howard Hodgkin, Jasper Johns, Marino Marini, Henri Matisse, Karel Nel, Sam Francis, Helen Frankenthaler, David Hockney, Robert Rauschenberg, and Sebastião Salgado. Exhibitions curated by Tricia Collins and Richard Milazzo Still Life With Transaction: Former Objects, New Moral Arrangements, and the History of Surfaces took place at International with Monument in New York from March 28 – April 21, 1984. Larmon was accompanied by artists Alice Albert, Ericka Beckman, Alan Belcher, Ross Bleckner, Barry Bridgwood, Sarah Charlesworth, Wendy Galavitz, Judy Geib, Jim Jacobs, Stephen Lack, Andrew Masullo, Peter McCaffrey, Jan Mohlman, Peter Nadin, Peter Nagy, Joel Otterson, Richard Prince, Steven Parrino, Tyler Turkle, and Laurie Simmons. Natural Genre: From the Neutral Subject to the Hypothesis of World Objects took place at Florida State University Gallery & Museum in Tallahassee, Florida from Aug. 31-Sept. 30, 1984. Larmon was accompanied by artists Jane Bauman, Ericka Beckman, Alan Belcher, Gretchen Bender, Ross Bleckner, Tom Brazleton, Barry Bridgwood, Sarah Charlesworth, Carroll Dunham, Robert Garratt, Mark Innerst, Louise Lawler, Allan McCollum, Peter Nadin, Peter Nagy, Joseph Nechvatal, Steven Parrino, Louis Renzoni, Meyer Vaisman, Oliver Wasow, James Welling, David Wojnarowicz, Michael Zwack. Still Life With Transaction II: Former Objects, New Moral Arrangements, and the History of Surfaces took place at Galerie Jurka in Amsterdam during November 1984. Larmon was accompanied by artists Alice Albert, Ericka Beckman, Alan Belcher, Ross Bleckner, Barry Bridgwood, Sarah Charlesworth, Wendy Galavitz, Judy Geib, Jim Jacobs, Stephen Lack, Peter McCaffrey, Peter Nadin, Peter Nagy, Joel Otterson, Richard Prince, Laurie Simmons, Tyler Turkle, Meyer Vaisman, and Oliver Wasow. Final Love took place at the C.A.S.H./Newhouse Gallery in New York from March 15 – April 14, 1985. Larmon was accompanied by artists Ross Bleckner, Peter Halley, Jonathan Lasker, Allan McCollum, Olivier Mosset, Peter Nadin, Bonnie Nielson, Meyer Vaisman, Wallace & Donohue, James Welling, and Stephen Westfall. Cult and Decorum took place at Tibor De Nagy Gallery in New York from December 7, 1985 – January 4, 1986. Larmon was accompanied by artists Ross Bleckner, Sarah Charlesworth, David Diao, Peter Halley, Jeff Koons, Jonathan Lasker, Peter Nadin, Joel Otterson, Ricardo Regazzoni, Robin Rose, Laurie Simmons, Haim Steinbach, Gary Stephan, Philip Taaffe, and Meyer Vaisman. Modern Sleep took place at American Fine Arts Co. in New York from October 17 – November 16, 1986. Larmon was accompanied by artists Saint Clair Cemin, John Dogg, Tishan Hsu, Jonathan Lasker, Annette Lemieux, Olivier Mosset, Joel Otterson, and Jeffrey Plate. Art at the End of the Social took place at The Rooseum in Malmö, Sweden from July – October, 1988. Larmon was accompanied by artists Donald Baechler, Ford Beckman, Gretchen Bender, Ross Bleckner, David Carrino, Lawrence Carroll, Saint Clair Cemin, Sarah Charlesworth, Charles Clough, David Diao, John Dogg, Suzan Etkin, Peter Fend, Robert Gober, Peter Halley, Claudia Hart, Tishan Hsu, Jon Kessler, Jeff Koons, Jonathan Lasker, Annette Lemieux, Allan McCollum, Peter Nadin, Peter Nagy, Joseph Nechvatal, Joel Otterson, Richard Prince, Holt Quentel, Sal Scarpitta, Nancy Shaver, Haim Steinbach, Gary Stephan, Philip Taaffe, Tyler Turkle, Meg Webster, and James Welling. Exhibitions at Feature Inc. Head Sex took place at Feature Inc. in Chicago, Illinois from July 7 - August 7, 1987. Larmon was accompanied by artists Kathe Burkhart, General Idea, Mike Kelley, Lillian Mulero, Raymond Pettibon, Johnny Pixchure, Richard Prince, Kay Rosen, Rene Santos, and Kevin Wolff. Strung Into the Apollonian Dream... took place at Feature Inc. in New York, New York from January 20 - February 24, 1995. Larmon was accompanied by artists Michael Banicki, Nancy Chunn, Tom Friedman, Felix Gonzalez-Torres, Jenny Holzer, Peter Huttinger, Mike Kelley, Louise Lawler, Sherrie Levine, Allan McCollum, David Moreno, Hirsch Perlman, Raymond Pettibon, Adrian Piper, Richard Prince, David Robbins, Rene Santos, Nancy Shaver, Jim Shaw, Cindy Sherman, Elaine Sturtevant, Tony Tasset, James Welling, Kevin Wolff, and B. Wurtz. I Gaze a Gazely Stare took place at Feature Inc. in New York, New York from March 9 - April 14, 1995. Larmon was accompanied by Jeanne Dunning, Robert Flack, Jason Fox, Tom Friedman, Jim Isermann, Pruitt-Early, Brett Reichman, Richard Rezac, David Robbins, and Nancy Shaver. THOUGHTS took place at Feature Inc. in New York, New York from April 14 – May 19, 2007. Larmon was accompanied by Pam Golden, Jonathan Heartshorn, Andrew Masullo, Tracy Miller, Travis Molkenbur, David Moreno, Oren Slor, the unnameable, and Tyler Vlahovich. Tom of Finland and then Some took place at Feature Inc. in New York, New York from June 25 - July 31, 2010. Larmon was accompanied by Tom of Finland, Richard Kern, Judy Linn, Bastille, Jerry Phillips, Martin of Holland, Joe Brainard, Fred Esher, Larry Clark, Robert W. Richards and Brian Kenny, Sean Landers, Richard Prince, Robert Fontanelli, GB Jones, Jeff Burton, Mie Yim, Raymond Pettibon, Catherine Opie, Carl Ferrero, Jared Buckhiester, Judy Rifka, Jeffrey Pittu, Scooter Laforge, The Hun, Tyler Ingolia, David Frye, Kinke Kooi, Juan Gomez, Rex, and Gengoroh Tagame...

Artist: Gleb Sergeevich Bogomolov, Russian (1933 - ) Title: Arc with Golden Vertical Year: 1992 Medium: Oil and Collage on Canvas, signed l.r...

Richard Smith, British (1931-2016) Untitled (Abstract Composition) (1976) Gouache, crayon, charcoal and metal staples on Arches paper Hand signed lower center sheet: 22 x 22 inches ...

Full Moon was a pivotal piece of McClures work resulting from her Albers fellowship. This led to her working at the Institute in America, and remains of great significance in the maturing of her work. Painted in 2005 at the Josef Albers Foundation in Connecticut Image 21.5" x 28.5". Framed 30.5" x 36.75" Framed Daphne McClure is well known for her beautifully naïve depictions of Cornwall life. She draws on the area's rich artistic heritage and paints local landscapes that maintain a contemporary and painterly feel. Daphne's love for the coastline, moorland and fields of Cornwall has been fundamental to her artistic practice. Cornwall has always provided the inspiration behind her most quintessential work. Daphne McClure was born in Helston, Cornwall, in 1930. As a student in London she attended the Hornsey College of Art and then Central School of Art before working as a costume designer for the Royal Opera House. Daphne with her husband George and their two children, returned to Cornwall in 1976 to settle in Porthleven, a small picturesque village on Cornwall's south coast. As beautiful as the surrounding landscape was, Daphne was not enticed to paint it. Several years later a friend happened to show Daphne an aerial photograph of the area, which revealed the blocks of colour and different textures created by the tilled farmland, unkempt fields and dissecting hedgerows. This photograph struck a chord with Daphne and it remained a constant source of inspiration for many years. In 1988 the McClure family moved to a small holding on Tregonning Hill near Helston. The new surroundings further influenced the artist's colour palette and the sea blues shifted to the more muted tones of ochre, umber and sienna. Daphne began to paint in series and produced groups of paintings such as 'Godrevy Lighthouse', 'Hayle Estuary', 'Levant Mine' and 'St. Ives'. In Cornwall Daphne became a member of both the Newlyn Society of Artists and the Penwith Society of Artists. In 1994 her 'Levant Mine' series of paintings was exhibited by Wilson Stephens Fine...

Margaret Putnam (1913-1989) San Antonio Artist Image Size: 14.25 x 13.25 Frame Size: 20.25 x 21.25 Medium: Mixed Media "The Dance" Biography Margaret Putnam (1913-1989) Margaret Putnam left an artistic legacy rare even in the art world. Revered for her innovative techniques and inimitable style prior to her death in 1989 , her renown continues today. She was a 20th century woman with a Renaissance soul who lavished her work with brilliant color, always breaking and making the rules to achieve the desired effect. An explorer, Putnam was basically self-taught; it could not be otherwise because no one had the vision that she had. She worked in oil, watercolor, wax resist, casein, and pastel, exploring new avenues, developing new techniques, combining mediums, and creating a unique style, instantly recognizable, unlike any other. A background in fashion illustration was evident in the color, texture, and design that adorned both male and female figures. In abstract work, there was always a keen but unique sense of design. She worked over 8 hours a day, 363 days a year. Even after becoming partially paralyzed from amyotrophic lateral sclerosis (Lou Gehrig...

Work on canvas Technique Mixte Monogrammed work YH

"Eloise is a little girl who lives at The Plaza Hotel in New York (Thompson, 1955)." A simple beginning to Kay Thompson's endearing story that has swept the nation for generations. T...

Etching mixed media with collage on brocade with paillettes, edited in 1970 Limited edition in 50 copies Signed in pencil by artist in lower right corner, Numbered 32/50 in lower lef...

Portrait PS 231 La Dormante Scene: a poetic closeup portrait with abstract background field. The background is created with series of drippings. Technique: oil, acrylic, and ink on...

Portrait PS 221 L'endormie Immobile perle de bleux (Large) Scene: a poetic closeup portrait of a woman is lying in her bed. Symbol of feminism inspired by Louise Alix work, the comp...

French School - PS 248 Elle(s) Portrait of two women, from La Belle époque. Technique: oil, acrylic, and ink on old book pages on wooden frame 55x55cm ■■ 21,6x21,6 inch ⭐Sustainab...

#9 Geeks and Gargoyles (for Nelson Algren) Mixed Media and Collage Provenance: Obelisk Gallery, Boston, 1967 (label verso) the word Chicago is featured prominently in this piece. So...