Paper Paintings

Nancy Lamb, Kiss Cake, 2020, Watercolor on Paper, 5.5 x 3.5." Contemporary American Still Life of Hershey's Kiss Cake, Chocolate Dessert Treat. This fan...

Sundrop serene (Abstract painting) Acrylic on hot-pressed Archers Paper - Unframed. Brent Hallard is an Australian-born artist and co-organizer of The Shape of Things. His work is ...

"Sand Castle" is a framed mixed media work on canvas by Maura Segal, with abstract shapes and color blocking. The artist cuts hundreds of paper shapes and adheres them to the canvas ...

Mind'S Eye I

Sundrop serene (Abstract painting) Acrylic on hot-pressed Archers Paper - Unframed. Brent Hallard is an Australian-born artist and co-organizer of The Shape of Things. His work is ...

Pale Ale (Abstract painting) Acrylic on hot-pressed Archers Paper - Unframed. Brent Hallard is an Australian-born artist and co-organizer of The Shape of Things. His work is deeply...

This abstract painting from series “Geoforms” is inspired by minimalism, modern art and hard edge. This work is signed, dated and tilted by Artist on the back. Signed certificate of ...

Sakti Burman - Untitled Watercolour on Paper 30 x 20 inches Born : 1935 Kolkata Education : 1956 Government College of Arts and Crafts in Kolkata and the Ecole Nationale des Beaux ...

Blue Lines is an original artwork realized by Giorgio Lo Fermo (b. 1947) in 2020. Mixed media in tempera and watercolor on paper Hand-signed and dated by the artist on the lower ri...

Dancer #1, Original Contemporary Minimal Blue Energetic Abstract Painting 30x23 (HxW), Acrylic Paint There is something faintly figurative and dancer-like about this abstract gestur...

Jump For Joy, Original Contemporary Minimal Orange Energetic Abstract Painting 30x23 (HxW), Acrylic Paint There is something faintly figurative about this abstract gestural work by ...

Bold and balanced abstract composition by Russell Green (American, 1910-1986). Completed in Green's characteristic style, this piece has a balanced interplay of shapes and colors. Blocks of black, reds, blues, and greys create a strong background. Over the top, lines of black, red, and white outline and divide the background shapes. Signed "Russell Green" in the lower left corner. Presented in a wood frame with a double mat. Frame size: 23.5"H x 30"W Image size: 14.5"H x 22.5"W Russell Davis Green (American, 1910-1986) painter, printmaker and teacher, was born in Traer, Iowa on December 29, 1910. He studied art at Iowa State College and the School of the Art Institute of Chicago. Green worked in the Illinois and New York Works Progress Administration-Federal Art Projects in the 1930s and two of his woodcuts are listed in the General Services Administration’s book WPA Artwork in Non-Federal Repositories. Green was also a painter and lithographer, and he was included in the Exhibition by Artists of Chicago and Vicinity at the Art Institute of Chicago in 1934. His work was also included in exhibitions at the Philadelphia Art Alliance; Museum of Modern Art and the Grand Central Galleries in New York; and the Iowa Federation of Women's Clubs, 1935. Green began his long teaching career at Stephens College in Columbia, Missouri in 1940 and eventually headed the art department. He is represented in the collections of the Baltimore Museum of Art; Art Institute of Chicago; Metropolitan Museum of Art; Newark Museum; and the St. Louis Art Museum. [After graduating from the Art Institute of Chicago in 1933, he returned to Iowa to begin teaching. In 1935, approximately the time he completed Thanksgiving, he served as a private art teacher in Sioux City. He also had a one-person exhibition of his work at the Sioux City School of Music, Dramatic Art and Dancing, which was located in the Commerce Building. The exhibition included 81 oil paintings, watercolors and prints.] Russell Green 1910 - 1986 A FINE SENSE OF BALANCE — Russell Green started attending college in small town Iowa during an era of unparalleled prosperity in the United States. Yet by the time Green graduated five years later from the Art Institute of Chicago, the Depression had brought the country to its knees economically. In those few years, ending with his Bachelor of Arts, Green had also undergone a personal transformation from a farm boy...

"Victory Gallop" is a mesmerizing watercolor on textured rag paper, capturing the essence of the Bon Vivant lifestyle. A woman, adorned in resplendent garments and an exquisite hat, ...

Pelias expounds on her new works . . .   In this group of oil paintings on canvas, I am inspired and informed by my personal history and collective lived experience, as well as the...

Pelias expounds on her new works . . .   In this group of oil paintings on canvas, I am inspired and informed by my personal history and collective lived experience, as well as the...

The Monuments - Abstract Impressionist Composition in Acrylic on Laid Paper A bold abstract painting by California-based artist, Ricardo de Silva (Br...

Pelias expounds on her new works . . .   In this group of oil paintings on canvas, I am inspired and informed by my personal history and collective lived experience, as well as the...

Pelias expounds on her new works . . .   In this group of oil paintings on canvas, I am inspired and informed by my personal history and collective lived experience, as well as the...

Shape 35 (2019) by Ryan Park of Shapes Only Abstract, nonobjective, gestural, geometric art, acrylic on 300GSM archival paper. Abstract shape innovated by the artist. Neutral palette. Yellow-green...

Shape 28 (2019) by Ryan Park of Shapes Only Abstract, nonobjective, gestural, geometric art, acrylic on 300GSM archival paper. Abstract shape innovated by the artist. Neutral pal...

Lattice 7 (Abstract painting) Acrylic on Montval paper — Unframed. Martina Nehrling is an American abstract artist whose dynamic and richly textured paintings evoke kaleidoscopic wo...

Emotional Color Chart 178 (Abstract painting) Pencil and Acrylic on Fabriano-Pittura paper - Unframed. This series, started in 2016 conveys a color and emotional language and is ins...

Joyce Treiman Ink on paper, framed under glass; signed in pencil lower right; Dimensions: 16 1/2 x 13 3/4 inches; 18 3/4 x 14 3/4 inches frame. Joyce Wahl Treiman was an American painter, printmaker, sculptor and teacher. Her work ranged from "the impishly perverse and humorously paradoxical to the brilliant and profound." She was known as an excellent draftsperson throughout her career. She made several trips to Europe to study the old masters, and the human figure is central in her work. In her later paintings she is known to have inserted self-portraits. She attended Stephens College in Columbia, Missouri, and then studied at the State University of Iowa (today the University of Iowa) under the influential painter Philip Guston. During World War II she worked as a commercial artist but resigned when she began to have success with exhibitions of her work in Chicago and New York. In 1945 she married Kenneth Treiman, and son Donald, now an Architect, was born in 1950. The Treimans, along with Rene and Rose Wahl, moved to Los Angeles in 1960. She was in an exhibit of Tamarind prints...

TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of genres including fashion, lifestyle, editorial, conceptual, sports, portraiture, and nightlife photography...

Drawn from life, Craddock considers her diptychs to be literal depictions of her fruit and vegetable subjects: skin on the left side, and flesh on the right. When seen from a distanc...

John Berger states a line is not important because it records what we see, but because of what it will lead us on to see. He also adds that each mark we make on the surface is a stepping stone through...

Shape 16 (2019) by Ryan Park of Shapes Only Abstract geometric art, acrylic on 300gsm archival paper. Abstract shape innovated by the artist. Bright oran...

Novus Amor, Novis Vita VII, Mixed media Painting by Anca Stefanescu Instead of painting external realities, Anca Stefanescu depicts her inner spiritual experiences. Her working proc...

Ellen Hackl Fagan makes her paintings by pouring paint around the forms of commonplace, mass-produced objects placed on wet sheets of paper or panels – little fruit cartons, fragment...

Wendy Artin is an American contemporary artist who works primarily in watercolor and charcoal. Her work is figurative and classical and explores the timele...

Photorealist, pop art style still life watercolor painting of iconic American cigarettes "Marlboro II" by Scott Nelson Foster, painted in 2017 watercolor on paper 29 x 21.5 inches, 39 x 29 inches framed with glazing, white mat and black moulding Wire backing for secure hanging This photo-realist still-life of a classic red Marlboro pack...

Elio Jesús says of his work… My work is a poetic research about the fragility of human nature. In that sense, I ́ve been working on a series of “reconstructed drawings” that blur the boundaries between painting and sculpture. Taken as a whole, these pieces could be an expression of our existence: fragmented and incomplete, lacking something we ́re searching for. ⎯⎯⎯⎯⎯ Born 1994 in Camagüey, Cuba, Elio Jesús is a visual artist based in Havana whose work addresses the fragility of human nature. Graduated from the University of the Arts of Havana, Cuba 2019; Elio has personal and collective exhibitions in the USA, Spain, Portugal and Mexico, presenting his work at relevant events such as ARCO-Madrid Art...

Aster da Fonseca Listening Acrylic on Tape on Paper Year: 2022 Size: 11x14in Signed by hand COA provided Ref.: 924802-1367 collage acrylic paint tape nature landscape bird tree beau...

Shape 6 (2018) by Ryan Park of Shapes Only Abstract, nonobjective, geometric art, acrylic on 300gsm archival paper. Abstract shape innovated by the artis...

#2209D is an original minimalist style drawing by artist David Jones. In this contemporary life drawings David Jones used a drawing techniques central to his practise which involved meditative drawing, helping to create the clean lines and considered compositions. David Jones, artist draws Matisse style life drawings. David Jones art is represented by Wychwood Art...

Ink on paper, Acrylic and / or watercolor, signed in the front, framed in a thin Blond wood frame, glass. Philip Wittmann work is based on signs. Sign...

In this horizontal landscape painting in ink and oil on paper mounted on panel, the artist's unique ink process creates soft striations of bright pink, dark crimson red, pale yellow and orange at the center of a layered, undulating composition. The result is an abstract landscape suggesting a hilly mountain range, while layers of oil paint and a soft, faint background create depth within the surface. Signed, dated and titled on verso. Shane McAdams’ work is about landscape in the broadest sense. The artist grew up in the desert southwest...

Grażyna Rigall is a painter, illustrator, author of stage designs and music videos. - The artist is interested in the merging of the world of fauna and flora with the world of man, p...

Novus Amor, Novis Vita VIII, Mixed media Painting by Anca Stefanescu Instead of painting external realities, Anca Stefanescu depicts her inner spiritual experiences. Her working pro...

Soft Light S 02 (Abstract Painting) Acrylic on Hahnemühle paper - Unframed Emma Godebska is a French abstract artist living in Nimes, France. Her use o...

Original 1940s watercolor on paper painting by Charles Ragland Bunnell portraying a semi abstracted view of Golden Cycle Mill in Colorado Springs, Colorado. Painted in shades of black and gray. Presented in a custom black frame, outer dimensions measure 18 x 19 ½ x 1 ⅜ inches. Image sight size is 8 ⅛ x 9 ⅝ inches. Golden Cycle Mining and Reduction Company was a mining company in Colorado City (now Old Colorado City) in El Paso County, Colorado. Piece is clean and in excellent condition - please contact us for a detailed condition report. Expedited and international shipping is available - please contact us for a quote. About the artist: Artist and teacher, Charles (“Charlie”) Bunnell worked in a variety of styles throughout his career because as an artist he believed, “I’ve got to paint a thousand different ways. I don’t paint any one way.” At different times he did representational landscapes while concurrently involved with semi- or completely abstract imagery. He was one of a relatively small number of artists in Colorado successfully incorporating into their work the new trends emanating from New York and Europe after World War II. During his lifetime he generally did not attract a great deal of critical attention from museums, critics and academia. However, he personally experienced a highpoint in his career when Katherine Kuh, curator at the Art Institute of Chicago, personally chose one of his paintings – Why? - for its large exhibition of several hundred examples of abstract and surrealist art held in 1947-48, subsequently including it among the fifty pieces selected for a traveling show to ten other American museums. An only child, Bunnell developed his love of art at a young age through frequent drawing and political cartooning. In high school he was interested in baseball and golf and also was the tennis champion for Westport High School in Kansas City. Following graduation, his father moved the family to Denver, Colorado, in 1916 for a better-paying bookkeeping job, before relocating the following year to Colorado Springs to work for local businessman, Edmond C. van Diest, President of the Western Public Service Company and the Colorado Concrete Company. Bunnell would spend almost all of his adult life in Colorado Springs. In 1918 he enlisted in the United States Army, serving in the 62nd Infantry Regiment through the end of World War I. Returning home with a 10% disability, he joined the Zebulon Pike Post No. 1 of the Disabled American Veterans Association and in 1921 used the benefits from his disability to attend a class in commercial art design conducted under a government program in Colorado Springs. The following year he transferred to the Broadmoor Art Academy (founded in 1919) where he studied with William Potter and in 1923 with Birger Sandzén. Sandzén’s influence is reflected in Bunnell’s untitled Colorado landscape (1925) with a bright blue-rose palette. For several years thereafter Bunnell worked independently until returning to the Broadmoor Art Academy to study in 1927-28 with Ernest Lawson, who previously taught at the Kansas City Art Institute where Bunnell himself later taught in the summers of 1929-1930 and in 1940-41. Lawson, a landscapist and colorist, was known for his early twentieth-century connection with “The Eight” in New York, a group of forward-looking painters including Robert Henri and John Sloan whose subject matter combined a modernist style with urban-based realism. Bunnell, who won first-place awards in Lawson’s landscapes classes at the Academy, was promoted to his assistant instructor for the figure classes in the 1928-29 winter term. Lawson, who painted in what New York critic James Huneker termed a “crushed jewel” technique, enjoyed additional recognition as a member of the Committee on Foreign Exhibits that helped organize the landmark New York Armory Exhibition in 1913 in which Lawson showed and which introduced European avant-garde art to the American public. As noted in his 1964 interview for the Archives of American Art in Washington, DC, Bunnell learned the most about his teacher’s use of color by talking with him about it over Scotch as his assistant instructor. “Believe me,” Bunnell later said, “[Ernie] knew color, one of the few Americans that did.” His association with Lawson resulted in local scenes of Pikes Peak, Eleven Mile Canyon, the Gold Cycle Mine near Colorado City and other similar sites, employing built up pigments that allowed the surfaces of his canvases to shimmer with color and light. (Eleven Mile Canyon was shown in the annual juried show at the Carnegie Institute in Pittsburgh in 1928, an early recognition of his talent outside of Colorado.) At the same time, he animated his scenes of Colorado Springs locales by defining the image shapes with color and line as demonstrated in Contrasts (1929). Included in the Midwestern Artists’ Exhibition in Kansas City in 1929, it earned him the gold medal of the Kansas City Art Institute, auguring his career as a professional artist. In the 1930s Bunnell used the oil, watercolor and lithography media to create a mini-genre of Colorado’s old mining towns and mills, subject matter spurned by many local artists at the time in favor of grand mountain scenery. In contrast to his earlier images, these newer ones – both daytime and nocturnal -- such as Blue Bird Mine essentially are form studies. The conical, square and rectangular shapes of the buildings and other structures are placed in the stark, undulating terrain of the mountains and valleys devoid of any vegetation or human presence. In the mid-1930s he also used the same approach in his monochromatic lithographs titled Evolution, Late Evening, K.C. (Kansas City) and The Mill, continuing it into the next decade with his oil painting, Pikes Peak (1942). During the early 1930s he studied for a time with Boardman Robinson, director of the Broadmoor Art Academy and its successor institution, the Colorado Springs Fine Arts Center from 1930 to 1947. In 1934 Robinson gave him the mural commission under the Public Works of Art Project (PWAP) for West Junior High School in Colorado Springs, his first involvement in one of several New Deal art...

Howard Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Wom...

Interior design paintings. The artwork were done with acrylic, ink and watercolor in white color on black watercolor paper 360g. The work are 12 by 16.5 inches in size, framed (black...

MALCAH ZELDIS ''Basketball'', 1988, gouache on paper Hand signed and dated bottom right, titled in pencil on paper verso Malcah Zeldis (born Mildred ...

A lively and cheerful painting of wild flowers in the fields of Norfolk during late spring. Rachael’s works on paper are particularly organ...

Abstracted landscape by California artist Noel Howard (American, 20th Century). Layers of watercolor create a dreamlike landscape, as if the scene is just slightly out of focus. Ther...

Untitled 13 (Blues) (Abstract painting) Mixed mediums on paper - Unframed. She layers paint in gestural, horizontal swaths from left to right, stacking the horizontal bands from top ...

Lovely figurative composition of two neighbors talking over a fence by Marilyn Spencer (American, 1939-2017). A figure dressed in blue is leaning over a fence, towards a neighbor dressed in yellow. Presumably the two people are engaged in conversation, based on their body language. This piece has a loose, sketchy style that adds an innocent quality to the composition. Signed in the lower right corner. Tag on verso from Mullaly-Matisse Galleries Presented in a gold-colored aluminum frame with an off-white mat. Paper size: 7.5"H x 7.5"W (approx - paper is not square) Marilyn Spencer (American, 1939-2017) was a lifelong resident of New Orleans and a popular regional artist. She worked mainly in acrylic (on canvas and paper) and lithograph, with most of her work depicting landscapes and scenes of women engaged in daily life. Spencer produced a lithograph for the New Orleans Saints...

Original watercolor on paper, signed in pencil.

Subtly colored abstract geometric composition by J. Swidler (20th Century). A grid of 15 squares has been laid out in pencil, each square divided into different sections. Some of the...

About the artist: Oi Fortin is an award-winning monotype printmaker, working in New Haven, CT, USA. Her contemporary abstract expressionist prints are notable for a vivid palette and...

'Untitled' (The Last Picture Show) - 2005, Edition 2/10, 20x20cm, Based on a Polaroid, Certificate and signature label, Not mounted, Artist inve...

An original acrylic on paper by American modernist Robert McBride. This charming painting is titled Untitled Toothbrush and features fantastic colors and brushwork. This work comes...

Doug Glovaski is a professional artist, now living and working in the small town of Spreckels, Ca. located in Monterey County. He has been a professional artist for over thirty years...

Oswald Oberhuber's art was rich in diversity of expression, as well as in the media he used. This work, coloured pencil and pencil on paper, shows a portrait of a man, reduced to few...

Danny Brown is a first-generation American urban artist born in Los Angeles. His parents relocated their family from Oaxaca, Mexico in search of opportunity in the United States. Dan...

Memories of Love III (The Girl behind the White Picket Fence) - 2013 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and signatur...

Wendy Artin is an American contemporary artist who works primarily in watercolor and charcoal. Her work is figurative and classical and explores the timele...