Paint Paintings

Oil on Canvas, Signed Dated 2013 14 x 18 Inches

Melissa Sims’ work utilizes motifs from collage and pop art, in that several different images are combined into one cohesive but surreal landscape. Sims c...

Robert Carroll was born in 1934 and was predominantly inspired by the 1950s growing up. Abstract Expressionism prevailed in the 1950s as a primary method of painting, and explored id...

With Halo, Greenfield brings the stories of Black folk-saints, martyrs, freedom-fighters, survivors, magicians, and visionaries back into view.

Signature: Initialed Lower Left

2021, Acrylic on Canvas

All You Need Is Love by Guy Boudro

Medium: Acrylic on Panel Signature: Signed Lower Right Dimensions: 36.00" x 30.00"

Signed Verso Rex Ashlock (1918 - 1999) Born in Spokane, WA on Aug. 23, 1918. Ashlock moved to San Francisco in 1937 and was a copy boy for Associated Press while studying at the C...

An abstract oil on canvas by Brazilian contemporary artist Christian Rosa. This large format, untitled oil is executed in bright yellow, black, red and blue in a subdued, neutral pal...

"United Together" is part of a series called "Spoken" by artist Kelvin Agyepong Ansong which depicts the fierce fight women around the world continue t...

Medium: Oil on Canvas Signature: Signed on the Back

Innocence of childhood. Portrait. About the Artist: My art is a visual recording of the powerful imagines that occur regularly in life, distilling them down and preserving the ...

Yari Ostovany is an American abstract artist of Iranian origins. He has lived in Tehran, Cologne, Los Angeles, San Francisco and in Reno. He is currently based in New York City. His ...

Dana Frankfort In the middle of the road, 2017 oil on canvas over panel 48 x 48 x 1.75 inches For over two decades, Dana Frankfort has explored the vexing periphery between language and sight by painting words. Rather than laying claim to the paintings, controlling their semiotic pulse, her words serve as the formal armature; they prop up, ventilate, and allow the many layers of paint to breathe. Imperatives, allusions, evocations—the words dissolve into a palimpsest of obscured serifs and stems, into color and form. The title of the work is a phrase from a poem by Carlos Drummond de Andrade’s “In the Middle of Road.” Here it is, translated from the Portuguese by Elizabeth Bishop...

"Alexei Ravski unites landscape painting with the art of the surreal in his dramatic, large-format compositions. Meticulous in technique, they are marked by a striking use of perspe...

Signed Lower Left

Nancy Lamb, Strawberry Blip, 2020, Watercolor on Paper, 5.5 x 3.5" Contemporary American Still Life of Strawberry Cupcake, Dessert Treat. This fantastic ...

Medium: Oil on Canvas Signature: Signed "A.O.F 19" Lower Left "Man & Woman in Disagreement" Long affiliated with The Saturday Evening Post (nearly 50 years), he did dozens of covers and much story art, most notably the long-running Tug-Boat Annie and with maritime painting, Fischer was more versatile than depicting the sail and dreadnaughts when given a chance. Still, he's best known for painting the sea, her beauty and her dangers (whether hurricanes or U-Boats). It's no surprise that his oils graced such titles as The Cruise of the Cachalot: Round the World After Sperm Whales, Treasure Island, The Mutineers, 20000 Leagues Under the Sea...

Donatella Violi was born in Ovada (AL), moved to Milan and subsequently to Reggio Emilia. As she was taking lessons at the Institute of Science, she wa...

Yari Ostovany is an American abstract artist of Iranian origins. He has lived in Tehran, Cologne, Los Angeles, San Francisco and in Reno. He is currently based in New York City. His ...

ca. 1965 Acrylic on canvas 54 1/4 x 54 in. (137.8 x 137.2 cm) Signed, verso

Anthony Palliser was born in 1949 of an English father and a Belgian mother. He studied at Downside school and graduated from New College Oxford. In 1...

Joe Kaufman, writer, illustrator. Recipient Art Directors Club medal, 1948, New York Academy of Sciences Children's Science Book award, 1973, Gold award, Silver award Art Directors C...

Jim’s of Lambertville is proud to offer this artwork. Signed verso. Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicag...

Line, Color, Form Number 1, 1959, by Albert Manchak (b. 1925) Oil on canvas 35 ½ x 35 ½ inches unframed 37 x 37 inches framed Signed on bottom right Lab...

Rebecca Leveille (who is also known for her illustration work under the name Rebecca Guay) received a BFA from Pratt Institute in 1992. Leveille’s art has garnered words of praise from Jerry Saltz, Walter Robinson, and Peter Frank. She has been a guest artist/speaker at Rhode Island School of Design, University of Massachusetts, Savannah College of Art and Design, and Fordham University, a guest instructor at Pratt Institute, and a guest artist by invitation to shows and events in Melbourne Australia, Paris, Nagoya and Osaka (Japan), Valencia, San Fernando, and Torrelavega (Spain). Her work has been featured in Juxtapoz Magazine, American Art Collector, and Hi Fructose among many other publications and is collected internationally. In 2018 she was featured in a solo show at The Untitled Space. Her work has additionally been featured in The Untitled Space group shows “UPRISE / ANGRY WOMEN”, “SHE INSPIRES” as well as "EDEN" (2019) and “(HOTEL) XX" (2018) presented at SPRING/BREAK Art Show. She has been featured at Sotheby’s New York for the annual “Take Home A Nude” exhibit and auction presented by The New York Academy of Art (2017-2019), The Allentown Museum of Art, PA, Delaware Art...

About Behzad Tabar My background is in fine and graphic arts, working in a wide range of styles and mediums. My painting has evolved from realism, to surrealism, to abstract. I am mo...

Colorful oil on canvas abstract expressionistic figurative painting.

Inspired by occasions that are either joyful or morbid. Occasions that are unwanted and irrevocable. Occasions that are planned or unplanned. Unexpected occasions. Signature: Signed...

The Staring Figures by Max Weber (1881-1961) Ink, pencil, and watercolor on paper 10 ½ x 7 ½ inches unframed (26.67 x 19.05 cm) 16 ½ x 11 ½ inches framed (41.91 x 29.21 cm) Descript...

Medium: Oil on Canvas Dimensions: 20.00" x 29.00" Signature: Signed Lower Right

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Ben...

Medium: Oil on Canvas Dimensions: 9.25" x 10.25" Signature: Signed Lower Right

Painting for a Woodstock film's poster.

Abstract Expressionist seascape oil painting.

Reid Masselink (born 1974) is an American born artist, currently living in Bourron-Marlotte, France. He is primarily a landscape painter, working in oils on canvas, out-of-doors, en plein air. His paintings are notable for their attention to detail and their insistence on the exuberance and diversity of nature. He paints and exhibits in Europe and the US, and gives lectures on various art related topics. Masselink earned his BA in Art from the Colorado College in 1997. He then worked as an art dealer and art historian specializing in old master drawings and paintings in New York and Paris from 1997-2004. During these years he authored an important catalog of old master Dutch drawings...

Date: 1918 Medium: Oil on Board Dimensions: 24.00" x 18.00" Signature: Signed Lower Right American Art Works Calendar Illustration

James Lechay was a painter of figures, landscapes, cityscapes and still lifes who played a notable role in the tradition of avant-garde painting in New York and in the Midwest. An ar...

"Civil Rights." Evergood's early commentary on racial issues in the 1950s depicts four black men gagged, roped and hanging from a tree. In the background, imprisoned blacks look on through a barbed-wire fence. Whites watch in horror but do nothing to help. Meanwhile, a two-legged and three-headed serpent who symbolizes evil - wraps himself around the tree that physically and symbolically separates the races. This is an important work in the history of American art. It may be one of the very earliest examples of a major American painter doing a major work that challenges racial segregation and injustice at a time when no one else would. The title of the work is inspired by a Historic Supreme Court decision on racial segregation. The Little Rock...

A Los Angeles-based artist with a unique take on color and the relationship between space, shape and light. Andy Moses paints with pearlescent pigments on concave canvases, which cur...

Born in Moscow, Idaho,and raised in Seattle, Robert Jessup received his BFA from the University of Washington in 1975 and his MFA from the University of Iowa in 1979. His work has be...

Louisa Lizbeth Chase was born in 1951 to Benjamin and Wilda Stengel Chase in Panama City, Panama, where her father, a West Point graduate, was stationed. The family moved to Pennsylv...

Looking at a painting by Colin Hunt is like watching someone pass through a hole in our consciousness. As the landscape refracts through the sitter’s absence and fills that emptiness...

Medium: Oil on Canvas Signature: Signed Lower Right

Date: 2011 Medium: Acrylic on Canvas Dimensions: 30.00" x 24.00" Signature: Signed and Dated Lower Right and Verso

Date: 1939 Medium: Oil on Canvas Dimensions: 33.00" x 27.00" Signature: Signed Lower Right Cover of Liberty Magazine, January 14, 1939

Medium: Oil on Canvas Dimensions: 16.00" x 24.00" Signature: Unsigned

Abstract Painting. Geometric style. Oils on canvas. About the Artist: I work in a style I call Geometric Surrealism, abstracting physical ...

Medium: Oil on Board Dimensions: 15.00" x 15.00" Signature: Signed Lower Left

The artist constructs his spirit animal through mixed media. 48" x 60" Spray Paint, Oil, Construction Paper, Acrylic, Pastel, Marker

American, b. 1933 “Experiencing a painting by Nina Maguire is like catching the scent of a once familiar perfume- evoking memory, filling the viewer with a sense of nostalgia, of a ...

Abstract geometric painting on canvas. About the Artist: My text based paintings build upon the theme of myth vs. memory, which has been the f...

Abstract artist Paul Light Jr. was born in Atlanta, Georgia in 1966. Before earning his MFA in painting at SCAD-Atlanta in 2012, Light had an extensive business career where he fueled his creative side as a graphic artist, and product designer. It was in these years that he met and was mentored and greatly influenced by Paul Chelko...

Born in 1951, Eishin Yoza was largely inspired by the 1970s growing up. The art sphere of the 1970s was epitomized by a desire to evolve and strengthen its...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. This is a miniature watercolor and gouache vibrant, colorful bouquet of flowers in a vase. Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. Simka painted what he thought was typical of Jackson. His impression of pre-civil rights Mississippi was evidently Greek Revival column houses, weeping willow trees, working class families, and the oppression of African Americans. He painted African American men picking cotton, while a white man took account of the harvest and a white judge advised a white family, calling it Pursuits of Life in Mississippi. Though clearly endorsed by the government and initially generally well-received, the mural soon raised concerns with locals as the climate toward racial segregation began to change. The main concern was whether depictions that show African Americans in subjugated societal roles should be featured in a courtroom. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...

Cleve Gray Conjugations, 1975 Vermont Series Mixed media on paper 14 1/2 x 22 1/2 inches each

Artist Ernest Chateignon was born in 1887. Ernest Chateignon exhibited at the Salon since 1867. Through his painting, he always marries peasant exis...