Large Portrait Paintings

Caravaggio painted "The Incredulity of St. Thomas" with Christ looking down as he pilots Thomas’ hand to his side. Not looking at Thomas or the others, but to his wound. He seems interested in the proof of his embodiment. He wants to know that this is real. He too, questions his body, his life and death. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This artwork is unframed. Contact the gallery for framing options. Reenactment is a material culture where the feel of authentic wool has transformative power. The closer you can recreate the “kit” of the authentic soldier the closer you are to that past. In the pursuit of touching the past there are questions- Is this real? Did this happen? Is this me? Is this us? The gesture of piloting a finger into the side represents these repetitive questions. - William Blake Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War...

Oil on canvas Karine Bartoli was born in 1971 in Ajaccio. She enrolled at the Ecole Nationale Superieure des Beaux Arts in Marseille where she graduated in 1997. Since then she has ...

"ALACRAN" Painting (FRAMED) 40" x 30" inch by Isaac Pelayo Medium: Oil stick & aerosol on paper Size framed: 43.5" x 33.5" inch ABOUT THE ARTIST: Isaac Pelayo is a head on crash ...

A pop piece depicting a 100 Dollar Bill featuring Benjamin Franklin. With impasto painting, spray paint and silkscreening, we are drawn to the movement, as the artist is able to eng...

The Penitent Magdalene, 17th Century circle of CARLO DOLCI (1616-1686) Large 17th century Italian old Master depiction of the Penitent Magdalene, oil on ...

Prayer for peace in Ukraine

Portrait Of A Lady As Diana, 17th Century Salomon de Bray (1597-1664) Large 17th Century Dutch Old Master portrait of a lady as Diana, oil ...

ABOUT THE ARTWORK The work “OLIVIA,” is part of the author's broader exploration of the theme of human identity in the modern world. Special attention is paid to the portrayal of th...

Circle of Sir Peter Lely Dutch, (1618-1680) Portrait of a Lady, traditionally identified as Princess Henrietta Anne Stuart Oil on canvas Image...

Meyer-Waldeck Kunz Mitau 1859 –1953 Neuburg Fishermen Boats in Harbour of Cascais, Portugal German Painter Signature: Signed bottom right Medium: Oil on canvas Dimensions: Image s...

Artist: Jack Graves III (American, 1988-) Title: "Princess Diana Icon V" Series: Icon *Signed by Graves lower right. It is also signed, titled, and dated on verso Year: 2022 Medium: Original Acrylic Painting on Canvas Canvas size: 40" x 32" Condition: The stretched canvas was custom built by the artist himself. In mint condition Notes: Diana, Princess of Wales (1961-1997), was a member of the British royal family. She was the first wife of Charles, Prince of Wales—the heir apparent to the British throne—and mother of Princes William and Harry. Biography: Jack Graves III is an American artist, born in 1988 in Jacksonville, Florida. He grew up surrounded by inspiration having an art dealer as a father, John Graves...

Hans Zatzka (8 March 1859 – 17 December 1945 Young Lady With Cupid in The Park Oil on canvas circa 1880 signed low with pseudonym C.BRIAND Old Frame gilded with leaves Size canvas : ...

Figurative, minimalist, human figure, portrait , neo cubist

Portrait of Francis Muir (1839-1912), dated 1888 by FREDERICK SAMUEL BEAUMONT (1861-1922) 1888 Royal Academy Exhibited Work Large 19th Century portrait of Francis Muir, oil on board by Frederick Samuel Beaumont. Excellent quality portrait by the Paris trained...

Certificate of authenticity and artist catalogue are included. Bruno Paoli (1915-2005) Teaching the masters helped create this contemporary master. Bruno was a professor of art in F...

Madonna with baby. Paper, watercolor, 85,5x62,5 cm Dzemma Lia Skulme (born 1925 20 IX - 2019) Skulme graduated from the Academy of Arts of Latvia, Department of Monumental Painting ...

Artist: Mishurovski V.V. Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Classic Figurative Year: 2010 Title: Summer Size: 35.5" x 18" x 0....

A pop piece depicting Jean-Michel Basquiat with impasto painting, spray paint and silkscreening. We are drawn to the movement, as the artist is able to engage his viewer with contras...

Artist/ School: French School, 19th century, after the earlier work by Rembrandt Title: Self portrait of the artist Medium: oil on canvas, framed in antique gilt swept frame. Fra...

Portrait of a lady in a white dress, 19th century Beautiful portrait from an English school circa 1840 Beautiful large portrait from an English school from the 19th century of a la...

Thomas Darsney’s paintings reveal a palpable tension between the tactile sensuousness of fabric and the subdued brushstrokes of paint made flesh. United by this visual juxtaposition,...

"PALOMA" Painting (FRAMED) 40" x 30" inch by Isaac Pelayo Medium: Oil stick & aerosol on paper Size framed: 43.5" x 33.5" inch ABOUT THE ARTIST: Isaac Pelayo is a head on crash c...

Italian School, 18th century Depicted are the Madonna and Child Jesus, the virgin Mary is holding the Child Jesus lovingly in her arms. The child, lying on a bundle of cloth and with...

This early 20th-century oil painting by Swedish artist David Tägtström (1894-1981) depicts a seated woman referred to as ‘Hegert’. Leaning forward as if listening intently to a fami...

Artist: Jack Graves III (American, 1988-) Title: "Brigitte Bardot Icon IV" Series: Icon *Signed by Graves lower right. It is also signed, titled, and dated on verso Year: 2022 Mediu...

Angels Grau is a Catalan artist who spends her time between Barcelona, New York, and a small village located in the breathtaking Priorat, one of the most notorious wine regions in Eu...

William Clarke Wontner 1857-1930 British Portrait of a Beauty Signed and dated "W. Wontner 1918" (lower left) Oil on canvas Classical beauty a...

Dave Seeley's "The Goddess Animalia" is an exquisite original oil on print artwork, presenting a breathtaking fusion of the human form with the animal kingdom. Spanning a substantial...

Portrait of a lady wearing a white gown with a red cloak, pearls in her hair and draped over one shoullder, standing beside a classical urn with a basket of flowers, c.1765. The portrait is believed to be a companion portrait of a John (1741-1816) or James (1751-1807) Durno which is housed in an identical frame. The sitter is possibly either the wife of John who was Janes Byres of Stonywood or John and James's sister Elizabeth. (James never married). The Durno family were based around the Aberdeen area of Scotland and John was an advocate in the area and then later a customs official in Jamaica. James was a successful timber merchant, spending time in the Baltic before being made His Majesty's Consul in Memel, Prussia. The portrait is likely to have been painted before Tilly travelled to India in 1768, when John, Jane and Elizabeth would have been in their twenties. We are gtrateful to Mark Beattie for sharing his family knowlege and research on the portrait. Provenance: With W. C. Beattie in the mid 19th century, and by descent through the family Private collection, Kent With thanks to Hugh Belsey who has confirmed this to be the work of Tilly Kettle from photographs. Tilly Kettle (1735-1786) was born in London, the third of six children by Henry Kettle (c.1704-c.1773), a coach painter, and his wife Ann. He attended William Shipley...

Quang Ho's "Gypsy Dance" (2025) is an original oil painting depicting multiple dancers in colorful garb. About the artist: Quang Ho was born on April 30, 1963, in Hue, Vietnam. He ...

Artist: Josip Horvat, Yugoslavian (1939 - 1981) Title: Portrait of a Man Year: 1967 Medium: Reverse Oil painting on Glass, signed and dated l.l. ...

Early 19th Century Portrait of a Lady -- Elizabeth Clough of Keighley, Yorkshire - Unsigned An unsigned, finely executed example of British academic portraiture bearing the hallmark...

"As an African-American artist in today’s world, I embody the vast differences found in our collective backgrounds. I view them as cultural assets. We are always self discovering and these self discoveries take us in surprising directions. We must gain strength from what we learn from each other as well as listen to that persistent, ever present, intuitive self. The connection of one’s own rich heritage and person growth will travel into the inevitable and critical connection between African Americans and Africa. These connections are rich and very important. They Exist! My work, I hope, will serve as a creative connection between the African diaspora and western culture. It is this connection that cause my creative forces to react." Janice Frame...

Jazz. Oil on canvas. 73x100 cm Man with saxophone The artist Vadim Kovalev was born in 1968 in the capital of Latvia, Riga, where he is also presently ...

"Anticipation" Oil painting 39" x 39" inch by Omar Abdel Zaher Abdel Zaher is a graduate of the Academy of Fine Arts in Helwan and has been painting for three decades and has notabl...

Masri is a passionate Italian, US-based artist whose work has been exhibited in USA, the UK, Germany, Lebanon, Italy and Norway. His work is varied and known especially in Europe, and in Major collections - Ellen Degeneres, Ringo Starr, Al Gore and many more. Harnessing an insatiable desire for artistic discovery, innovation and perfection, he dives into experimentation with openness and enthusiasm. The works he produces as a result are bright, expansive and bold. Masri has developed a style that captures Mideastern mood with A Lucien Freud brush touch. The painting comes with a certificate of authenticity and a letter of appraisal. Artist statement: "I live four seasons every day - it is a humongous world of perceptions, conceptions, and achievements; a world of renewable psychological input and output fraught with flowing emotions, endurance, and pain. " Represented by American Art Gallery...

This impressive late 19th century portrait oil painting is by British artist James Edward Barclay. The sitter is a Major in the Royal Marines, William Wynch George Back Willis who wa...

Portrait Of King Edward VI (1537-1553) as Prince Of Wales, 16th Century English School - Oil on panel - circa 1547 Large 16th Century portrait of Edward VI as Prince Of Wales, oil on panel. Early and important portrait...

Follower of Enoch Seeman the Younger German, (1694-1744) Portrait of Gilbert Sympkin Oil on canvas Image size: 29.25 inches x 24.5 inches Size including frame: 38 inches x 33.25 inches A fine three quarter length portrait of a gentleman traditionally identified as Gilbert Simpkin (Sympkin), follower of Enoch Seeman the younger, C1720. The portrait is set in a feigned sculptured oval cartouche, a device used to give a sense of depth. The sitter is depicted wearing a fashionable blue jacket and matching waistcoat with a white chemise and lace jabot. He wears a powdered wig in the fashionable style of the day and is posed holding his hat under his left arm with the fingers of his right hand stretched out. At court, long fingers signified wealth, culture and intelligence. The painting has clearly been executed by an artist of great ability who has been influenced by Enoch Seeman the younger. Gilbert Simpkin (Sympkin) was born in London on 24 August 1683, the son of John Simpkin and Susannah Butler. His grandfather was also called Gilbert Simpkin. He entered Oxford University in 1700 where he studied at St John’s College. In 1702, he became a student of Middle Temple, which at the time was one of the world’s most important centres of legal education. He later settled in Plymouth and then Bristol. He died in Bristol on 15 May, 1744 and was buried at Bristol Cathedral. He remained unmarried and the portrait may well have been commissioned to commemorate when he was first Called to the Bar or perhaps had established his own practice. Enoch Seeman or Seemann the younger was born in Danzig, Germany now Gdansk, Poland in 1694. His father was Enoch Seeman Senior, an artist of Flemish origin and his brothers Isaac, Noah and Abraham also became artists. He came to London with his father and brothers around 1704 and established himself as a portrait artist. From 1717 he became painter to the Royal court painting...

This piece depicts famous artist, Jean-Michel Basquiat. Done with beautiful expressive colors and a distinctive street art design, this piece pops with energy and romantic beauty. It...

‘Elmo’ unique painting is a playful bright representation of the sesame street character. Rondinone warps his subject matter intentionally, bringing a new dimension to beloved charac...

Erin Hammond is a contemporary abstract expressionist artist whose free-form paintings capture the essence of her inner, subjective realities. With a vibrant palette and dynamic mark...

Portrait General George Brinton McClellan (1826-1885), 19th Century Commanding General Of US Army to Abraham Lincoln, Governor of New Jersey American School Large 19th century military portrait...

"Vincent Van Gogh, Olive Trees" captivates with a vivid reimagination of the legendary artist, intertwining iconic elements of his life and work into an intriguing narrative canvas. ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

From the series dedicated to Timeless Women by Salvador Aulestia, this is definitely a museum-grade artwork, exceptionally granted to celebrate yellow, a color well present in the Ca...

"Mia" Painting 35" x 28" inch by Vladislav Chenchik Artwork ships rolled in tube. Vladislav Chenchik is a contemporary artist from Ukraine. His artwork combines abstract and reali...

French Orientalist, signed and dated (19)98 oil on canvas dated 98' framed: 39 x 31 inches canvas: 29 x 21 inches Provenance: private collection, France Condition: very good conditi...

Sir Henry Raeburn (1756-1823) James Sinclair, 12th Earl of Caithness (1766-1823) Oil on Canvas 30 X 25 inches Unframed 37 X 32 inches framed Sir Henry Raeburn FRSE RA RSA (4 March 1756 – 8 July 1823) was a Scottish portrait painter and Scotland's first significant portrait painter since the Union to remain based in Scotland. He served as Portrait Painter to King George IV in Scotland. Raeburn was born the son of a manufacturer in Stockbridge, on the Water of Leith: a former village now within the city of Edinburgh. He had an older brother, born in 1744, called William Raeburn. His ancestors were believed to have been soldiers, and may have taken the name "Raeburn" from a hill farm in Annandale, held by Sir Walter Scott's family. Orphaned, he was supported by William and placed in Heriot's Hospital, where he received an education. At the age of fifteen he was apprenticed to the goldsmith James Gilliland of Edinburgh, and various pieces of jewellery, mourning rings and the like, adorned with minute drawings on ivory by his hand, still exist. Soon he took to the production of carefully finished portrait miniatures; meeting with success and patronage, he extended his practice to oil painting, at which he was self-taught. Gilliland watched the progress of his pupil with interest, and introduced him to David Martin, who had been the favourite assistant of Allan Ramsay the Latter, and was now the leading portrait painter in Edinburgh. Raeburn was especially aided by the loan of portraits to copy. Soon he had gained sufficient skill to make him decide to devote himself exclusively to painting. George Chalmers (1776; Dunfermline Town Hall) is his earliest known portrait. In his early twenties, Raeburn was asked to paint the portrait of a young lady he had noticed when he was sketching from nature in the fields. Ann was the daughter of Peter Edgar of Bridgelands, and widow of Count James Leslie of Deanhaugh. Fascinated by the handsome and intellectual young artist, she became his wife within a month, bringing him an ample fortune. The acquisition of wealth did not affect his enthusiasm or his industry, but spurred him on to acquire a thorough knowledge of his craft. It was usual for artists to visit Italy, and Raeburn set off with his wife. In London he was kindly received by Sir Joshua Reynolds, the president of the Royal Academy, who advised him on what to study in Rome, especially recommending the works of Michelangelo, and gave Raeburn letters of introduction for Italy. In Rome he met his fellow Scot Gavin Hamilton, Pompeo Girolamo Batoni and Byers, an antique dealer whose advice proved particularly useful, especially the recommendation that "he should never copy an object from memory, but, from the principal figure to the minutest accessory, have it placed before him." After two years of study in Italy he returned to Edinburgh in 1787, and began a successful career as a portrait painter. In that year he executed a seated portrait of the second Lord President Dundas. Examples of his earlier portraiture include a bust of Mrs Johnstone of Baldovie and a three-quarter-length of Dr James Hutton: works which, if somewhat timid and tentative in handling and not as confident as his later work, nevertheless have delicacy and character. The portraits of John Clerk, Lord Eldin, and of Principal Hill of St Andrews belong to a later period. Raeburn was fortunate in the time in which he practised portraiture. Sir Walter Scott, Hugh Blair, Henry Mackenzie, Lord Woodhouselee, William Robertson, John Home, Robert Fergusson, and Dugald Stewart were resident in Edinburgh, and were all painted by Raeburn. Mature works include his own portrait and that of the Rev. Sir Henry Moncrieff Wellwood, a bust of Dr Wardrop of Torbane Hill, two full-lengths of Adam Rolland of Gask, the remarkable paintings of Lord Newton and Dr Alexander Adam in the National Gallery of Scotland, and that of William Macdonald of St Martin's. Apart from himself, Raeburn painted only two artists, one of whom was Sir Francis Leggatt Chantrey, the most important and famous British sculptor of the first half of the 19th century. It has recently been revealed that Raeburn and Chantrey were close friends and that Raeburn took exceptional care over the execution of his portrait of the sculptor, one of the painter's mature bust-length masterpieces. It was commonly believed that Raeburn was less successful in painting female portraits, but the exquisite full-length of his wife, the smaller likeness of Mrs R. Scott Moncrieff in the National Gallery of Scotland, and that of Mrs Robert Bell, and others, argue against this. Raeburn spent his life in Edinburgh, rarely visiting London, and then only for brief periods, thus preserving his individuality. Although he, personally, may have lost advantages resulting from closer association with the leaders of English art, and from contact with a wider public, Scottish art gained much from his disinclination to leave his native land. He became the acknowledged chief of the school which was growing up in Scotland during the early 19th century, and his example and influence at a critical period were of major importance. So varied were his other interests that sitters used to say of him, "You would never take him for a painter till he seizes the brush and palette." In 1812 he was elected president of the Society of Artists in Edinburgh; and in 1814 associate, and in the following year full member, of the Royal Scottish Academy. On 29 August 1822 he was knighted by George IV and appointed His Majesty's limner for Scotland at the Earl of Hopetoun house. He died in Edinburgh. Raeburn had all the essential qualities of a popular and successful portrait painter. He was able to produce a telling and forcible likeness; his work is distinguished by powerful characterisation, stark realism, dramatic and unusual lighting effects, and swift and broad handling of the most resolute sort. David Wilkie recorded that, while travelling in Spain and studying the works of Diego Velázquez, the brushwork reminded him constantly of the "square touch" of Raeburn. Scottish physician and writer John Brown wrote that Raeburn "never fails in giving a likeness at once vivid, unmistakable and pleasing. He paints the truth, and he paints it with love". Raeburn has been described as a "famously intuitive"portrait painter. He was unusual amongst many of his contemporaries, such as Reynolds, in the extent of his philosophy of painting directly from life; he made no preliminary sketches. This attitude partly explains the often coarse modelling and clashing colour combinations he employed, in contrast to the more refined style of Thomas Gainsborough and Reynolds. However these qualities and those mentioned above anticipate many of the later developments in painting of the 19th century from romanticism to Impressionism. Sir Henry Raeburn died in St Bernard's House (17 St Bernards Crescent), Stockbridge, Edinburgh. He is buried in St. Cuthbert's churchyard against the east wall (the monument erected by Raeburn in advance) but also has a secondary memorial in the Church of St John the Evangelist, Edinburgh. James Sinclair, 12th Earl of Caithness was born at Barrogill Castle (Castle of Mey) on 31 May 1766. He was the son of Sir John Sinclair of Mey, Baronet who he succeeded in the baronetcy in 1774. He succeeded as 12th earl of Caithness in 1789. He was lord-lieutenant of the county of Caithness and lieutenant-colonel of the Ross-shire militia. He married at Thurso Castle on 2 January 1784 Jane, second daughter of Alexander Campbell...

"It is better to wake up" is a hymn for the "awakening" of humanity. Hand-signed by artist, Certificate of authenticity Included (issued by authorized authenticating body) Image r...

This painting is as much about the artist's brilliant painting skills and technique as it is about the subject matter. Sundblom's quick bravura brush strokes seem abstract on close i...

The work of Gian Marco Capraro mixes the old master's imagery mostly religious with a fresh technique, blurring some of the main characters, evoking a sense of mystery. The bold brig...

Portrait Of Elizabeth Campbell & Daughter, Wife Of Colonel Colin Campbell circle of Margaret Carpenter (1793-1872) Large 19th Century English portrait of Elizabeth Campbell & Daughter, oil on canvas. Seated half length mother and daughter portrait of the wife of Colonel Colin Campbell. Good quality similar to Margaret Carpenters...

This superb vibrant Orientalist Post Impressionist oil painting is by noted British artist Gerald Spencer Pryse. It was painted about 1925 when Pryse was visiting Morocco and Norther...

A confidant is someone you trust deeply and confide in. They typically share personal thoughts, feelings, and secrets that you might not feel comfortable sharing with others. Dependi...

Brazilian artist Ozz Franca reflects on performance, identity, and detachment in this mixed-media composition. Two figures dominate the central space: a Pierrot and a figure whose fa...

Figurative, minimalist, human figure, portrait , neo cubist

Original painting on canvas. Hand signed lower front by Fernando Fernandez. Canvas is sretched. Artwork is in excellent condition. Certificate of authenticity included. All reasona...

This visually arresting piece explores identity through a minimalist lens, blending stark realism with geometric abstraction. A figure in black—poised, introspective, and shielded be...