Face Nude Paintings

Captivating antique post-impressionist oil painting on canvas of a man in a thong. This painting is signed and dated and is on a new stretcher within a new frame. Atmospheric portra...

Captivating antique man in a thong signed and dated impressionist oil painting on canvas. Atmospheric vintage almost nude portrait oil painting of a man standing. A man stands in a ...

Charming antique sitting nude oil painting on canvas, signed in the bottom left. This is a stunningly uncomplicated oil painting on canvas of a female sitting nude. With her back t...

A Mid-20th Century charming oil painting depicting a standing nude woman in a whimsical interior scene in the Style of Botero. Fernando Botero was known for his signature style, also...

A wonderful life study by the artist Pierre Neveu (b.1929) depicting a dark-haired lady perched on a chair. Neveu has used primary colours and bold geometric shapes, which reminds on...

A vibrant oil painting by Andre-Leon Vivrel depicting a nude woman sat by a stream in a verdant woodland. Signed to the lower right. On canvas on stretchers.

Large mid-century female reclining nude by renown French artist, Georges Pierre Guinegault (1893 – 1952) who is famous for his nudes. This fabulous oil on stretched canvas is signed...

This intimate oil painting captures a moment of quiet rest and vulnerability. Painted alla prima, the artist works swiftly and expressively, allowing brushstrokes to remain visible a...

Beautiful antique reclining nude oil painting on canvas, signed in the top right by French artist Léonie Humbert-Vignot (1878-1960) This gorgeous nude on a relatively smooth canvas i...

Antique naked woman, nude oil painting, post impressionist female nude signed and dated oil painting by French artist Fernand Labat, Nude in ...

Oil on Canvas by Fortunato Pirazzini (1907-2003), School of Paris, c. 1950 - "Sleeping Woman, Nude". This captivating oil painting, titled "Sleeping Woman, Nude", was created by Fort...

Clarence Holbrook Carter (American, 1904-2000) Venus, 1940 Signed Clarence H. Carter and dated 40. (ur) Oil on canvas 40 x 27 inches 48 x 35 inches, framed Canvas is slightly warped...

Jon Wassom’s "Heartstrings" is an evocative mixed media painting on panel, measuring 16 x 16 inches. This striking composition explores themes of intimacy, emotion, and human connect...

Pauline Plummer (b.1933) Interior Scene with Female Nude, oil on canvas. Unsigned. Acquired with a collection of signed works by the artist.

Artist: Ashot Muradyan Work: Original Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen Year: 2022 Style: Impressionism, Subject: Nude Wo...

5154 Antique Italian oil painting of a reclining nude woman Framed Image size 24x36"

Joan Palet (1911 - 1996) - Nude - Oil on canvas Oil measures 65x81 cm. Frameless. Joan Palet was born in Barcelona on March 28, 1911 in a family of sculptors and wood carvers. He b...

The Allegorical Winged Nude Lady, adorned with the attributes of Spring French School, 18th century (Rococo period) oil painting on canvas, unframed canvas: 30 x 52 inches provenance...

Maurice Asselin (1882-1947) A Reclining young woman Signed upper right Oil on canvas. 60 x 82 cm In good condition Framed : 76.5 97 cm Maurice Asselin has made femininity one of...

this painting perfectly encapsulates the artistic Parisian Montparnasse bohemianism of the 1920s and 30s. We see a beautiful but certainly nonchalent woman seated on a day bed in the...

Guillermo Meza (Mexican, 1917-1997) Sentada Desnuda, 1941 Oil on canvas Signed and dated lower right 23.5 in. h. x 19.5 in. w. 31 in. h. x 27 in. w., as framed He was born in México...

The Studio Model French Impressionist artist, circa 1890's oil on canvas: 27.5 x 16.5 inches provenance: private collection, France condition: very good and sound condition

A Radiant, 1950s Mid-Century Modern Studio Portrait of a Seated Female Nude Model. Painted in a sensuous color palette of wonderful, expressive reds an cool creams, the painting exem...

"Oracle" (2024) by Allen Williams is an original oil painting on a sealed illustration board that depicts an eerie portrait of a nude female figure. Thi...

Konstantin Razumov (Born 1974) Russian Pretty Nude Lady Kneeing beside a Window Oil on canvas: 13 x 9 inches. Frame: 19 x 15 inches. Konstantin Razumov's work has been offered ...

Mark Bradley Schwartz’s "Looking Away" (2020) is a masterful example of contemporary figurative realism, executed in oil on board. This original, handmade painting captures a quiet, ...

Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. Undefined by medium, Celso Castro’s works each carry...

'The Bather', oil on board, by Charles Kvapil (1934). The world of art has for centuries depicted bathers in one form or another. Kvapil's wonderfully allur...

Artist/ School: Italian School, 19th century Title: Classical nude draped in robes with dancing dog. The work looks as though it might have been a ceiling...

The Knight Errant English School, circa 1900 after the painting by John Everett Millais (1829-1896) oil painting on board, framed board: 13 x 10 i...

17th century French School circle of Nicolas Poussin (French 1594-1665) "Figures in Arcadia" oil on canvas, unframed canvas: 16 x 20 inches provenance: private collection, England condition: very good and sound condition Nicolas Poussin was a renowned French painter of the 17th century. He is considered one of the greatest figures of classical French Baroque art...

This is a wonderful example of Louis Bouché's charming Nude portraits. The artist was truly a master of capturing the energy of the times, and character o...

Nude woman is an artwork attribuited to Edgar Stoebel (1909-2001).  81 x 45 cm; no frame. Oil painting on canvas. Good conditions. 

Jon Wassom’s Honest Convergence (2024) is an evocative mixed media painting on panel, measuring 16 x 16 x 1.5 inches. This original work showcases Wassom’s signature expressive style...

A striking oil painting by Josef Dobrowsky (1889-1964) depicting a reclining female figure resting gracefully upon a luxurious white fur throw. Presented in a decorative gilt-effect ...

The Artists Model French School, late 19th century oil on canvas, unframed canvas: 20 x 17.5 inches provenance: private collection, France condition: very good and sound condition

ARTIST: Frank Johnson (1917-1998) British TITLE: "Female Nude In A Living Room Interior' SIGNED: unsigned, from the artists studio sale at Bonhams Chest...

Signed in red, u.r. Oil on canvas 66 x 84 inches This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City, now lives in New York...

Oil measures 33x41 cm. Frame 50x58 cm. Catalan painter trained in Olot and the Llotja in Barcelona, ​​where he was a disciple of Lluis Muntané. Through his travels he completes his training. He was in Paris for a year studying Van Gogh, Cezanne and Gaugin. The following year in Holland he studied Franz...

Antique American impressionist nude landscape oil painting. Oil on canvas. Framed. Signed. In excellent original condition. Handsomely framed in a silver carved molding. Excelle...

John Tarantola's original nude portrait "Blake of Night" (2012) is a beautiful surrealist oil on panel painting that depicts an athletic nude male figure crawling forward on a slab o...

[Bruce Sargeant (1898-1938)] Two Men on Beach is a painting by the artist Mark Beard which depicts two men in speedos standing on a beach. n.d. Signed i...

Charles Kvapil (1884-1958) "The Bather," massive oil painting on canvas signed lower right "Kvapil 1936." Charles Kvapil, born in Czechoslovakia and naturalized Belgian, is a painte...

Ann Brockman (1895–1943) was an American artist who achieved success as a figurative painter following a successful career as an illustrator. Born in California, she spent her childhood in the American Far West and, upon marrying the artist William C. McNulty, relocated to Manhattan at the age of 18 in 1914. She took classes at the Art Students League where her teachers included two realist artists of the Ashcan School, George Luks and John Sloan. Her career as an illustrator began in 1919 with cover art for four issues of a fiction monthly called Live Stories. She continued providing cover art and illustrations for popular magazines and books until 1930 when she transitioned from illustrator to professional artist. From that year until her death in 1943, she took part regularly in group and solo exhibitions, receiving a growing amount of critical recognition and praise. In 1939 she told an interviewer that making money as an illustrator was so easy that it "almost spoiled [her] chances of ever being an artist."[1] In reviewing a solo exhibition of her work in 1939, the artist and critic A.Z Kruse wrote: "She paints and composes with a thorough understanding of form and without the slightest hesitancy about anatomical structure. Add to this a magnificent sense of proportion, and impeccable feeling for color and an unmistakable knowledge of what it takes to balance the elements of good pictorial composition and you have a typical Ann Brockman canvas."[2] Early life and training Brockman was born in Northern California in 1895 and spent much of her youth in nearby Oregon, Washington, and Utah.[1][3] She met the artist William C. McNulty in Seattle where he was employed as an editorial cartoonist. They married in March 1914 and promptly moved to Manhattan where he worked as a freelance illustrator.[4][5] At the time of their marriage, Brockman was 18 years old.[6] Over the next few years, her career generally followed that path that her husband had previously taken. His art training had been at the Art Students League beginning in 1908; she began her training there after moving to New York in 1914.[1] After an early career as an editorial cartoonist, he freelanced as a magazine and book illustrator beginning in 1914; she began her career as a magazine and book illustrator in 1919.[7] He embarked on a teaching career in the early 1930s and not long after, she began giving art instruction.[8][9] While they both adhered to the realist tradition in art, their usual subjects were different. His prominently depicted urban cityscapes in the social realist whereas hers generally focused on rural landscapes. He was best known for his etchings and she for her oils and watercolors.[8][10] Brockman returned to the Art Students League in 1926 to take individual instruction for a month at a time from George Luks and John Sloan.[1] Despite their help, one critic said McNulty's "sympathetic encouragement and guidance" was more important to her development as a professional artist.[11] Career in art In the course of her career as illustrator, Brockman would sometimes paint portraits of celebrities before drawing them, as for example in 1923 when she painted the French actress Andrée Lafayette who had traveled to New York to play title role in a film called Trilby.[12] She would also sometimes accept commissions to make portrait paintings and in 1929 painted two Scottish terriers on one such commission.[13] During this time, she also produced landscapes. In 1924 she displayed a New England village street scene painting in the Second Annual Exhibition of Paintings, Watercolors, and Drawings in the J. Wanamaker Gallery of Modern Decorative Art.[14] Available sources show no further exhibitions until in 1930 a critic for the Boston Globe described one of her portraits as "well done" in a review of a Rockport Art Association exhibition held that summer.[15] Between 1931 and her death in 1943, Brockman participated in over thirty group exhibitions and five solos.[note 1] Her paintings appeared in shows of the artists' associations to which she belonged, including the Rockport Art Association, Salons of America, Society of Independent Artists, and National Association of Women Painters and Sculptors.[17][19]Between 1932 and 1935, her paintings appeared frequently in New York's Macbeth Gallery.[20][23][25][27] She won an award for a painting she showed at the Art Institute of Chicago in 1940.[41] In 1942, the Whitney Museum bought one of the paintings she showed in its Biennial of that year.[10] Critical praise for her work steadily increased during the decade that ended with her untimely death in 1943. In 1932, her painting called "The Camera Man" was called "a clever piece of illustration."[21] Three years later, a painting called "Small Town" gave a critic "the impression of freshness, honesty, and skill".[29] In 1938, a critic described her "Folly Cove" as "masterful" and said "Pigeon Hill Picnic" was "sustained by excellence of execution".[48] At that time, Howard Devree of the New York Times saw "evidence of gathering powers" in her work and wrote "she imparts a dramatic feeling to landscape. She even manages this time to do trees touched by Autumn tints without calendar effect, which is no small praise."[51] Three years later, a Times critic reported Brockman had "set herself a new high" in the watercolors she presented,[52] and another critic said the gallery where she was showing had not "for some time" shown "so outstanding a solo exhibitor as Ann Brockman."[2] Shortly before her death, a critic for Art News maintained that she was "one of America's most talented women painters".[46] After she had died, a critic said Brockman's paintings "displayed real power", adding that she was "highly rated among the nation's professional artists" and was known to give "aid and encouragement, always with a smile," both artists and to her students.[10] in reviewing the memorial exhibition at the Kraushaar Galleries held in 1945, reviewers wrote about the strength and vibrancy of her personality, the quality of her painting ("every bit as good, possibly better than people had thought"),[53] called her "one of the best of our twentieth century women painters", and credited "her sense of the vividness of life" as a contributor to "the unusual breadth that is so characteristic of her work.[11] One noted that her work was "widely recognized throughout the country" and could be found in the collections of prominent museums, including the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Art Institute of Chicago.[54] Writing in the Times, Devree wrote, "even those who had followed the steady growth of this artist for more than a decade, each successive show being at once an evidence of new achievement and an augury of still better work to come, may well be surprised at the combined impact of the selected paintings in the present showing,"[55] and writing in the Brooklyn Daily Eagle, A.Z Kruse said she had made "extraorginary accomplishments", painted with "inordinate distinction" showing a "lyrical majesty," and possessed "a keen esthetic sense which did not deviate from truth."[54] Artistic style (1) Ann Brockman, undated drawing, black chalk on paper, 18 x 22 inches (2) Ann Brockman, High School Picnic, about 1935, oil on canvas, 34 1/4 x 44 1/4 inches (3) Ann Brockman, untitled landscape, about 1943, watercolor and pencil on paper, 15 1/4 x 22 1/2 inches (4) Ann Brockman, North Coast, undated watercolor, 21 1/2 x 30 inches (5) Ann Brockman, On the Beach, 1942, watercolor on paper, 16 1/2 x 20 inches (6) Ann Brockman, Lot's Wife, 1942, oil on canvas, 46 x 35 inches (7) Ann Brockman, New York Harbor, 1934, watercolor on paper, 13 1/2 x 19 1/4 inches (8) Ann Brockman, Youth, 1942, oil on board, 13 1/2 x 11 1/2 inches Brockman was a figurative painter whose main subjects were rural landscapes and small-town and coastal scenes. She worked in oils and watercolors, becoming better known for the latter late in her career. Most of her paintings were relatively small. Although she made figure pieces infrequently, the nudes and circus and Biblical scenes she painted were seen to be among her best works. In 1938, Howard Devree wrote: "Her gray-day marines and coast scenes are familiar to gallery goers and are favorites with her fellow artists. Her figure pieces have attained a sculptural quality without losing warmth or taking on stiffness. One spirited circus incident of equestriennes about to enter the big tent compares not unfavorably with many of the similar pictures by a long line of painters who have been fascinated by the theme. She imparts a dramatic feeling to landscape. She even manages this time to do trees touched by Autumn tints without calendar effect, which is no small praise."[51] Similarly, a critic for Art Digest wrote that year: "Fluently and virilely painted, [her] canvases suggest a close affinity between nature and humans. The artist takes her subjects out in the open where they may picnic or bathe with space and air about them. A fast tempo is felt in the compositions of restless horses and nimble entertainers busily alert for the coming performance. Miss Brockman is also interested in portraying frightened groups of people, hurrying to safety or standing half-clad in the lowering storm light."[56] Her palette ranged from vivid colors in bright sunlight to somber ones in the overcast skies of stormy weather. Of the former, one critic spoke of the rich colors and "sun-drenched rocks" of her coastal scenes and another of her "summery landscapes of coves and picnics."[11][50] Of the latter, Howard Devree said she "painted so many moody Maine coast vignettes of lowering skies and uneasy seas that artists have been heard to refer to an effect as 'an Ann Brockman day'".[57] Brockman's handling of Biblical subjects can be seen in the oil called "Lot's Wife", shown above, Image No. 6. Her watercolor called "On the Beach" and her oil portrait called "Youth" may both indicate the "sculptural quality" that Devree said was typical of her figure pieces (Image No. 8, above). An example of Brockman's bright palette in a typical summer theme is the oil painting called "High School Picnic" shown above, Image No. 2. Next to it is a painting, an untitled landscape of about 1943 whose medium, watercolor on paper, shows off the sunny palette she often used (Image No. 3). Among the darkest of her works was an untitled 1942 drawing she made in black chalk (shown above, Image No. 1). In a book called Drawings by American Artists (1947), the artist and art editor Norman Kent noted that this study influenced her painting through its use of "forms" that were "elastic" and suggested "color". He said its "massing of dark and light" created "a definite mood" that was "impressionistic" and had "the strength of a man's work".[58] Brockman's undated watercolor called "North Coast" (shown above, Image No. 4) is an example of the paintings to which Kent referred. Illustrator (9) Ann Brockman, cover, March 12, 1917, Every Week magazine (10) Illustration of an article, "The Taking of a Salient" by Henry Russell...

Klaudia frontal nude is one of the best works by the artist Marco Fariello. It is made on canvas, painted in oil in 2021. The subject of the work is the representation of a nude of ...

Antonio Monasterio – The Muses in the Blue Forest

Patrick Terenchin (b.1970). Paul, 2024 Gesso and charcola on paper, 16 x 20 inches. Measuring 17 x 21 inches in black frame behind glass. Signed and dated lower left.

The Artists Model Nude Lady Model French School, circa 1970's signed oil painting on card, unframed size: 17 x 24 inches condition: overall very good, a very few light markings to ...

Bartosz Kolata was born in Torun, Poland in 1979. In 2006 he graduated in Art Conservation and Restoration from Nicolas Copernicus University UMK, securing a Master of Art degree. He...

Matthew Durante's "Figure 1 2021" is an original, handmade acrylic painting that depicts a blue-toned nude female model superimposed over a pink and purple background.

John Tarantola's original nude portrait "The Cruel Hours and Minutes of Uncertainty" (2019) is a surrealist oil on panel painting that depicts an athletic nude male figure, standing ...

Antique American oil painting. Oil on canvas. Signed. Framed. Measuring 26 by 34 inches overall and 20 by 28 painting alone. In excellent condition. Handsomely framed in a period ar...

This striking oil study depicts a nude female figure against a dark, muted background. The artist's bold brushstrokes and use of light and shadow create a sense of depth and dimensio...

This painting depicts a figure study of a male nude, standing in a classical contrapposto pose with one hand resting on a wooden table or stand. The artist has skilfully rendered the...

Nude before a mirror by French artist Auguste Leroux Beautiful oil on canvas, French school from the 1920' . The painting is not framed Title: " Nude before a mirror " Medium: or...

Oil on canvas Signed in red, u.r. $3250.00 + $200.00 framing This artwork is offered by ClampArt, located in New York City. “Bruce Sargeant is a mythic figure in the modern art mo...

Amazing early American surrealist nude male portrait landscape. Painted by Charles W St Clair. Oil on board. Framed. Image size, 24L x 30H. Super detailed and rare!

Artist/ School: by Henri Van Der Beck (French 1886-1956), signed and stamped verso Medium: signed oil on canvas, unframed Painting: 16 x 13 inches Provenance: private collection, ...

Dave Seeley's "Reverie" (2023) is a captivating original oil on canvas painting. The nude female figure floats gracefully, her elongated pose conveying weightlessness and freedom. Se...

n.d. Signed in red, u.l. Double-sided oil painting on panel 30 x 24 inches