Panel Portrait Paintings

From John William Waterhouse’s A Mermaid, 1900 We have a wonderful capacity to impose fictions on others in order to make them desirable. We o...

John Tarantola's original nude portrait "The Cruel Hours and Minutes of Uncertainty" (2019) is a surrealist oil on panel painting that depicts an athletic nude male figure, standing ...

Chaise #36 by California artist Jeffrey Palladini is a minimalist figurative painting on paper and framed. It is textured Oil and Charcoal on paper. It is 22" x 30". With the white...

English School, (circa 1600) Portrait of William Herbert, 3rd Earl of Pembroke Oil on panel, oval Image size: 29¼ x 23⅞ inches Painted wooden frame Provenance: 176, Collection of Francis Greville, 1st Earl of Warwick. The Trustees of the Lord Brooks’ Settlement, (removed from Warwick Castle). Sotheby’s, London, 22nd March 1968, lot 81. Painted onto wooden panel, this portrait shows a dark haired gentleman in profile sporting an open white shirt. On top of this garments is a richly detailed black cloak, decorated with gold thread and lined with a sumptuous crimson lining. With the red silk inside it’s all very expensive and would fall under sumptuary laws – so this is a nobleman of high degree. It’s melancholic air conforms to the contemporary popularity of this very human condition, evident in fashionable poetry and music of the period. In comparison to our own modern prejudices, melancholy was associated with creativity in this period. This portrait appeared in the earliest described list of pictures of Warwick castle dating to 1762. Compiled by collector and antiquary Sir William Musgrave ‘taken from the information of Lord & Lady Warwick’ (Add. MSS, 5726 fol. 3) is described; ‘8. Earl of Essex – an original by Zuccharo – seen in profile with black hair. Holding a black robe across his breast with his right hand.’ As tempting as it is to imagine that this is a portrait of Robert Devereux, the 2nd Earl Essex, we might take this with a pinch of salt. Its identification with this romantic and fatal Elizabethan might well have been an attempt to add romance to Warwick Castle’s walls. It doesn’t correspond all that well with Essex’s portraits around 1600 after his return from Cadiz. Notably, this picture was presumably hung not too far away from the castle’s two portraits of Queen Elizabeth I. The first, and undoubtedly the best, being the exquisite coronation portrait that was sold by Lord Brooke in the late 1970s and now hangs in the National Portrait Gallery. The second, described as being ‘a copy from the original at Ld Hydes’, has yet to resurface. The portrait eventually ended up being hung in the State Bedroom of Warwick Castle. Archival documents present one other interesting candidate. The Greville family’s earliest inventory of paintings, made in 1630 at their home Brooke House in Holborn, London, describes five portraits of identified figures. All five belonged to the courtier, politician and poet Sir Fulke Greville (1554-1628), 1st Baron Brooke, and were hung in the ‘Gallerie’ of Brooke House behind yellow curtains. One of them was described as being of ‘Lord of Pembrooke’, which is likely to have been William Herbert (1580-1630), 3rd Earl of Pembroke. William was the eldest son of Greville’s best friend’s sister Mary Sidney, and was brought up in the particularly literary and poetically orientated household which his mother had supported. Notably, the 3rd Earl was one of the figures that Shakespeare’s first folio was dedicated to in 1623. The melancholic air to the portrait corresponds to William’s own pretensions as a learned and poetic figure. The richness of the robe in the painting, sporting golden thread and a spotted black fabric, is indicative of wealth beyond that of a simple poet or actor. The portrait’s dating to around the year 1600 might have coincided with William’s father death and his own rise to the Pembroke Earldom. This period of his life too was imbued with personal sadness, as an illicit affair with a Mary Fitton had resulted in a pregnancy and eventual banishment by Elizabeth I to Wilton after a short spell in Fleet Prison. His illegitimate son died shortly after being born. Despite being a close follower of the Earl of Essex, William had side-stepped supporting Devereux in the fatal uprising against the Queen and eventually regained favour at the court of the next monarch James I. His linen shirt is edged with a delicate border of lace and his black cloak is lined on the inside with sumptuous scarlet and richly decorated on the outside with gold braid and a pattern of embroidered black spots. Despite the richness of his clothes, William Herbert has been presented in a dishevelled state of semi-undress, his shirt unlaced far down his chest with the ties lying limply over his hand, indicating that he is in a state of distracted detachment. It has been suggested that the fashion for melancholy was rooted in an increase in self-consciousness and introspective reflection during the late 16th and early 17th centuries. In contemporary literature melancholy was said to be caused by a plenitude of the melancholy humor, one of the four vital humors, which were thought to regulate the functions of the body. An abundance of the melancholia humor was associated with a heightened creativity and intellectual ability and hence melancholy was linked to the notion of genius, as reflected in the work of the Oxford scholar Robert Burton, who in his work ‘The Anatomy of Melancholy’, described the Malcontent as ‘of all others [the]… most witty, [who] causeth many times divine ravishment, and a kind of enthusiamus… which stirreth them up to be excellent Philosophers, Poets and Prophets.’ (R. Burton, The Anatomy of Melancholy, London, 1621 in R. Strong, ‘Elizabethan Malady: Melancholy in Elizabethan and Jacobean Portraits’, Apollo, LXXIX, 1964). Melancholy was viewed as a highly fashionable affliction under Elizabeth I, and her successor James I, and a dejected demeanour was adopted by wealthy young men, often presenting themselves as scholars or despondent lovers, as reflected in the portraiture and literature from this period. Although the sitter in this portrait is, as yet, unidentified, it seems probable that he was a nobleman with literary or artistic ambitions, following in the same vain as such famous figures as the aristocratic poet and dramatist, Edward de Vere...

"The Light Always Shines Through" by Kelly Birkenruth, (2024), is a masterfully executed oil painting on panel, measuring 20 x 16 inches (framed dimensions: 24 x 20 inches). This con...

Portrait Of Prince Albert (1819 -1861) English School 19th century English School three quarter length portrait of Prince Albert, consort to Queen Vict...

Acquired by the gallery directly from the artist UNFRAMED: 9" x 12" FRAMED: 15" x 18" x 1.75" Artist Statement “For centuries, Native American tribes have used rattle drums in pow...

A wonderful portrait of a young boy seated in his room looking out over the expansive landscape. Painted circa 1840 this piece has all the style of middle European art. French, Swis...

Antique Oil Painting – Rustic Genre Scene Artist: Unidentified Period: 19th Century (Attributed) Medium: Oil on Panel Dimensions: Framed: 44 x 38 cm Artwork: 27 x 20 cm Style: Acade...

"As an African-American artist in today’s world, I embody the vast differences found in our collective backgrounds. I view them as cultural assets. We are always self discovering and...

Contemporary realistic portrait painting by Texas-based artist Makenna Hatter-Paxton. The work features a central woman seated in a lawn chair surrounded by a flock of colorful chick...

For sale is a beautiful small portrait by the Italian artist Giuseppe Giardinello, whose life spanned from 1887 to 1920. This work of art is a remarkable representation of Giardinell...

A fine pair of oil portraits of a lady & gentleman, probably husband & wife, attributed to Zedekiah Belknap (1781-1858). Belknap was born in Auburn, MA and graduated from Dartmouth College...

Kelly Birkenruth's "Portrait in Blue" (2021) is a captivating original oil painting on panel, measuring 10 x 8 x 2 inches. This exquisite piece showcases a delicate profile of a young woman with her hair elegantly styled in a bun, exuding timeless beauty and grace. The artist's meticulous attention to detail and masterful use of light and shadow create a lifelike portrayal, making this artwork a stunning addition to any collection. The painting is framed, with the framed dimensions being 11.50 x 9.50 inches, enhancing its elegant presentation. Kelly Birkenruth's work is known for its emotional depth and technical excellence, making this portrait a standout piece. Kelly Birkenruth’s captivating paintings are in the style of contemporary realism while staying firmly grounded in the tradition of the Old Masters. She is able to pull the viewer into her paintings by interweaving emotion with a humanistic quality through her supreme handling of light. Through her portraits and still lifes she is able to evoke sensitivity and empathy, which in turn allows her to create images which transcend mere representation to capture the true essence of her subject. Kelly’s arresting compositions, draftsmanship, use of color and observation of detail allow her to create paintings with a timeless quality. After earning her degree from Pennsylvania State University, Kelly moved...

Sara Scribner's (US based) "Nightfall" is an original, handmade oil painting that depicts a realistic portrait of a feminine form in blue cradling a smal...

Suzy Smith's "Scarlet" is an original, handmade oil painting that depicts a portrait of a feminine figure, in a red gown with a red background. About the Artist: Suzy Smith is a Wy...

Kazuya Ushioda’s The Sound of Prayer (2021) is a striking figurative oil on panel that captures a moment of quiet reflection. Measuring 44.12 x 11.87 x 0.70 inches, this tall and slender composition features a single figure clothed in a white kimono adorned with delicate blue floral motifs and cinched by a vivid red sash. The woman’s eyes are closed, and her hands are gently positioned near her head, suggesting an intimate state of concentration or contemplation. Painted in oil on a carefully prepared panel, this original, handmade work showcases Ushioda’s meticulous technique, evident in the rendering of subtle skin tones and nuanced folds of fabric. The vertical format accentuates the graceful poise of the figure, drawing the viewer’s gaze downward from her serene expression to the richly detailed kimono patterns. The neutral background highlights the subject’s form, creating a harmonious interplay of color and space. Executed in 2021, The Sound of Prayer stands...

"Arthur" (2024) by Nicolas Martin is an original handmade oil painting on panel that depicts a portrait of a man in a suit and bowtie on a greyscale background. Nicolas Martin is a...

A red-and-green parrot. For a lie to gain real power, it must continue its existence separate from its creator. If it can be repeated by others, retold in a variety of contexts, it ...

JAMES WOLANIN "The Round" Acrylic & Gloss Varnish on Panel 36 x 36 inches ______________________ James Wolanin’s paintings transport the viewer to an effervescent, candy coated wor...

From an illustration by Arthur Rackham for Alice in Wonderland – “They all crowded round it panting and asking, ‘But who has won?’” 1907 There’s a fear of inferiority that lies behi...

James Wolanin’s paintings transport the viewer to an effervescent, candy coated world inspired by vintage advertisements, photographs, and the artist’s own personal history. The Russ...

Suzy Smith's "Pink" is an original, handmade oil painting that depicts a portrait of a feminine figure, in a formal dark pink gown with a pink background. About the Artist: Suzy Sm...

Introducing a stunning portrait by renowned French artist Léon Richet (1847-1907), depicting a young girl adorned with a beautiful floral wreath and a hat perched atop her head. This...

JAMES WOLANIN "Cherry Blossoms" Acrylic & Gloss Varnish on Panel 40 x 55 inches ______________________ James Wolanin’s paintings transport the viewer to an effervescent, candy coat...

Kelly Birkenruth's "Reveuse" is an original, handmade oil painting depicting a female model holding flowers in front of her chest.

Hollis Dunlap's (US based) "Portrait of Philip" (2023) is an original, handmade oil painting that depicts a portrait of a nude man. Artist Biography: Hollis Dunlap was born in north...

Woman Reading by JOZEF ISRAËLS (1824-1911) Oil on Panel 21 x 12.5 cm (8 1/4 x 4 15/16 inches) Signed lower right Executed circa 1870 Artist biography D...

Oil on Cradled Birch Panel Panel Size: 16 x 16 in. Framed Size: 18 x 18 in. A lively and luminous portrait of a smart young girl composed in three quarters view from the sitter's r...

Emile Eisman-Semenowsky 1857-1911 Polish Portrait of a Young Woman Oil on panel Signed and dated “E. Eisman-Semenowsky, Paris 1882” (lower right) A beautiful young woman exudes r...

Karen Offutt's (US based) "Luster" is an original, handmade oil painting that depicts a portrait of a woman on an abstracted background. The painting is framed, with overall dimensio...

Pop Art. Americana. Homage to Basquiat. Ephemera, Oil, Acrylic, Resin on Panel. About the Artist: John Joseph Hanright is a contemporary painter and assemblage artist who bring...

Beth Sistrunk's "Follow Me" is an oil on panel featuring a model with pink petals. About the artist: Beth's interests in painting the figure, women’s fashion, flowers, landscape pho...

John Tarantola's original nude portrait "Sebastian" (2014) is a beautiful realist painting done with oil on panel, which depicts a young red-haired man looking down and forward, in a...

"Champagne" by Emma Kalff (United States) is a handmade landscape oil painting depicting a night time city scene with a blurry figure on the right side. Emma Kalff is a Dutch-born p...

Description: "Day Dreams" is a captivating painting by the English artist Richard Willes Maddox. The artwork depicts a young woman seated thoughtfully on a blue wooden bench, set aga...

Matthew Alfonso Durante's "Hand 1" is an original, handmade acrylic painting that depicts a pink hued hand in an unusual gesture with a dark background.

Linda Adair's (Germany based) "Can I Borrow Your Wings" is an oil painting that depicts a figure in an urban city space Linda Adair is a contemporary figu...

Karen Offutt's (US based) "Seeing Shadows" is an original, handmade oil painting that depicts a female portrait with her face in profile wearing a fur coat with a blue background. Th...

The Coronation Of The Virgin, 17th Century After Guido RENI (1575-1642) Fine Huge 17th Century Italian School Old Master depiction of the co...

Provenance: 2014 Sale of Dr George Horst's collection (Philadephia) A major painter of the Barbizon School, he was born to Spanish parents, whom he lost at an early age. He debuted...

Morgan Cameron’s (US based) “Within the Hollow” (2024) is an oil painting on panel that depicts a surreal portrait of a woman with white hair and antlers letting the snow from a pine...

Carolien van Olphen Blue Fur Oil on wood panel 100 x 75 cm (Framed 114 x 89 cm, frame is included) Dutch artist Carolien van Olphen has left a great impress...

Morgan Cameron’s (US based) “The End of Our Season” (2024) is an oil painting on panel that depicts a surreal still life of a cart filled with broken and decaying jack-o-lanterns. A...

The Livestock Market, 17th Century School of Karel BREYDEL (1678-1733) - rare 17th Century Cattle/Livestock Market Fine large 17th century Dutch/Flemish livestock market landscape,...

"The Journal" by Christopher Clark is an original oil painting on cradled board that is ready to hang and depicts a blonde female reading in a sun lit cafe. Christopher has been a...

"Blissfully Oblivious" by Christopher Clark is an original oil painting on cradled board that is ready to hang and depicts a female model gracefully poised with a hummingbird hoverin...

This painting titled "Portrait of a Girl" by the Danish realist painter Peder Mørk Mønsted captures an enigmatic young woman whose identity remains unknown. The girl, elegantly posed...

Medium: Oil on Panel Dimensions: 55.00" x 42.00" Still painting of a joyous cabinet maker. This illustration is very large in size.

Italian painting of Alphonsus Liguori in French Neo-Gothic Frame Italian and French, Late 18th and 19th Century Frame: Height 61cm, width 39cm, depth 6cm Panel: Height 28cm, width 22...

"The Orange Voltaire II" by Linda Delahaye (France based) is an original oil on panel depicting a graceful female nude bathed in sunlight. Born: 1980, Cana...

Karen Offutt's (US based) "Zaeli" is an original, handmade oil painting that depicts a female bathed in light with oversized white and pink blooms surrounding her. The painting is fr...

Portrait Of Jeanne III d'Albret (1528-1572), 16th Century French School Court Portrait - oil on panel Fine 16th century French Old Master portrait of Jeanne III, Queen regent or Navarre, oil on panel. Rare and early depiction of the Queen regent in court attire by a French court painter circa 1550. Jeanne d"Albret married Antione De Bourbon to become the Duchess of Vendome. Her son Henri would be come Henri III...

Dick Beer (b. London 1893 - d. Stockholm 1938) Portrait of Gabriele Varese (in Italian uniform), 1919 oil on canvas mounted on panel 116 x 90 cm stamp signature Exhibited: Solo exhibition, Stockholm, Nov-Dec 1917; The Royal Academy Stockholm 1973; Åmells Konsthandel – En internationell kubist, Stockholm & London 2008 Hälsinglands Museum 2011 Millesgården – Dick Beer – Impressionist & Kubist, 2012 Provenance: Within the family Beer until today Dick Beer was born in 1893 in London as Richard Beer, the youngest of five brothers. His father, John Beer (1853-1906), was a watercolourist who was born in Stockholm and had left Sweden at the age of 17. John Beer instructed his sons in drawing and painting, among other things. A number of sketchbooks bear testimony to the boys’ talent. Dick Beer’s parents died in 1906 and 1907. Barely 15 years old, Beer arrived in Sweden as an orphan. First he lived with relatives and finally he ended up at Reverend Laurell in Västergötland. Dick Beer began his artistic studies at the Althin School of Painting in Stockholm in 1908 and continued at the Royal Academy of Arts in the autumn of 1910, but in September 1912 he broke off his studies and travelled to Paris. He rented a studio and enrolled at the Colarossi and Grande Chaumière academies. In the summer of 1913, Dick Beer travelled to Pont-Aven in Bretagne in order to paint. In September the same year, he held his first solo exhibition in Stockholm which he gave the French title Exposition des tableaux de Bretagne et autour de Paris. The exhibition proved a success. Many of the paintings were executed in a light palette in a style inspired by the impressionists. In 1914, Dick Beer undertook an extensive study trip to Italy, Tunis, Morocco and Spain, which resulted in canvases overflowing with colours and light. When the French army mobilised, he volunteered and was enlisted in the French Foreign Legion. In 1915 Dick Beer sustained severe head injuries in a grenade attack, which resulted in deafness and a nervous condition that would plague him for the rest of his life. Two of his brothers died the following year, fighting for the English army. Dick Beer was hospitalised and convalesced at Château de Rochefort. Here he started painting again, in an impressionist style, a painting dominated by blue and green hues. In 1918, Dick Beer married Ruth Öhrling, a dentist, and their son John was born later in the year. During this time, Beer began experimenting with cubist painting and created several large compositions, including the painting “The Arab Café”. In the years that followed, Dick Beer was based in Paris, where he often moved house. He was instructed by André Lhote, who encouraged his students to work freely in the studio and provided them with individual critique. Beer often travelled to Bretagne or Provence. His artist friends came from all over Europe and included Amedeo Modigliani. Dick Beer exhibited fairly regularly in Paris between 1919 and 1934 and made a name for himself in French artist circles. In the summers, Ruth regularly rented a house in the countryside, often at Lake Mälaren. She kept a large house with many models and friends and there was a lot of painting and discussions. In 1933, the couple divorced but Ruth still loved Dick and continued to support him financially for the rest of his life. Dick Beer also exhibited in Sweden, albeit irregularly due to his failing health. In the 1920s and 1930s, Beer continued to pursue an expressionist painting with intense colours and unexpected perspectives, but eventually he veered towards more naturalistic forms, including a large number of nudes. He also painted several portraits of artists, politicians and writers. In 1938, Dick Beer sojourned in Arles. The budding photographer Christer Strömholm...

Nadezda's beautiful new oil on panel painting "Wisdom" (2024) is a surrealist portrait of three women performing a ritual. Nadezda is a painter, sculptor, photographer, and concept ...

Karen Offutt's "Glow" is an original, handmade painting that depicts a close up view of a feminine face with her eyes closed as her necklace and alabaster skin reflect brightly again...

Clyde Steadman's "Lots Daughter" is an original, handmade oil painting that depicts an impasto painting of individuals in an interior setting.

"If You Want to Go Fast Go Alone" (2024) by Denise Dambrackas is an original mixed-media painting that depicts two young girls competing in roller derby. This painting measures 36.63...