Late 20th Century Paintings

"Surrealist Landscape" by Geneviève Zondervan (French 1922-2013) oil painting on canvas, framed dated '99' signed lower corner framed: 19.25 x 14 inches A fine 20th century surreal...

Artist: Cornelius van Fulpen– American (1905 - 1987) Title: Silence Year: 1984 Medium: Oil on Canvas Size: 19.5 x 23.75 inches Framed size: 25.5 x 29.75 inches Signature: Signed, da...

Title: French Watercolor Painting of “Pin en Gemmage” in Forested Dunes by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper, unframed Size...

Patina - Minimalist Composition in Wax and Acrylic on Wood Panel Bold abstract composition by Charles David Francis (American, 1951-2018). Laye...

Beach Walk on a Cool Day French School, mid-late 20th century unsigned oil painting on canvas textured paper (reverse side is smooth, the painted side looks and feels as canvas), unf...

Vibrant contemporary still-life with bold primary colors of a red apple and blue mug on a yellow table cloth with a bottle of wine by E. Star (American, 20th century). Presented in a...

Wrestling Woman is an original mixed media, ink and tempera, realized by Sergio Barletta in 1998. Hand-signed on the lower right. Titled on the lower center, dated on the lower left. In good conditions. The artwork represents a nude wrestling...

Tristan Fabris 1973, French surrealist artist Abstract Surrealist composition oil on canvas, framed framed: 33 x 27 inches canvas: 32 x 25 inches private collection, France The pain...

On the rectangular table top there are items: White bread - Ukrainian meadow, two ears of corn, apples and peaches, black and white grapes, in the center behind them - a black Zhosto...

The Winter Tree signed by Georges Bordonave (French contemporary) oil painting on canvas, unframed canvas: 21 x 26 inches condition: very good provenance: from a large private collec...

There is something compelling about drawings and sketches made by architects. Loose and full of life this delicious little study, made on the spot, beautifully captures the essence of place. Made during one of Patterson's early tours to India it shows the gloriously majestic Palace Museum in Udaipur, Rajasthan, which sits on the highest point overlooking Lake Pichola and the City. The delicate wash of terracottas, pinks and reds offers us the feel of sun on the old stones. India Palace Museum (Udaipur), watercolour & pencil on paper, image 9.5cm x 14cm, framed 21.5cm x 24.5cm, Artist Stamp, signed in pencil bottom left, 1990 Doug Patterson...

Larry Zox Dexter's Choice, State II, ca. 1990 Mixed media, Watercolor pochoir, and Oil stick Wax, Water-Based Crayons, on heavy Arches museum watercolor rag paper with deckled edges 40 × 60 in 101.6 × 152.4 cm Edition 8/30 (unique variant) Frame included Measurements: Sheet: 40 inches (vertical) by 60 inches (horizontal) Frame: 42 inches x 62 inches x 1 inch Dexter's Choice, State # II is a unique, mixed media work from an edition of 30 unique variants done in pochoir, (25 stencils, 14 colors). Here, Zox uses watercolor instead of inks, which is applied to heavy 300 lb. watercolor paper. Although it is a multiple signed and numbered from the edition of 30, each work of art is unique because of how the paper receives the watercolor brush. In addition, this work is created like a mixed media painting because it has 11 lines added by hand with wax and water based crayons and oil sticks. The unique watercolor technique that Zox employed in making "Dexter's Choice" is documented in the textbook, "Screen Printing: Water Based Techniques,Roni Henning, NYIT ". Dexter's Choice was published by Images Gallery, and this work was acquired directly from the publisher before they sold out. This work is elegantly floated and framed in a white wood frame. Accompanied by gallery issued Certificate of Guarantee Larry Zox Biography: A PAINTER who played an essential role in the Color Field discourse of the 1960s and 1970s, Larry Zox is best known for his intensely and brilliantly colored geometric abstractions that question and violate symmetry.1 Zox stated in 1965: “Being contrary is the only way I can get at anything.” To Zox, this position was not necessarily arbitrary, but instead meant “responding to something in an examination of it [such as] using
a mechanical format with X number of possibilities.”2 What he sought was to “get at the specific character and quality of each painting in and for itself,” as James Monte stated in his introductory essay in the catalogue for Zox’s 1973–1974 solo exhibition at the Whitney Museum of American Art.3 Zox’s robust paintings reveal
a celebrated artist and master of composition who is explored and challenged the possibilities of Post-Painterly Abstraction and Minimalist pictorial conventions. Zox began to receive attention in the 1960s when he was included in several groundbreaking exhibitions of Color Field and Minimalist art, including Shape and Structure (1965), organized by Henry Geldzahler and Frank Stella for Tibor de Nagy, New York, and Systemic Painting (1966), organized by Lawrence Alloway for the Solomon R. Guggenheim Museum, New York. In 1973–1974, the Whitney’s solo exhibition of Zox’s work gave recognition to his significance in the art scene of the preceding decade. In the following year, he was represented in the inaugural exhibition of the Hirshhorn Museum and Sculpture Garden, Wahsington, DC, which acquired fourteen of his works.
 Zox was born in Des Moines, Iowa in 1937. He attended the University of Oklahoma and Drake University, Des Moines, Iowa, and then studied under George Grosz at the Des Moines Art Center. In 1958, Zox moved to New York, joining the downtown art scene. His studio on 20th Street became a gathering place for artists, jazz musicians, bikers, and boxers, and he occasionally sparred with visiting fighters. He later established a studio in East Hampton, a former black smithy used previously by Jackson Pollock. In his earliest works, such as Banner (1962) Zox created
collages consisting of pieces of painted paper stapled onto sheets of plywood. He then produced paintings that were illusions of collages, including both torn- and trued-edged forms, to which he added a wide range of strong hues that created ambiguous surfaces. In paintings such as For Jean (1963), he omitted the collage aspect of his work and applied flat color areas to create more complete statements of pure color and shape. He then replaced these torn and expressive edges with clean and impersonal lines that would define his work for the next decade. From 1962 to 1965, he produced his Rotation series, at first creating plywood and Plexiglas reliefs, which turned squares into dynamic polygons. He used these shapes in his paintings as well, employing white as a foil between colors to produce negative spaces that suggest that the colored shapes had only been cut out and laid down instead of painted. The New York Times in 1964 wrote of the works in show such as Rotation B (1964) and of the artist: “The artist is hip, cool, adventurous, not content to stay with the mere exercise of sensibility that one sees in smaller works.”4 In 1965, he began the Scissor Jack series, in which he arranged opposing triangular shapes with inverted Vs of bare canvas at their centers that threaten to split their compositions apart. In several works from this series, Zox was inspired by ancient Chinese water vessels. With a mathematical precision and a poetic license, Zox flattened the three dimensional object onto graph paper, and later translated his interpretation of the vessel’s lines onto canvas with masking tape, forming the structure of the painting. The Diamond Cut and Diamond Drill paintings...

Self taught outsider art by African American artist from New Orleans with work in major museum and private collections. White created a bold c...

Antique American modernist abstract oil painting. Oil on canvas. Image size, 24L x 36H.

Maurice Evans Original Mixed Media Portrait 20th Century Outstanding original portrait Acrylics and Oil on Paper Dimensions 15.5" wide x 23.5" high T...

4091 Graffiti art oil on artist board displayed in a custom -made wood frame. Signed by S.Mooney 1987. Image size 12H x12W

"Abstract Nude" by Roger Herson (French 1922-2008) signed & dated 2002, top left hand-side, gouache and crayon on paper, unframed painting: 14 x 10 inches Superb original abstract ...

Suggestivo e luminoso interno cortile di una casa in campagna, melo in fiore Colori Verde e bianco

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed lower right; titled verso. 36.25 x 28.75 in. 44.75 x 37.5 in. (framed) Custom framed...

Artist: Johnson Title: Secretariat Year: 1975 Medium: Oil on Canvas, signed Size: 66.5 x 50 in. (168.91 x 127 cm) Frame Size: 71.5 x 55.5 inches

The Ancient City (Greece? Italy?) signed by Georges Bordonave (French contemporary) dated 1996 oil painting on canvas, unframed unframed: 18.5 x 22 inches condition: very good prove...

Work on canvas Gray wooden frame 49.5 x 39 x 2.5 cm

Original oil on canvas painting. Hand signed on front; signed and titled on verso by Charles Levier. Stretched canvas size 39.5 x 29.5 inches. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered. About the Artist: Charles Levier (French, 1920–2003) aka Maurice Verrier...

Wonderful rustic landscape of ghost town Bodie, California titled, "The Old Trunk, Bodie" by Darwin Musselman (American, 1916-2010). Presented in a wooden frame. Egg tempera on Masonite, painted at his studio on Sequoia Drive in Fresno in 1972 (verified and authenticated by the son and estate, letter included). Signed "Darwin Musselman" lower right. Titled "The Old Trunk, Bodie" and signed "Darwin Musselman" on verso. Image size, 12"H x 24"W. Darwin B Musselman was born in Selma, California, in 1916 and began his art education at Fresno State College, from which he graduated in 1938. He then attended the Art Center School in Los Angeles, where he studied with the portrait artist, Stanley Reckless...

Gilbert Lewis (b.1945). Portrait of a Young Man, ca. 1990s. Gouache on illustration board, 18 x 24 inches. Signed upper right. Excellent condition. Measures 24 x 30 inches in custom frame. Provenance: estate of the artist. Artist statement: Figurative art is a vital active process. The image has its own meaning; not storytelling, not just a picture of a face or a flower. Neither is it simply an exercise in the arrangement of shapes or colors. I want to translate my immediate impression into paint to present the image of an outstretched branch of flowers or a face – direct and simple. My art reflects human concerns expressed symbolically, through fantasy and in a more concrete manner in the process of making the representation itself. Art is my response to the image, the end result of an active process of exploration of the limits of the paint on paper within the confines of representation. The painting of a face is not just a face. My feelings are expressed through these images. My paintings speak to anyone in touch with their own humanity; to anyone else my art may be dismissed as “to personal”. Biography: Gilbert Braddy Lewis born September 25, 1945 in Hampton, Va. Son of David Blake Lewis (born in Atlanta, Ga.) and Gladys Louise Braddy [Lewis] (of Sanford, Fl.); brother of David Blake Lewis (Jr.) and Linda Lewis [Hunter]. The family resides at 3 South Linden Street, Hampton, Va. 1953 until 1962 “I studied from the age of seven, in Virginia, with two well-known Tidewater artists, Jean Craig and the late Allan Jones. The teaching methods of carefully observed studies from nature in charcoal or tempra paint, derived, of course, from the original French academic model, conveyed its impact on my early development; however, my eye and consciousness were mostly activated by the reproductions on the studio wall of works by Botticelli, Da Vinci, and Michelangelo.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1963-68 Studies at Pennsylvania Academy of the Fine Arts with Franklin Watkins, Hobson Pittman, Morris Blackburn, and Walter Stuempfig. While a student at PAFA he shares apartment [261 South 21st Street] with PAFA students, Jody Pinto and Barbara Sosson. In 1967 he receives PAFA’s: Bergman Prize in Painting; M. Herbert Syme Prize; and Samuel Cresson Memorial Travelling Scholarship. The latter award enables Lewis to travel to Europe during the summer of 1967 where he visits museums. “In 1967, after having seen the Italian master’s work while on scholarship from the Pennsylvania Academy, I was to realize my great influences and to discover the earlier Sienese masters whose clarity and energy still move me.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1968 Horizontal painting [of an interior with a seated woman and cat by a large window] reproduced in black and white in school catalog for Pennsylvania Academy of the Fine Arts 1968-1969, p. 24. Other students whose works are reproduced include Clayton Anderson, Barkley Hendricks...

Harold Feist’s gloriously colorful acrylic abstract painting called Chanson radiates joy. Known for his innovative color field work, Feist has chosen a bright rainbow palette in broa...

Boat at Sea, Signed Oil Painting By French artist Claude Benard, (1926 - 2016) Signed by the artist on the lower right hand corner, Oil painting on canvas, unframed canvas size: 18 x...

William Stephens Shields, Jr., 1925 - 2010 "The Manifestation" 1994 Oil on canvas 48"x36" artist framed Signed lower center William Stephens Shields, Jr., 1925 - 2010 He was born in san Francisco, in 1931, Bill moved to Texas, where he grew up. Moved to New York in 1940 and later joined the Naval Air Corps at the age of 18. He served as an Aviation Cadet in the U.S. Navy from 1943 to 1945. At the end of WWII, Bill returned to Texas. At 21, Bill re-focused his energy and enrolled in the Chicago Academy of Fine Art as an Illustration major. What followed was a whirlwind of success, great friendships and a sense of belonging he had never before experienced. Art was his calling and the art-world could not have been less prepared for the likes of Bill Shields...

Artist: Jennifer Bain (American, born 1955) Title: Christina's Spirit 94-96 Year: Circa 1995 Medium: Acrylic on canvas Signature: Signed and titled on reverse by the artist...

Beautiful figurative painting of a female nude figure standing with a vibrantly colored and patterned quilt by Rebecca Hall (American, 20th Century). Signed "Rebecca Hall 1984" on ve...

Artist: Ian Hornak (1944-2002) Title: Last Song: Beim Schlafengehen (Going to Sleep) Year: 1985 Year: 1985-2001 Medium: Acrylic on Canvas, with Artist Painted Frame Size: 47 x 59 i...

Oil on canvas realized by Antonio Mellone in 1970s. Hand signed lower left. Very good condition. Includes a coeval wooden frame.

Jerusalem Israeli landscape cityscape with the Har Habayit, The Temple Mount. Size includes frame. canvas is 37.5 X 42.5 Edward Ben Avram (born 1941) is an Indian - Israeli artist who was born in Bombay, India and immigrated to Israel as a teenager. He graduated from the Bezalel School of Art and Design in 1965 and continues to call Jerusalem his home. Most of Ben Avraham oil painting and watercolors portrays Israeli cities, particularly the old city of Jerusalem with its architecture and orientalist domes and arches, religious festivals, and Bible stories. He paints in creamy sensual tones incorporating symbols such as doves, a menorah, and Shabbat candles. With his penchant for filigreed designs and bright colors, Edouard Ben Avram betrays some influences of his Indian boyhood. But the subjects that he paints so gracefully with a touch of Oriental lyricism are scenes of Jerusalem, his home for over 20 years. Exhibitions 1964 Group exhibitions in the United States and Canada 1977 Safrai Gallery, Jerusalem (a prestigious gallery that shows Abel Pann, Mordecai Ardon, Samuel Bak, Abraham Binder...

Acrylic on Panel. Hand signed, dated and titled on the rear. Authenticated by the artist on a photo. On rear: label “Il Collezionista d’Arte Contemporanea, Roma”. In excellent condit...

Vladan Stiha: 1908-1992. Well listed New Mexico artist with auction records over $12,000. He was born in Yugoslavia and tried to emigrate to the U.S. duri...

Waterline Fine Art, Austin, TX is pleased to present the following work: Acrylic and mixed media on canvas. Signed, titled, and dated verso. 40 x 76.5 in. 41.75 x 78.25 in. (framed) Custom framed in a solid, unfinished maple floater. Provenance Watson/de Nagy & Company, Houston Private Collection, New York Sherron Francis was born in 1940, in Downers Grove, IL outside of Chicago. She originally enrolled at the University of Oklahoma, but later transferred to the Kansas City Art Institute to focus more on art. Initially, Francis' practice was focused on figurative art, with visiting professor and renowned modern realist Philip Pearlstein remarking on Francis’ draftsman acumen. In the early 1960s, art dealers and gallerists from New York would visit the Institute to entice promising artists by offering scholarships and financial aid. Because such financial arrangements were only made for men, Francis had to persuade the school's leadership to allow for women to also be eligible for merit-based aid. Her advocacy was successful, and she ultimately graduated from the Kansas City Art Institute in 1963. She would then proceed to obtain her MFA from the University of Indiana, before assuming a teaching position at Eastern Michigan University. In 1968, with only $300 on hand, Francis moved to 16 Waverly Place in SoHo, New York. The neighborhood was a hotbed for young AbEx artists of the day, and she quickly befriended the likes of Peter Reginato, Walter Darby Bannard, Michael Steiner, Peter Young, Peter Bradley...

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

We originally had the name of the actual bay in Canada this fine painting depicts, but have been unable to dig it up. At any rate, it shows a number of sailboats with sails lowered, ...

William Stephens Shields, Jr., 1925 - 2010 "Blue Heaven" 1997 Oil on canvas 48"x48" artist framed Signed lower right William Stephens Shields, Jr., 1925 -...

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas cardboard. Work measurements 46x38 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish pa...

"Florentine Expressions: A Portrait Series II", oil on canvas, mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an inter...

5176 Vintage French Modernist Witch painting Signed and framed

Ron Gorchov Untitled, inscribed to Robert Vogele, 1978 Watercolor and etching on paper with 2 deckled edges. Hand signed in pencil and inscribed on lower front. Inscription reads as ...

Vintage Post-Impressionist Oil Painting of a Tree-Lined River in the Countryside of Northern Ireland by 20th Century Irish Artist, Ray Cochrane. Art measures 12 x 10 inches Frame me...

"Abstract Design" signed by Arlette Martin (French, b.1924) dated 76' gouache/watercolour painting on card, unframed painting: 19 x 20 inches Stunning original painting by the pop...

Signed, verso, on canvas, 'Sean Sult' for Sean Gilbert Sult (American, born 1949) and dated 'Spring, 1980'. A substantial oil showing an ocean view looking ...

Artist unknown "Black & White Abstract" May 29, 1988 Acrylic on Strathmore paper 25.75"x40.5" unframed Unsigned

Milly Ritsvedt’s lifelong exploration of the world of colour and its potential to express emotion in abstract form continued in the seventies. The celebrated contemporary artist crea...

Vibrant landscape of reflections of Sierra Mountains reflecting on Tahoe Lake by J. Conover (American, 20th Century). Oil on artist board landscape pa...

Mixed media on canvas, framed. EXcondition Exploring the common properties of shaping, firing, and glazing clay along with creating collage works with encaustic medium and acrylic has inspired Beth Field to create a wide range of creative pieces. She draws on her love for color, pattern, and old things of all kinds to craft individual pieces that carry an echo of another time and place. Beth Fields has followed a wandering path before finding her heart home in McKinney, TX. After growing up in the North Dallas suburbs, Beth received a BA from Eugene Lang College in NYC, NY and a MEd from Boston College...

Black and White Nude Woman in Acrylic, Gouache, and Charcoal on Paper Black and white painting of a woman by acclaimed bluegrass musician Katherine ...

By the sea. Paper, pastel 33x27 cm Victor Karnauh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painter, a mo...

Vibrant fauvist portrait of a woman by Sarena Rosenfeld (American, b. 1940), 1995. Signed and dated lower right hand corner and on verso. Titled "Smoke and Mirrors." Gallery wrapped ...

Beautiful mixed media abstracted landscape evoking the elegant beauty of the first snow in winter by Grace Eichholz (American, b. 1927). Warm neutrals with highly abstracted landscap...

Abstract composition oil on canvas, unframed canvas: 33 x 29 inches provenance: private collection, UK condition: good and sound condition

Pacific Coast in Spring - Watercolor Landscape Vibrant watercolor of Pacific coastal waters crashing in the the cliffs, by an unknown artist (American, 20th Century). Bright, fauvis...

5011 Vintage street art acrylic and gold paint on canvas Signed Sari 74

This minimalist abstract acrylic painting is by Canadian artist Milly Ristvedt. Sea Span is one of a series of paintings Milly Ristvedt produced in the 1970s that used a clean, bol...