Panel Portrait Paintings

Oil Painting on panel realized by Miloslava Vrbova (1909-1991) in the mid-20th century, depicting an elegant reclyned ballerina. Hand signed. Good condition, framed.

"Daughter" (2024) by Adam Shaw is an original handmade oil painting that depicts a portrait of an astronaut with her face partially visible through her helmet. About the Artist: Fi...

Oil painting on panel portrait of an American eskimo dog 20Th c. The American Eskimo Dog is a breed of companion dog, originating in Germany. The American Eskimo Dog is a member of ...

David Finsonius (Veere 1597- Bergen op Zoom 1646/1648) Portrait of a girl with a rose and a red coral necklace With traces of the artist’s signature and annotated AETATIS S.V. 2 1⁄2 Ao 1631 Oil on panel, H. 104.5 x 79.5 cm Provenance: Purchased by Jonkheer Helenus Marius Speelman (1857-1909), Kasteel de Wittenburg; thence by descent The work shows a strong resemblance to a portrait by Finsonius in the North Brabant Museum. This signed and dated "Girl with Basket and Cherries" (Inv. 15529), was painted just a year later, in 1632. Not only are the paintings remarkably similar in overall size and format, in painting style, and in the positioning of the girls in full length in their white lace dresses. They are also connected by the iconographic scheme of the respective coral necklaces, each with a gold memorial medal hanging from it. Although they are of course individuals, the faces are very similar in their depictions of features such as eyes, nose, and lips. This points to the same technique applied by the same painter. Finally, the handwriting is almost the same on the works by Finsonius known so far. About the painter, David Finson named 'Finsonius' (related to the better-known Louis Finson...

Titan Fine Art presents this exquisite oil on panel portrait depicting a handsome young gentleman in an exuberant black damask doublet. The pose, with one hand holding gloves and the other akimbo, was one that was well-established for gentleman of the upper echelons of society by the time this work was painted. The principle governing portraits at this time was the recording and defining in visual terms of the position of a sitter in society. In addition to brilliant and complex symbols of luxury, they often contained many symbolic elements too; the inclusion of gloves was often used in portraits that celebrated a betrothal as in ancient times gloves were used to seal a marriage contract. The extraordinary costume of a black shimmering doublet, the brilliant white reticella ruff, and the cuffs edged with lace were immensely costly… this attire proclaims to every onlooker that this is a superior being. The rendering of the reticella lace ruff is exquisite and the artist has recorded the design that runs through the black damask fabric with meticulous attention to detail. The preservation of this black pigment is remarkable considering the age of the work. Black pigments are especially vulnerable to fade and wear over time partly due to environmental condition but also from unprofessional cleaning. This work is an exquisite example from the period. According to the inscription in the upper right, the gentleman was in his 22nd year of age in 1624. The coat of arms, which is displayed without a crest, may be ‘blazoned’ in the language of heraldry, as: Sable on a Chevron between in chief two Roundels and in base a Billet [or possibly Square] Or three Martlets Sable. In plainer English this means a black (Sable) background, spanned by a gold (Or) chevron, above which are two golden solid circles (Roundels), and below which is a gold rectangle (Billet); on the chevron are three small black birds (Martlets). Martlets are a stylised form of heraldic bird, believed to be based on the swift, which are conventionally drawn with small tufts instead of feet. In Continental Europe it is also conventional for them to be drawn without beaks, as appears to be the case here. The birds in this instance also have a vaguely duck-like appearance. Five families have been identified with very close armorial bearings to the one in our portrait. They are the (van) Houthem’s (of Brabant), the Prévinaire’s (of Flanders and Holland), and the Proveneer’s (of Liège) and it must be noted that the locations of these families also fit with the painting’s Flemish origins. However the French Grenières’s (of Île-de-France) and the Jallot’s (of Normandy) are the next closest matches and plausible matches, as Frans Pourbus had settled in Paris just a few years before our portrait was painted. This painting has been assessed by a professional conservator prior to going on sale, and as thus, it can be hung and enjoyed immediately. Frans Pourbus the Younger...

This magnificent oil on panel portrait, presented by Titan Fine Art, is a splendid example of the sumptuous female portraits that were painted for members of the upper echelons of society during the early part of the 1600’s. The artist has rendered this portrait with meticulous attention to detail and the surface effects of the fine materials. The elaborate lace coif and cuffs are painstakingly delineated, as is the bold black damask, and sumptuous gold decoration of her skirt and stomacher, which is wonderfully preserved and quite remarkable considering the age of the work and the fact that darker pigments are particularly vulnerable to fading and wear. This work with its spectacular depiction of costume is of absolute quality, it can be rated as one of the best works in the artist’s oeuvre and as such it is an important and splendid example of Dutch portraiture. The Dutch Golden Age of painting was a period in Dutch history, roughly spanning the 17th century, in which Dutch trade, science, military, and art were among the most acclaimed in the world. Dutch explorers charted new territory and settled abroad. Trade by the Dutch East-India Company thrived, and war heroes from the naval battles were decorated and became national heroes. During this time, The Dutch Old Masters began to prevail in the art world, creating a depth of realistic portraits of people and life in the area that has hardly been surpassed. The Golden Age painters depicted the scenes that their discerning new middleclass patrons wanted to see. This new wealth from merchant activities and exploration combined with a lack of church patronage, shifted art subjects away from biblical genres. Dress was a key component in portraits, and the exuberant attire reiterates the incredible wealth of this woman. The sitter will have visited the artist’s workshop and inspected examples on display. They would have chosen the size and the sort of composition and on that basis negotiated the price – which would have also been determined by the complexity of the clothing and the jewels that were to be depicted, and by the materials to be used. When all was considered, this portrait would have cost the sitter (or her husband) a substantial sum. The colour black was regarded as humble and devout yet at the same time refined and sophisticated and the most expensive colour of fabric to dye and to maintain. Citizens spent fortunes on beautiful black robes. Such uniformity must also have had a psychological side-effect and contributed to a sense of middle-class cohesion; the collective black of the well-to-do burgess class will have given its members a sense of solidarity. The colour was always an exciting one for artists and when this portrait was painted there were at least fifty shades of it, and as many different fabrics and accoutrements. Artists went to great lengths to depict the subtle nuances of the colour and the fabrics and textures and how they reflected light and it was an ideal background against which gold and crisp white lace could be juxtaposed to dramatic effect. The sitter is either a married women or a widower as is evident by the clothing that she wears and the position, toward her right, it is highly likely that this portrait was once a pendant that hung on the right-hand side of her husband’s portrait as was convention at the time. She wears a vlieger which was a type of sleeveless over-gown or cape worn by well-to-do married women in the late 16th and early 17th centuries. Variations with short sleeves or high shoulder rolls are known. Sometimes sleeves were attached with aiglets, and often slits were made to allow belts or the hands to pass through. Three-piece vlieger costumes of this kind were standard items of clothing in portraits of the women of the civic elite in the period 1600-40 and was a variant of the Spanish ‘ropa’ and served as a trademark of well-to-do married burgher women. Girls and unmarried woman, including beguines, wore a bouwen (a dress with a fitted bodice and a skirt that was closed all round) instead. This clear distinction between apparel for married and unmarried women is clear not only from inventories and trousseau lists, but also from contemporary sources such as the Dutch Spanish dictionary published by Juan Rodrigues in 1634. In it, a bouwen is described as a ‘ropa de donzella’ (over-gown worn by a virgin) and a vlieger as a ‘ropa de casada’ (overgown worn by a married woman). It is striking how few women are depicted wearing a bouwen, unless they are part of a group, family or children’s portrait and it can therefore be assumed that independent portraits of unmarried women were seldom commissioned. It is also believed that the clothing worn in these portraits existed and were faithfully reproduced when cross-referenced with the few exact documents. These sources also demonstrate that clients wanted their clothing to be depicted accurately and with this in mind precious garments and jewels were often left in the painter’s studio. The prominent white lawn molensteenkraag (or millstone ruff) is held up by a wire supportasse and was reserved only for the citizens that could afford this luxurious item that often required 15 meters of linen batiste. The fabulous wealth of this sitter is also evident by the elaborate lace coif and cuffs which have been exquisitely depicted; lace was often literally copied by artists in thin white lines over the completed clothing. The gold bracelet with jewels is a type that was evidently fashionable as it is seen in a number of portraits during the 1610s and 1620. Clothing and jewellery were prized possessions and were often listed in inventories of estates and passed down from generation to generation. There were a great number of jewellers of Flemish origin working at all the courts and cities of Europe, competing with the Italians, and then the French, adapting themselves to the tastes and positions of their patrons and the raw materials available in the country where they worked. The fashion for jewels “in the Flemish style” succeeded that of the Italian style. Cornelis van der Voort, who was probably born in Antwerp around 1576, came to Amsterdam with his parents as a child. His father, a cloth weaver by trade, received his citizenship in 1592. It is not known who taught the young Van der Voort to paint, but it has been suggested that it was either Aert Pietersz or Cornelis Ketel. On 24 October 1598 Van der Voort became betrothed to Truytgen Willemsdr. After his first wife’s death he became betrothed to Cornelia Brouwer of Dordrecht in 1613. In addition to being an artist, Van der Voort was an art collector or dealer, or both. In 1607 he bought paintings from the estate of Gillis van Coninxloo, and after an earlier sale in 1610 a large number of works he owned were auctioned on 7 April 1614. Van der Voort is documented as appraising paintings in 1612, 1620 and 1624. In 1615 and 1619 he was warden of the Guild of St Luke. He was buried in Amsterdam’s Zuiderkerk on 2 November 1624, and on 13 May 1625 paintings in his estate were sold at auction. Van der Voort was one of Amsterdam’s leading portrait painters in the first quarter of the 17th century. Several of his group portraits are known. It is believed that he trained Thomas de Keyser (1596/97-1667) and Nicolaes Eliasz Pickenoy (1588-1650/56). His documented pupils were David Bailly (c. 1584/86-1657), Louis du Pré...

"A Black and White Girl in a Technicolor World" by Linda Delahaye (France based) is an original oil on panel depicting a somber moment of a woman adorned in 1930s attire, collecting ...

Matt Talbert's "Waiting Patiently" (2024) is an original, handmade oil painting on panel that depicts a portrait of a woman looking at the viewer on an abstracted and colorful backgr...

"Eyed Wide" is an original artwork by Akira Gordon made from acrylic and oil on wood panel. This piece is a diptych and measures measures 48"h x 46"w complete. Akira hopes to give black people images that they can relate to in some way without making an overt political statement; instead, showing figures in leisure, doing the mundane and the ordinary. She finds the most authentic way to do this is through self-portraiture and referencing her experiences. She uses herself as a reference for her paintings because she believes examining your own life is important. Her artworks delve into the complex emotions associated with her struggle to transition into adulthood while clinging to the familiarity of "childish" things. It's an introspective journey, an attempt to reconcile the inevitability of growing up with the desire to preserve the youthful spirit that continues to reside within her. Akira Gordon, a Philadelphia-born painter and recent graduate of the University of the Arts, is a captivating artist driven by a passion for contemporary art and self-portraiture. Inspired by Kerry James Marshall and Sasha...

Lazzaro Donati (Italian, 1926-1977), "Signora dal Cappello," oil on panel, signed lower left, signed, titled and dated verso, overall (with frame): 22.5"h x 24.5"w Lazzaro Donati wa...

J Louis' (US based) "Orange and Red" is an original, handmade oil painting that depicts a female figure with blue eyes and wearing orange, cradling her head wh...

Karen Offutt approaches Queen 20" x 16" oval , oil on panel with an atmospheric sensitivity combining shape, tone line, and color. Queen show the strength in the female boxer. Queen ...

This British artist is new to the Netherlands, her work is now a household name in the rest of the world. We understand why. A painting by Pam Hawkes is something remarkable. At th...

Suchitra Bhosle's "Attitude in Diaphanous" is an original, handmade oil painting that depicts a woman, within a dark interior, wearing a transparent white dress as she rests a hand o...

Collections: Robert Gallon (1845-1925); Private Collection, UK. Oil on canvas laid down on panel Framed dimensions: 11.5 x 10 inches This highly engaging, previously unpublished portrait by Johan...

Mollie Erkenbrack. New Men XXXIX, 2014 Oil on linen panel, 5 x 7 inches. Signed with artist monogram, lower right.

Solitude I, 2021

Liseth Visser Dance me to the end of love 80 x 60 cm (Frame is included, framed 85 x 75 cm) Oilpaint on wood panel Dutch Female Artist Lis...

Delicate and detailed portrait of Jesus by notable outlaw John Paul Chase (American, 1901-1973). Jesus is looking directly at the viewer with a piercing gaze, holding a glowing sacred heart in his left hand. The other hand is gesturing toward the viewer, palm up, and the stigmata can be seen on his palm. Jesus is wearing a red garment with a blue cloak, the traditional symbolic colors for humanity and the heavens. It appears that this piece was painted over a previous composition. Signed "John Paul Chase" in the lower right. Presented in a mahogany frame with an oval opening. Board size: 31"H x 24"W Oval opening is 28.75" x 22" at widest points John Paul Chase (December 26, 1901 – October 5, 1973) was an American bank robber and Depression-era outlaw, who also became an artist. John Paul Chase was born in San Francisco, California. He left grade school to work on a ranch and later became an assistant machinist in a railroad yard. In 1926, Chase was fired from the railroad and was hired as a chauffeur for a professional gambler in Reno, Nevada. He spent the next few years as a bootlegger in Sausalito, San Rafael and San Francisco but was not involved in major crime until his association with Baby Face Nelson in the early 1930s, possibly in March 1932. It is generally agreed among crime historians that Reno was the most likely place where the two first became partners, Nelson having connections in the local underworld and frequently hid out there while in Chicago and the general Midwest. On October 23, 1933, he and Nelson robbed their first bank together in Brainerd, Minnesota escaping with $32,000. Along the way, they picked up a number of other outlaws including Charles Fisher...

Lisa Fricker's "Deep Dive" is an original, handmade oil painting that depicts a portrait of a woman underwater. Through her portrait and figure paint...

Paul LUNAUD (Brantôme 1900 – 1949) The ironer Oil on wood H. 80 cm; W. 64 cm Signed and dated on the right in the center, formerly signed lower right. 1942 Provenance : Artist's stu...

In 1607, the Delft city council decided to commission a portrait of Stadholder Maurits of Nassau for the town hall, with Michiel van Mierevelt as the chosen artist due to the passing...

Matt Talbert's "Remember When" (2024) is an original, handmade oil painting on panel that depicts a portrait of a seated brunette in deep contemplation. Artist bio/statement: Matt ...

15th century, Italian Circle of Antonio del Pollaiuolo (1429-1498) Portrait of an Italian Noblewoman Oil and tempura on poplar panel With partial inscription: ALZETAPIN Provenance:...

A wonderful three quarter portrait of a boy in a straw hat peeling a piece of fruit, probably an orange, by Italian artist Eugene Von Blaas (1843-1942). Von Blaas was born to Austria...

Portrait Of A Lady, Stilte Family, 17th Century by Jan Cornelisz VERSPRONCK (1597-1662) Large 17th Century Dutch Golden Age portrait of a lady identified as a member of the Stilte family, oil on cradled panel. Excellent quality and condition portrait of the lady wearing a ruff and cap with elaborate lace work and a gilded embroided dress...

Lisa Fricker's "A Life That Mattered" is an original, handmade oil painting that depicts a portrait of a woman looking down seemingly glancing away from the viewer. This painting mea...

Portrait with Piercing eyes

19th century French oil painting of a lady and a parrot by Semenowsky French, 1891 Panel: Height 56cm, width 38cm Frame: Height 68cm, width 49.5cm, width 3cm This wonderful oil on p...

"The Orange Voltaire" by Linda Delahaye (France based) is an original oil on panel depicting a graceful female nude bathed in sunlight. Born: 1980, Canada ...

Lisa Fricker's "A Realist" is an original, handmade oil painting that depicts a portrait of a man deep in thought, it measures 8 x 8 inches. This painting is framed and ready to hang...

This painting is made by Pam Hawkes. On the painting you see the portrait of a woman This British artist is new to the Netherlands, her work is now a household name in the rest of ...

Henri Burkhard, Born in New York in 1892, began his studies at the Art Students league in New York and then pursued international studies at the Académie Julian, Acadêmie Colarissi, and Académie de la Grande Chaumière, Pariss. Once the artist returned to New York, he began to exhibit frequently frequently at the Whitney Museum of American Art in 1926-36; the Corcoran Gallery, Art Institute of Chicago, and the Pennsylvania Academy of Fine Arts in the 1930's. Works by the artist have been handled and sold over the last hundred years at major American auction houses and dealers, such as Heritage...

Urbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing and conveying its contents, with particular involvement of methodologies from geography, anthropology, sociology to cultural studies. Her works have been in the past approached to the works of Anselm Kiefer (b. 1945) and Giovanni Battista Piranesi (1720-1770), but in Gullotta's paintings the absence of color makes the spaces particularly ethereal, allowing them to be ideally lifted to new places and to new life. An artist of international caliber who has decided to entrust her return to her homeland to Almach Art Gallery in Milan, while maintaining connections with important galleries, such as Marlborough Fine Art in London and Galerie Koch in Hanover. The artwork represents an ideal abandoned church...

Judd Mercer's (US based) "Heading Down" (2023) is an original handmade oil painting depicting a man hiking back down the path during sunset. Artist bio/statement Judd Mercer is a c...

"Houdini" (2024) by Nicolas Martin is an original handmade oil painting on panel that depicts a person in a yellow hoodie looking out at an abstract and surreal scene. Nicolas Mart...

Well painted late 19th-century German genre painting. Often painted in the Munich area of Germany these highly desirable antique paintings are always of the finest quality. This is...

Well painted late 19th-century German genre painting. Often painted in the Munich area of Germany these highly desirable antique paintings are always of t...

Karen Offutt approaches Britany the Contender 20" x 16" oval , oil on panel with an atmospheric sensitivity combining shape, tone line, and color. Brittany shows the strength in the...

Shelli Langdale's "On a Flower of Recognized Faces" is an original, handmade oil painting that depicts an impressionistic face with fields of color. Artist Bio: Shelli Langdale is an oil painter living and painting in Chattanooga, TN. U.S.A. She has a Bachelor of Science in Computer Science from the University of Alabama...

Reclining figure with flowers

"Boy with Calendula" by Anne Siems, is a captivating figurative-narrative painting featuring a young child and a rabbit, with an 18th century feel. He is floating and surrounded by s...

These two royal portraits are a major historical testimony to the stay of the Comte d'Artois (the future Charles X) and his family in Edinburgh in 1796-1797. Given by the sitters to Lord Adam Gordon, the Governor of Edinburgh, and kept by family descent to this day, these two portraits provide us with a vivid and spontaneous image of the Duc d’Angoulême and his brother the Duc de Berry. Danloux, who had emigrated to London a few years before, demonstrate his full assimilation of the art of British portrait painters in the brilliant execution of these portraits. 1. Henri-Pierre Danloux, a portraitist in the revolutionary turmoil Born in Paris in 1753, Henri-Pierre Danloux was first a pupil of the painter Nicolas-Bernard Lépicié (1735 - 1784) and then, in 1773, of Joseph-Marie Vien (1716 - 1809), whom he followed to Rome when, at the end of 1775, Vien became Director of the Académie de France. In Rome he became friends with the painter Jacques-Louis David (1748 - 1825). Returning to France around 1782, he settled in Lyon for a few years before returning to Paris in 1785. One of his first portraits was commissioned by the Baroness d'Etigny, the widow of the former Intendant of the Provinces of Gascony, Bearn and Navarre Antoine Mégret d'Etigny (1719 – 1767). He then became close to his two sons, Mégret de Sérilly and Mégret d'Etigny, who in turn became his patrons. In 1787, this close relationship with the d'Etigny family was further strengthened by his marriage to Antoinette de Saint-Redan, a relative of Madame d'Etigny. After his marriage, he left for Rome and did not return to France until 1789. It was during the winter of 1790-1791 that he painted one of his masterpieces, the portrait of Baron de Besenval. Set in a twilight atmosphere, this portrait of an aristocrat who knows that his death is imminent symbolizes the disappearance of an erudite and refined society which would be swept away by the French Revolution. The Jacobin excesses led Danloux to emigrate to England in 1792; many members of his family-in-law who remained in France were guillotined on 10 May 1794. Danloux enjoyed great success as a portrait painter in England before returning to France in 1801. During his stay in England, Danloux was deeply under the influence of English portraitists: his colors became warmer (as shown by the portrait of the Duc d'Angoulême that we are presenting), and his execution broader. 2. Description of the two portraits and biographical details of the sitters The Duc d'Angoulême (1775-1844) was the eldest son of the Comte d'Artois, the younger brother of King Louis XVI (the future King Charles X), and his wife Marie-Thérèse of Savoie. He is shown here, in the freshness of his youth, wearing the uniform of colonel-general of the "Angoulême-Dragons" regiment. He is wearing the blue cordon of the Order of the Holy Spirit, which was awarded to him in 1787, and two decorations: the Cross of Saint-Louis and the Maltese Cross, as he was also Grand Prior of the Order of Malta. Born on 16 August 1775 in Versailles, Louis-Antoine d'Artois followed his parents into emigration on 16 July 1789. In 1792, he joined the émigrés’ army led by the Prince de Condé. After his stay in Edinburgh (which will be further discussed), he went to the court of the future King Louis XVIII, who was in exile at the time, and in 1799 married his first cousin Marie-Thérèse Charlotte of France, the daughter of Louis XVI and the sole survivor of the royal family. The couple had no descendants. He became Dauphin of France in 1824, upon the accession to the throne of his father but played only a minor political role, preferring his military position as Grand Admiral. Enlisted in Spain on the side of Ferdinand VII, he returned home crowned with glory after his victory at Trocadero in 1823. He reigned for a very short time at the abdication of Charles X in 1830, before relinquishing his rights in favor of his nephew Henri d'Artois, the Duc de Bordeaux. He then followed his father into exile and died on 3 June 1844 in Gorizia (now in Italy). His younger brother, the Duc de Berry, is shown in the uniform of the noble cavalry of the émigrés’ Army. He is wearing the blue cordon of the Order of the Holy Spirit, awarded to him in May 1789, and the Cross of Saint-Louis (partly hidden by his blue cordon). Born on 24 January 1778 in Versailles, Charles-Ferdinand d'Artois also followed his parents into emigration and joined the émigrés’ army in 1792. After his stay in Edinburgh, he remained in Great Britain, where he had an affair with Amy Brown...

Measures Painting 7.5 x 5.0625 inches Framed 13.5 x 11.5 inches In the manner of José Garcia Ramos (1852 - 1912) This is a beautifully framed 19th century Spanish School oil painti...

Sara Scribner's (US based) "Katie" is an original, handmade oil painting that depicts a realistic portrait of a blonde feminine figure in profile clutchi...

"A Pair of Jack Russells" a charming dog painting of two Jack Russell Terriers, a mother and her puppy who is resting his head on mom, posing on lush green grass is by renowned sporting artist Henry Koehler. The artist is known for his distinctive small paintings which catch one's eye and greet viewers with a friendly, 'Hello' (as described by a British royal who considers Koehler's works to be his friends). The Jack Russell Terrier dog painting...

Nadezda's beautiful new oil on panel painting "Where The Swamps Sing" (2024) is a surrealist Slavic portrait of a woman dressed in traditional Russian clothing, standing stoically in front of a bizarre scene, with iconography of demons' heads towered up with a cat resting atop it, deep in an abstracted symbolic forest. Nadezda is a painter, sculptor, photographer, and concept artist. Her artwork is focused on narratives carefully gathered from the hidden chambers of her imagination as well as live theater-inspired work with actors, dancers, and models. Like a quilt stitched of poetic realities, Nadezda’s mysterious world defies the mundane. With a non-linear creative process flowing between different media, the artist explores various vantage points in her creations. This dynamic approach inspires her mind’s eye to focus on the worlds within and evoke an uninterrupted, creative transmission which is then channeled through her paintings, drawings, sculpture, photography, writing and film. SOLO EXHIBITIONS: September 2024 Once There Was, Once There Wasn’t // Modern Eden, San Francisco, CA, USA May 2024 Siren’s Heart // Haven Gallery, Long Island, NY, USA February 2022 Secret Hallway // Modern Eden, San Francisco, CA, USA July 2021 The Great Scale of Little Things // Galleria D’Arte Piero Della Francesca, Arezzo, Italy February 2021 A Place To Dream // SHOH Gallery, Berkley, CA, USA July 2019 Pins & Petals // Haven Gallery, Long Island, NY, USA August 2018 Lukomorye // Spoke Art, San Francisco, CA, USA February 2018 Nightmares & Lullabies // Haven Gallery, Long Island, NY, USA June 2017 Fly-By-Night // Haven Gallery, Long Island, NY, USA MUSEUM EXHIBITIONS: March 2024 Miradas Femeninas // group exhibition, Museu Europeu d’Art Modern (MEAM), Barcelona, Spain FAIRS: April 2020 Art Market San Francisco // SFADA x Modern Eden, San Francisco, CA, USA February 2020 LA Art Show // Abend Gallery, Los Angeles, CA July 2019 Art Market Hamptons // Haven Gallery at Bridgehampton Museum of Art, NY October 2018 Moniker Art Fair // Spoke Art, London, UK July 2017 Art Market Hamptons // Haven Gallery at Bridgehampton Museum of Art, NY SELECTED GROUP EXHIBITIONS: June 2024 Portrait Show XII: Myth // Modern Eden, San Francisco, USA March, 2024 BAA Teachers Show 2024 // BAA Gallery, Barcelona, Spain January, 2024 AKSK // Corey Helford Gallery, Los Angeles, USA September 2023 Reverie // Modern Eden, San Francisco, USA August 2023 Mass // Modern Eden, San Francisco, USA October 2023 Bacchus // Modern Eden, San Francisco, USA September 2023 Harvest // Modern Eden, San Francisco, March 2023 Secret Longings // Corey Helford Gallery x Beautiful Bizarre, Los Angeles, CA December 2022 Yule // Modern Eden, San Francisco, CA November 2022 Halcyon Days // Beautiful Bizarre x Modern Eden, San Francisco, CA October 2022 Danse Macabre // Modern Eden, San Francisco, CA September 2022 Totem // Modern Eden, San Francisco, CA August 2022 Mighty // Modern Eden, San Francisco, CA June 2022 X Annual Portrait Exhibition // Modern Eden, San Francisco, CA April 2022 100 Trees // Modern Eden, San Francisco, CA October 2021 Lore // Modern Eden, San Francisco, CA June 2021 Moleskine Project X // Spoke Art, San Francisco, CA June 2021 Portrait Show IX // Modern Eden, San Francisco, CA November 2020 Art Collector Starter Kit VII // Corey Helford Gallery, Los Angeles, CA October 2020 Midnight Garden // Beautiful Bizarre x Modern Eden, San Francisco, CA July 2020 The Art of Quarantine // SHOH Gallery, Berkley, CA May 2020 Unjust Contentment // Beinart Gallery, Brunswick, Australia March 2020 Contemporary Figuration // Abend Gallery, Denver, CO November 2019 Paintguide x Thinkspace Projects // Thinkspace Projects, Los Angeles, CA November 2019 Annual Holiday Miniatures Show // Abend Gallery, Denver, CO November 2019 Esprit De Corps // Modern Eden x Haven Gallery, CA and NY June 2019 Moleskine Project VIII // Spoke Art SF, CA June 2019 Muse, SHOH Gallery // Berkley CA June 2019 Small Works, Beinart Gallery // Australia May 2019 Gaia Reborn // Beautiful Bizarre at Museum of Urban Contemporary Art, Berlin, Germany March 2019 Femme, Spoke Art + Juxtapoz, NY January 2019 Music Box // Haven Gallery, Northport, NY December 2018 Solstice Blue...

Lisa Fricker's "Quiet Glow" is an original, handmade oil painting that depicts a portrait of a child, it measures 8 x 8 inches. This painting is framed and ready to hang.

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

A Holiday in Venice is painted in the style of American Realism. The painting is a Representational Italian landscape which is the Plaza San Marco in Venice. This realist painti...

Anthony Waichulis' "Acidulcis" is an original, handmade oil still-life painting that depicts a photograph of a woman, 2 ace playing cards, and a comic strip . About the artist: Anth...

Nadezda's beautiful new oil on panel painting "Red Shoes" (2024) is a surrealist painting of an abandoned hospital interior, with an explorer peering through a doorway, out from the hall. Just behind the debris and rot rest the spirits of the room, out of view from the explorer. Nadezda is a painter, sculptor, photographer, and concept artist. Her artwork is focused on narratives carefully gathered from the hidden chambers of her imagination as well as live theater-inspired work with actors, dancers, and models. Like a quilt stitched of poetic realities, Nadezda’s mysterious world defies the mundane. With a non-linear creative process flowing between different media, the artist explores various vantage points in her creations. This dynamic approach inspires her mind’s eye to focus on the worlds within and evoke an uninterrupted, creative transmission which is then channeled through her paintings, drawings, sculpture, photography, writing and film. SOLO EXHIBITIONS: September 2024 Once There Was, Once There Wasn’t // Modern Eden, San Francisco, CA, USA May 2024 Siren’s Heart // Haven Gallery, Long Island, NY, USA February 2022 Secret Hallway // Modern Eden, San Francisco, CA, USA July 2021 The Great Scale of Little Things // Galleria D’Arte Piero Della Francesca, Arezzo, Italy February 2021 A Place To Dream // SHOH Gallery, Berkley, CA, USA July 2019 Pins & Petals // Haven Gallery, Long Island, NY, USA August 2018 Lukomorye // Spoke Art, San Francisco, CA, USA February 2018 Nightmares & Lullabies // Haven Gallery, Long Island, NY, USA June 2017 Fly-By-Night // Haven Gallery, Long Island, NY, USA MUSEUM EXHIBITIONS: March 2024 Miradas Femeninas // group exhibition, Museu Europeu d’Art Modern (MEAM), Barcelona, Spain FAIRS: April 2020 Art Market San Francisco // SFADA x Modern Eden, San Francisco, CA, USA February 2020 LA Art Show // Abend Gallery, Los Angeles, CA July 2019 Art Market Hamptons // Haven Gallery at Bridgehampton Museum of Art, NY October 2018 Moniker Art Fair // Spoke Art, London, UK July 2017 Art Market Hamptons // Haven Gallery at Bridgehampton Museum of Art, NY SELECTED GROUP EXHIBITIONS: June 2024 Portrait Show XII: Myth // Modern Eden, San Francisco, USA March, 2024 BAA Teachers Show 2024 // BAA Gallery, Barcelona, Spain January, 2024 AKSK // Corey Helford Gallery, Los Angeles, USA September 2023 Reverie // Modern Eden, San Francisco, USA August 2023 Mass // Modern Eden, San Francisco, USA October 2023 Bacchus // Modern Eden, San Francisco, USA September 2023 Harvest // Modern Eden, San Francisco, March 2023 Secret Longings // Corey Helford Gallery x Beautiful Bizarre, Los Angeles, CA December 2022 Yule // Modern Eden, San Francisco, CA November 2022 Halcyon Days // Beautiful Bizarre x Modern Eden, San Francisco, CA October 2022 Danse Macabre // Modern Eden, San Francisco, CA September 2022 Totem // Modern Eden, San Francisco, CA August 2022 Mighty // Modern Eden, San Francisco, CA June 2022 X Annual Portrait Exhibition // Modern Eden, San Francisco, CA April 2022 100 Trees // Modern Eden, San Francisco, CA October 2021 Lore // Modern Eden, San Francisco, CA June 2021 Moleskine Project X // Spoke Art, San Francisco, CA June 2021 Portrait Show IX // Modern Eden, San Francisco, CA November 2020 Art Collector Starter Kit VII // Corey Helford Gallery, Los Angeles, CA October 2020 Midnight Garden // Beautiful Bizarre x Modern Eden, San Francisco, CA July 2020 The Art of Quarantine // SHOH Gallery, Berkley, CA May 2020 Unjust Contentment // Beinart Gallery, Brunswick, Australia March 2020 Contemporary Figuration // Abend Gallery, Denver, CO November 2019 Paintguide x Thinkspace Projects // Thinkspace Projects, Los Angeles, CA November 2019 Annual Holiday Miniatures Show // Abend Gallery, Denver, CO November 2019 Esprit De Corps // Modern Eden x Haven Gallery, CA and NY June 2019 Moleskine Project VIII // Spoke Art SF, CA June 2019 Muse, SHOH Gallery // Berkley CA June 2019 Small Works, Beinart Gallery // Australia May 2019 Gaia Reborn // Beautiful Bizarre at Museum of Urban Contemporary Art, Berlin, Germany March 2019 Femme, Spoke Art + Juxtapoz, NY January 2019 Music Box // Haven Gallery, Northport, NY December 2018 Solstice Blue...

Tania Rivilis (b. 1986) Tania Rivilis began painting at the age of 27, after moving to Germany from Russia in 2012. Working hard on technique and creati...

Suicide, 19th Century Unusual European School Oil On Panel 19th century European School interior scene of an artists suicide, oil on panel. Beautifully painted melancholy interior...

"Iris" oil on panel, mixed technique by Lluis Rizzo. Hyperrealist painting. Measurements: (H) 114 x (W) 146 cm. Framed: (H) 144 x (W) 176 x (D) 5 cm. « Iris » Here we have a rare species of Iris that will not be found in botanical books but in art catalogs...

A masterful example of Italian Mannerist painting, this exceptional panel was composed by the renowned Florentine painter Domenico Puligo. Alongside Jacopo Pontormo and Rosso Fiorentino, Puligo is remembered as one of the foremost figures of the Mannerist movement that rose to prominence during the 16th century in Florence. This panel of the Virgin Mary with the Christ child and Saint John the Baptist is a characteristic example of his celebrated devotional images, which grace museums such as the Metropolitan Museum of Art (New York), Museo del Prado (Madrid), Palazzo Borghese (Rome), and Palazzo Pitti (Florence), among many others. Puligo’s skill with color is fully demonstrated in the beautifully preserved work. Considering its age, the vibrancy and the sheer range of color is remarkable. The Virgin Mary’s crimson dress...

Portrait Of Elizabeth Plumer (nee Byde) & Daughter, circa 1735 by ENOCH SEEMAN (1694-1744) Large 1735 portrait of Elizabeth Plumer & her daughter holding a rattle, oil on canvas by...

Michael Carson's (US based) "Portrait of Britt Daniel" is an original, handmade oil painting. About the Artist: Mike Carson is a Minneapolis painter, and graduate of the Minneapolis...