Panel Paintings

Beautiful impressionistic landscape of Shongum Lake, New Jersey countryside in Spring with Stream and blossoms by Rudolph J. Eicher (1884 - 1958), Circa 1940s. Bright springtime fo...

A wonderful 1949 oil painting on panel by Birger Sandźen depicting a farmhouse in a Lindsborg, Kansas landscape with hay shocks, trees and clouds. Cori North of the Birger Sandzén M...

A diminutive and charming painting of a porcelain pitcher by French/American Artist Andre Delfau. The painting is framed to 11 3/4" x 13 1/2". Born in Paris, France in 1914, Andre ...

A beautiful signed and dated 1943 French impressionist oil on panel self portrait by Charles Picart le Doux, who was friends with Picasso, Pissarro and many other Paris based artists...

Tropical Still Life with Green Pot and Ukulele in Oil on Canvas Vibrant still life by Santa Cruz County artist N. Weber (20th Century). There are ...

Rescue (c.1945) Oil on panel 14" x 17" 19 ½" x 22 ¼" x 1 ½" framed Signed "M. Golubov" lower right, titled "Rescue" verso. About this artist: "If you can imagine a point moving, i...

Carl Johansson (1863-1944) Sweden A Tranquil Landscape View, 1943 oil on wood panel signed and dated Carl Johansson 1943 - panel dimensions: 41 cm x 55 cm (16.14 inches x 21.65 inc...

Frederick Serger Genre: Post Impressionist Subject: Flowers, Poppies Medium: Oil Surface: Panel Frederick Serger (given name Frederick Bedrick Sinaberger) was born in 1889 to a family of Jewish manufacturers in the village of Ivancice near Brno Moravia, a province of Czechoslovakia. Showing artistic talent at a young age, he attended art schools in Brno, Czech, Vienna, Austria and Munich, Germany. During World War I, Serger joined the Austrian Army and served in the Balkans. Once his service ended, he traveled to Paris where he resumed his art training and eagerly joined the Ecole de Paris (School of Paris) artists’ movement. During this period, he was greatly influenced by the Impressionist, Post-Impressionist, and Expressionist movements. While living in Paris, he met and married Helen Spitzer. Serger and his young wife moved from Paris to Scoczow, a city on the Polish-Czech border. They remained in Scoczow for 12 years and he continued to work as an artist, exhibiting in museums in Cracow and Warsaw, Poland. He also showed at the Paris Salon de Tuilleries and the Salon d’Automne. He was part of the generation of expat artists, mostly jewish known as the School of Paris. They created art in the styles of Post-Impressionism, Cubism and Fauvism. The group included artists Marc Chagall, Chaim Soutine, Amedeo Modigliani and Piet Mondrian. Associated French artists included Pierre Bonnard, Henri Matisse, Jean Metzinger and Albert Gleizes. Many École de Paris artists lived in the iconic La Ruche, a complex of studio apartments and other facilities in Montparnasse on the Left Bank, at 2 Passage Dantzig, built by a successful sculptor, Alfred Boucher, who wanted to develop a creative hub where struggling artists could live, work and interact. A significant subset, the Jewish artists, came to be known as the Jewish School of Paris or the School of Montparnasse. The core members were almost all Jews, included Emmanuel Mane-Katz, Abraham Mintchine...

Exhibited: Vanderwoude Tananbaum Gallery, New York Caldwell Gallery, Manlius, N.Y.

red, odalisque,orange,yellow Giulio DA MILANO (Nizza, 1895 - Torino, 1990) Giulio Da Milano was a Giacomo Grosso's disciple and he was very close to the artists that used to patronize La Coupole de Montparnasse (from Kisling to Pascin, from Derain to Vlaminck). He is considered one of most representative exponents of the Turin’s artistic scene in the ‘30s-‘40s, close to the Gruppo dei Sei. His works can be found in the following museums: Turin, Modern Art Gallery...

Oil on panel painting by Lewis Lee Tilley (1921-2005) titled "Opera Matinee" from 1948. Image presents two women at an opera, one in pink leans over to the other in blue to whisper i...

The painting is signed on the bottom left Colacicchi 43 The origins of Giovanni Colacicchi are tied to a rather important family: his grandmother Germana was a descendant of Caetani...

Provenance Consigned to the gallery by private collectors Description Sam Hyde Harris was a tremendous storyteller, a talent he successfully translate...

Modernist oil painting done in miniature on a thick block of wood of a female nude in the artist’s studio. Signed lower left by the well known New York artist, Nicholas Takis...

August Wilhelm Dressler, Behind the Curtain, 1940, Oil on Wood Panel, 60 x 50 cm. Signed lower left.

Artist: Hans-Ulrich Muhlhausen (Born in 1915-1987) Title: Chickens and Ducks Medium: Oil on Panel Dimensions: Framed 11” x 9”, Unframed 9” x 7” Description A small oil painting of ...

Beautiful oil on mahogany panel painting of the bustling Port of Ostend in Belgium by Louis Clesse. Signed lower right and dated 1942. Titled verso and signed again by the artist ve...

A fine figural oil painting of a mother and three children with worried looks on their faces as military planes fly overhead by American artist Hope Shipee Bunin (1908-1970). Bunin w...

While most can not even count all 102 stories of the Empire State Building, artist Alice Smith accurately paints each and every story with exacting detail ...

Artist: Josef Hallberg (Austrian, Born in 1912- ) Title: The Ploughman Medium: Oil on Panel Dimensions: Framed 14” x 12”, Unframed 9” x 7” Description An oil painting of an Aust...

In an original Harer frame. Illustrated in "Daniel Garber Catalogue Raisonne" Vol. II, pg. 271, and in book titled "Blue Chips", pg. 33 Jim’s of Lambertville is proud to offer this artwork by: Daniel Garber (1880-1958) One of the two most important and, so far, the most valuable of the New Hope School Painters, Daniel Garber was born on April 11, 1880, in North Manchester, Indiana. At the age of seventeen, he studied at the Art Academy of Cincinnati with Vincent Nowottny. Moving to Philadelphia in 1899, he first attended classes at the "Darby School," near Fort Washington; a summer school run by Academy instructors Anshutz and Breckenridge. Later that year, he enrolled at the Pennsylvania Academy of the Fine Arts. His instructors at the Academy included Thomas Anshutz, William Merritt Chase and Cecilia Beaux. There Garber met fellow artist Mary Franklin while she was posing as a model for the portrait class of Hugh Breckenridge. After a two year courtship, Garber married Mary Franklin on June 21, 1901. In May 1905, Garber was awarded the William Emlen Cresson Scholarship from the Pennsylvania Academy, which enabled him to spend two years for independent studies in England, Italy and France. He painted frequently while in Europe, creating a powerful body of colorful impressionist landscapes depicting various rural villages and farms scenes; exhibiting several of these works in the Paris Salon. Upon his return, Garber began to teach Life and Antique Drawing classes at the Philadelphia School of Design for Women in 1907. In the summer of that same year, Garber and family settled in Lumbertville, Pennsylvania, a small town just north of New Hope. Their new home would come to be known as the "Cuttalossa," named after the creek which occupied part of the land. The family would divide the year, living six months in Philadelphia at the Green Street townhouse while he taught, and the rest of the time in Lambertville. Soon Garber’s career would take off as he began to receive a multitude of prestigious awards for his masterful Pennsylvania landscapes. During the fall of 1909, he was offered a position to teach at the Pennsylvania Academy as an assistant to Thomas Anshutz. Garber became an important instructor at the Academy, where he taught for forty-one years. Daniel Garber painted masterful landscapes depicting the Pennsylvania and New Jersey countryside surrounding New Hope. Unlike his contemporary, Edward Redfield, Garber painted with a delicate technique using a thin application of paint. His paintings are filled with color and light projecting a feeling of endless depth. Although Like Redfield, Garber painted large exhibition size canvases with the intent of winning medals, and was extremely successful doing so, he was also very adept at painting small gem like paintings. He was also a fine draftsman creating a relatively large body of works on paper, mostly in charcoal, and a rare few works in pastel. Another of Garber’s many talents was etching. He created a series of approximately fifty different scenes, most of which are run in editions of fifty or less etchings per plate. Throughout his distinguished career, Daniel Garber was awarded some of the highest honors bestowed upon an American artist. Some of his accolades include the First Hallgarten Prize from the National Academy in 1909, the Bronze Medal at the International Exposition in Buenos Aires in 1910, the Walter Lippincott Prize from the Pennsylvania Academy and the Potter Gold Medal at the Art Institute of Chicago in 1911, the Second Clark Prize and the Silver Medal from the Corcoran Gallery of Art for “Wilderness” in 1912, the Gold Medal from the Panama-Pacific Exposition in San Francisco of 1915, the Second Altman Prize in1915, the Shaw prize in 1916, the First Altman Prize in 1917, the Edward Stotesbury Prize in1918, the Temple Gold Medal, in 1919, the First William A...

Medium: Oil on Wood Panel Signature: Unsigned This Stan Laurel and Oliver Hardy illustration was used as a traveling show sign.

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

A rare and breath taking work, with masterful bursh work and sublime execution of light. We are drawn to the subtle beauty and elegant pose. The tasteful compostion lends an intimate scene into the artists studio where Philip has captured her effortlessly. This piece comes displayed in a wonderful frame and hanging wire on verso. Art measures 24 x 20 inches Frame measures 30 x 26 inches Robert Philipp was born on February 2, 1895 in New York City. He was an American painter influenced by Impressionism and Post-Impressionism, and known for his nudes, still lifes, and portraits of attractive women and Hollywood stars. Moses Solomon Philipp showed early talent and grew up in a family atmosphere that fed and cultivated his creativity. At age of 15, he entered the Art Students League for four years and then continued his training at the National Academy of Design. His teachers at the League included George Bridgeman and Frank DuMond, and at the National Academy he studied with Douglas Volk...

Beautiful mid century figurative landscape of a contemplative woman in Cotswold village, England by David L. Ghilchik (b. 1892 Romania; d. 1972 London), c.1945. Signed lower right "Ghilchik." Presented in rustic wood frame. Image measures: 14.5"H x 17.5"W. With frame, measures: 21"H x 25"W x 2"D. David Louis Ghilchik was a painter, and cartoonist for Punch Magazine and the Daily Sketch. He was the son of Abraham Josef Ghilchik, who traded in lace and linen, and his wife Sali. The family settled in Salford in 1920, where David enrolled at the Manchester School of Art and studied under Adolphe Valette...

An original oil on panel by American female artist Catherine Koenig created in 1941.

Robert Elton Tindall (1913-1983) "Bleeding Heart" 1944 Egg Tempera with Resin Oil Glazes on Panel Signed and Dated 5/44 Lower Right Site: 12.5 x 15.5 i...

Robert Elton Tindall (1913-1983) "Philodendron" 1941 Egg Tempera with Resin Oil Glazes on Panel Signed and Dated Lower Right Site: 13.5 x 11.5 inches Framed: 21 x 19 inches Proteg...

Oil painting on Board realized by Balla as portrait of his second daughter Elica. A beautiful, top quality portrait among the most beautiful of his figurative painting. It include...

An original mid centuiry oil on panel by American artist Robert McIntosh, "The Aquarium", is an original oil on panel, signed, c.1950.

An original mid century oil on panel by American artsist Robert McItosh. "Abstract 1", is an original oil on panel, signed, c.1950, with an image dimensi...