Watercolor Paintings

Title: British Impressionist Watercolor of "Quiet Reflections" at Grizedale Pike By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Signed: Yes Dimen...

Columbus, Georgia (USA) based artist Kellie Newsome specializes in dynamic and abstracted still-life artworks. Her expressive style emphasizes line structure, creating vibrant painti...

This vibrant artwork, "What the Future Holds for Me", showcases a powerful and abstract representation of a woman seated in contemplation, wearing a flowing blue gown as she sits on ...

Artist/ School: Jill Jackson (British, contemporary) Title: Abstract Tree Landscape Medium: gouache on artist paper, unframed Painting : 2...

Krisanne Souter weaves together elements of nature and ancient feminine archetypes, such as the Mother and the Mystic. Botanical themes, playful elements, and unexpected surprises ar...

Judd Mercer's (US based) "049 - Plein Air-Red Rocks, CO" is a gouache painting depicting a large red rock. Artist bio/statement Judd Mercer is a contemporary landscape painter and ...

Edward Dufner (1872 - 1957) Monhegan Island, Maine Watercolor on paper Sight 16 x 20 inches Signed lower right With a long-time career as an art teacher and painter of both 'light' and 'dark', Edward Dufner was one of the first students of the Buffalo Fine Arts Academy to earn an Albright Scholarship to study painting in New York. In Buffalo, he had exchanged odd job work for drawing lessons from architect Charles Sumner. He also earned money as an illustrator of a German-language newspaper, and in 1890 took lessons from George Bridgman at the Buffalo Fine Arts Academy. In 1893, using his scholarship, Dufner moved to Manhattan and enrolled at the Art Students League where he studied with Henry Siddons Mowbray, figure painter and muralist. He also did illustration work for Life, Harper's and Scribner's magazines. Five years later, in 1898, Dufner went to Paris where he studied at the Academy Julian with Jean-Paul Laurens and privately with James McNeill Whistler. Verification of this relationship, which has been debated by art scholars, comes from researcher Nancy Turk who located at the Smithsonian Institution two 1927 interviews given by Dufner. Turk wrote that Dufner "talks in detail about Whistler, about how he prepared his canvasas and about numerous pieces he painted. . . A great read, the interview puts to bed" the ongoing confusion about whether or not he studied with Whistler. During his time in France, Dufner summered in the south at Le Pouleu with artists Richard Emil Miller...

Jack Wolfe Untitled, 1965 Acrylic and collage on board Hand signed on the front Frame included: held in original vintage frame with original gallery label Unique Provenance: Parker Street 470 Gallery, Boston, Mass (with label verso) Excellent abstract expressionist mixed media work. Measurements: Image: 17" x 24" Framed: 24" x 28" x 1" From Wiki: Jack Wolfe (14 January 1924 – 18 November 2007) was a 20th-century American painter most known for his abstract art, portraiture, and political paintings. Jack Wolfe was born in Omaha, Nebraska on January 14, 1924, to Blanche and Everett L. Wolfe. Soon after his birth, his family moved to Brockton, MA. At 18, Wolfe had an interest in commercial illustration, which he pursued at the Rhode Island School of Design (RISD). However, upon matriculating at RISD in 1942, he developed an interest in fine art and painting inspired by an exhibition of modern French art. He described this change of direction, explaining that, "One day, for the first time, I saw an exhibition of modern French art. It was like being struck by lightning." He became particularly interested in the work of a number of European modernists, including Rouault, Cézanne, Braque, Modigliani, and Picasso.[1] Following his time at RISD, he pursued a Master’s in Fine Arts degree at the Museum of Fine Arts School in Boston, MA. At the Museum School, Wolfe studied under the renowned Expressionist Karl Zerbe, a German-born artist who was the Museum School's most influential and vital teacher until 1953.[2] After graduating from the Museum School, Wolfe was represented by the Margaret Brown Gallery in Boston, which also represented many other cutting edge Moderns that defied the more conservative tastes of New England collectors at the time, including György Kepes, Congur Metcalf, and Alexander Calder.[3] Career and Museum Representation Jack Wolfe's painting "Robin's Rock" 1962, 72" x 72" Jack Wolfe's artwork received early recognition from a number of organizations and was consistently featured in influential exhibitions, including the 1955 Carnegie International at the Carnegie Institute in Pittsburgh, PA, the American Federation of Art's traveling exhibition New Talent in the USA in 1956-57, the Whitney Museum’s Young America exhibition in 1957,[4] the Boston Institute of Contemporary Art's Selection exhibition in 1957,[5] and both the Whitney Museum’s 1958 Annual exhibition and its Forty Artists Under Forty show in 1962-63.[6] In 1959, his widely acclaimed Portrait of Abraham Lincoln toured Europe in a show circulated by the Institute of Contemporary Art, Boston. In addition, his painting Crucifixion was chosen by the United States Information Agency to be exhibited across Europe, including being shown at the Salzburg Biennial in Austria in 1958.[7] Crucifixion was also exhibited at the Whitney Museum and subsequently displayed in the National Cathedral in Washington, DC, in 1958.[8] In 1966-67, his work was selected for Art for Embassies by the U.S. State Department.[9] He received the first annual Margaret Brown Memorial Award for high achievement by a New England Artist from the Institute of Contemporary Art, Boston, in 1958.[10] With his future as one of the great artists of his time laid out neatly before him, Wolfe moved to New York in the early 1950s, which was then the postwar epicenter of the art world and in the midst of experiencing the first real revolution in American Art, now known as Abstract Expressionism.[11] However, almost immediately upon his arrival, he became disenfranchised with the overtly commercial nature of the art scene there, spurning fame and security in an unwillingness to bend his creative vision to the expectations of others.[12] After four short months, he left New York, returned to Massachusetts where he bought property in Stoughton, cleared the land, and built both his home and studio with his own two hands. He would go on to live and paint there, extensively exhibiting and garnering constant critical acclaim.[13] Wolfe became one of the earliest artists championed by the deCordova Museum in Lincoln, MA and the Institute of Contemporary Art in Boston. He was awarded a traveling scholarship in 1958,[6] which allowed him to set up studio in San Miguel de Allende, Mexico and then in San Francisco, California.[14] Upon his return in 1959, the deCordova museum hosted Wolfe’s third solo exhibition, featuring work made during his time in California...

A painting of nature. Painting with spring landscape. A painting for the living room, dining room, study, painted in watercolor based on memories of a walk along the Tarusa River. Th...

The Muse - Original Watercolor on Paper Original black and white watercolor on paper depicting a reclining nude by Louis Nadalini (American, 1927-1995). The woman is laying on her ...

Renowned career illustrator Stephen Gammell now devotes his energy to a full-time studio practice, and we’re honored to bring the current work of an artist who, with dozens of public...

Exuberant Hunting Scene watercolour on artist paper, stuck on black paper painting: 10 x 12.75 inches provenance: private collection condition: very good and sound condition This c...

Contemporary floral still life figurative gouache on paper painting by Polish artist Bozena Lesiak. Painting is in a small format. Bozena Lesiak's art embodies beauty of nature and i...

'French Boy in Bloomers', gouache on art paper (circa 1960s-70s), by Raymond Debiève. A young boy emerges from a beach cabana wearing a bloomer bathing costume that was still in use ...

'Spring Composition no. 2' watercolor on paper. Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and s...

Francis, Shingo (Japanese/American, born 1969), W3 , 1999 Encaustic and watercolor painting on Arches paper, 23.5 x 22.5 inches, Hand signed and dated verso Provenance: Garner T...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Figures with Flowers) Year: 1963 Medium: Watercolor on heavy archival paper Size: 29.5 x 21 inches Condition: Good Provenance...

Charles Elmer Harris (Beni E. Kosh), Untitled (African Idol), watercolor, c. 1950s. Estate stamped verso, 'Beni E Kosh COLLECTION' and numbered '570' in ink. A fine, spontaneous wat...

Joseph Kardonne (1911-1985). Brattleboro, VT., 1969. Watercolor on paper, sheet measures 18 x 22 inches. Measures 22.5 x 26.5 inches in custom float fr...

"Bridge Scene" by Camille Meriot (French 1887-1975) watercolour on unframed paper paper: 6.5 x 8.75 inches Fine original French Impressionist painting...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. This is a watercolor and gouache beach scene three young men bathing...

Figure and Dog Sketch by Édouard Righetti (1924-2001) Watercolour and pencil painting on artist paper, beautifully painted. very good condition size: 25.5 x inches x 17.5 inches, un...

3 Figures by Josine Vignon (French 1922-2022) ink/watercolour/pencil drawing on thin paper, unframed paper: 13 x 10 inches stamped verso very good condition provenance: from the ar...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a sal...

Breton Fishermen by Fanch Lel (French b. 1930) size: 9.25 x 9.5 inches gouache painting on board, unframed condition: the painting is in very good condition. It has previously been ...

Title: British Impressionist Watercolor of Countryside Scene with Horse and Rider By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Signed: Yes Dime...

Judd Mercer's ( US based) "003 - Plein Air-O'Fallon Park, CO" is a gouache painting depicting a peaceful snowy naturescape. Artist bio/statement Judd Mercer is a contemporary landsc...

The Old Ways is a watercolor and graphite painting on paper by Italian-born multidisciplinary artist Lucio Pozzi. It is currently housed at Hal Bromm Gallery.

Serene Landscape by Regine David (female French artist, 1910-2018) watercolour painting on artist paper 1938 painting: 10 x 14 inches condition: This painting is in excellent conditi...

Stunning Photorealist painting of an eagle on a branch against a blue sky. Grey painted wooden frame. The work is signed by the artist Rena Fennessy who ...

Title: British Impressionist Watercolor of Sunlit Country Lane By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11 x 15.25 inches (Heig...

Haute-Loire region of France Landscape signed by Regine David (female French artist, 1910-2018) watercolor painting on artist paper, unframed panting: 11 x 9 inches inscribed verso c...

Artist/ School: Jill Jackson (British, contemporary) Title: Sun-Drenched Rolling Hills Medium: gouache on artist paper, unframed Painting : 14 x 20 inches Provenance: all the p...

Title: British Impressionist Watercolor of a Loose Floral Arrangement of Pink Blooms By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Signed: Yes D...

Medium: Watercolour on paper, unframed Size: 14 inches (height) x 10 inches (width) Signed: Yes Condition: Sound condition, with some minor signs of foxing visible Provenance: Privat...

Antique American abstract landscape painting. Watercolor on paper. Framed.

Title: British Impressionist Watercolor of Morning Shadows by the Lake by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x 15.25 i...

Gentle SeaSide English School, early 1900's original watercolor painting on artists paper, unframed overall paper size: 7.75 x 11 inches From a large private collection of English ...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art De...

Studying the Maps Italian School, late 19th century signed lower corner watercolour on board, framed framed: 24.5 x 17.5 inches painting: 20.5 x 14 inches provenance: private collect...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

"Sunny Porto" is a watercolor painting by San Jose based artist, Uma Kelkar. Catching the intensity of the sun that's bright but not scorching took many attempts. This painting was c...

Title: British Impressionist Watercolor of a Sunlit Alley with Archway and Figures By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 15....

Maria Martinetti was born in 1864 in Italy. Martinetti attended the Academy of Fine Arts in Rome, studying under the Orientalist painter Gustavo Simoni. Martinetti exhibited works in...

Title: British Impressionist Watercolor of a Coastal Church with Dramatic Sky By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x ...

"View" captures an environment exposed through an obstructions such as streaks on glass. This painting is is part of an on-going series that explores the light and landscape in Tenne...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

'French Landscape' by Édouard Righetti (1924-2001) Signed Lower Front oil painting on artist paper, beautifully painted very good condition size: 19....

Title: British Impressionist Watercolor of a Nude Reclining Woman in Quiet Reflection By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: ...

"Flowers" by Marie-Amelie Chautard-Carreau (French, 19th/20th century) signed bottom right watercolour on paper, unframed painting: 7.25 x 9.5inches Delightful early 20th century F...

Artist Commentary: This is an original watercolor floral garden painting, 22 x 30 0nches. Keywords: flowers, hollyhocks, pink, nature, green, p...

Title: British Impressionist Watercolor of a Floral Staircase and Cottages By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 15.25 x 11....

Daniel Brice Untitled NY 12, 2016 watercolor, charcoal and pastel on paper 22 x 30 in. This original abstract oil painting on paper by Daniel Brice is bold and modern, rendered in v...

This original vintage 1960 abstract painting by Hilaire Hiler (1898-1966) showcases the artist's structuralist style, created in the mid-20th century while Hiler was based in New Mexico. Signed lower right, this striking piece is painted in soothing tones of pink and blue, capturing the essence of Hiler’s unique modernist approach. The framed dimensions measure 15 ½ x 18 ¾ inches, with the image size measuring 14 x 17 ½ inches. About the Artist: Hilaire Hiler was born in St. Paul, Minnesota, and raised in Providence, Rhode Island, where he began his art education at the Rhode Island School of Design. His artistic journey led him to study at several prestigious institutions, including the Pennsylvania Academy of the Fine Arts, the Pennsylvania School of Industrial Art, Wharton School of Finance and Commerce, and the University of Paris in 1919. In Paris, from 1919-1934, Hiler supported himself as a jazz musician and pianist for The Jockey Club, all while immersing himself in the European art scene. After returning to the U.S. in 1934, Hiler made San Francisco his home, where he was commissioned by the Works Progress Administration (WPA) to paint murals in the Aquatic Park...

A Colorful Garden Scene original watercolour painting on artist paper signed by Marjorie Schiele (1913-2008) *see notes below piece of paper is 9.5 x 12.5 inches In good condition p...

Dame Elisabeth Frink. English ( b.1930 - d.1993 ). Hawk, 1969. Watercolor. Signed & Dated Lower Right. Image size 25.4 inches x 19.5 inches ( 64.5cm x 49.5cm ). Frame size 34.4 inches x 28.1 inches ( 87.5cm x 71.5cm ). Available for sale; this original painting is by Dame Elisabeth Frink and is dated 1969. The painting is presented and supplied in a glazed frame and mount dating from June 1997. This vintage watercolor is in very good condition, commensurate with its age. The watercolor is signed and dated lower right. Previously with Beaux Arts, London and Bath in 1999. Dame Elisabeth Frink was one of Britain’s most important post-war sculptors, an accomplished draughtsman, illustrator and teacher. She was part of the post-war school of expressionist British sculptors dubbed the Geometry of Fear, and enjoyed a highly acclaimed career that was commercially successful, broke boundaries and contributed greatly to bringing wonderful sculpture to public places. She was born on 14 November 1930 in Thurlow, the daughter of a cavalry officer, and brought up in rural Suffolk near to an active airbase. She was brought up a Catholic and educated at the Convent of the Holy Family, Exmouth. She then studied at the Guildford School of Art from 1947-1949 under Willi Soukop and Henry Moore’s assistant, Bernard Meadows, and then at the Chelsea School in London 1949-1953. She taught at Chelsea School of Art 1951-61, St. Martin’s School of Art 1954-62 and was a visiting instructor at the Royal College of Art 1965-1967, after which she lived in France until 1973. Frink first came to the attention of the public in 1951 at an exhibition at the Beaux Arts Gallery, London. In 1952 she represented Britain at the Venice Biennale, being described by Herbert Read as “the most vital, the most brilliant and the most promising of the whole Biennale”. The same year the Tate bought its first work by her, and she began to enjoy commercial success. Thereafter she exhibited regularly and was for 27 years associated with Waddington’s, London. The subjects which Frink was most concerned with were man, dog and horses, with and without riders. Interestingly she seldom sculpted the female form, drawing on archetypes of masculine strength, struggle and aggression. Her work has the recurring themes of the vulnerable and the predatory, in the spirit of an authentic post-war artist. It has been said that she was more concerned with representing mankind that portraits of individuals. The appeal of her work lies in its directness, provoking a frank statement of feeling. The anatomy is often exaggerated or incorrect; the impact growing more out of her interest in the spirit of the subject. Her animals and birds may be drawn from nature but verge on the abstract, conveying raw emotion and character rather than a realistic depiction. Her unique style is characterised by a rough treatment of the surface which embeds each piece with vitality and her personal impression. In her later work even the distinction between human and bird figures becomes blurred. Commentators have noted that the often rugged, brutal and contorted surfaces of her work reflect the destruction and terror of the six-year world-wide conflict that she witnessed as a child. Frink was an active supporter of Amnesty International. In the 1960s and early 1970s Frink produced a notable series of falling figures and winged men. Later, living in France during the Algerian war, she began making heads, blinded by goggles which had a threatening facelessness. Frink produced many notable public commissions, including Wild Boar for Harlow New Town, Blind Beggar and Dog for Bethnal Green, Noble Horse and Rider for Piccadilly, London, a lectern for Coventry Cathedral, Shepherd for Paternoster Square beside St. Paul’s Cathedral and a Walking Madonna for Salisbury Cathedral. In the early 1980s she produced a set of three larger than life figures The Dorset Martyrs which stand on the edge of the old walled town of Dorchester on the site of the old gallows, as a memorial to those who had been executed there ‘for conscience sake’. Frink’s Canterbury Tales was a collection of 19 etchings drawn directly on to copper plates and etched by her. The ‘book’ was issued in three limited editions. Her illustrations have been praised as “amongst the most successful illustrations of the century, encompassing the mood of the text in concise delineations and disarmingly ribald humour”. She illustrated other books with colored lithographs or drawings. Frink was on the Board of Trustees, British Museum from 1976, and was a member of the Royal Fine Art Commission 1976-81. CBR (1969), DBE ((1982), Associate of the Royal Academy (1971), Royal Academy (1977). She was made a Companion of Honour in 1992. She died on 18 April 1993, but not before completing her last commission, a monumental but unusual figure of Christ for the front of the Anglican Cathedral in Liverpool, unveiled a week before her death. For several decades Frink exhibited widely in the UK and abroad. In her later years she lived and worked in Dorset where her home and garden became an arena for her work. In 1985 she had a retrospective at the Royal Academy. She died on 18 April 1993, but not before completing her last commission, a monumental but unusual figure of Christ for the front of the Anglican Cathedral in Liverpool, unveiled a week before her death. There was a memorial show at Yorkshire Sculpture Park, Bretton Hall in 1994. Today Frink is venerated as one of the great twentieth century British sculptors. Her unique work is represented in the Tate Gallery and major public and private collections world-wide. © Big Sky Fine Art This original watercolor on paper painting of a hawk by Dame Elizabeth Frink...

A finely detailed silhouette a Victorian gentleman Peter Skeolan (1815-1871) Portrait of a gentleman, profile turned to the left, wearing coat and cravat Watercolour with gold highlighting on paper/card Stencilled with artist's details to the reverse 3¼ x 2¾ inches, oval, without the frame 5½ x 4¾ inches with the frame Peter Skoelan the son of Stephen Skoelan was born in Ireland in 1815. During his early career he worked as an itinerant miniature portrait painter and profilist, possibly as early as the 1830s. The 1841 census shows us that he was working in Leeds, his stated occupation was painter, aged 25. He was lodging with Thomas Lacy, a Tailor. By this time he had married and had a son and daughter...