20th Century Paintings

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899 - 1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon ...

ca. 1965 Acrylic on canvas 54 1/4 x 54 in. (137.8 x 137.2 cm) Signed, verso

Fabry's captures the hight of elegance in his loose style. Conte crayon, watercolor on watercolor paper Signed lower right Private collection Other works by this artist: ca. 1940 - ...

This lithograph is from my private School of Paris collection of early, mid , late 20th Century artist. It is vibrant in color and a limited edition, hand signed. It is in very good ...

Airacuda Fighter Planes Art Deco Machine Age 20th Century American Modernism Arthur Rosenman Ross (1913 - 1981) Bell YFM-1 Airacuda Fighter Planes 17 1/2 x 26 1/2 inches Gouache, Airbrush and Ink on Illustration Board, 1938 Signed A. Ross lower right Provenance: Estate of the artist. BIO Arthur Rosenman Ross was a key figure in automotive design at General Motors during America's "Golden Age" of auto design, the 1930's through the 1950s. He attended the Art Institute of Chicago from age 17, exhibiting a special interest for automotive renderings and the female figure. In 1934, he changed his name from Rosenman to Ross, fearing his Jewish ancestry could prejudice his career prospects. At age 20, he turned down job offers from MGM Studios in Hollywood and Duesenberg to work at General Motors alongside the Legendary Harley Earl in 1935. He was hand picked by Mr. Earl and assigned to GM's War and Camouflage Division in 1937 through WW2. It was during this pivotal period in which he executed some extraordinary military aircraft artworks, likely used between GM and America's military aeronautics companies in design preparation for WW2. General Motors played an important role in helping America's aircraft manufacturers preceding and during the war. Just after the war in 1945, Mr. Ross was rewarded by GM, being made Chief Designer of Cadillac, then two years later becoming Chief at Oldsmobile until his retirement in 1959. He was in large part responsible for some of GM's classic Cadillac designs such as the Cadillac Sixty Special, Fleetwood, LaSalle and GM's first concept car, the extraordinary Buick Y-Job. Mr. Ross was an exceptionally charismatic and vivacious man who quite by chance, befriended His idol, Salvador Dali at GM in 1955. They talked about art, cars and girls late into the evening, according to his son, Carter Ross. He had a gift in rendering the erotic arts...

A wonderful drawing by Keith Haring on the first page of a catalog of his artworks exhibition. printed by Tony Shafrazi Gallery, New York, 1982 Signed lower right. Hand signed Marker...

Work part of the series "New International Abstraction" produced from 1972 to 2002 accompanied by certificate of authenticity on photograph issued by the Sarenco Foundation. Coming f...

Work on canvas

NYC 1939 World's Fair Mural Study American Scene WPA Modern Mid 20th Century Eugene Savage (1883 – 1978) 1939 World’s Fair Mural Study 45 x 30 inches Oil on Canvas Signed lower right The painting is part of a 1,000 piece collection of art and objects from the 1939 World’s Fair. The collection as a whole is available. Savage created the mural for the facade of the Communications Building. An image of the completed mural, along with a published postcard, is part of the listing. Note the center top female figure, she resembles the figure in the offered painting. BIO Eugene Francis Savage was born in Covington, Indiana 1883. He underwent various forms of art training in the early years. He was a pupil of The Corcoran Gallery and The Art Institute of Chicago, and was later awarded a fellowship to study in Rome at The American Academy. While under the spell of that ancient city the young artist began to render historic figures that were suitable for the classic style needed for mural painting in the traditional manor. During this period he was able to study and observe Roman and Greek sculpture, although much of the academic training was accomplished by using plaster casts along with the incorporation of live models. This method survived and was used efficiently throughout Europe and the United States. After leaving the Academy, Savage was commissioned to paint numerous murals throughout the United States and Europe. This artist received acclaim for the works he produced while under commissions from various sources. This young master was a contemporary of Mexican muralists David Alfaro Siqueiros (1896-1974), Jose Clemente Orozco (1883-1949) and Diego Rivera (1886-1957). In this period he was to show the influence of his contemporaries in formulating a modern style. Savage also played a vital role in the WPA Federal Art program, and he was a member of The Mural Art Guild.. Savage was elected an associate member of The National Academy of Design in 1924 and a full member in 1926. From 1947, he held a professorship at Yale University where he taught mural painting, and some of his students went on to significant positions. By this time the artist had painted large-scale murals at Columbia, Yale University, Buffalo N.Y., Dallas, Texas, Chicago, Indiana, along with other commissioned works. He also achieved recognition for a series of murals commissioned by the Matson Shipping Line and completed around 1940. For this commission, Savage made many exacting studies of customs and folkways of the Hawaiian natives. However, the award-winning murals were not installed as planned but were put in storage during the war years when the ships were used for troop transportation and were in danger of attack. However the mural images were reproduced and distributed by the shipping company including nine of the mural scenes that were made into lithographed menu covers in 1948. The American Institute of Graphic Arts awarded certificates of excellence for their graphic production, and the Smithsonian Institute exhibited the works in 1949. Today Savages' Hawaiian Art production is held in high regard by collectors of Hawaiian nostalgia. In later years the artist focused his attention on a theme that dealt with the customs and tribal traditions of the Seminole Indians of Florida. He produced many variations of this theme throughout his lifetime, and the pictures were usually modest scale easel paintings, precise and carefully delineated. Many of these pictures incorporate Surrealistic elements and show some minor stylistic influences of the painters Kay Sage...

Acrylic on canvas. Signed and dated lower right, titled verso. 69 x 68.25 in. 70.5 x 70 in. (framed) Custom framed in a solid maple floater. Provenance Private Collection, Hilton ...

Gouache on paper Unique work Hand-signed lower right by the artist

Bright abstract by D. Whelan (American, 20th Century). Vertical strokes of bright red are laid atop a peach colored background, creating a vibrant under layer. Thin broken lines of b...

"Untitled" by American artist Doris Vlasek Hails is an abstract acrylic painting on heavy paper. Signed “1979 Vlasek Hails” in upper left corner. Doris Vlasek-Hails was born in Chic...

The painting is in excellent condition and the painting size is 36"x36" without framing. . it is acrylic on canvas and signed lower right. Artist Bio. Dorothy Marootian (1921-2015)...

Norman Carton (1908 – 1980) was an American artist and educator known for abstract expressionist art. He was born in the Ukraine region of Imperial Russia and moved to the United States in 1922 where he spent most of his adult life. A classically trained portrait and landscape artist, Carton also worked as a drafter, newspaper illustrator, muralist, theater set designer, photographer, and fabric designer and spent most of his mature life as an art educator. Carton showed in and continues to be shown in many solo and group exhibitions. His work is included in numerous museums and private collections throughout the world. Norman Carton was born in the Dnieper Ukraine territory of the Russian Empire in 1908. Escaping the turbulence of civil war massacres, he settled in Philadelphia in 1922 after years of constant flight. While attending the Pennsylvania Museum School of Industrial Art, Carton worked as a newspaper artist for the Philadelphia Record from 1928 to 1930 in the company of other illustrator/artists who had founded the Ashcan School, the beginnings of modern American art. From 1930 to 1935, he studied at the Pennsylvania Academy of Fine Arts under Henry McCarter, who was a pupil of Toulouse-Lautrec, Puvis de Chavanne, and Thomas Eakins. Arthur Carles, especially with his sense of color, and the architect John Harbison also provided tutelage and inspiration. Following his time at the Pennsylvania Academy of Fine Arts, Carton studied at the Barnes Foundation from 1935 to 1936 where he was influenced by an intellectual climate led by visiting lecturers John Dewey and Bertrand Russell as well as daily access to Albert C. Barnes and his art collection. Carton was awarded the Cresson Traveling Scholarship in 1934 which allowed him to travel through Europe and study in Paris. There he expanded his artistic horizons with influences stemming from Henri Matisse, Pablo Picasso, Chaim Soutine, and Wassily Kandinsky. While at the Pennsylvania Academy of Fine Arts, Carton was also awarded the Toppan Prize for figure painting as well as the Thouron Composition Prize. He received numerous commissions as a portrait artist, social realist, sculptor, and theatrical stage designer as well as academic scholarships. During this time, Carton worked as a scenery designer at Sparks Scenic Studios, a drafter at the Philadelphia Enameling Works, and a fine art lithographer. From 1939 to 1942, the Works Progress Administration (WPA) Federal Art Project employed Carton as a muralist and easel artist. He collaborated with architect George Howe. The WPA commissioned Carton to paint major murals at the Helen Fleischer Vocational School for Girls in Philadelphia, the Officers’ Club at Camp Meade Army Base in Maryland, and in the city of Hidalgo, Mexico. Throughout the 1940s, Carton exhibited and won prizes for his semi-abstract Expressionist and Surrealist paintings. He socialized with and was inspired by Émile Gauguin and Fernand Leger. During World War II, Carton was a naval structural designer and draftsman at the Cramps Shipbuilding Corporation in Camden, New Jersey. Here, he created non-objective sculpture with metal. After the war, Carton co-founded a fabric design plant in Philadelphia. He produced hand-printed fabrics for interiors and fashion that were featured in Harper’s Bazaar, Vogue and Women’s Wear Daily. Original fabric designs were commissioned by notable clients including Lord & Taylor, Gimbels, and Nina Ricci. Some of these designs are at the Metropolitan Museum of Art. Carton traded his partnership in the fabric design company in 1949 to focus full-time on painting. Carton had his first solo exhibition in 1949 at the Philadelphia Art Alliance. This show was followed closely by solo exhibitions at the Laurel Gallery (New York City) and Dubin Gallery (Philadelphia). At this time, his exhibited work was Abstract impressionism. In addition to painting, he taught classes at the Philadelphia Museum of Art and was the Founder and first President of the Philadelphia chapter of Artist’s Equity Association. The Philadelphia Museum of Art and the organization of the National Museums of France commissioned Carton to travel to Europe, mainly France, in 1950 for a color photography study of continental masterpieces. He was granted access to study the restoration of the Mona Lisa and was one of the very few to be given permission to remove the painting from its frame. During his three year stay in Paris, he had solo exhibits at La Sorbonne and Gallery Rene Breteau and was in 15 group shows in Paris salons including Les Sur Independants, Salon d’Automne, and Realities Nouvelles. He also exhibited at the Musee d’Art Juif where he won the Prix d’Art. The Cercle Paul Valery twice sponsored Carton to present lectures at the Sorbonne. He conducted seminars at the Louvre for the Cercle Esthetique Internationale and taught classes in and directed stage and costume design for the Theatre de Recherche at the Paris Opera. Among his Paris artist colleagues were Chana Orloff, Earl Kerkam, Sam Francis, Claire Falkenstein, Lawrence...

Richard Anuszkiewicz Op Art painting, inscribed to documentary music composer, 1968 Acrylic on Masonite painting. Signed and dated by Richard Anuszkiewicz; inscribed to the film comp...

Artist Dorothy signed lower right. The artwork is an acrylic on canvas with a size of 36"x35.5". This painting was displayed in Dorothy Marootian's art exhibition "The artist's eye"...

God, Keeper, and Maker of all Air Tola-Kina. Figural Abstract Gouache Watercolor Painting.

This strange scene depicts two orange figures conversing in a large magenta room with a checkered wall, and a green furnace. This piece is executed in acrylic on canvas and measures ...

Momen is the creator of the Metaphor: The Tree of Utah, an 87-foot (27 m) sculpture resembling a tree in the Bonneville Salt Flats off of Interstate 80. He financed the project himself and built it from 1982 to 1986, afterwards donating the sculpture to the state of Utah. Known For remaining true to the initiation he received early in his career into the modernist paradigm that still informs his distinctive style to the present day. Momen is the most long-lived exponent of early twentieth century Geometric abstraction movement. bauhaus, futurism art...

Artist Angelo Ippolito (1922-2001) produced a body of oils on canvas, works on paper, and assemblages renowned for their lyrical color, light, and compositional rigor. His paintings ...

Oil on canvas. Signed, titled, dated verso. 40 x 44 in. 41.5 x 45.5 in. (framed) Custom framed in a natural cherry floater. Provenance Knoedler Contemporary, New York Ludwig Sand...

Ageless madam

Acrylic on canvas. Signed, titled, and dated on verso. 86 x 74 in. 87.25 x 75.25 in. (framed) Please note: Our framing studio could not accommodate the scale of this work, so it is being sold as-acquired. The canvas is housed in an original “studio strip” frame installed by the artist. Please see condition notes below for additional details and an assessment of condition. Provenance Steve Chase Design, Palm Springs, CA Ronnie Landfield was born in the Bronx, NY on January 9, 1947 - the same day as his older brother. As a teenager, he was encouraged to pursue a career as an artist, subsequently creating his first real paintings around the age of 14. He was particularly influenced by a Life magazine article from 1961 on the Abstract Expressionists, most notably: Jackson Pollock, Willem de Kooning, Adolph Gottlieb, Hans Hofmann, Mark Rothko, Clyfford Still, Robert Motherwell and Franz Kline. After stints at the Art Students League, the Kansas City Art Institute, the San Francisco Art Institute, and the University of California at Berkeley, Landfield’s professional career as a painter began in New York in 1965. The following year, after completing a major series of hard-edge border paintings, success as a painter began to materialize. The famous architect and collector Philip Johnson and the collector Robert Scull each acquired large paintings works, as did the Sheldon Memorial Museum in Lincoln, Nebraska. In 1967, Landfield was invited to participate in the Whitney Annual at the end of the year. His work attracted considerable attention, and he was invited to participate in important group exhibitions at the Bykert, Bianchini, and Park Place Galleries in New York. Landfield joined the David Whitney...

A market in the South of France, a remote island in the Gulf of Mexico and a desert sojourn are all part of a newly defined narrative for artist Mary Scrimgeour. Recently as a result of taking a self-imposed sabbatical from painting full time in a quest for redefinition of her painting career she has spent the last three years traveling, writing and studying art in pursuit of a deeper perhaps more authentic level of her creativity. Embracing a minimalist philosophy she chose to sell everything that she owned except for a few necessary things and set out in search of a new perspective and new experiences. These new experiences have led her to a refreshed and reinvigorated new approach to her work that has evolved into designing and writing illustrated books as well as painting. Mary Scrimgeour studied art at the University of Colorado in Boulder. She paints whimsical pictures of her favorite things such as ice cream cones, tools and aircraft. Scrimgeour adds layers of information about the creative process and invention to each of the paintings. Mary is a self-taught artist whose work is collected nationally as well as internationally. Selected Collections: Long Beach Museum of Modern Art, Long Beach, CA Jon Stewart’s “The Daily Show,” Denver office, Children’s Hospital, Denver, CO, Armstrong Oil and...

Oil on canvas. Signed lower right, signed and sequentially numbered on verso. 44 x 30.25 in. 47.5 x 33.75 in. (framed) Custom framed in a two-tiered matte white hardwood tray frame. Provenance Estate of Norman Carton Norman Carton was born in the Ukraine, eventually immigrating to the U.S. in 1922 and settling in Philadelphia, where he attended the Pennsylvania Museum School of Industrial Art. In the 1930s, he received a scholarship to attend the Pennsylvania Academy of Fine Arts (PAFA). Between 1939 and 1942, the Works Project Administration (WPA) employed Carton as a muralist. During World War II, Carton was a naval structural designer and draftsman at the Cramps...

Acrylic on linen. Signed and dated verso. 28 x 24 in. 29.25 x 25.25 in. (framed) Custom framed in maple. Provenance Allan Stone Gallery, New York Born ...

Claire Pichaud (French 1935 – 2017) Red Square Acrylic on canvas 31.1/2 x 31.1/2 in. (80 x 80 cm.) Signed (on the reverse on the stretcher) Other examples, same size, are available ...

Diti Almog (Israeli, b. 1960) CMMM, 1999; Acrylic on aircraft plywood; Signed, dated and titled; 12'' x 14''; Provenance: Baldwin Gallery, Colorado BIOGRAPHY Born Haifa, Israel 1982 – 1986 Bezalel Academy of Art, Jerusalem, Israel Lives and works in New York Currently teaching at NYU, New York SOLO EXHIBITIONS 2012 Inga Gallery, Tel Aviv, Israel 2009 Spacesurplus, New York 2008 Inga Gallery, Tel Aviv, Israel 2007 Wetterling Gallery, Stockholm, Sweden 2006 Tel Aviv Museum of Art, Tel Aviv, Israel 2004 Wetterling Gallery, Stockholm, Sweden 2002 Wetterling Gallery, Stockholm, Sweden 2000 Gallerie Anne de Villepoix, Paris, France Baldwin Gallery, Aspen, Colorado Marianne Boesky Gallery, New York 1999 Baldwin Gallery, Aspen, Colorado 1998 Gallery Anne de Villepoix, Paris, France 1997 Marianne Boesky Gallery, New York Mitchell-Innes & Nash Gallery, New York 1996 Boesky & Callery Gallery, New York 1995 Artifact Gallery, Tel Aviv, Israel 1992 Artifact Gallery, Tel Aviv, Israel 1991 Artifact Gallery, Tel Aviv, Israel 1990 Artifact Gallery, Tel Aviv, Israel 1988 The Israel Museum, Jerusalem, Israel Artifact Gallery, Tel Aviv, Israel 1987 Borgrashov Gallery, Tel Aviv, Israel SELECTED GROUP EXHIBITIONS 2010 High Definition, Bezalel Gallery, Tel Aviv, Israel. Curated by Ruti, Director 2008 Reframing, CCA Andratx, Mallorca, Spain. Curated by Barry Schwabsky 2007 Horizon, Elizabeth Foundation Galleries, New York 2004 The Sydney Biennale, Sydney, Australia 2000 Compression, Feigen Contemporary, New York Telesthesia Amnescopia, The School of The Art Institute of Chicago, Illinois New Work; Abstraction, Hosfelt Gallery, San Francisco 1999 Christmas Paintings, Marianne Boesky Gallery, New York The Stroke, Exit Art, New York. Curated by Ross Bleckner 1998 Painting Now and Forever, Matthew Marks Gallery, New York People, Places and Things, Marianne Boesky Gallery, New York 1996 Ceremonial, Apex Art, New York. Curated by Barry Schwabsky (brochure published) 1995 Summer Group Show, Patrick Callery, New York Summer Group Show, Bravin Post Lee Gallery, New York 1994 Art Focus, Tel Aviv Museum of Art, Tel Aviv, Israel 1993 Locus, Fisher Gallery, University of Southern California, Los Angeles 1991 Perspective, The Tel Aviv Museum of Art, Tel Aviv, Israel 1990 Aperto, Venice Biennale – The Israeli Proposal, Museum of Israeli Art, Ramat Gan, Israel The Museum as Collector, Tel Aviv Museum of Art, Tel Aviv, Israel Life Size, a Sense of the Real in Recent Art, The Israel Museum, Jerusalem (The opening of the Nathan Cummings 20th Century Building) Feminine Presence, Tel Aviv Museum of Art, Tel Aviv, Israel 1988 Fresh Paint, The Tel Aviv Museum of Art, Tel Aviv, Israel 1986 Artists Studios, Aika Brown...

Alan Cote Sunrise - an Expression, 1981 Acrylic Polymer (Aquatec) on Canvas (hand signed twice with original Washburn Gallery label) Hand-signed by artist, S...

A dynamic and forceful semi abstract landscape in impasto oil. The artist has created an unrelentingly engaging piece with dramatic colour and atmosphere. The painting is signed to t...

Modern abstract figurative painting by Houston, TX artist Margaret Nobler. The work features a central seated female nude set against a bold red and gr...

Folk girl. Paper, watercolor, 110x76 cm Dzemma Skulme worked in oil, acrylic and water-colors. She developed the theme of the caryatid, wherein she ende...

Passaggi is an original painting by Paolo Cotani (Rome, 1940-2011) in 1972. Hand-signed and dated in pencil on the lower right margin. Tempera on paper. Includes frame The artwor...

Illustration legend Bob Peak depicts a boxer that has fallen to the matt and is being given the 10-count by the referee. Peak captures that peak moment of drama and then exaggerates...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Island of Red Flowers Year: 1979 Medium: Oil on Canvas, signed, titled and dated verso Size: 7...

Acrylic and canvas collage on canvas by 20th century artist Margo Hoff (1910-2008). An abstract geometric painting in Margo's signature style of canvas collage, laying bits of canva...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Serie "U no és ningú" No. 21 by Antoni Tàpies (1923-2012) Acrylic, felt and pencil on cardboard 50 x 65 cm (19 ³...

Oli T. Sihvonen (1921 - 1991) The Secrets in the Circle, 1962 Oil on canvas 25 x 34 in Signed lower right; signed, titled dated, and inscribed "Box 563 Taos, N.M." on the reverse Provenance: Private Collection, Nyack, New York Known for large, hard-edged abstractions, Oli T. Sihvonen, a Brooklyn native of Finnish ancestry, grew up in Connecticut. He attended the Norwich Art School before enrolling at the Art Students League in New York between 1938 and 1941. During World War II, Sihvonen served in the United States Army as a sergeant, specializing, as he later said, in “camouflage and deception.” His tour of duty took him to Europe where he encountered the work of Paul Cézanne. In the summer of 1946, Sihvonen traveled to western North Carolina to study at Black Mountain College, which experienced a boost in enrollment following the war years. He was greatly influenced by the progressive color theories of Josef Albers, and, later, the thinking of Buckminster Fuller. After leaving Black Mountain in 1948, Sihvonen continued his studies under the G.I. Bill at Louis Ribak’s Taos Valley Art School in New Mexico from 1949 to 1950. A year spent painting murals in Mexico included work for the Instituto Politécnico Nacional in Mexico City, an early example of his large-scale proficiency. Returning to the East Coast, Sihvonen held a succession of teaching posts: initially in Washington, DC, and then in New York City, first at Hunter College in 1954 and the following academic year at Cooper Union. Drawn to the southwestern landscape, Sihvonen moved to New Mexico, where he resided in Taos from 1956 through 1967. There, he painted sizeable geometric compositions with exuberant colors, which was atypical of Taos painters...

Claire Pichaud (French 1935 – 2017) Patchwork of squares Acrylic on canvas 31.1/2 x 31.1/2 in. (80 x 80 cm.) Signed (on the reverse on the stretcher) Further works by Claire Pichaud...

original acrylic on canvas painting by the most famous israeli artist Menashe Kadishman signed lower center and reverse

"Red Square", by Anne Francey, painted in 1990 48 x 48 inches, unframed acrylic on paper pasted on canvas The prevalence of both nature and geometry in Islamic art both inspired an...

Houses of town. 1972, watercolor on paper, 55x75,5 cm Olgerts Jaunarajs (1907-2003) He was so-called legend of abstract expressionism in the Latvia...

In Speed is an original Contemporary artwork realized in 1992 by the italian Contemporary artist Leo Guida (1992 - 2017). Original Acrylic on wood. Frame is included. Total D...

French Portrait by Bernard Labbe (French mid 20th century) original gouache on artist paper, unframed size: 11.75 x 8.25 inches condition: very good and ready to be enjoyed. proven...

Red, by Sergio Bazan Oil on canvas Image Size: 57 H x 78 W in. Unframed _______ The paintings of Sergio Bazán have a strong gesture and expressionist imprint, firm and consistent ...

Claire Pichaud (French 1935 – 2017) Red abstract Acrylic on canvas Squares and diamond lozenge Signed ‘Claire Pichaud’ (on the stretcher) 31.1/2 x 31.1/2 in. (80 x 80 cm.) Further ...

Wonderful vintage impressionistic still life with burgundy and white African daisies (Osteospermum) in brass cache pot with statue by Marie Michael (Am...

Nice work in gouache and watercolor entitled Israel and signed Uytterhoeven.

This Blue Dog work consists of a red background with 3 animals, 1 each Boogie Bear, Dudley the dog and Blue Dog. All the animals have soulful yellow eyes and there is a bright yello...

Frann Spencer Reynolds (1926-2008) "Pink Triangle" c 1950s Oil on canvas 24"x32" float mount white distressed wood frame 26"x34.25" Signed on reverse Go...

Modern abstract expressionist painting influenced by Mark Rothko's color field paintings that incorporates red, orange, and navy tones. Signed in lower right corner as well as titled...

An impressive. large and lively hard edge abstraction by celebrated Jay Rosenblum. A classic work by him from 1979 and a great investment. This ...

Large red toned gallery space of a selection of the artist's own work in the style of Mark Rothko's color field paintings. This piece is part of a series that the artist did explorin...

Abstracto Rojo (Red Abstract) Hand signed and dated 1966 Angel Ponce de León (Spanish-French, 1925-) The artist, apparently still living in his late 8...

Note: We would call the "red" more of a "tomato red". Figurative expressionist Rex Ashlock began studying under David Park in 1938 at the then San Francisco School of Fine Arts. F...

Titled: Chants. Hand signed and dated. Sonja Kuhfahl (1928-) is a German born woman artist. She began her art career studying fashion design in Europe,...

*UK BUYERS WILL NEED TO PAY AN ADDITIONAL 20% ON TOP OF THE ABOVE PRICE Wo Alu und Honig Fließen by OTTO PIENE (1928-2014) Fire gouache with aluminium on cardboard 99 x 64 cm (39 x...