Panel Portrait Paintings

Daggi Wallace's "Not All That Glitters II" is an original, handmade mixed media painting that depicts a female's model face with gold leaf drips. Born and raised in Berlin, Germany...

Ryan Morse's "Emerging" is an original, handmade oil painting that depicts a feminine figure in a bikini floating in water. Ryan Morse is a Denver based freelance artist who receiv...

Ryan Morse's "Dreamer" is an original, handmade oil painting that depicts a feminine figure draped in a red fabric and dappled in sunlight. Ryan Morse is a Denver based freelance ar...

ANJA VAN HERLE "Blinking Butterfly" Acrylic & Swarovski Crystal on Panel 12 x 12 inches. Born in Belgium in 1969, Anja Van Herle combines a European sense of high fashion in her art...

The painting belongs to the MUSIC series, dedicated to the classic jazz of the 1950/60s. It is made on a rigid panel, it is a unique piece and is authenticated by the artist. Acryl...

Portrait of Henry IV, King of England (1367-1413), 16th Century English School Portrait - Early Oil On Panel Large 16th Century court portrait of Henry IV, King Of England (1367-14...

ANJA VAN HERLE "Bubble Bliss" Acrylic on Wood 40 x 40 inches Born in Belgium in 1969, Anja Van Herle combines a European sense of high fashion in her artwork with an American sense ...

Portrait Irish Setter dog, French oil painting on panel 19th Eugène Ferdinand PARISY was born in France in 1849 and died in 1916. His works have been sold at public auction 68 time...

Portrait of a Boy Holding a Book, c. 1820s Oil on Panel 24" x 19.5" Housed in a 3" Carved Frame Overall Size: 29" x 25 1/4" In excellent condition. Ready to hang and enjoy.

Textured mixed technique, 2021 Figurative Magical Painting. This is one of my early works, where I delve deeper into our connection with animals through a human and magical lens. Ani...

Barend GRAAT (Amsterdam 1628 – Amsterdam 1709) Diana the Huntress Oil on wood H. 33.5 cm ; L. 44 cm Signed lower right on the stone A discreet painter with respect to history, Baren...

The painting belongs to the MUSIC series, dedicated to the classic jazz of the 1950/60s. It is made on a rigid panel, it is a unique piece and is authenticated by the artist.

Lazzaro Donati (Italian, 1926-1977) Oil on board. Colorful woman. La Signora, Vestita Di Giallo, 1969 Hand signed upper right. signed, titled on back of panel. Dimensions: (Frame) H 38" x W 30", (Panel) H 28" x W 20" Lazzaro Donati was born in Florence and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia. His work is recalling the works of the french Raoul Dufy, Dunoyer de Segonzac, Francois Gall and Jean Jansem. This particular work is reminiscent of the work of Manolo Valdes. Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d’art and antique furnishings...

Lazzaro Donati (Italian, 1926-1977) Oil on board. Colorful woman. Hand signed upper right. signed, titled on back of panel. Dimensions: (Frame) H 37" x W 29", (Panel) H 27.5" x W 20" Lazzaro Donati was born in Florence and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia. His work i faucist recalling the works of the french Raoul Dufy, Dunoyer de Segonzac, Francois Gall and Jean Jansem. This particular work is reminiscent of the work of Manolo Valdes. Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d’art and antique furnishings. Light poured in through the sloping glass wall on the north side. A dramatic stairway led to an overhanging balcony which served as a private gallery where the artist hung some of his favorite early works. To the left of the entrance was a smaller studio where Donati sculpted, with a window overlooking the famous old English cemetery where tourists laid flowers on the grave of Elizabeth Barrett Browning. In the main studio itself, where Donati received his clients in an atmosphere as polished as an office of a top executive, one hardly realized that it was here that the artist actually painted. His easel was covered with Persian blue velvet, the painting on the easel was already framed, his chair was upholstered in red velvet and on his palette the colors were arranged with the precision of a Byzantine mosaic. In a corner stand were his latest works, framed and ready to be sent off to his next exhibition in Europe or America. He spoke fluent French and English as well as some Spanish and German. “After all”, he said, “you've got to know how to sell...

LOOK FOR FREE SHIPPING AT CHECKOUT. ARTIST EXPLANATION OF THE PAINTINGS: Queen Elizabeth 2 30”x40” x 1.5" oil on birch panel . Ready to hang with wire on the back They are blurred....

The subject of Richard Gibbons' painting entitled "La Boheme" is based on the opera by Puccini of the same name - a love story of a poor seamstress and her artist friends in 1830 Boh...

Ron Hick's (US based) "Axiomatic Appeal" is an original, handmade oil painting that depicts an impasto rendering of a male figure with dark hair and an abstracted background. Ron Hi...

An Old Man Pointing at Pocket Watch Artist 19th Century European School Signature: Signed bottom left Medium: Oil on panel Dimensions: Image size 46 x 55,50 cm

Samuel Seeberger(French) Portrait of Louise-Marie of France After Jean-Marc Nattier Oil on wood panel 11.5" x 15.5" unframed, 15.5" x 19.5" framed

Mark Andrew Bailey's "Bad Hombre XXXII" is an original, handmade oil painting that depicts an impressionistic, monochrome portrait of an old western cowboy or Vaquero (Mexican Cowboy...

Provenance: Private Collection, New Jersey The present painting depicts Saint Vincent Ferrer preaching from a raised pulpit to a group of seven peopl...

Berne-Bellecour Étienne-Prosper Boulogne 1838 – 1910 Paris French Painter Battle Scene Signature: Signed middel lower left Medium: Oil on panel Dimensions: Image size 22 x 27 cm Biography: Berne-Bellecour Étienne-Prosper was born in Boulogne, France on June 29, 1838. He was a French painter illustrator and printmaker. He also practiced as a sculptor and an etcher. He studied under master teachers and artists Picot François-Édouard and Barrias Félix- Joseph. He also studied at the École des Beaux-Arts in Paris and competed in 1859 for the Prix de Rome. He also worked in photography to support himself while he studied. In 1867 he won a prize for photography at the Universal Exposition. French painter Vibert Jehan Georges...

"As an African-American artist in today’s world, I embody the vast differences found in our collective backgrounds. I view them as cultural assets. We are always self discovering and...

"Victoria" is portrait of a young female with flowing blond hair and draped in white. Purple flowers adorn her hair as well as her dress. Her pale skin, as well as her gaze away f...

ANJA VAN HERLE "Mrs. Hisses" Acrylic & Swarovski Crystal on Wood 72 x 35 inches Born in Belgium in 1969, Anja Van Herle combines a European sense of high fashion in her artwork with...

Oil on panel, signed, dated and inscribed ‘Bou Saada, 1894’ lower right Image size: 13 x 8 3/4 inches (33 x 22.25 cm) Ornate Gilt frame Euguene Alexis Girardet A child prodigy, Gi...

Master painter Bruno Surdo brings humor to the painting "Trick or Treat". His classically posed figures sport various Halloween costumes and stand in front of a factory. The painting is framed in a simple black frame. Bruno Surdo Trick or Treat oil on panel 18h x 24w in 45.72h x 60.96w cm BRS046 Bruno A. Surdo b. Chicago, 1963 EXHIBITIONS 2018 Liberation, Gallery Victor Armendariz, Chicago, IL Blood Sport, Gallery Victor Armendariz, Chicago, IL Art on Paper 2018, Gallery Victor Armendariz, Pier 36, New York, NY SOFA Chicago 2018, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2017 POP!ARAZZI, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL Bruno Surdo: Allegories, Ann Nathan Gallery, Chicago, IL 2014 Bruno Surdo: Respond, Ann Nathan Gallery, Chicago, IL Modern Metaphors, Rockford Art Museum, Rockford, IL 2013 Bruno Surdo: Revelations, Ann Nathan Gallery, Chicago, IL Vice + Virtue, Northern Illinois University Museum of Art 2012 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN 2011 Bruno Surdo, University of St. Francis School of Creative Arts, Fort Wayne, IN Uncensored, Ann Nathan Gallery, Chicago, IL 2010 Art Chicago 2010, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2009 Art Chicago 2009, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Bruno Surdo, Art Institute of Indianapolis, Indianapolis, IN 2006 Context/Content: Making Meaning with the Figure, University of Arkansas, Conway, AR Creative Imaginings, Mobile Museum of Art, Mobile, AL Bruno Surdo: Cycles, Ann Nathan Gallery, Chicago, IL 2005 Art Chicago 2005, Ann Nathan Gallery, Chicago, IL 2004 Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Group Show, Arcadia Gallery, New York, NY Drawings VII, Koplin Del Rio Gallery, West Hollywood, CA Armory Show, New York Armory, New York, NY 2003 Paintings & Drawings, College of Lake County, Grayslake, IL The Art Show, New York, NY Bruno Surdo: New Work, Ann Nathan Gallery, Chicago, IL Art Chicago 2003, Ann Nathan Gallery, Chicago, IL 2003-10 International Show of Contemporary Artists, Chicago Art Open, Chicago, IL 2002 Bruno Surdo: Perception of Appearance, Frye Museum, Seattle, WA Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Bruno Surdo: Transcendence, Ann Nathan Gallery, Chicago, IL Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Tragedy, Memory, & Honor, Ann Nathan Gallery, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR 1998 Evanston and Vicinity Artists, Evanston Art Center, Evanston, IL 1996 Bruno Surdo: A Personal View, University of Wisconsin, Kenosha, WI 1995 Bruno Surdo: Recent Works, College of Lake County, IL AIDS in Our Society, Loyola University, Chicago, IL Bruno Surdo: Life, Struggle, and Hope, Chicago Cultural Center, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR Bruno Surdo: Dualities of Life, Ann Nathan Gallery, Chicago, IL 1999 Group Show, Ann Nathan Gallery, Chicago, IL 1998 Group Exhibition, Fine Arts Building Gallery, Chicago, IL 1995 Spiritual Inquiries, Struve Gallery, Chicago, IL 1994 Recent Works, The 14th Annual Juried Exhibition for Lake County Artists, Grayslake, IL Go Figure, Figurative Works on Paper, Chicago Printmakers Collaborative, Chicago, IL SELECTED COLLECTIONS The Re-Birth of Venus, Temporary Loan, Fort Wayne Museum of Art Arkansas Art Center, Little Rock, AR College of Lake County, Greyslake, IL Flashpoint Academy, Chicago IL John Robert Wiltgen Design Shoemaker Ruud Collection Julie & Thomas Danilek Michael Vozzella and Mike Silver Benjamin Fernandez Tom Braake Betsy Colburn Michael Diemand & Lor LaRose Michael Staab & Kathy Brock Bruce Leep Frank Tzurect Mary Foley Rosalyn Carlson Mimmy Turney Janet Long Halstead Billy Hunt Carol Galli Myles Kerrigan Honorable & Mrs. Edwin Berman Theodore Gage Northrop Art Museum Past Present & Future Company Dr. James & Peggy Kemmler Salvatore Monastero Nix & Virginia Lauridsen Joel Miller David & Marlene Zerkel Ann & Andy Abel Claudia Rush Marc Miller Leonard Goldberg Lawrence Pucci Howard Tullman Collection Susan & Manny Kramer James Rinnert Richar Interiors Michael & Nancy Colt Khalid Altijir Dr. Joe Grodman Beryl & Jack Gore Larry Wolf & Eric Naegle Chuck Wolandi Jack Schwab & David Sandelin Thomas Kaczmarek Marti Dinerstein Craig & Michael Golden Mike & Jill Rose SELECTED PUBLICATIONS Bruno Surdo: The Method Artist Responds, by Lucia Mauro, June 26, 2014, anitathemovie blog An Exhibition of Exhibitionism: Bruno Surdo’s ‘Respond’, by Carrie McGath, July 1, 2014, The Chicagoist Website, Arts and Entertainment “Inspired Environs: A renowned designer decks out his Loop abode in art and texture” Modern Luxury, Men’s Book, Spring 2014 “Master Class” What’z Up Magazine, Fort Wayne, 2011 ”9/11 Painting will be on Display” Fort Wayne Journal Gazette, 2011 “Illuminated Images” Fort Wayne Reader, 2011 “Two Faces of Beauty” American Art Collector Magazine, Issue #3 and #59, 2006/2010 “Art and Calamity” Art Papers, 2009 “Versions of the Present, Techniques of the Past” American Artist Magazine, 2004 “Living Artists” Crow Book Publishing, Chicago, IL 2004 “The New Master” by Craig Keller, Chicago Social Magazine, 2004. “Tragedy, Memory, and Honor,” by William Hageman, Chicago Tribune, March 28, 2002 “Mural Depicts Tragedy of 9/11” Art Section...

The Cocktail Paintings It's Five O'Clock These four cocktail paintings are completed at a certain point at which time the artist will start to add a mosaic style pattern to the en...

Oil on panel Panel size: 8 x 6.5 inches Framed size: 12.5 x 10.75 inches Signed top right

My work deals with the complex experience of girlhood, exploring adolescent anxiety, feminine identity, and belonging. These themes are tackled within scenes of play, group interacti...

Sara Scribner's (US based) "Stardust" is an oil painting that depicts a realistic portrait of a feminine form in profile wearing blue in a blue interior ...

Cain & Abel, 19th Century School of Eugène DELACROIX (1798-1863) 19th century French scene of Cain & Abel, oil panel. Excellent quality and condition biblical scene of the death of...

James Bullough is an American born artist living and working in Berlin, Germany. His studio paintings, and huge monumentally scaled site-specific murals combine delicately handled re...

Matt Talbert's "A World Away" (2024) is an original, handmade oil painting on panel that depicts a portrait of a woman looking up on an abstracted and colorful background. Artist bi...

Suchitra Bhosle's "A Moment in Time" is an original, handmade oil painting that depicts a woman, in all white, crouching with her knees pulled to her c...

JAMES WOLANIN "Ciao Bella Acrylic & Gloss Varnish on Panel 48 x 48 inches ______________________ James Wolanin’s paintings transport the viewer to an effervescent, candy coated wor...

My work deals with the complex experience of girlhood, exploring adolescent anxiety, feminine identity, and belonging. These themes are tackled within scenes of play, group interacti...

Joseph Meganck 1807 – Aalst – 1891 Belgian Painter 'Together in Prayer' Signature: signed lower right and dated 1845 'Meganck 45'
 Medium: oil on panel
 Dimensions: image 46 x 37 c...

"Up All Night" is a captivating oil on panel painting by Matt Talbert, created in 2023. This square-format artwork measures 22 x 22 inches (55.88 x 55.88 cm), and it is presented wit...

Signed verso. As Darsney’s work has developed, his compositions and influences have evolved. An auto-didactic artist, Darsney draws inspiration from a variety of sources, including The Boston School and iconic masters such as Vermeer, Rembrandt and Degas. These artists’ attention to detail and adherence to classical ratio, coupled with Darsney’s own innate sense of structural integrity, inform his vision. He is also particularly influenced by the art on view in Boston museums and collections as seen here with his portrayal of The Daughters of Edward Darley Boit...

Elizabeth Zanzinger's (US based) "Crossing" is an oil painting that depicts an elderly man crossing the high water of a river with a young child on...

Saint Dorothea, 19th Century by KATHERINE MURIEL MASON EADIE, RMS, ARBSA (BRITISH, 1880-1945) Large 19th Century Art & Crafts Pre-Raphaelite Saint Dorothea, tempera and gold with e...

Mia Bergeron's (US based) "Resist" is an original, handmade oil painting that depicts a woman, with straight across bangs, in profile where the bright light from a window casts her s...

Lacey Lewis's (US based) "Amber Ray" is an original, handmade oil painting that depicts a female model sitting on a red couch, with big dark hair, and pasties over her nipples. Thi...

The Champ was painted over several days in the artist studio in Florence, Italy. The painting measures 16 x 12 with a handmade frame from Italy. This is oil on a linen panel which ...

"Great Horned Owl" by Anne Siems, is a captivating figurative-narrative painting featuring a wise owl, with an 18th century feel, surrounded by soft color palette and strong composition. ANNE SIEMS (b. 1965, Germany) Artist Statement I was born in Berlin, Germany. From 1969 to 1971 I lived near Buenos Aires, Argentina. My first extended stay in the US was as an exchange student in 1986. Then in 1991, after finishing my MFA in Berlin, I moved to Seattle, WA. My work has moved from semi-abstract, room-filling plant and insect drawings...

Deling with the work of Erich Waske today, one encounters first of all a number of reasons why this outstanding artist has fallen into such undeserved oblivion. In addition to the de...

Saint Dorothea, 19th Century by KATHERINE MURIEL MASON EADIE, RMS, ARBSA (BRITISH, 1880-1945) Large 19th Century Art & Crafts Pre-Raphaelite Saint Dorothea, tempera and gold with e...

Colonel Mellish's Spaniels, Mother & Puppies, 18th Century attributed to HENRY BERNARD CHALON (1770-1849) Large 18th Century portrait of Colonel Mellish's hunting spaniels, mother ...

Portrait Of Eleanor Of Toledo, Duchess of Florence (1522-1562), 16th Century after AGNOLO BRONZINO (1503-1572) 16th century Italian Old Master court portrait of Eleanor Of Toledo, Duchess of Florence, oil on panel. Excellent quality and condition early portrait of the young Spanish noblewoman...

Karen Offutt approaches The Strength Within 30 x 26 oval , oil on panel with an atmospheric sensitivity combining shape, tone line, and color. Karen ...

Heinz-Otto Laub was born 1944 in Cologne (Germany), studied at the KA Munich under Mac Zimmermann and is actually working in Bonn. He is known in the first place for his surrealistic...

Michael Carson's (US based) "Watcher" (2024) is an original, handmade oil painting. About the Artist: Mike Carson is a Minneapolis painter, and graduate of the Minneapolis College o...

Inspired by cinema, photography, music and literature, Monet has a natural connection and sense for the current society and his contemporaries. His signature conceptual assemblage of...

Teofimo was painted over several days in the artist studio in Florence, Italy. The painting measures 16 x 12 with a handmade frame from Italy. This is oil on a linen panel which mos...

King Solomon Worshipping The Idols, 17th Century FRANS FRANCKEN II (1581-1642) - signed sales to $6,000,000 Large 17th Century biblical account of King Solomon worshipping the Idols, oil on panel Frans Francken. Excellent quality and condition Old Testament biblical scene on a cradled panel depicting the Idolatry of Solomon, son and successor of King David. Exceptional detail and would be enhanced with a light clean. Presented in an antique period frame. Signed. Measurements: 47" x 34" framed approx Artist Biography Frans Francken II or the Younger is the third in order of descent in the Francken family tree. Born in 1581, the son of Frans Francken I or the Elder, he was the brother of Thomas, born in 1574, of Hieronymous II, born in 1578 and died in 1623, and of Ambrosius II, the last in line, who died in 1632. Hieronymous II, who died at the age of 56, is only known for his painting Horatius Cocles at Sublicius Bridge. Frans the Younger was initially a pupil of his father, who was then at the height of his career. In his father's studio he imbibed all the teaching of the tradition of Frans Floris. He also spent long periods in Italy, where he familiarised himself in particular with the masters of the Venetian school. Such study in situ enabled him to break away from the well-worn methods of Flemish Italianism, as practised by his father and uncles. It is conceivable that the young artist met Rubens, who was in Italy at the time. In 1605, at the age of 24, on his return to Antwerp, Frans the Younger became a master in the Antwerp Guild of St Luke. In 1607 he married Elisabeth Placquet in Antwerp. Three sons and eight daughters resulted from this marriage. His children made up the fourth generation in the dynasty. Better known are Frans III (1607-1667) and Hieronymus, born in 1611. The latter had a son, Constantinus (1661-1717), who marks the end of the line. The family of Francken painters runs from 1520 to 1717. As one of the most active masters in Antwerp, Frans II was appointed dean of the guild in 1614. He was also a member of the Violette, a major literary association, for which he painted an award-winning symbolic coat of arms. He was intimate with the most celebrated artists, in particular van Dyck, who executed a very fine portrait of him, judging by the engraving by Willem Hondius and Pieter de Jode. It is also likely that he was on familiar terms with Rubens who was his near contemporary. He died in Antwerp on 6 May 1642 at the age of 61, outlived by both Rubens and van Dyck. The first securely dated work of Frans the Younger is Christ on the Cross from the gallery in Vienna, painted in 1606. Witches' Sabbath (Vienna) and The Works of Mercy (Antwerp) are dated 1607 and 1608 respectively. In these two latter works the painter proves himself adept at painting figures and allegorical scenes. The Works of Mercy represents various groups of figures, symbolising the different activities inspired by Christian charity. Paupers and beggars occupy the foreground, the ensemble being dominated by the figure of the glorious Christ. While Frans the Younger cannot be compared with the masters of this great first generation of Antwerp, which was illuminated and steered by the genius of Rubens, he does nevertheless merit attention. He succeeded in developing and bringing into fashion an anecdotal genre on a more modest scale, elements of which were to inform the last representatives of the Francken family for over a century. Frans the Younger was undoubtedly the most talented draughtsman in the family. While his art may be criticised for its lack of grandeur and solemnity, the execution shows great talent. His brush stroke was vigorous and his imagination, albeit restrained, was brilliant. His interest in tonal values was highlighted by his study and appreciation of his remarkable contemporaries. This enabled him to carry out landscapes and also fleshy figures, which made him altogether worthy of the brilliant period to which he belonged. While detail certainly preoccupied him, he treated it with intelligence and even esprit, as witnessed in The Parable of the Prodigal Son and A Prince's Visit to the Treasury of a Church(both in the Louvre). The scenes painted in grisaille, which surround the principal motif of the Prodigal Son, are characteristic of his style. He excelled in painting jewellery, ornaments, and textiles with shot silk effects. A large number of his figures inhabit the neutral backgrounds of the interiors of apartments and galleries. He carried out such work not only under his own auspices, but also for other artists, such as Peeter Neeffs, van Bassen, Josse de Momper...

Slade School Late 19th Century Portrait of a Mary Hardy (nee Sulman) Oil on panel Image size: 8 x 7 inches Contemporary frame Provenance Lady Town (Grandda...

Calvin Lai's (US based) "Outside the Box" is an original, handmade oil painting that depicts a woman in profile holding up her dark brown hair and revealing her heavily tattooed arms...