19th Century Paintings

Artwork on canvas Wooden frame and gilded plaster 58 x 69.5 x 7 cm

A late 18th early 19th century oil on canvas Portrait of Prime Minister Spencer Perceval, bust-length, in an interior, holding papers.Attributed to George Francis Joseph...

The Bee Hive In Spring, 19th Century William Banks FORTESCUE (1855-1924) 19th Century Impressionist study of a bee hive in spring, oil on canvas laid to board by William Banks Fort...

Portrait of Lady Bateman, 19th Century School of Sir Thomas Lawrence (1769-1830) Large 19th Century portrait of Lady Bateman, oil on canvas. Half lengt...

Édouard GELHAY (Braine, 1856 - Paris, 1939) Game lost Oil on panel enlarged by two centimeters on the right side Signed lower left. Dedicated top right to Princess Maria JABLONOWSK...

Artist/ School: French Impressionist, circa 1900 Title: Still life composition of an interior scene with a red jug, floral background and a bowl of fruit; bea...

Artist/ School: British School, early 1800's, circle of George Morland (1763-1804). Title: The Stable Interior Medium: oil painting on canvas, unframed. Canvas: 25.25 x 30 inch...

This stunning Lakeland landscape (one of a pair) by the artist Charles Leslie (1839–1886) is an original oil-on-canvas painting that is over 100 years old. Leslie was an English landscape painter during the Victorian era. Being from a family of painters and strongly influenced by his grandfather, Edward Williams, another successful landscape painter, Leslie learnt to paint during his formative years. He spent summers with his uncles where he would slave away painting landscape after landscape until he mastered his craft. He then went on to pioneer paintings...

Charles Augustus Henry LUTYENS (1829 – 1915, British) On the Scent c.1880 Unframed 50 x 84 inches Framed 64 x 98 inches Oil on Canvas Signed Provenance: Possibly commissioned by G...

Portrait of a Young Aristocrat French School, circa 1800's circle of Louis Leopold Boilly (1761-1845) oil painting on canvas, framed canvas: 16 x 13.5 inches frame: 21 x 18 inches p...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Richard Bankes Harraden...

A beautifully considered and composed interior scene with nods to the darkened Dutch interiors of the 1600s, this late 19th Century oil shows a skilled hand and an accomplished eye, ...

A pair of Portraits of a Rabbi by José Schneider (1848-1893) Oil on canvas 2 parts, 21.2 x 18.4 cm (8 ³/₈ x 7 ¹/₄ inches) each Signed lower left on second panel, José Schneider

JOSÉ VILLEGAS Y CORDERO Spanish 1844 - 1921 "The Florence Sisters" signed "Villegas" (lower left) oil on canvas 33-1/2 X 40-1/2 inches (84.5 X 102.5 cm.) PROVENANCE Private Collector, Seville, Spain José Villegas Cordero (Seville, August 26, 1844-Madrid, November 9, 1921) was a Spanish painter. He directed the Prado Museum between 1901 and 1918. Biography He was the brother of the painter Ricardo Villegas Cordero. He began his apprenticeship very young with José María Romero, with whom he remained for two years until entering the School of Fine Arts in Seville, where he was under the tutelage of Eduardo Cano. In 1860, when he was only 16 years old, he sold his work Little Philosophy for 2,000 reais at the Seville Exhibition. In 1867 he traveled to Madrid, where he entered Federico Madrazo's studio. There he established friendship with painters Eduardo Rosales and Fortuny. He went regularly to the Prado where he copied Velázquez, from whom he acquired spontaneity and the use of color for his technique. Finally, and out of admiration for Fortuny's orientalist painting, he returned to Seville and organized an excursion to Morocco. At the end of 1868 he decided to travel to Rome accompanied by the painters Rafael Peralta and Luis Jiménez Aranda...

Artist/ School: P. MacArthur., Scottish School, 19th century, signed lower corner Title: Dusk over the Loch, Scottish Landscape Medium: signed oil painting on canvas, framed frame...

"Horse and Foal and Cattle in Pastures by Moonlight" Oil on Canvas (18 by 24 inches) Signed and dated 1899 and Framed in a traditional Impressionist Swept Frame. Charles Augustus Henry Lutyens was a portrait, animal and sporting painter. He was fairly eccentric and indeed named one of his sonsSir Edward...

Wilhelm Marstrand (1810-1873), Don Quichote und Sancho Pansa. Oil on canvas with a very nice frame: 45,5 x 57 cm.

Artist/ School: French School, 19th century Title: still life of fruit and flowers (and vegetables) within an ornamental, classical setting. Medium: oil painting on canvas, frame...

This is an original oil on canvas painting of a ‘Wintery River landscape with brushwood collector’. This work is circa the 19th century and pictures a snowy evening with a cool toned...

Artist/ School: American School, 19th century Title: Portrait of a Seated Lady Medium: oil painting on canvas, unframed canvas: 38 x 30 inches Prov...

A finely detailed portrait of a gentleman or architect with building plans or maps in his hand. Oil on canvas, inscribed on verso stretcher "G. Hedley Artist 1852 April," (possibly ...

Attributed to Antoine Felix Boisselier (19th Century) French 'Classical figures in a bed chamber Medium: oil on canvas, with inscription verso Size of pain...

Émile-Pierre Metzmacher (French, 1815 - 1890) A Young Beauty Crossing a Brook, A Hunter Beyond Oil on panel 24 x 19 1/2 inches Signed lower left Provenance: Christie's New York, Oct...

Artist/ School: Italian School, 19th century. indistinctly signed Title: Portrait of a Young Country Lady Medium: signed oil painting on canvas, framed. framed: 31.25 x 23 inches ...

Abraham Andre Zwahlen (1830 - 1903) The Ferry Crossing, n.d. Oil on canvas 19 x 29 inches Signed lower right Housed in a fluted cove frame.

Artist: Andrea Gastaldi Title: Savitry (from the Indian poem Mahabharata), 1871 Medium: oil on canvas Signature: signed lower right: “Andrea Gastaldi”. Exhibitions: Promotrice di Bel...

Mid 19th Century oil on canvas view of a Swiss valley and mountainscape by Alexander Calame. The painting is signed bottom left. The canvas is on a fine stretcher with 'keys'. The painting has been in a private collection in the North of France since the early 20th Century. A very beautiful and expert rendition of one of Calame's iconic Swiss mountain views. Atmospheric view of light and shade, a moody sky with the sun just breaking through over a small mountain cottage retreat. Alex Calame was born in Corsier-sur-Vevey, today a part of Vevey, Switzerland. He was the son of a skillful marble worker in Vevey, but because his father lost the family fortune, Calame could not concentrate on art, but rather he was forced to work in a bank from the age of 15. When his father fell from a building and then died, it was up to the young Calame to provide for his mother. In his spare time he began to practice drawing small views of Switzerland. In 1829 he met his patron, the banker Diodati, who made it possible for him to study under landscape painter François Diday. After a few months he decided to devote himself fully to art. In 1835 he began exhibiting his Swiss-Alps and forest paintings in Paris and Berlin. He became well known, especially in Germany. He is associated with the Düsseldorf school of painting. In 1842 he went to Paris and displayed his works Mont Blanc, the Jungfrau, the Brienzersee, the Monte Rosa and Mont Cervin. He taught in Geneva, where Adolf Mosengel was one of his pupils as were some of the children of the Russian Imperial family of Nicholas I. Alexandre Calame...

PIO RICCI Italian, (1850-1919) Adoration Date: 19th century Signature: Signed Pio Ricci (LR) Medium: Oil on canvas Dimension: 31 1/4 x 24 inches

MANNER OF DAVID TENIERS Oil on canvas. Signed. Size: 15 inches (h)x 21 inches (w) only canvas. 26 inches (h) x 30 inches (w) framed. An interior scene...

Oil painting on canvas. Mid 19th century. The large scene tells an unidentified historical episode, set in the Renaissance period, in which an archbishop listens to the plea of a you...

This is an original unique oil painting by the artist. A Twilight River Landscape by Karl Heffner (1849 – 1925), signed K Heffner (lower left). Oil on board, from an English estate. ...

stormy landscape oil painting on paper laid down on canvas

A substantial, mid-to-late 19th century American School nocturnal landscape showing a view of three children, accompanied by their terrier, fishing by ...

Joseph Weidner Austrian 1801 - 1870 Self Portrait Oil on canvas, signed lower left Image size: 23 x 19 inches (58.5 x 48.5 cm) Original gilt swept frame An artist from Vienna, who...

This is one of Raeburns best works from his best period that is not in a museum or private collection. Three-quarter length portrait, seated in a white dress with a black scarf over...

oil on canvas, signed and dated 'Louis Carrier-Belleuse 1874' (lower right)

Portrait Of Elizabeth Campbell & Daughter, Wife Of Colonel Colin Campbell circle of Margaret Carpenter (1793-1872) Large 19th Century English portrait of Elizabeth Campbell & Daughter, oil on canvas. Seated half length mother and daughter portrait of the wife of Colonel Colin Campbell. Good quality similar to Margaret Carpenters...

Portrait of a bay horse with army officer seated on a drinking trough, signed with monogram and and dated 81', inscribed verso 'by W E Milner, Gainsborough', oil on canvas. The size overall being 44 x 57 cm (17.5 x 22.5 inches) whilst the image is 35 x 48 cm ( 19 14 inches ) In very good condition housed in a gilt frame. William Edward Millner...

Artist/ School: Scottish/ Irish School, 19th century Title: Anglers in a Highland landscape Medium: oil painting on canvas, framed Size: framed: 20.75 x 26.5 inches canvas: 15 x...

Sunrise Landscape with Boats is an original painting probably realized by an artist of the Russian School in 1861. Mixed colored oil painting on can...

Amanti alla Fontana - Lovers by a fountain, painting oil on canvas, Signed left sight. Measures: cm 70 x 100 frame 118 x 145 Faustini Modesto. Brescia, 27 maggio 1839 - Roma, 23 m...

Portrait Of A Girl, circa 1800 circle of THOMAS HICKEY (1741-1824) Large circa 1800 Irish School portrait of a young girl in a white dress, oil on canv...

This is a stunning artwork entitled a ‘Landscape with Highland Cattle’. It is circa 20th Century and is an original oil on canvas painting by the English Artist William Perring Holly...

This original and unique detailed landscape scene of a rural cottage by a stream is by the artist O. J. Clark, English School. Signed lower right, with the cottage scene dated ’85 an...

Swiss-born Karl Bodmer (1809–1893) was one of the first and most accomplished European artists to document the landscape of the North American interior and its Indigenous peoples. He...

Artist/ School: Victorian British, after George Morland Title: The Farmers Stable Medium: antique oil painting on canvas, framed framed: 19.5 x 25.5 inches canvas: 15 x 21 in...

The Judgement Of Midas, 19th Century by George Arnald (1763-1841) to $100,000 Huge 19th Century English Old Master of the Judgement of Midas, oil on canvas by George Arnald. Excel...

This portrait depicts a seated colonial woman, painted in a realist style that can be compared to John Smibert. This painting has beautiful details such a...

These are original unique oil paintings by the artist. Henry Robinson Hall was a Victorian and Edwardian landscape painter, known for his oil and watercolour depictions of Highland c...

Oil on canvas Canvas size: 33.5 x 49 inches Signed lower right

Louisa Starr 1845 - 1909 Portrait of a Young Woman Oil on canvas, monogrammed Image size: 8 ½ x 6 ¼ inches (22 x 16 cm) Pre-Raphaelite style frame Provenance Family Estate Christies Private Estate This rare beautiful portrait is clearly influenced by the Pre-Raphaelites, who were friends of Louisa Starr. The Pre-Raphaelites often included symbolic elements in their work, and the background of ivy in this painting, symbolising everlasting life, is a reference to that. This is an early work by Starr as she uses her monogram of a letter L with a star, which can be seen bottom right. The photograph below shows the painting in her studio, top left. The Artist Louisa Starr was born in Liverpool of American descent. Starr attended Heatherley's Art School. During this period artistic training was dominated by the Royal Academy Schools, which gave students a rigorous grounding in life-drawing and painting, presided over by Frederick Leighton and staffed by some of the leading artists of the time. Competition to enter the RA schools was very great, and at sixteen Louisa Starr became the youngest student ever to attend, being one of two students selected out of thirty eight entrants. The fact that she was a woman is very significant. She signed her work 'L Starr' so that her gender was not apparent, and when her identity became known, she was told that it was not permitted by the constitution to admit female students. (Women had attended the RA Schools before but not in any great number and not for some time). When she asked to see the clause, it could not be found, and they ended up admitting six women students so that they could chaperone each other. She had an outstanding career as a student, winning a Silver medal for the best copy of Murillo's 'Beggars' in 1865 - which was the first medal ever awarded by the RA to a woman, and a Gold medal for the most successful historical painting in 1867. She met her future husband, Enrico Canziani, an Italian cousin, whilst visiting relatives in Italy. Her independent outlook and progressive thinking were somewhat at odds with traditional Italian village life, but Enrico understood and encouraged her work by setting up a studio space and helping to find local models for her to paint. He was a civil engineer, who had built a sugar refinery in Italy and established paper-mills and chemical product factories. They married in Dover in 1882, when Starr was thirty seven, and her attitude to life and work continued to be assertive and uncompromising. For example, she removed the 'obey' from the marriage service, and it was decided that she would continue to live and work in England, and Enrico would be the one to move. He settled in England, but as much of his business was in Italy he continued to visit at least three times a year. Their daughter Estella was born in 1887. She became a portrait and landscape painter, an interior decorator and a travel writer and folklorist. Estella reports that her mother dreamed of an ideal house and recognised it while driving in Kensington Gardens, seeing a board up advertising it to let. She telegraphed to her husband to come back from Paris and they secured the property just five minutes ahead of a gentleman who was also waiting for the office to open. Estella was born there two years later. The address was 3 Palace Green, Kensington. Louisa was good friends with many of the prominent artists of the day including Frederick Lord Leighton, Val Princep and his family who lived next door to Leighton as well as G F Watts...

In The Twilight, dated 1912 by Alexandr Victorovich Moravov (1878-1951) Large 1912 Russian Impressionist nocturnal interior "In The Twilight" oil on canvas by Alexandr Moravov. Ex...

The Martyrdom Of Saint Andrew, 18th/19th Century follower of Bartolomé Esteban Murillo (1617-1682) - signed Murillo Huge 19th Century Span...

Eugène Lavieille began his career engraving works by Jean-François Millet and Charles Emile Jacque and was, by 1841, studying with the greatest French landscape painter of the centur...

Mid 19th Century portrait of a young Irish woman in c. 1570s dress with ruffle. Painted in the style of William Merritt Chase. Unsigned and unframed.

19th Century French school, Two italian women in a landscape, oil on canvas 59 x 43.5 cm Bears a signature and a date on the lower left (see photograph please) but barely lisible ...

Finely painted after Hébert with a raven-haired beauty seated before a harp, pearls in her hair and about her neck, a diaphanous scarlet shawl draped across her shoulder, the reverse inscribed "O Music!... Friend of Pleasure, Wisdom's aid!" Impressed monogram and scepter mark, A 6 and Cypher. Title: The Harp...

Beautiful 19th century oil on canvas. Probably European but not sure. I do not see a signature. Housed in lovely burl wood frame which measures 30 1/4 inches wide by 22 1/2 high. Pai...