Face Nude Paintings

John Tarantola's original nude portrait "Baby's Breath and Roses" (2023) is a surrealist oil on panel painting that depicts an athletic nude male figure, with a silhouette of another...

Acrylic paint on canvas Signed Unique work Julien CALOT Discover the new works on canvas by the French emerging and talented artist Julien Calot in his personal exhibition "Passenge...

Alec Waxman portrays subjects in unconventional social and intimate contexts. In his paintings, homoerotic undertones relay fantasy and dream-like imagery ...

A beautiful mid century nude figure study of a red haired woman standing with plants by California artist Genevieve Rogers (American, 1904-1984). Unsigned, but acquired with a collec...

Will good ultimately triumph over evil? Or is it a perpetual tug of war? WPA Artist Leonard Lopez paints a complex figural work addressing the theme of "the fight between good and evil. It's reminiscent of the medieval paintings by Hieronymus Bosch, where demons evoke fear and confusion to portray the evil of man. In this painting, a closeup of a young female’s erotic buttock fills the horizontal space. Engulfing the sexy nude body is a dense array of Lilliputian-like figures. The top third of the composition is crammed with floating, sexy, nude female bodies. The bottom part of the painting features a cross-section of people engaged in their diverse jobs. Mounted on the nude cheek, Artist Leo Lopez paints a victorious Red Devil with a trident. He’s holding a wealthy man in a tuxedo upside down. The supernatural powers of the Devil's red forked tail extend beyond its normal length and, like a tentacle from a sea monster, entangles many of the characters that represent society. To the extreme center right Lopez paints a Winged Venus dressed...

Albert Auguste FOURIE (1854-1937) The Naiad And The Swan Oil on Wood signed low left New golden and invory stick frame Dim wood panel : 35 X 27 ...

In this creation, I united expressionism, impressionism, and a touch of pop art to capture a visceral, emotional explosion. Using bold strokes of acrylic and oil, I portray the inten...

Victor Cartagena Untitled, 2022 Charcoal and acrylic on canvas Unframed dimensions: 48 x 36 inches Framed dimensions: 54.25 x 42 inches

Remo Farruggio, Italian/American (1904 - 1981) - Circus Girl, Year: circa 1950s, Medium: Oil on Canvas, signed, Size: 36 x 26 in. (91.44 x 66.04 cm), Frame Size: 40.25 x 30.25 in...

Emile Wegelin: Capturing the Essence of Nature.  Painting on Hardboard   Size-Width Size-Height: 32'' x 25'' Signed in Ink Emile Wegelin (1875-1962) devoted his life to paintin...

A beautiful example of the Japanese art form known as shunga, this sensual work depicts woman exploring her sexuality. Hand-painted on paper with splashes of vivid gouache color, the...

The title of this painting, together with the subject depicted, underlines the message of Pep Anton Xaus's artworks. Pay especial attention to the donke...

"Flora #2" is one in a series of surreal paintings of the female figure featuring intricate patterning and hues of bright yellow, lime green, pink, blue and purple. Guy Robinson is i...

A seated beauty with long, voluminous hair, a serene expression, and gently clasped hands. Origin: Germany Date: 19th century Signed: J. Bock L/L Dimension: 9 3/8 in x 6 1/2 in

"Oil On Canvas Portrait Of A Seated Ballerina By Maria Szantho Framed" Nice and large painting "two ballerinas", painted by the female artist Maria Szantho (1897 - 1998) Hungarian sc...

Oil painting on canvas, this particular piece is one of the few pieces left from her graduate program, her earlier work. Christina Major was born in Concord, New Hampshire in 1982...

Tuya Natsagdorj (Mongolia 1970) - Naked Goddess - oil on canvas Oil measures 63x53 cm. Frame measures 66x56 cm. Natsagdorj Tuya is a female artist who graduated from the kyiv School of Theater Arts in Ukraine and the Kyoto School of Art in Japan. Popular painter in the United States and Japan. In 2006 he participated in the exhibition "Mongolian art...

Humberto Castro Swimming around the white flowers, 2024 Acrylic gold leaf and resin on board 60 x 48 in Humberto Castro was born in Havana, Cuba, in 1957. He graduated from the Ac...

ANNE-VALÉRIE DUPOND (b. 1976, France) Anne-Valérie Dupond, born in 1976, studied at Marc Bloch University in Strasbourg, and obtained her Master’s degree in Fine Arts in 2000. Sinc...

Ann Brockman (1895–1943) was an American artist who achieved success as a figurative painter following a successful career as an illustrator. Born in California, she spent her childhood in the American Far West and, upon marrying the artist William C. McNulty, relocated to Manhattan at the age of 18 in 1914. She took classes at the Art Students League where her teachers included two realist artists of the Ashcan School, George Luks and John Sloan. Her career as an illustrator began in 1919 with cover art for four issues of a fiction monthly called Live Stories. She continued providing cover art and illustrations for popular magazines and books until 1930 when she transitioned from illustrator to professional artist. From that year until her death in 1943, she took part regularly in group and solo exhibitions, receiving a growing amount of critical recognition and praise. In 1939 she told an interviewer that making money as an illustrator was so easy that it "almost spoiled [her] chances of ever being an artist."[1] In reviewing a solo exhibition of her work in 1939, the artist and critic A.Z Kruse wrote: "She paints and composes with a thorough understanding of form and without the slightest hesitancy about anatomical structure. Add to this a magnificent sense of proportion, and impeccable feeling for color and an unmistakable knowledge of what it takes to balance the elements of good pictorial composition and you have a typical Ann Brockman canvas."[2] Early life and training Brockman was born in Northern California in 1895 and spent much of her youth in nearby Oregon, Washington, and Utah.[1][3] She met the artist William C. McNulty in Seattle where he was employed as an editorial cartoonist. They married in March 1914 and promptly moved to Manhattan where he worked as a freelance illustrator.[4][5] At the time of their marriage, Brockman was 18 years old.[6] Over the next few years, her career generally followed that path that her husband had previously taken. His art training had been at the Art Students League beginning in 1908; she began her training there after moving to New York in 1914.[1] After an early career as an editorial cartoonist, he freelanced as a magazine and book illustrator beginning in 1914; she began her career as a magazine and book illustrator in 1919.[7] He embarked on a teaching career in the early 1930s and not long after, she began giving art instruction.[8][9] While they both adhered to the realist tradition in art, their usual subjects were different. His prominently depicted urban cityscapes in the social realist whereas hers generally focused on rural landscapes. He was best known for his etchings and she for her oils and watercolors.[8][10] Brockman returned to the Art Students League in 1926 to take individual instruction for a month at a time from George Luks and John Sloan.[1] Despite their help, one critic said McNulty's "sympathetic encouragement and guidance" was more important to her development as a professional artist.[11] Career in art In the course of her career as illustrator, Brockman would sometimes paint portraits of celebrities before drawing them, as for example in 1923 when she painted the French actress Andrée Lafayette who had traveled to New York to play title role in a film called Trilby.[12] She would also sometimes accept commissions to make portrait paintings and in 1929 painted two Scottish terriers on one such commission.[13] During this time, she also produced landscapes. In 1924 she displayed a New England village street scene painting in the Second Annual Exhibition of Paintings, Watercolors, and Drawings in the J. Wanamaker Gallery of Modern Decorative Art.[14] Available sources show no further exhibitions until in 1930 a critic for the Boston Globe described one of her portraits as "well done" in a review of a Rockport Art Association exhibition held that summer.[15] Between 1931 and her death in 1943, Brockman participated in over thirty group exhibitions and five solos.[note 1] Her paintings appeared in shows of the artists' associations to which she belonged, including the Rockport Art Association, Salons of America, Society of Independent Artists, and National Association of Women Painters and Sculptors.[17][19]Between 1932 and 1935, her paintings appeared frequently in New York's Macbeth Gallery.[20][23][25][27] She won an award for a painting she showed at the Art Institute of Chicago in 1940.[41] In 1942, the Whitney Museum bought one of the paintings she showed in its Biennial of that year.[10] Critical praise for her work steadily increased during the decade that ended with her untimely death in 1943. In 1932, her painting called "The Camera Man" was called "a clever piece of illustration."[21] Three years later, a painting called "Small Town" gave a critic "the impression of freshness, honesty, and skill".[29] In 1938, a critic described her "Folly Cove" as "masterful" and said "Pigeon Hill Picnic" was "sustained by excellence of execution".[48] At that time, Howard Devree of the New York Times saw "evidence of gathering powers" in her work and wrote "she imparts a dramatic feeling to landscape. She even manages this time to do trees touched by Autumn tints without calendar effect, which is no small praise."[51] Three years later, a Times critic reported Brockman had "set herself a new high" in the watercolors she presented,[52] and another critic said the gallery where she was showing had not "for some time" shown "so outstanding a solo exhibitor as Ann Brockman."[2] Shortly before her death, a critic for Art News maintained that she was "one of America's most talented women painters".[46] After she had died, a critic said Brockman's paintings "displayed real power", adding that she was "highly rated among the nation's professional artists" and was known to give "aid and encouragement, always with a smile," both artists and to her students.[10] in reviewing the memorial exhibition at the Kraushaar Galleries held in 1945, reviewers wrote about the strength and vibrancy of her personality, the quality of her painting ("every bit as good, possibly better than people had thought"),[53] called her "one of the best of our twentieth century women painters", and credited "her sense of the vividness of life" as a contributor to "the unusual breadth that is so characteristic of her work.[11] One noted that her work was "widely recognized throughout the country" and could be found in the collections of prominent museums, including the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Art Institute of Chicago.[54] Writing in the Times, Devree wrote, "even those who had followed the steady growth of this artist for more than a decade, each successive show being at once an evidence of new achievement and an augury of still better work to come, may well be surprised at the combined impact of the selected paintings in the present showing,"[55] and writing in the Brooklyn Daily Eagle, A.Z Kruse said she had made "extraorginary accomplishments", painted with "inordinate distinction" showing a "lyrical majesty," and possessed "a keen esthetic sense which did not deviate from truth."[54] Artistic style (1) Ann Brockman, undated drawing, black chalk on paper, 18 x 22 inches (2) Ann Brockman, High School Picnic, about 1935, oil on canvas, 34 1/4 x 44 1/4 inches (3) Ann Brockman, untitled landscape, about 1943, watercolor and pencil on paper, 15 1/4 x 22 1/2 inches (4) Ann Brockman, North Coast, undated watercolor, 21 1/2 x 30 inches (5) Ann Brockman, On the Beach, 1942, watercolor on paper, 16 1/2 x 20 inches (6) Ann Brockman, Lot's Wife, 1942, oil on canvas, 46 x 35 inches (7) Ann Brockman, New York Harbor, 1934, watercolor on paper, 13 1/2 x 19 1/4 inches (8) Ann Brockman, Youth, 1942, oil on board, 13 1/2 x 11 1/2 inches Brockman was a figurative painter whose main subjects were rural landscapes and small-town and coastal scenes. She worked in oils and watercolors, becoming better known for the latter late in her career. Most of her paintings were relatively small. Although she made figure pieces infrequently, the nudes and circus and Biblical scenes she painted were seen to be among her best works. In 1938, Howard Devree wrote: "Her gray-day marines and coast scenes are familiar to gallery goers and are favorites with her fellow artists. Her figure pieces have attained a sculptural quality without losing warmth or taking on stiffness. One spirited circus incident of equestriennes about to enter the big tent compares not unfavorably with many of the similar pictures by a long line of painters who have been fascinated by the theme. She imparts a dramatic feeling to landscape. She even manages this time to do trees touched by Autumn tints without calendar effect, which is no small praise."[51] Similarly, a critic for Art Digest wrote that year: "Fluently and virilely painted, [her] canvases suggest a close affinity between nature and humans. The artist takes her subjects out in the open where they may picnic or bathe with space and air about them. A fast tempo is felt in the compositions of restless horses and nimble entertainers busily alert for the coming performance. Miss Brockman is also interested in portraying frightened groups of people, hurrying to safety or standing half-clad in the lowering storm light."[56] Her palette ranged from vivid colors in bright sunlight to somber ones in the overcast skies of stormy weather. Of the former, one critic spoke of the rich colors and "sun-drenched rocks" of her coastal scenes and another of her "summery landscapes of coves and picnics."[11][50] Of the latter, Howard Devree said she "painted so many moody Maine coast vignettes of lowering skies and uneasy seas that artists have been heard to refer to an effect as 'an Ann Brockman day'".[57] Brockman's handling of Biblical subjects can be seen in the oil called "Lot's Wife", shown above, Image No. 6. Her watercolor called "On the Beach" and her oil portrait called "Youth" may both indicate the "sculptural quality" that Devree said was typical of her figure pieces (Image No. 8, above). An example of Brockman's bright palette in a typical summer theme is the oil painting called "High School Picnic" shown above, Image No. 2. Next to it is a painting, an untitled landscape of about 1943 whose medium, watercolor on paper, shows off the sunny palette she often used (Image No. 3). Among the darkest of her works was an untitled 1942 drawing she made in black chalk (shown above, Image No. 1). In a book called Drawings by American Artists (1947), the artist and art editor Norman Kent noted that this study influenced her painting through its use of "forms" that were "elastic" and suggested "color". He said its "massing of dark and light" created "a definite mood" that was "impressionistic" and had "the strength of a man's work".[58] Brockman's undated watercolor called "North Coast" (shown above, Image No. 4) is an example of the paintings to which Kent referred. Illustrator (9) Ann Brockman, cover, March 12, 1917, Every Week magazine (10) Illustration of an article, "The Taking of a Salient" by Henry Russell...

Aion, God of Time & The Orb, 19th Century French School 19th Century French School depiction of Aion and the Orb, oil on panel. Excellent quality and co...

Title: Garden of Earthly Delights Artist: TheDirtyFabulous Media: Oil on metal with polyurethane varnish Size: 60 x 40 inches / 153 x 102cm Year created: 2012-2014 Societies have long employed images that visualize their belief systems or attempt to encapsulate a narrative of our human destiny. This work follows in that tradition. The uppermost vignette is a silhouette from the nursery rhyme “Jack be nimble”, a children’s rhyme that refers to a 19th century game and a form of fortune telling. In Roman mythology Parcae (plural) were the personifications of fate. They are used in this painting as bookend figures on either side of a cosmic machine that answers questions of fate. Three vintage light bulbs labeled “yes”, “maybe” and “no” sit atop the clock – like machine and illuminate answers to humanity’s eternal questions. At the top of the composition are several re- configured tarot / divination cards belonging to an anonymous person circa 1930’s. The cards here are labeled; satisfaction dark woman, jealousy, dark man and betrayal. The grouping of these four cards refers to both positive and negative potentials concerning fate and offer clues to the viewer on a number of possible scenarios it could describe. The lower portion of the picture contains two silhouetted vignettes on either side of a central image of stars and planets against a dark void. The left image is of two children in a small wagon being pulled by a beetle. This is a reference to Egyptian mythology and the sun god Khepri. who personifies birth / rebirth. Khepri is portrayed as a beetle that pushes the sun across the sky. Here the young innocents...

Exhibited at the Pennsylvania Academy of Fine Arts (1947) and the University of Illinois Exhibition of Contemporary Painting (1948), this painting by Philip Evergood exemplifies the ...

"The Portrait" by Geneviève Zondervan (French 1922-2013) pencil/ charcoal on thick paper, unframed paper size: 25 x 19 inches Beautifully decorative, mid 20th century French origin...

Como pueden apreciar, la obra va firmada en la parte inferior y fechada del año 1966 En la parte trasera, va nuevamente firmado Se presenta enmarcada la obra con un fino listón de ...

This Mid-Century illustration/painting is rendered in a Neo-Classical style and showcases young lovers in a morning embrace. The man is holding a small bouquet as the woman leans int...

"Flora #12" is one in a series of surreal paintings of the female figure featuring intricate patterning and hues of blue, pink, orange, green and white. Guy Robinson is inspired by t...

Raphael Delorme (1885-1962) was one of the leading painter from the Art Deco Bordeaux school of painting with Dupas in France in the 1920's. This painting is typical of his best wor...

ANNE-VALÉRIE DUPOND (b. 1976, France) Anne-Valérie Dupond, born in 1976, studied at Marc Bloch University in Strasbourg, and obtained her Master’s degree in Fine Arts in 2000. Sinc...

The title of this painting translates from Catalan as "re-test" or something similar to "re-try". Together with the subject depicted, the title underlines the message of Pep Anton Xaus...

Heartbreaking is one of the best works by the artist Marco Fariello realized in 2021. It is an academic drawing of a female nude. It is realized with ...

'Grey Zone:The Pull' by celebrated figurative artist Kim Frohsin, painted in 2018. The artwork is 11 1/2 x 9 3/4 inches and it is professionally framed in a museum quality white mapl...

“I paint the human figure and explore further till I reach the Beauty of Being, the Soul.. the part of Human Being where everything is in total Serenity, Goodness and Harmony, where ...

Oil Painting of a nude women. Dark neutral painting by Cuban Artist Jesus Nordarse. Oil Painting of a Love and Sacrafice by Cuban Artist Jesus Nordarse. Oil on Canvas. 18 x 18 inch...

Nude Ladies Sketch French School, circa 1960's chalk and pastel on artists paper, unframed size: 18.75 x 12 inches condition: very good and ready to be enjoyed provenance: private c...

John Tarantola's original nude portrait "Reclining Man" (2015) is a beautiful surrealist oil on panel painting that depicts a young man lying in the nude, against a surreal scene of ...

This captivating artwork presents a striking blend of classical form and vibrant color. At its center is a seated figure, delicately positioned with limbs folded, embodying a serene ...

Watercolor by Paul-Alex Deschmacker, France, 1920s. This watercolor is in the classical period populated by mythological characters of Paul-Alex Deschmacker, itself becoming part of ...

Seven deadly sins are the seven vices that spur other sins and further immoral behavior. First enumerated by Pope Gregory I (the Great) in the 6th century and elaborated in the 13th ...

Artist/ School: by Henri Van Der Beck (French 1886-1956), signed and stamped verso Medium: signed oil on canvas, unframed Painting: 16 x 13 inches Provenance: private collection, ...

Derek Harrison's (US based) "Sam" is an oil painting that depicts a nude female model with pink hair and shaved sides. "Sam" is a secondary market work with one previous owner. Artist Biography: Derek Harrison has worked as an artist almost all of his life. It all began with experimental art in various mediums. These ranged from watercolor to spray paint, tattooing, illustration and eventually to oil painting. A full spectrum of mediums experimented with as an artist beginning to learn his craft. In early 2010 Derek began taking workshops with very accomplished painters. This exposure opened his eyes and mind to what the possibilities are in the fine art world. After a very short amount of time, Derek began to take an extreme interest in classical/traditional art. This interest would lead him to study at the Los Angeles Academy of Figurative Art. After formal training, many classes and workshops outside of the school and a very important session of weekly classes with artist Jeremy Lipking, Derek Harrison has become one of the most exciting new talents in the field of representational painting. He has shown in galleries all over California and as distant as Amsterdam. His paintings sit in many collections across the country including musician Richie Sambora...

Nude Model on a White and Blue Bed in Acrylic on Paper Colorful painting of a woman in bed by acclaimed bluegrass musician and San Francisco artist Katherine "Kathy" Kallick (Americ...

Vintage Figurative of a Nude Black Female Model posed under the sawhorse Wonderful example of a figurative of a nude black female model by Katherine Kallick (American, b. 1952). Me...

*UK BUYERS WILL PAY AN ADDITIONAL 5% IMPORT DUTY ON TOP OF THE ABOVE PRICE Rebecca Couchée by JULES PASCIN (1885-1930) Oil over pencil on canvas 73.1 x 91.8 cm (28 ¾ x 36 ⅛ inches) Signed lower right, Pascin Executed in 1927, Boulevard de Clichy, Paris Provenance Collection Marcel Bernheim, Palais des Beaux-Arts de Bruxelles, acquired from the artist, 1928 Pierre Blum, Paris, acquired from the above, 1952 Perls Galleries, New York, no. 13565 Private collection, Osaka Sotheby’s, New York, 14th May 1998 Peter Findlay Gallery Inc., New York Private collection, USA, acquired from the above, June 2011 Literature Luis Seoane...

Carlos Enrique Alvarez Untitled, 2024 Oil on canvas 39 x 31 in

'Nude Woman Drying Her Hair', crayon and pencil on fine paper (1967), by Raymond Debiève (1931 - 2011). A shapely woman has just finished bathing and is drying her hair in the privac...

Female Nude, oil on board. Unsigned. (Provenance: Studio Sale, George Weissbort).

George Weissbort (1928-2013), A Seated Nude, oil on board. Presented in a painted wooden frame. Signed to the lower left and dated '94.

A Radiant, 1950s Mid-Century Modern Studio Portrait of a Seated Female Nude Model. Painted in a sensuous color palette of wonderful, expressive reds an cool creams, the painting exem...

This captivating artwork presents a serene and introspective portrayal of a reclining figure, seamlessly integrated into a lush, floral backdrop. The subject, rendered in warm, earth...

Natalia Pashukova (Russian, born 1950) Graduated from the Moscow Surikov Art Inst. A member of the Russian Artists' Union Lives in Moscow Natalia graduated from the Moscow Art Scho...

Mid Century figurative painting of a pensive sitting nude figure with moody, mid-century color palette in the background. Attributed to Elmer S. Albritton, unsigned (American, 1922-...

A charming oil study depicting a nude model seated on a bed. The artist captures the scene in a soft palette, emphasising the muted softness of the mid 20th century style. Unsigned. ...

Unsigned original painting. Artwork is in excellent condition. Certificate of authenticity included. Artwork size: 16 x 11 in. Frame size: 21 x 17 in. All reasonable offers will be...

The painting is being offered with a work and authenticity certificate

Norman Mills Price depicts a handsome, nude blond boy with classical good looks. He is lying on his stomach in straw in the loft of a barn with his buttocks exposed. The artist captu...

Woman in Bloom - Figurative Nude Study Oil on Canvas A nude woman, seemingly pregnant, sits reclined in a chair with her hands at the base of her belly holding a flower. This striki...

Excellent Mid-century nude by famous illustrator/ artist Walter Charles Klett. The work is masterfully painted with a sound understanding of the basic academic principles guiding t...