1950s Paintings

Antique American modernist oil painting. Oil on board, circa 1950. Housed in a vintage frame. Image size, 16L x 11H. Signed.

Richard Andres (American, 1927-2013) White & Yellow, c. 1953 oil on canvas signed lower right, signed and titled verso 30 x 20 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

Signed oil on canvas circa 1950 by French painter Jules Cavailles who was part of a group of artists called "La Realite Poetique". This charming piece ...

THE TEAPOT Size: 58 x 56 cm (including frame) Watercolour An elegant and gentle still life painted in watercolour. A teapot, a pitcher, a plate of fruits, and a garlic glove are la...

A beautiful signed and dated 1953 French impressionist oil on board depicting a bridge reflecting in a river, by Jean Galland. The work is very atmospheric and superbly painted. Sign...

Helena Malarewicz-Krajewska (born 14 July 1910 in Biecz , died May 7, 1998 in Warsaw) is a Polish painter, active advocate of socialist realism. Studied between 1928 and 1929 at the...

Oil on artist board painting by the American artist, Marion Gray Traver. The painting is entirely executed with a palette knife, a familiar tool used by this artist. Signed lower r...

Never afraid of trying new styles, curious and opinionated, constantly engaged with the world around him, Rolph Scarlett more than once proved to be at the artistic zeitgeist in a career that stretched for more than 75 years. Born in 1889, Scarlett had his first retrospective by 1928. He subscribed fully to the modernist credo. Interviewed at the time, he said: "If a futuristic painting brings the casual gallery patron to an abrupt stop and forces him to spend five minutes in front of the painting, then the ends of modernism have been served," A major proponent of non-objective painting, Scarlett's career and artistic philosophy is closely linked with the early history of the Solomon R. Guggenheim Museum in New York. His work, along with that of Kandinsky, Klee, and German artist Rudolph Bauer...

This is a stunning polychromed, engraved, and oxidized aluminum abstract still-life composition panel painting by Robert Pansart (1909-1973). The painted aluminum panel imitates the ...

Exquisite, early original oil on canvas painting of a harlequin by the well known artist, Charles Levier. Titled verso “L’Babit Blanc” or the “The White Robe” and signed verso. Signed lower left on the front of painting as well. Circa 1955. Condition is excellent; recently professionally cleaned. No apparent restorations. Framed in a reproduction of the period wood frame. Overall framed dimensions are 38 by 32 inches. Provenance: A Greenwich Village, New York collector. Charles Levier. 1920-2003 – Artist Charles Levier, aka Maurice Verrier, was born in 1920 of a French father and an American mother in Corsica. He held a fascination with color and form that led him, at age seventeen, to the Ecole Nationale Superieure des Arts Decoratifs for private studies. World War II broke out and Levier served in the French army in North Africa, later becoming Liaison Officer with the U.S. Office of Strategic Services. Coming to America...

Signed lower left, 'Ventosa' for Jose Ventosa Domenech (Spanish, 1897-1982) and painted circa 1950. A substantial oil painting showing a luminous view of the island of Mallorca with ancient olive groves and mountain cliffs bathed in warm evening light beneath clouded blue skies. A large and rare study of the island by this notable Catalan landscape painter. Born in Barcelona, José Ventosa Doménech first attended the San Jorge School of Fine Arts in 1911. He then undertook an extended trip to Brussels where he studied Vanguard painting before returning to Barcelona where he continued his studies with the Realist, Martí Alsina. In 1922, Ventosa worked alongside Eliseu Meifren and Domingo Soler in Ripoll. From 1924, Ventosa exhibited in Barcelona as a member of the "Nou Ambient", the Catalan art...

Wonderful mid century watercolor of cherries and cherry tree branch in basket by V. R. Leighton (American, 20th Century), circa 1950. Signed lower right. Presented in new mat under g...

Signed lower left. Oil on canvas in what might be the original frame. Wonderful still life at a table with NYC street scene shown below. RFeally br...

Work on wood sold with frame, Size with the frame : 58x50 cm

Mid Century Garden Landscape, "In the Old Spanish Garden" by Florence Nuez A charming Spanish home is the focus of this lovely mid century landscape painting by Santa Cruz, Californ...

3910a Surreal oil on canvas set in a black frame Two clowns on a flying balloon Signed W.Morinet

Icy Winter Size: 44 x 52 cm (including frame) Oil on canvas A beautifully ethereal mid century modernist winter landscape scene, painted in oil onto canvas. This semi abstract land...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Les deux arbres au bord de la rivière dans la forêt de Lyons by Paulémile Pissarro (1884-1972) Oil on canvas 65 x...

Wonderful example of Houston Artist David Adickes's early work. This heavily textured still life features 2 apples and 3 bottles. Most likely this work was framed at Dubose Gallery o...

Roman Night is an original modern artwork realized by Giovanni Stradone in 1954. Oil Painting on board. Signed, titled and dated on the back Includes frame Provenance Galleria Ve...

Wonderful mid century landscape in French impressionist style of house along France's Lake St. Point near Swiss border. Signed lower right "Maxime" with "Lac de St. Point" on verso. ...

One of the early works by CARZOU. Signed lower right. The oil painting size is 21.75"x17.75" without a frame.

Original oil on canvas painting of the Cafe Pepinier in Paris by Andre Picot. Condition is very good. Signed lower left by the artist. Titled “Cafe Pepini...

Charming mid century country landscape with cottage with thatched roof and chickens foraging. Signed "H. H." and dated "1955." Condition: good; some edge and corner wear consistent w...

"Femme Rousse Sur Fond Bleu" is an original oil on canvas impressionistic portrait of a woman by Albert Bertalan. A red-headed lady sits with her hand pressed upon her cheek thoughtfully thinking in front of a blue background. The painting is framed with an ornate gold frame. From the late 19th century until World War Two, Paris was the center of the art world. Artists and intellectuals from around the globe descended on Paris, drawn by the atmosphere of creative freedom established by the French Impressionists. Because of the Impressionists’ innovations the direction of art had changed forever, the times were ripe for another Renaissance. The School of Paris, as this broad-based group of artists are referred to embodied the spirit of modernism. Albert Bertalan was born on September 21, 1899 in Jaszbereny, Hungary. He is known for painting compositions of figures in unique environments, including women by the sea, among other similar subject matters. He studied at the Nagybanyai Art School under some of the most important Hungarian artists, including Ivànyi Grünwald...

Vintage American modernist oil painting by Morris M. Shulman (1912 - 1978). Oil on board, circa 1955. Housed in a vintage frame. Signed. Image size, 28 by 20.

Antique American modernist oil painting by Victor De Pauw (1902 - 1971). Oil on board, circa 1950. Framing available. Image size, 24L x 27H. Signed.

Caterwaul by Orovida Pissarro (1893-1968) Oil on canvas 51 x 61 cm (20 ¹/₈ x 24 inches) Provenance Estate of the artist With John Bensusan-Butt, cousin of the artist G Hassell, 25th...

Mid Century fauvist style landscape of California Gold Country home by an unknown artist (American, 20th Century) c.1960. Unsigned. Presented in ru...

Gypsy woman. 1959., oil on cardboard, 48x37 cm Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National University at studies to R.Suta, J. Bine and...

Vaudeville Theatre by Edouard Cortes was painted circa 1955-60 and signed lower left. It is oil on canvas measuring 13x18 in original unlined condition. The piece is included in the ...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE The Fortune Teller by Orovida Pissarro (1893-1968) Oil on canvas 60 x 73 cm (23 ⁵/₈ x 28 ³/₄ inches) Signed and d...

Original oil on canvas painting of the landmark Cafe Dome in Paris by Andre Picot. Adjacent to the Dome is another famous cafe, Cafe Tabac as seen in thi...

Provenance: Martha Jackson Gallery, NY; Anderson Gallery, Buffalo, NY. In a career that spanned nearly six decades and combined aspects of Abstract Expressionism and Color Field painting, Mr. Opper became known for vibrantly colored paintings in which soft, cloudlike forms, or elongated plinths jostled gently against each other. By American standards an early convert...

Tempura and ink on heavy paper Signed bottom right, Numbered on verso "No. 18" 8.75 x 19.75 inches; 18.5 x 29.5 inches framed Provenance: Private collection, Denver, Colorado

"In Soquel (California)" is an original oil on board painting by Jon Blanchette (1908-1987) circa 1955. Farm landscape with figure hanging laundry and silo, painted in colors of blue...

A substantial, mid-century Post Impressionist oil still-life comprising a fish on a platter with four lemons, a raffia-wrapped bottle of Italian chianti...

Work on canvas Molded frame in gilded wood 65.5 x 88.5 x 3 cm

Joaquim Marsillach i Codony (1905-1986) - Landscape with characters Oil on panel - Hand signed Oil measures 27x41 cm. Frame measures 43x57 cm. Mars...

Winter in the village. oil on canvas and cardboard, 34x45 cm Winter landscape with old barn Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National...

Untitled (Fruit, Leaves, Spotted Cloth) oil on canvas painting signed by Bernard Arnest (1917-1986) from 1959. Abstracted still life featuring fruit and leaves on a purple/grey background. Presented in a custom frame measuring 43 x 36 ¾ inches, image size measures 40 x 34 inches. Expedited and International shipping is available - please contact us for a quote. About the Artist: A Denver native, Arnest studied with Helen Perry at East High School who is accredited to having identified many of Colorado’s talented artists. At Perry’s recommendation Arnest benefited from supplemental instruction at the newly founded Kirkland School of Art and at the School of Fine Art and Design operated by Colorado artist Frank Mechau. Following graduation from East, Arnest enrolled at the Broadmoor Art Academy in Colorado Springs, where he studied with Boardman Robinson and Henry Varnum Poor. In 1940 Arnest was awarded the Guggenheim Fellowship in painting which he spent in San Francisco. That same year San Francisco Museum of Art had a one-man show for Arnest, the first of many in his professional career. Other exhibitions included the Whitney Museum, Corcoran Gallery of Art, National Academy of Design, Carnegie Museum of Art and the Minneapolis Institute of Art. After the war he worked for two years in New York City and began a thirty-nine-year affiliation with Kraushaar Galleries who also showed the likes of George Luks, John Sloan, Maurice...

Bela de Tirefort (1894 – 1993) Snow at Madison Square Park, 1951 Oil on canvasboard 16 x 20 inches Signed and dated lower left; signed and titled on the reverse on artist label Prov...

Oil on canvas Beige wooden frame 60 x 71 x 4 cm

Signed post impressionist landscape oil on canvas circa 1950 by French painter Raymond Thibesart. The work depicts a view of the bay of Villefranche through two trees on a clifftop o...

Leo B. Blake (1887 - 1976) Berkshires Winter landscape, Massachusetts, circa 1952-53 Oil on canvasboard 12 x 16 inches Signed lower right Provenance: Private Collection, Massachuset...

Abstract Composition Oil on canvas, signed lower left. Judith Sobel was born in Lwow Poland in 1924. After World War II, she attended the Academy of Fine ...

Wonderful mid century Santa Barbara California landscape of eucalyptus trees near river with mountains in background by Max Fischel (American, 20th C...

Wonderful mid century autumnal landscape of a miner's shack on Tuolumne River in Yosemite by N.C McNickle (American, 20th Century), circa 1950. Impasto adds extra texture and depth S...

Wonderful mid century landscape of Ojai, California with charming stucco cottage and almond trees in bloom and mountains in background titled, "Storm over Ojai" by Margaret Anna Dobson (American, 1888-1981), 1959. Signed faintly, lower right. Signed in pencil "Margaret Dobson", titled "Storm Over Ojai" and dated "1959" on verso. Presented in vintage gilt-toned wood frame. Image size: 12"H x 16"W. Framed size: 14"H x 17.75"W. Margaret Dobson was a painter, illustrator, muralist, etcher. Born in Baltimore, MD on Nov. 9, 1888. Dobson studied at the Maryland Institute, PAFA, Fontainebleau School of Art (Paris), and Syracuse University. She studied privately with Daniel Garber, Cecilia Beaux, Violet Oakley, Emil Carlsen, Robert Vonnoh, Hugh Breckenridge, and others. She was active in London, England until 1933. She then settled in Los Angeles where she remained until her death on Jan. 20, 1981. Primarily a muralist, she also painted floral still lifes and landscapes of the Sierra and southern California. Member: NAC; Royal Society of Etchers (London); Laguna Beach AA; Women Painters of the West; Santa Monica AA; Calif. Art Club; LAAA; Artists of the SW. Exhibits: Fontainebleau, 1927 (prize); Egan Gallery (LA), 1933; Calif. PM Society, 1935, 1936; Ebell Club (LA) 1936 (1st prize); Academy of Western Painters, LACMA, 1937; Santa Cruz Art League, 1938; Friday Morning Club (LA), 1939; GGIE, 1939; Society for Sanity in Art, CPLH, 1944. Murals: Santa Monica Women's Club; Palace of Fontainebleau and Fontainebleau Hospital (France); Kaufman (TX) Post Office (Driving the Steers); Girl Scouts...

This is a Post -Wa painting with a great date of 1957. The way he has abstracted the clouds and bird forms is typical of this time frame as artists were experimenting with symbols and forms in place of representational elements. It is atmospheric and a great size for certain mantles or spots that require or want a longer and thinner format!!! A great urban apartment painting that goes well with post modern furniture...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Migrating horses by Orovida Pissarro (1893-1968) Oil on canvas 71.1 x 81.4 cm (28 x 32 inches) Signed and dated l...

William Henry Innes (1905-1999) Innes first exhibited his work during the Second World War while he was in the Royal Air Force. He showed extensively at the Royal Academy, New Engla...

Print color etching on heavy paper Signed, titled, dated on mat 18 x 11 inches; 20.5 x 17 inches framed Provenance: Private collection, Denver, Colorado

A fine oil by Modern British artist Christopher Sanders R.A. (1905-1991). painting : 52cmx61cm Good quality modern frame: 63cmx73cm The painting is a view of Le Baux...

View of Paris from Montmartre. 1955, oil on canvas, 38x46 cm

Marian Schuster was 19 years old in 1954 and attended City College San Francisco where she studied Art. In the old school, Victorian, San Francisco, moneyed household that she was r...

Abstract Composition is a small yet significant artwork made by Paul Bony, a famous French artist active in the mid-20th century. The artwork is in excellent state of preservation. ...

Oil on cardboard with frame. Total size with frame 58x78 cm Signed and dated, illegible signature by the gallery