1970s Paintings

Artist: Dan Teis, American (1925 - 2002) Title: Red Metallic Diamond Year: 1979 Medium: Acrylic on Canvas, signed l.r. Size: 54 x 54 in. (137.16 x 137.16 cm) Frame Size: 55.75 x 55.5...

Artist: Dan Teis Title: Fire Focal Point Date: 1979 Acrylic and Collage on Canvas, signed l.r. Size: 27 in. x 21 in. (68.58 cm x 53.34 cm)

Accompanied by 1979 exhibition label signed, 'Kleno' for Evgenij Klenø (Dutch, 1921-2005) and titled, verso, 'Charlotte'; additionally titled, verso, on ...

Oil on canvas painting by the Russian/American artist, Nahum Tschacbasov. Signed top right and dated 1974. Titled and signed verso. Condition is very good. Presently unframed. Pr...

Expressive and colorful vintage abstract earth watercolor by Duane Albert Armstrong (American, b. 1938). Presented in a dark grey mat with wooden frame. Singed "D. Armstrong" and dat...

Fun and vivid fashion painting of a bright purple and green handbag with abstract geometric and linear accents by Michael William Eggleston (American, 2...

Tuapse. 1977. Cardboard, tempera, 24x34 cm Vladimir Borisovich Glushenkov (May 21, 1948, Riga - December 26, 2009, Riga.) - painter, graphic artist, poet, translator. Born in Riga ...

Original gouache illustration on board. English circa 1970. Unframed. Unsigned.

Artist: Dan Teis, American (1925 - 2002) Title: Blue X on Abstract Year: 1979 Medium: Acrylic and Collage on Canvas, signed l.r. Size: 40 in. x 40 in. (101.6 cm x 101.6 cm) Frame Siz...

Artist: Dan Teis Title: Geometric Ridge Date: 1978 Acrylic Collage on Canvas, signed l.r. Size: 29 in. x 29 in. (73.66 cm x 73.66 cm)

Artist: Tony King Year: 1975 Title: M R3 C5 Medium: Acrylic on Canvas Canvas Size: 48 x 48 inches (121.92 x 121.92 cm) Frame Size: 49 x 49 inches (124.46 x 1...

Como pueden apreciar, la obra va firmada en la parte inferior y fechada del año 1972 En la parte trasera, va nuevamente firmado Se presenta enmarcada la pintura (el marco presenta ...

Jacques GERMAIN (1915-2001) Untitled Circa 1970 Ink on Paper Signed J.G Born in Paris in 1915, worked with Fernand Léger and Amédée Ozenfant at the Académie Moderne in 1931, we...

Robert O'Meara (American, XX-XXI), Miniature Cityscape, Oil on Board, circa 1975, unframed. 4" H x 4.75" W. Provenance: From a 333 East 75th Street Estate.

This evocative watercolor painting is a landscape, but also a still life in the sense that the viewer is gazing at a scene, but also at the objects within the scene. There is a medit...

Abstracted and modernist painting of the Golden Gate Bridge by Mary Hahn (American, 20th century). Signed lower right. Presented in original bronze ...

STANLEY G. ANDERSON., flourished 1960 - 1990 Bedfordshire painter of local landscapes, often on commission to farm owners. He also painted some Lakeland scenes. Original oil on canv...

Acrylic on board Signed lower right corner Condition: Painting is excellent Frame has surface wear Provenance: Estate of the artist William C. Grauer (1895-1985) William C. Grauer (1895-1985) was born in Philadelphia to German immigrant parents. After attending the Philadelphia Museum School of Industrial Art, Grauer received a four year scholarship from the City of Philadelphia to pursue post graduate work. It was during this time that Grauer began working as a designer at the Decorative Stained Glass Co. in Philadelphia. Following his World War I service in France, Grauer moved to Akron, Ohio where he opened a studio in 1919 with his future brother-in-law, the architect George Evans...

1970's watercolor of boats anchored in a harbor by Ritchie Allen Benson (American, 1941-1996). This piece is signed "R. A. Benson" in the lower center. Image, 7.5"H x 9.38"W. Ritchie Allen Benson was born in Los Angeles. He studied at the Art Center School (Los Angeles) and was a member of the American Watercolor Society and the California Watercolor Society. Ritchie Allen Bensen grew up in the Los Angeles area during the World War II era. By the late 1950s, he was studying watercolor painting and by the 1960s was exhibiting on a national level. He spent a great deal of time painting along the California coast and was most interested in producing works which pictured boats and harbor scenes. His watercolors were sold through the Challis Gallery in Laguna Beach and through art association exhibition sales. Although he continued to paint occasionally in Southern California, most of Bensen's later works were done in Mendocino, California, or farther north in Washington state where he spent a lot of time painting on the beaches...

Signed lower center, "Mancini"; additionally signed verso and painted circa 1975. Figurative oil in crimson, vermilion, jade, and deep blue, showing a young woman wearing a hat with...

The street violinist figurative painting by Rafael DeSota (American, 1904-1992), 1979. Giltwood frame. Signed "Rafael DeSota 1979" lower right. 18"H x 24"L. In 1930 he began to draw interior story illustrations for Street & Smith's western pulp magazines...

American School, unsigned and painted circa 1975. A vivid and upbeat oil abstract comprising discrete areas of golden-yellow, coral and aqua-turquoise...

"Fragments of Dreams" 1977 is a mid-century modern, abstract acrylic on canvas painting, predominantly red with geometric squares in varying shades of red and blue with a mid-century...

Marty Greenbaum (1934-2020) ''Brooklyn Local in Wisconsin'' Lithograph, with hand-coloring, blind stitching, stitching, burning, tape collage and paint with Jewish, Hasidic, Sleepy Moishy character. Marty Greenbaum (1934-2020) was an American painter, mixed media assemblage and book artist. Greenbaum is best known for his mixed media assemblage, painting and artist books. Greenbaum appeared in three films: Hallelujah the Hills in 1963 by Adolfas Mekas, Life Dances On, in 1980 by Robert Frank, and The Present in 1996 by Robert Frank. Between 1962 and 1965 he took part in happenings by Allan Kaprow and experimental dance by Yvonne Rainer. Greenbaum authored his own happenings, i.e. Coney Island Carny, including artists such as Eddie Barton, Remy Charlip, Paul Kaplow, Paul Krasner, Al Hanson, Ed Blair, Allen Ginsberg, John Hammond, Eddie Rabkin, Lou Gossett, Renee Renee, Allan Kaprow, Phyllis Yampolsky, Thomas Hoving, Jackie Ferrara, Peter Schumann, Jim Bell, Bill Marshall, Corla Lopez, Bruce Waite, and Mark di Suvero, as well as organizing the Hall of Issues with Phyllis Yampolsky at The Judson Memorial Church. Greenbaum had several teaching positions in the New York City public school system and was a member of the Creative Artists Public Service program twice, he also participated in various exhibitions with book objects. His work is in several public collections including The Art Institute of Chicago, Artists' Books, The Brooklyn Museum Collection, The Chrysler Museum, Norfolk, VA, Citibank, NYC, Colgate University, Hamilton, NY, Jacksonville Art Museum, Jacksonville, FL, Madison Art Center, Madison, WI, SUNY at New Paltz, NY and more. Books as Objects "Greenbaum, an early conceptualist, burned books in the 1960s, exhibiting the remains as 'corpses.' Today, he makes fetishistic notebooks filled with colored paper and scribbled equations, accretions of feathers and Rhoplex." "Marty Greenbaum and Barton Lidice Benes destroy texts to create sculpture: Benes 'Bound Book,' a literal rope and wax imprisonment, and Greenbaum's 'Cutting Up,' a mixed media paste over of muted colors." Some of his most notable artist books include: "Batman" 1963-67, "In '84 Returned in 2004". Two stories about Marty from James Pernotto: we met at William Weege print shop in 1974 when he drove out from NYC with Alan Shields and Paco Grande and I was a lithography printer hired to work with them. Alan recalled on the trip out that Marty was working on his altered books and putting airplane glue on the pages and lighting it with a match. Enough said. I printed for Marty. Solo exhibitions 2007 Two Artists, Windsor Whip Works, Windsor NY 2001 Pacifico Fine Art, NYC 1972, 1979, 1985 Allan Stone Gallery, NYC 1977 Picker Art Gallery, Colgate University, Hamilton NY 1963, 1964, 1965 Stryke Gallery, NYC Group and Traveling exhibitions 2019 One Plus One Equals Three, curated by Roger Winter, Kirk Hopper Fine Art, Dallas, TX Collage and assemblage by Romare Bearden, Roy Fridge, Marty Greenbaum, David McManaway, Robin Ragin, Nancy Willis Smith, and Roger Winter. 2017 Sorcery & Craft, Allan Stone Projects, New York, NY 2008 8 Artists 8 Books, 5 + 5 Gallery, Brooklyn, NY 1999 Talent, Allan Stone Gallery, New York, NY 1998 Artist Books, Bound & Unbound Gallery, New York, NY 1992 Fetishism, Allan Stone Gallery, New York, NY Salon of the Book, Caroline Corre, Paris, France; Artists; Books, Centre Georges Pompidou, Paris, France 1979 "Book Makers: Center for Book Arts First Five Years", Arthur A. Houghton, Jr. Gallery, The Cooper Union, NYC 1978 The Detective Show MoMA, PS1, Queens, NY (with Richard Artschwager and Gordon Matta Clark...

"Look Up" (Schau Aufwärts) is a two-piece work (diptych) of German artist Klaus Heuermann. The artist depicts a female in one work (140 x 100 cm) and a male in the other work (140 x...

Beautiful lavendar and blue toned seascape of Big Sur, Camel by R.W. Price (American, 20th century), circa 1970. Signed "R.W. Price" bottom left. Oil on canvas and presented in a woo...

pastel on paper, signed lower right. Henri Bernard Goetz (September 29, 1909 – August 12, 1989) was a French American Surrealist painter and engraver. He is known for his artwork, a...

"I don’t see shapes as much as I see the energy of elements interacting to move, stop, support or explode. I mostly use clean bright color to keep my world hot and alive. My painting...

Flowers. 1979. Oil on canvas, 100x92 cm Still life with colorful flowers Laimdots Murnieks (1922-2011) studied at Cesis and Jelgava teachers’ institutes (1938 – 44). He graduated fr...

Anne Diggory (b. 1951) From the Grandstand, Saratoga Springs Racecourse, New York Oil on panel 12 x 9 inches Anne Diggory lives in Saratoga Springs, NY, ...

Artist: Miriam Bromberg Title: Nude Year: circa 1970 Medium: Oil on Canvas, signed l.l. Size: 30 in. x 24 in. (76.2 cm x 60.96 cm)

Snow,woods,withe,grey LEONID VAICHLIA (St. Petersburg, 1922) Works by Leonid Vaichlia can be found in various private collections in Europe, Japan, United States and in the followi...

Stuart Bigley is an artist based in New York’s beautiful Hudson Valley. He has been making and showing his artwork for over 40 years. During this time he also co-founded and ran th...

Scream. 1971, cardboard, oil crayons, 15.5x13 cm Atis Ievins (1946) The exhibition by artist Atis Ieviņš reminds the very origins of serigraphy technique in Latvian art in the time ...

Andre QUELLIER ( 1925 - 2010 ) " La Nativité " Signé . Peintre français né à PARIS , élève de jean DUPAS . Médaille d'Or des Artistes Français ( 1966) Prix de la Casa Velasquez ( 1...

Modern abstract female nude painting in neutral tones. The work has Oris Robertson's signature textured surface that creates an uneven painting surface. ...

Jen (Zhen) Peng (B 1928) is a famous self taught Chinese/American artist. Original large oil on canvas depicting a Chinese women in an interior fanning herself. Overall 42 x 36 in...

"Red Dot on Black" and "Red Dot on Grey" are two 22.5 x 14.4 inches each, oil on board, geometric abstracts by Philadelphia artist Morris Lewis Blackman. The paintings are estate st...

Original painting on canvas. Hand signed, titled and dated on verso by Lowell Nesbitt. Canvas size 74 x 58 inches. Frame size approx 76 x 60 inches. Artwork is in excellent condi...

Artist: Donald Roy Purdy, American (1924 - ) Title: Rabbi 3 Year: circa 1970 Medium: Oil on Masonite, signed l.r. Size: 24 x 30 in. (60.96 x 76.2 cm) Frame Size: 34 x 39 inches

Signed lower left, 'Vera' and painted circa 1975. A bold and vivid Post-Impressionist still-life painted with a bright palette and bravura brushwork. Vera Indenbaum painted and exh...

Artist: Red Grooms Title: At the Beach Year: 1970 Medium: Oil on Conjoined Wood, signed and dated lower center Size: 5 x 12.5 inches Frame: 14 x 21.5 inches

Dry Leaves by George Chemeche, Israeli/American (1934) Date: 1975 Acrylic on Canvas, signed Size: 60 x 72 in. (152.4 x 182.88 cm)

Flowers. Oil on cardboard, 40x50 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, Saratov ...

'Abstract 2" enamel on copper plate by Irwin Whitaker. Enamel measures 8" x 6", frame measures 12" H x 9.5" W. Irwin Whitaker - Oklahoma-born artist who was prolific in California, T...

Catskill New York Mountain View Size 20"x24" framed 26"x30" artist signed lower left corner. Jehudith Sobel The painting portrays a vibrant landscape view of the Catskill Mountains. In 1960s, Jehudith Sobel purchased a summer house in Woodstock NY, where she would spend every summer. This location proved to be one of her favorite spots to paint. Using both Expressionistic and Fauvist styles that she strove to perfect, Sobel explores her imagination and the use of colors with such freedom that one is captivated by the euphoric dance of nature that she was able to encapsulate. Judith Sobel was born in Lwow Poland in 1924. After World War II, she attended the Academy of Fine Arts in Lodz, Poland. There she studied with the famous abstract...

An original American Modern hard edge abstraction by James Koenig. This work titled "Hot Triangles" is part of the Draw Near exhibition currently on view at Benjaman Gallery.

Matthew Tipton satirical illustration painting depicting the controversial 1925 Scopes trial. Lawyers Clarance Darrow and William Jennings Bryan. Oil on canvas. Canvas: 20" x 24" F...

Beautiful original painting of two colorful roosters beautifully detailed by Brazilian Modern master Chico Da Silva, who won an Honorable Mention in the...

Laxma Gaud - Untitled - 9.75 x 13.5 inches (unframed size) Etching on paper Inclusive of shipment in roll form. Style : Goud displays versatility over a range of mediums, from print...

American School, "Tide Pools", Mixed Media on Paper, 1976, abstracted beach scene, titled lower left, illegibly signed and dated lower right, wood frame. Image: 16" H x 31" W; frame;...

Somnath Hore - Untitled Pen & Ink on Paper, 7.1 x 10.8 inches (Unframed Size) ( Unframed & Delivered ) Inclusive of shipment mounted not framed, Should you wish to receive the same ...

Stamped verso with certification of authenticity for Warren Lamm (American, 1937-2017) and painted circa 1975. This artist and illustrator first studied at the Chouinard Art Institute (1958), before receiving his Bachelor in Fine Art from San Jose State University. Warren Lamm was a member of the National Academy of Television Arts and Sciences and the recipient of seven Emmy awards...

Signed lower right, 'Pisani' for Vittorio Pisani (Italian, born 1916) and dated 1975; additionally titled 'Pasta'. An elegantly framed and character-filled, study of a Maltese captu...

Victor Karnauh (1950-2012) Victor Karnaukh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painter, a monument designer, graduate of Latvian ...

Signed, verso, 'Ablan' for Mohammed Al Ablan (Saudi, 20th century) and dated 1971. A substantial and dynamic abstract comprising contiguous and fluidly overlapping areas of rose, scarlet, parchment and ochre. Born in Riyadh, Saudi Arabia, Al Ablan holds a Diploma in Art Education and has participated in numerous regional and international exhibitions, receiving several awards of appreciation. One of the artist's works is displayed at the King Fahd...

John Ruthven is recognized as the “20th-century Audubon. In this very detailed and meticulously rendered work the artist depicts a Koala in an iconic and proud pose and a Photoreali...

David Hare Cronus View from the Cave, 1971 Graphite, Ink wash, Paper Collage on Paper on Board 25 x 33 inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

Leuus’s interest in art began at a young age, and he later moved to Guadalajara, where he attended the Escuela de Artes Plásticas. This formal training in the traditions of Mexican a...

Oil on canvas sold with frame Total size with frame 57x67 cm Signed William GOLIASCH is a Swiss artist born in 1922 and died in 1986. His works have been sold at public auction 100...