Panel Portrait Paintings

"Wood You Believe 1" (2022), Chris RWK street art, aerosol, drips, graffiti, illustration, street artist, Staten Island, NY, New York, NYC, character, robot, robots will kill, mixed ...

Turquoise Wave, oil on panel, features a woman surfer. 12 x 12 inches, Framed light wood. Artist signed front. Also, signed, titled, and dated verso . David Shevlino was born in J...

ANJA VAN HERLE "Choker + Chain" Acrylic & Swarovski Crystal on Panel 12 x 12 inches. Born in Belgium in 1969, Anja Van Herle combines a European sense of high fashion in her artwork...

"Wood You Believe 8" (2022), Chris RWK street art, aerosol, drips, graffiti, illustration, street artist, Staten Island, NY, New York, NYC, character, robot, robots will kill, mixed ...

"Wood You Believe 5" (2022), Chris RWK street art, aerosol, drips, graffiti, illustration, street artist, Staten Island, NY, New York, NYC, character, robot, robots will kill, mixed ...

JAMES WOLANIN "On A Winter's Day" Acrylic & Gloss Varnish on Panel 48 x 48 inches ______________________ James Wolanin’s paintings transport the viewer to an effervescent, candy co...

"Wood You Believe 2" (2022), Chris RWK street art, aerosol, drips, graffiti, illustration, street artist, Staten Island, NY, New York, NYC, character, robot, robots will kill, mixed ...

Figurative painting of a couple by contemporary Hungarian artist Gabor Rosko. Oil on panel, 72 x 72 cm. Signed and dated on verso "RG GR 1987-2001" Gáb...

Thomas Darsney’s paintings reveal a palpable tension between the tactile sensuousness of fabric and the subdued brushstrokes of paint made flesh. United by this visual juxtaposition,...

Very touching scene with two little girls. Two sisters are thrilled to meet their new pets that their parents have bought. The sincerity and immediacy of children's feelings depicted...

"Wood You Believe 3" (2022), Chris RWK street art, aerosol, drips, graffiti, illustration, street artist, Staten Island, NY, New York, NYC, character, robot, robots will kill, mixed ...

Fun realistic celebrity 'autograph' black and white portrait painting by David Lyle. Oil and sharpie marker on panel. Size: 10 x 8 inches. Offered unframed. This is a realistic oil painting of actor Erik Estrada, best known for his role in the 1970-80s TV series "CHiPs." The painting resembles the vintage autographed press photographs of yesteryear. A fun piece for avid collectors of classic television...

"As an African-American artist in today’s world, I embody the vast differences found in our collective backgrounds. I view them as cultural assets. We are always self discovering and...

Thomas Darsney’s paintings reveal a palpable tension between the tactile sensuousness of fabric and the subdued brushstrokes of paint made flesh. United by this visual juxtaposition,...

"My work, both in painting and sculpture, involve networks of intricately connected, overlapping, and morphing shapes and patterns, reflecting the complex and ever-changing nature of...

Joseph Lorusso was born in Chicago, Illinois, in 1966 and received his formal training at the American Academy of Art. He went on to receive his B.F.A. degree from the Kansas City Ar...

Orange Yellow Fight For Change - is a Biennale Winner 2021 and Golden Art Award Winner 2022. Patrizia Casagranda's artwork comprises of a multi-la...

Henri Burkhard, Born in New York in 1892, began his studies at the Art Students league in New York and then pursued international studies at the Académie Julian, Acadêmie Colarissi, and Académie de la Grande Chaumière, Pariss. Once the artist returned to New York, he began to exhibit frequently frequently at the Whitney Museum of American Art in 1926-36; the Corcoran Gallery, Art Institute of Chicago, and the Pennsylvania Academy of Fine Arts in the 1930's. Works by the artist have been handled and sold over the last hundred years at major American auction houses and dealers, such as Heritage...

Oil painting and collage on wood panel Unique work Hand-signed higher right by the artist

'Fierce No.02' is an impressionist portrait painting of Frida Kahlo by urban impressionist painter Steve Javiel. The piece incorporates a blend of acrylic...

Thomas Churchyard was a student Dedham Grammar School, as John Constable, and of the Classics and Religious Speculation and Erasmus. He also studied French and English poets, philoso...

Chaise #31 by California artist Jeffrey Palladini is a minimalist figurative painting. It is Oil and Charcoal on Wood Panel. It is 24x36. With the wood frame, it is 25x37. It is a ...

Piggott finds resonance and beauty in the familiar. His subjects, anchored in the stuff of the every day, are quietly captured in a moment of time. Each composition speaks to the art...

Deling with the work of Erich Waske today, one encounters first of all a number of reasons why this outstanding artist has fallen into such undeserved oblivion. In addition to the de...

Oil paint, collage and mixed media on panel Unique work Hand-signed lower right by the artist

Well painted late 19th-century German genre painting. Often painted in the Munich area of Germany these highly desirable antique paintings are always of the finest quality. This is...

Evy 24 x 30 cm ( it will be delivered framed/ frame is included: size with frame 28 x 34 cm ) Acrylic paint on wood The Dutch artist Jantina Peperkamp likes to paint portraits of y...

'Sadhu, Varanesi' a highly detailed portrait painting of a tribal African black man with jewellery, red and orange. Ignacio Trelis is a Spanish contemporary painter and gallery own...

Deling with the work of Erich Waske today, one encounters first of all a number of reasons why this outstanding artist has fallen into such undeserved oblivion. In addition to the de...

June Glasson is an artist, illustrator, and designer. She lives in New York. Her paintings have been exhibited at the National Portrait Gallery in London, Nature Morte Gallery in Ber...

Tania Rivilis Portrait of Love Four panels of 40x40 cm all together framed in one piece of 94x94 cm Oilpaint on wood panel Tania Rivilis (b. 1986) 2022 winner of the 'William Locke Price' ( £ 30.000 ) from the Royal Society of Portrait Painters UK. Tania Rivilis began painting at the age of 27, after moving to Germany from Russia in 2012. Working hard on technique and creating her own signature style, just one year later Tania entered the art world with her first solo shows. Tania’s works range from classical to modern expressive style. For several years of working with painting and graphics, the artist held exhibitions in Germany, the Netherlands, and Russia. In 2016 began a collaboration between Tania Rivilis and Russian jeweler Petr Axenov, which led to many special projects, both for private and state collections. Her two drawings based on “War and Peace” novel by Leo Tolstoy...

Berne-Bellecour Étienne-Prosper Boulogne 1838 – 1910 Paris French Painter Battle Scene Signature: Signed middel lower left Medium: Oil on panel Dimensions: Image size 22 x 27 cm Biography: Berne-Bellecour Étienne-Prosper was born in Boulogne, France on June 29, 1838. He was a French painter illustrator and printmaker. He also practiced as a sculptor and an etcher. He studied under master teachers and artists Picot François-Édouard and Barrias Félix- Joseph. He also studied at the École des Beaux-Arts in Paris and competed in 1859 for the Prix de Rome. He also worked in photography to support himself while he studied. In 1867 he won a prize for photography at the Universal Exposition. French painter Vibert Jehan Georges...

Tom Petty Fans! Welcome to Tom Petty Nation! This Original Oil, egg tempura, Enamel paint, glass, custom made felt hat, textile, metal mesh, on wood panel is a beautiful tribute to ...

Nostalgic yet comical black-and-white monochrome figurative painting titled "The House Always Wins" by David Lyle featuring a group of children playing Blackjack. Oil on panel - Of...

"Moonlit: Blue I" (2022) color pencil and acrylic wash on Arches paper, mounted on cradled wood panel Contemporary academic realism, hyperrealistic portrait, woman, face, electric blue tones 14" high x 11" wide x 1" deep by Erica Rose Levine...

Tuareg Rider in the Desert, 1908 Paul Jouve (1878-1973) Oil on panel, signed lower right. 27 ½ × 24 inches (21 ¾ × 17 1/2 frame) inches Paul Jouve’s work has been celebrated and col...

Provenance: Bradley Collection. Private Collection, Upperville, Virginia. Literature: Katlijne van der Stighelen and Hans Vlieghe, Rubens: Portraits of Unidentified and Newly Identified Sitters painted in Antwerp, Corpus Rubenianum Ludwig Burchard, vol. 19, pt. 3, London and Turnhout, 2021, under cat. no. 189, p. 161, and fig. 75. This painting had previously been considered to be by an anonymous Tuscan painter of the sixteenth century in the orbit of Agnolo Bronzino. While the painting does in fact demonstrate a striking formal and compositional similarity to Bronzino’s portraits—compare the nearly identical pose of Bronzino’s Portrait of a Young Man in the Metropolitan Museum of Art (Fig. 1)—its style is completely foreign to Italian works of the period. That it is painted on an oak panel is further indication of its non-Italian origin. This portrait can in fact be confidently attributed to the Antwerp artist Huybrecht Beuckelaer. Huybrecht, the brother of Joachim Beuckelaer, has only recently been identified as the author of a distinct body of work formerly grouped under the name of the “Monogrammist HB.” In recent studies by Kreidl, Wolters, and Bruyn his remarkable career has been delineated: from its beginnings with Joachim in the workshop of Pieter Aertsen; to his evident travels to Italy where, it has been suggested, he came into contact with Bronzino’s paintings; to his return to Antwerp, where he seems to have assisted Anthonis Mor in painting costume in portraits; to his independent work in Antwerp (where he entered the Guild of Saint Luke in 1579); and, later to his career in England where, known as “Master Hubberd,” he was patronized by the Earl of Leicester. Our painting was recently published by Dr. Katlijne van der Stighelen and Dr. Hans Vlieghe in a volume of the Corpus Rubenianum, in which they write that the painting “has a very Italian air about it and fits convincingly within [Beuckelaer’s] oeuvre.” Stighelen and Vlieghe compare the painting with Peter Paul Ruben’s early Portrait of a Man, Possibly an Architect or Geographer in the Metropolitan Museum of Art, in which the sitter holds a compass and wears a similarly styled doublet (Fig. 2). Huybrecht both outlived and travelled further afield than his brother Joachim, who made his career primarily in Antwerp. Whereas Joachim was the main artistic inheritor of their uncle and teacher, Pieter Aertson, working in similar style and format as a specialist in large-scale genre and still-life paintings, Huybrecht clearly specialized as a painter of portraits and was greatly influenced by the foreign artists and works he encountered on his travels. His peripatetic life and his distinctly individual hand undoubtedly contributed to the fact his career and artistic output have only recently been rediscovered and reconstructed. His periods abroad seem to have overlapped with the mature phase of his brother Joachim’s career, who enrolled in the Antwerp Guild of Saint Luke much earlier than his brother, establishing himself as an independent painter in 1560. Joachim’s activity was confined to the following decade and half, and his latest work dates from the last year of his life, 1574. Our portrait was likely produced in the late 1560s, a dating supported by the dendrochronological investigation performed by Dr. Peter Klein, which established that it is painted on an oak panel with an earliest felling date of 1558 and with a fabrication date of ca. 1566. This painting presents a portrait of an artist, almost certainly Huybrecht’s self-portrait. The young sitter is confidently posed in a striking patterned white doublet with a wide collar and an abundance of buttons. He stands with his right arm akimbo, his exaggerated hands both a trademark of Huybrecht and his brother Joachim’s art, as well as a possible reference to the “hand of the artist.” The figure peers out of the painting, interacting intimately and directly with the viewer, as we witness him posed in an interior, the tools and results of his craft visible nearby. He holds a square or ruler in his left hand, while a drawing compass...

ANJA VAN HERLE "Desert Darlings I (Single Panel)" Acrylic on Panel 50 x 30 inches Born in Belgium in 1969, Anja Van Herle combines a European sense of high fashion in her artwork w...

Imke 16 x 16 cm ( it will be delivered framed/ frame is included: size with frame 18 x 18 cm ) Acrylic paint on wood The Dutch artist Jantina Peperkamp likes to paint portraits of ...

A wonderful composition of one of Slonem's most iconic subjects of Abraham Lincoln. The thick use of paint is greatly recognizable as he slathers on layer after layer of oil paint, d...

Purple Rose Fight For Change - is a Biennale Winner 2021 and Golden Art Award Winner 2022. Patrizia Casagranda's artwork comprises of a multi-laye...

Grey Green Fight For Change - is a Biennale Winner 2021 and Golden Art Award Winner 2022. Patrizia Casagranda's artwork comprises of a multi-layer...

Oil on panel Image size: 12 1/2 x 8 3/4 inches (31.75 x 22.25 cm) Period style hand made frame This is a portrait of Thomas Cranmer (1489 - 1556). Cranmer was the Archbishop of Canterbury in the reign of Henry VIII and launched the English Reformation. Few people have played so important a part in shaping the course of English history or had a more profound influence on England's language and literature than Thomas Cranmer. At the bottom of the painting Cranmer's name and title is inscribed. At the centre there is also Cranmer's coat of arms, the left half is the arms that all archbishops of Canterbury adopt and it has been enjoin to his own family arms...

"Untitled" is an original acrylic painting on canvas panel by Reginald K. Gee. The artist signed the piece on the back. This artwork features an abstract portrait of a man in blue, b...

Erik van Elven Free Spirit 70 x 50 cm Oil on dibond ( panel ) Framed 78 x 58 cm ( This frame is included in the price ) Erik van Elven did build a wonderful career as an artist in H...

"Femme Fatale" (2021) by Gail M. Boykewich Acrylic on wood panel, figurative, magical realism, neo-folk, portrait of woman with braids, wearing a purple glove and holding a glass of pink champagne, surrounded by blooming indoor plants and freshly cut daffodils; interior setting with dark wood furniture...

Contemporary figurative painter Andrew S. Conklin creates a composition of portraiture and a still life arrangement presented in an interior scene. The artist applies traditional rea...

Oil on panel Flemish painting

Lord and Lady Eliot, by Manuel Santelices Acrylic on gesso panel Image size: 12 in. H x 9 in. W Unframed 2023 The worlds of fashion, society, and pop culture are explored through t...

Miniature 19 century, painted in ivory

Purple Rose Fight For Change - is a Biennale Winner 2021 and Golden Art Award Winner 2022. Patrizia Casagranda's artwork comprises of a multi-laye...

Pool #37 by California artist Jeffrey Palladini is a minimalist figurative painting on paper and framed. It is textured Oil and Charcoal on paper. It is 22" x 30". It is currently...

This exquisite portrait of a gentleman depicted in a sumptuous black coat edged with silver and slashed sleeves is an excellent example of the type of portrait fashionable in England and the Low Countries during the 17th century. The confident pose, striking orange sash - the colour of the house of Orange Nassau - and the leather gorget imbue the sitter with a sense of masculinity and power. The profusely decorated costume is of the highest quality and de rigueur of an elite class - the artist has carefully cultivated this portrait to emphasise the sitter’s wealth and standing in the society that he belonged to. The casual pose, with one arm resting on a hip, is much less formal than earlier decades, and it speaks of ‘sprezzatura’ – one’s appearance should not appear laborious, but instead, effortless. The oil on cradled panel portrait can be dated to circa 1650 based on the hairstyle and the attire - small falling collar, short doublet (doublets reduced in size to just below the ribcage in the late 1650’s), and the type of slashed sleeves with the sleeve seams left open to reveal the white fabric. The demand for portraits in the Netherlands was great in the 17th century. Bartholemeus van der Helst was considered to be one of the leading portrait painters of the Dutch Golden Age surpassing even Rembrandt as the most sought-after portraitist in Harlaam. The Dutch Golden Age, roughly spanning the 17th century, was a period when Dutch trade, science, military, and art were among the most acclaimed in the world. Dutch explorers charted new territory and settled abroad. Trade by the Dutch East-India Company thrived, and war heroes from the naval battles were decorated and became national heroes. During this time, The Dutch Old Masters began to prevail in the art world, creating a depth of realistic portraits of people and life in the area that has hardly been surpassed. The Golden Age painters depicted the scenes that their discerning new middle-class patrons wanted to see. This new wealth from merchant activities and exploration combined with a lack of church patronage, shifted art subjects away from biblical genres. Still life’s of items of everyday objects, landscapes, and seascapes reflecting the naval and trade power that the Republic enjoyed were popular. The new wealthy class were keen to have their portraits commissioned and many artists worked in this lucrative field. Such was the popularity of art that everyone had a painting, even the humble butcher, and hundreds of thousands of paintings were produced. By tradition the sitter is Maarten Tromp (1598-1653) who was an Admiral in the Dutch Navy (the reverse of the portrait contains an old handwritten inscription “van Tromp”). Certainly, the distinctive orange sash is similar to those worn by officers of the Dutch army in the Netherlands who served under the Princes of Orange and the House of Nassau. However, it should be noted that the physiognomy differs from other images of Tromp. Tromp was the oldest son of Harpert Maertensz, a naval officer and captain. He joined the Dutch navy as a lieutenant in July 1622 and was later promoted from captain to Lieutenant-Admiral of Holland and West Frisia in 1637. In 1639, during the Dutch struggle for independence from Spain, Tromp defeated a large Spanish fleet bound for Flanders at the Battle of the Downs, which marked an enormous change - the end of Spanish naval power. He was killed in action during the First Anglo-Dutch War in 1653 where he commanded the Dutch fleet in the battle of Scheveningen. Gloves were an absolutely vital accessory and the elaborate pair in this portrait are embellished with threads of silk and precious metals and salmon-coloured lining. He wears only one glove and holds the other, providing an opportunity to better display the cuffs and detail on his right wrist and forearm. The gloves are probably made from the most prized leather which came from Spain, in particular from Cordova. Cordovan leather was tanned with a special vegetal process that left it both highly impermeable and divinely soft. King Charles I, posed in a rather relaxed manner for Daniel Mytens’s portrait in 1631, is wearing gloves and boots in matching Cordovan leather. The hide is thick, but you can see just how supple it is from the way the gauntlet dimples and the long boot legs fold over themselves, rippling and wrinkling at the ankles. Apart from keeping hands warm the use of gloves during the 15th through the 19th centuries were full of symbolism and they were worn regardless of the season. They kept the skin unblemished - soft, smooth hands were considered highly attractive. This combination of necessity and proximity to bare skin made gloves a deeply personal gift and they took on a strong symbolic significance and were regarded as emblematic of fidelity and loyalty for hundreds of years. Such was the importance of their symbolism was that some gloves were never intended to be worn at all. Their luxury made them ideal gifts at court, and so in the 15th and 16th centuries, ambassadors often presented them as symbols of loyalty. Until the mid-19th century, it was customary to give gloves as tokens to guests at weddings and to mourners at funerals. Gentleman often gifted their bride-to-be with a pair of gloves (the obligatory gift) and were handed over at the betrothal and put on display before the wedding took place. It was probably their direct contact with the skin that led to the eroticism of gloves. Not only were pairs often exchanged between lovers, but from the 16th to the 18th centuries, it was common practice to remove one glove and give it as a gift to a favourite. The idea of the item being presented still warm from the wearer’s hand is certainly suggestive. Following the death of King George IV, his executors purportedly found over a thousand mismatched ladies’ gloves among his possessions. The sentiment of a 17th-century poem reveals the popularity of the practice: “Come to our wedding to requite your loves / Shew us your hands and we’ll fit you with gloves.” Such generosity might be pricey for the hosts, but gloves of varying quality could be offered depending on the status of the recipient. Pairs made with the finest Spanish leather might be reserved for immediate family, while coarse sheep’s leather could be distributed among the servants and tradesmen. The apportioning of quality according to class provided a very clear message of the gloves’ intended use. For refined guests, they were decoration; for the lower classes, they were functional. Bartholomeus van der Helst...

Purple Rose Fight For Change - is a Biennale Winner 2021 and Golden Art Award Winner 2022. Patrizia Casagranda's artwork comprises of a multi-laye...

Vandendaele Casimir Deinze 1818 – 1880 Ghent Belgian Painter Portrait of a Gentleman Signature: Signed bottom left and dated 1843 Medium: Oil on panel Dimensions: Image size 23 x 19...

Chaise #36 by California artist Jeffrey Palladini is a minimalist figurative painting on paper and framed. It is textured Oil and Charcoal on paper. It is 22" x 30". With the white...

Oil paint on wood panel Unique work Hand-signed on the back by the artist

"Spring and All" (2019) by Gail M. Boykewich Acrylic on wood panel, figurative, butterfly, daytime, skyscape, portrait, woman holding an open book, flipping through the pages, a cup ...