Post-Impressionist Paintings

Maurice Asselin (1882-1947) A Still life with a book Signed upper right Oil on canvas 54 x 65 cm no frame In good condition, a small superficial scratch on the lower right side, ...

Here for your consideration is a well executed oil on canvas painting by the well known American marine artist C. Hjalmar “Cappy” Amundsen. Signed lower right “Wm Lawrence” one of the the pseudonyms used by Amundsen. Condition of the painting is good to very good. Some crazing in the sky but no restorations. In its original wood antique white pickled oak frame. Overall measurements are 20 by 24 inches. Provenance: a Long Island, New York collector. C. Hjalmar "Cappy" Amundsen Born: 1911 - New York City Died: 2001 - East Moriches, New York Known for: Impressionist whaling scenes, harbor views, ships and seascapes Name variants: D Ainsley, Casper Hjalmar Amundsen, Hjalmar Amundsen, Hjalmar "Cappy" Amundsen, Ernest Cramer, JJ Enwright, C Hjalmar, W Hughes, William Lawrence, F H McKay...

Abstract landscape, oil painting This is hand signed lower right dated 1947 There is also a hand written inscription in french lower left. Moussia Toulman ( 1903-1997), Artist and poet, was born in Uman Ukraine (famed as the tomb site of Chassidic Rebbe Nachman of Breslov) and came to Israel (British mandate Palestine) when she was 19 years old. Just a few months after her arrival she married, settled in Metula however, she didn’t forgo her ambition to study art. In 1923 she enrolled to study at the Bezalel Art Institute in Jerusalem and completed her studies there in 1926. Like Ziona Tagar, who preceded her a few years earlier, Moussia Toulmann chose to become an artist-woman in the full significance of the term. She wasn’t satisfied with the local studies framework that was available and chose to continue her studies in Paris, France which at that time was considered the art capital. From 1929 onwards Musia lived in Paris, studied art and joined the ‘Independent Salon’ society. She made contacts with artists and writers and exhibited during the 1930’s in a number of select group exhibitions. In 1936 Tolman visited Israel and forged bonds with artists she studied with at Betzalel, among them Aharon Avni, Gliksberg and Avigdor Stematsky. She exhibited at the Tel Aviv Museum of Art in 1936 in a group exhibition with Aharon Avni, Arie Aroch, Yosef Zaritsky, Mordechai Levanon, Eliyahu Sigad, Chaya Schwartz, and Yehezkel Streichman. She painted landscapes and portraits and presented one of the works she painted in Paris to the Tel Aviv museum. It was a portrait of the poet and art critic Gustave Kahn who had died the same year. Moussia returned to Paris and exhibited a one-man show just before the outbreak of the Second World War. During the war all the works she exhibited in this exhibition were lost without a trace and Moussia Toulman herself wandered around France moving from one hiding place to another. After the war, in 1946 Moussia Toulman continued painting but was reluctant to exhibit her works. She became a well-known public figure and volunteered for aid programmes for Holocaust survivors, especially orphans. Later on she founded together with Mane Katz, Jacques Atlan and other artists the ‘Art’ organization with the object of developing cultural ties with Israel and to aid Israeli artists during their stay in Paris. In addition to painting Moussia Toulman wrote poetry, published articles and was involved in art criticism. She was included in the rare publication of 'Association des artistes, peintres et sculpteurs juifs de France' in French and Yiddish. The School of Paris Jewish artists included Edmond Kayser, Abram Krol, Meyer Lazar, David Lan-Bar, Jacques Lipchitz, Jacques Loutchansky, Lubitch, Rene Mendes-France, Adolphe Milich, Lea Nikel, Jules Pascin, David Peretz, Camille Pissarro, Nathan Rapoport, Moussia Toulman, Roger Worms...

Carl Johansson (1863-1944) Sweden A wooded lakeland view oil on canvas signed Carl Johansson painted c. 1940 canvas dimensions 14.96 x 21.85 inches (3...

A beautiful oil painting by French artist Louis Valtat. Featuring a colorful display of a flower bouquet of dahlias.

'Portrait of Renée', oil on board, by Louis Latapie (1941). When combined with the artist's passionate brush strokes, the wood panel upon which this piece is painted, creates both a ...

Oil on artist board signed and dated lower right featuring pool players playing a point match in the pool hall. Great WPA feel and texture impasto. Most likel...

Large signed still life of flowers oil on canvas circa 1940 by sought after French post impressionist painter Marcel Dyf. This beautiful work depicts a bouquet of flowers of all vari...

Arnold Beauvais (1886-1984) Arnold Victor Beauvais was born in Lewisham on 13 April 1886, son of a French father, the artist Charles Henri Beauvais, and an English mother, Anne, née Corfield. He trained in his father's commercial art studio during the day, working on lithographic printing and poster design, and took night classes at the Bolt Court Art School in Fleet Street. In 1903 his father returned to his home town of Marseille and set up a commercial art studio. Arnold studied in Paris for sixteen months before joining his father in Marseille. Charles died...

Le Coup de Vent by Paulémile Pissarro (1884-1972) Oil on canvas 65 x 92 cm (25⁵/₈ x 36¹/₄ inches) Signed lower left, Paulémile Pissarro; signed and titled on the reverse Executed cir...

Signed lower right, 'Vantore' for Erik Mogens Christian Vantore (Danish, 1895-1977) and painted circa 1945. Born in Copenhagen in 1895, Mogens Vantore first studied with his father,...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE La Rivière Orne et le Pain de Sucre by PAULÉMILE PISSARRO (1884-1972) Oil on canvas 54 x 65 cm (21 ¼ x 25 ⅝ inch...

Alphons (Alfons) Müller (Swiss, * 24.8.1898 Mitlödi, † 8.6.1955 Biel) Stormy Lakeland Landscape in Switzerland • Oil on artist board, ca. 45 x 70 cm • Frame, ca. 49 x 75 cm • Signe...

Elisée MACLET (1881-1962) Paris, Winter in Montmartre : Theatre de l'Atelier, c. 1945 Original oil on canvas Signed bottom left On canvas 27 x 35 cm (c. 11 x 14 in) Presented in a...

Beautiful oil on fiberboard painting of fishing boats at the docks of Gloucester by the well known North Fork Long Island artist Caroline M. Bell. Circa 1945. Signed lower left by the artist. Condition is very good. Housed in its original silver leaf over wood frame in restored condition. Overall framed measurements are 18 by 20 inches. Provenance: Sarasota, Florida estate. Biography: Caroline M. Bell (1874 -1870) Caroline Bell was the leader of a group of artists known as the Peconic Bay...

Initialed lower right, 'A.E.M' for Anna Elisabeth Munch (Danish, 1876-1960) and dated 1943. This notable Danish Modernist first studied with Karl Jensen (...

Nature Morte by Paulémile Pissarro (1884 - 1972) Oil on canvas 54.3 x 65.2 cm (21 ³/₈ x 25 ⁵/₈ inches) Signed lower left, Paulémile Pissarro; signed, titled and dated on the reverse ...

CONSTANTIN Andreevic TERECHKOVITCH 1902-1978 (Russian) Title: Portrait of the Artist's Wife, 1945 Technique: Original Signed Oil Painting on canvas size: 33 x 24 cm / 13 x 9.5 ...

Signed upper left, 'O. Foss' for Olivier Foss (French, 1920-2002) and painted circa 1945. Born in Hanover, Germany, Olivier Foss first studied art in Ber...

Beautiful oil on mahogany panel painting of the bustling Port of Ostend in Belgium by Louis Clesse. Signed lower right and dated 1942. Titled verso and signed again by the artist ve...

A stunning and masterful depiction of a Parisian street view from the 20th Century. It seems as though the artist executed this painting at the steps of 'L'église de la Madeleine' an...

Signed lower left, 'Carl Fischer' (Danish, 1887-1952) and painted circa 1935. Carl Fischer first studied under Viggo Johansen (1907-12) and, subsequen...

43 x 37.5 is the FRAMED SIZE. , 36 x 30 is the live size. Post-impressionist pointillist bush strokes describe this image of Americana. The location looks like New England. Signed ...

Original oil on canvas painting of Les Halles de Paris by the London born artist, H.F. Root. Signed lower left. Circa 1945. Very good condition, no restorations. Les Halles de Paris was the largest food market...

Artist: Andre Vinot, French XXth Title: Montmarte Year: 1946 Medium: Oil on Canvas mounted to Wood, signed l.l. Image: 16 x 20 in. (40.64 x 50.8 cm) Frame Size: 25.5 x 30 inches

Oil on artist board painting by the French artist, Jean Corniche. Signed lower right and dated 1945. The painting depicts several fishing boats docked on...

Signed lower right, 'V. Isbrand' for Victor Isbrand (Danish, 1897-1989) and painted circa 1945. Precocious as a child, Victor Isbrand painted professionally from a young age and was...

Signed lower right, 'Mogens Hertz' (Danish, 1909-1999) and dated 1949. A large, Post-Impressionist figural oil showing a pregnant young woman, draped from the waist down, with her hands resting serenely in her lap. Seated beside a garden door, she is gently dappled by golden sunlight that filters in through verdant foliage. Painted when the artist was forty years old, Hertz has accomplished a lyrical, light-suffused study of his beautiful and enigmatic young subject. Mogens Hertz first studied with the Academician, Laurits Ring and, subsequently, with the Danish Impressionist, Rostrup Boyesen. In 1930, after an influential study trip to Paris, Hertz continued his formal studies at Copenhagen's Charlottenborg Academy before moving to the countryside outside Gudhjem. There, he became a co-founder of the Bornholm School. His work there came to exemplify the group's lyrical portrayal of idyllic landscapes, painted in a loose and painterly, Impressionist style that often borders on abstraction. From 1930-1941, Hertz traveled and studied widely, including to France, Holland, Germany, Norway and Sweden. He was the recipient of numerous medals, prizes and juried awards including the August Schiøtt scholarship (1948) and the Frederik Sødring prize (1939). Over the course of a long and distinguished career, he exhibited widely and with success including, from 1937, at the Royal Danish Academy's Charlottenborg Spring Exhibition, at the Bornholm Art Museum and the Vejen Art Museum, among others. Mogens Hertz is well-listed in relevant art biographical reference works including Benezit's definitive dictionary of artists. We are pleased to offer a major work from the artist's middle period. Reference: E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. 6, p. 954; Weilbach, Dansk Kunstnerleksikon, the Castle and Cultural Agency, Copenhagen; Chr. F. Beck i: Da. Kunst, nr. 90, maj 1950; Helge Ernst...

Nordfeldt's misty and moody monochromatic modernist landscape is reminiscent of Marsden Hartley. Signed lower right. The plaque reads B.J.O Nordfeldt "Moon in Mist - The painting l...

John Edward Costigan, N.A. American, 1888-1972 Woman and Child Oil on canvas Signed ‘J.E. Costigan N.A.’ lower left 24 by 30 in. W/frame 32 by 38 in. John Costigan was born of Irish-American parents in Providence, Rhode Island, February 29, 1888. He was a cousin of the noted American showman, George M. Cohan, whose parents brought the young Costigan to New York City and was instrumental in starting him on a career in the visual arts. They were less successful in encouraging him to pursue formal studies at the Art Students League (where, however, he later taught) than in exposing him to the commercial art world through the job they had gotten him with the New York lithographing firm that made their theatrical posters. At the H. C. Miner Lithographing Company, Costigan worked his way up from his entry job as a pressroom helper, through various apprenticeships, to the position of sketch artist. In the latter capacity he was an uncredited designer of posters for the Ziegfeld Follies and for numerous silent films. Meanwhile, he had supplemented his very meager formal studies in the fine arts with a self-teaching discipline that led to his first professional recognition in 1920 with the receipt of prizes for an oil painting and watercolor in separate New York exhibitions. A year earlier, Costigan had wed professional model Ida Blessin, with whom he established residence and began raising a family in the sleepy little rural New York hamlet of Orangeburg, the setting for the many idyllic farm landscapes and wood interiors with which he was to become identified in a career that would span half a century. John Costigan’s first national recognition came in 1922 with his winning of the coveted Peterson Purchase prize of the Art Institute of Chicago for an oil on canvas, “Sheep at the Brook.” It marked the start of an unbroken winning streak that would gain him at least one important prize per year for the remainder of the decade. The nation’s art journalists and critics began to take notice, making him the recurring subject of newspaper features and magazine articles. The eminent author and critic Edgar Holger Cahill was just a fledgling reporter when he wrote his first feature, “John Costigan Carries the Flame,” for Shadowland Magazine in 1922. Costigan had his first one-man show of paintings at the Rehn Gallery on New York’s 5th Avenue in November, 1924, to be followed less than three years later by another at the Art Institute of Chicago. In addition, Costigan’s work has been—and continues to be included, side-by-side with that of some of America’s most high-profile artists, in museum and gallery exhibitions throughout the country. His renown had peaked in the early 1930s, by which time his work had been honored with nearly every major award then being bestowed in the fine arts and had been acquired for the permanent collections of several prestigious American museums, including New York’s Metropolitan (which only recently, in 1997, deaccessioned his “Wood Interior,” acquired in 1934). Although Costigan’s celebrity had ebbed by the late 1930s, the Smithsonian Institution saw fit in 1937 to host an exhibition exclusively of his etchings. And, in 1941, the Corcoran Gallery (also Washington, D.C.) similarly honored him for his watercolors. (Another Washington institution, the Library of Congress, today includes 22 Costigan etchings and lithographs in its permanent print collection.) During World War II, Costigan returned briefly to illustrating, mainly for Bluebook, a men’s pulp adventure magazine. A gradual revival of interest in his more serious work began at the end of the war, culminating in 1968 with the mounting of a 50-year Costigan retrospective at the Paine Art Center and Arboretum in Oshkosh, Wisconsin. Oils, watercolors and prints were borrowed from museums and private collections throughout the country, and the exhibition was subsequently toured nationally by the Smithsonian Institution. John Costigan died of pneumonia in Nyack, NY, August 5, 1972, just months after receiving his final prestigious award —the Benjamin West Clinedinst Medal of the Artist’s Fellowship, Inc., presented in general recognition of his “...achievement of exceptional artistic merit...” in the various media he had mastered in the course of his career. This painting depicts one of the artist's favorite themes --the farm family bathing...

Merio Ameglio Italian, 1897-1970 Notre Dame, Autonne Oil on Canvas 18 by 21 ½ in. W/frame 26 by 29 ½ in. Signed lower left & titled on reverse Merio noted impressionist painter p...

Initialed lower right, 'Kay' for Kay Christensen (Danish, 1899-1981), dated verso, "27 October 1948" and titled, 'Paris'. A serene, Parisian cityscape showing an aerial perspective of the Seine and the Île Saint-Louis viewed from above the Quai des Célestins, and looking towards the Île de la Cité and Notre Dame in the distance. This early Danish Post-Impressionist artist first studied with Marie Sandholt and Astrid Holm at the Copenhagen Art Academy and, subsequently, at the School of Graphics (1929-31). Christensen continued his studies while traveling widely in Europe, including to Germany and Austria (1913-14), Paris (1917-23) and to Budapest and Vienna (1934). In 1935, he was awarded the Michaelsen Scholarship which enabled him to remain in Paris during the late 1930's. During intense period of development and creativity, he moved away from the bold colors and defined forms of his earlier Fauve and Cubist periods and began to explore the creation of predominantly single-color works, often in blues or greens accented with subtle shades of white. After the Second World War, he returned frequently to paint in Paris. Kay Christensen, like his friend, Rainer Maria Rilke, followed a solitary artistic path in which his imagery was characterized by a personal aesthetic of sensuality combined with a spirited boldness and expressive force. He exhibited internationally with success and was the recipient of numerous prizes, medals and juried awards. Christensen's work is held in private and public collections including the State Art Museum of Denmark and Copenhagen's Metropolitan Museum, among others. We are pleased to offer this lyrical perspective of the Seine, the Pont Marie and the Île Saint-Louis painted...

Artist: Roger Etienne, French/American (1922 - ) Title: Portrait of a Girl Year: 1949 Medium: Gouache On Paper, signed and dated Size: 20 x 16 in. (50.8 x 40.64 cm) Frame Size: 29 x ...

Maurice Asselin (1882-1947) A bunch of flowers in a vase Signed upper left, numbered and dated 1942 on the back Oil on canvas 35 x 27 cm In good c...

Signed lower right 'Muff' for Orla Muff (Danish, 1903-1984) and painted circa 1940. Orla Muff received his first formal art instruction at the Copenhagen Technical School from 1917-21, where he studied with the theatrical painter, Carl Lund. He subsequently traveled, studied and painted throughout Europe including in France, Germany, Sweden and Holland. In the early years of his career, Muff was celebrated as a designer of sophisticated Art Deco sets and costumes for prominent theatrical productions and revues throughout Europe. These included productions for Max Reinhardt...

Constantin Font, born January 11, 1890 in Auch (Gers) and died in 1954 in Paris, is a French artist, painter of genre, nudes, landscapes, orientalist, sculptor and engraver. Outstand...

Hobson Pittman (1899-1972) Signed upper left. Oil on panel. Provenance: Boca Raton Museum of Art Many examples of Pittman's paintings can be found in numerous museum collections, inc...

Signed lower right dated 1944 Signed verso William Malherbe "The Thetford Hill Vermont" Provenance: Palm Beach Galleries Framed in a gold frame

Marta Sawyers. Illustrator Journalist. She was sent to war-ravaged countries to “Paint the Story”. What's unique here? This represents the work an Artist Journalist/War Correspondent...

Post Impressionist oil on canvas still life painting by the New York artist, Frances Joan Kruszewski. Initialed bottom right and dated 1942. In very good original condition; no restorations. Original gesso over wood gold leaf frame in fine condition. Overall 21.25 by 17.25 inches. Provenance: Port Jervis, New York estate. A painter of post-impressionist landscapes and still lifes, Kruszewski was born on August 30, 1921 in New York City and died in Locust Valley, New York on July 18, 1971. Education: Studied under Edgar Whitney, AWS; Marion B. Brown, AWS; Paul Puzinas, Anthony Toney...

Merio Ameglio Italian, 1897-1970 Parisian Street Scene Oil on Canvas 18 by 21 ½ in. W/frame 26 by 29 ½ in. Signed lower left Merio noted impr...

A substantial and atmospheric winter landscape showing a view of fields and farm buildings draped in snow. Signed with initials lower right, 'V.G.K.' for Victor Georg Kuhnel, (Danis...

Oil on canvas painting on artist board by the American artist, Jean Leason Hitch. Signed lower right. Condition: good; no restorations. The painting is housed in a massive gold reproduction frame 24 by 22 inches. Jean Leasin Hitch began her artistic career in Melbourne, Australia, under the tutelage of her father, Percy Leason, a professional painter, well-known cartoonist and illustrator. After coming to the United States in 1943, she was appointed curator of art at the Staten Island Institute of Arts and Sciences, New York. While at the museum, she also began her restoration career and restored paintings from the museum's collection and other notable historic collections. Jean Leason Hitch was an active member in the Allied Artists of America, American Artist Professional League, Hudson Valley Art Association, served as vice president for the Catharine Lorillard Wolfe Art Club in New York, and in 1953, was listed in "Who's Who in American Art." Her work merited numerous awards; including the Kathleen Grumbacher Award, Council of American Artists Society Award, Anna Hyatt Huntington...

Lucien Adrion French, 1889-1953 Scene De PARIS apres la Liberation Oil on canvas 21 ¼ in. by 25 ½ in. W/frame 31 ¼ in. by 35 ½ in. Signed & dated 1949 lower right Lucien Adrion w...

Parade Mexicaine by Jean Dufy (1888-1964) Gouache on Ingres paper 45.1 x 55.6 cm (17³/₄ x 21⁷/₈ inches) Signed Jean Dufy lower centre Executed circa 1948-1950 Provenance Galerie Käte Perls, Paris/New York (titled Cirques) Christie’s New York, 26th February 1990 (titled Le Cirque) Private collection, Germany Literature Jacques Bailly, Jean Dufy Catalogue Raisonné de l’OEuvre, vol.1, Paris 2002, no J.473, p. 261 (illustrated) Born into a large family in the busy port-city of La Havre in northern France, Jean Dufy was the younger brother of the Fauvist painter Raoul Dufy. In order to please his accountant father, Jean was...

Signed lower left, 'Belle Golinko' (American, 20th century) and painted circa 1945. This Israeli-American woman Modernist exhibited widely and with success, including at the Dallas ...

Elegant, brightly-colored floral still life by Massachusetts artist Marion Huse. Oil on board measures 21 3/8 x 17 3/8; framed dimensions are 29 5/8 x 25 5/8 x 1 5/8. Painting is sig...

Circa 1940 Signed lower right Newly matted and framed Sight size 9.5 x 12 in. Overall size with frame 16 x 18 in.

During the Golden Age of Hollywood no illustrator chronicled the great stars, pin-ups and good girls better than Jaro Fabry, Work is Framed i...

Signed on plate. Edition of 450 prints, belonging to the suite “Miserere”, considered as the most important religious graphic work of XX century. The single prints, realized with a s...

Circa 1940 Signed lower right Newly matted and framed Sight size 12 x 10 in. Overall size with frame 18 x 16 in.

Inscribed, verso, 'Janet Ament' (American, 1916-2000), titled 'Pink Figures' and painted circa 1955. Accompanied by certificate of authenticity. A substantial figurative oil of a p...

Stunning large heavy vintage oil painting of an interior scene with a woman sat looking out of a window. The detail on this painting is amazing. A ballerina, perhaps ready for an e...

Really large and impressive modernist landscape oil painting. Nicely framed. Great color and perspective. No signature found.

Signed lower left, 'J. Masson' for Jean Masson (French, 1900-1988) and painted circa 1945. A substantial, mid-century oil showing a wooden schooner drawn up to a quay with a man on board reefing in a sail and a view beyond towards pink-tinged sunset clouds above a tropical island. To the right, the stern of a larger vessel flies the French tricolor. Born in Boulogne-sur-Mer, Masson first studied with Lucien Simon (French, 1861-19450) whose luminous Post-Impressionist landscapes of the coast of Brittany were to prove an enduring influence on Masson’s later paintings of the South...