Victorian Paintings

Artist/ School: French School, 19th century, indistinctly signed lower right corner. Title: Sunrise on the Beach Medium: signed oil painting on canvas, framed. framed size: 18 x...

This superb French Victorian portrait oil painting is by noted French society painter Jules-Elie Delaunay. Painted in 1883 it is a three-quarter length profile portrait of the Marquesa de Escombreras. Her full name was Trinidad Maria Piedad Fulgenico de Aguirre. She was born in 1824 in Cartagena, Spain, the seventh and last child of Jose de Aguirre, a retired naval officer. On October 22nd 1843 she married Frenchman Hilarion Roux (1819-1898) who was a banker from Marseille who settled in Cartegena in January 1843. After her marriage she was known as Trinidad Roux. Hilarion Roux had arrived in Cartagena first to trade silver. He quickly became one of the main lead industrialists in Catagena then in the Mediterranean area. The couple later lived in France again, in Marseille and later in Paris, where Trinidad died in 1905 aged 81. Interestingly there is no similar portrait of her husband. In this superb painting, the Marquesa, aged about 60 in reality, is wearing a black off the shoulder dress...

English School 18th/ 19th century signed oil on canvas, framed framed: 35 x 40 inches canvas: 28 x 36 inches provenance: private collection, England condition: the painting requires ...

Charles Towne (1763-1840) London : A distant view of the city from the south with a herdsman and cattle in the foreground Oil on canvas laid on panel Canvas Size - 14 1/2 x 19 in Fra...

The Highland Valley by F. E. Jamieson (British 1895-1950) oil painting on canvas, framed framed: 21 x 31 inches canvas: 20 x 30 inches provenance: private collection, England condit...

Hermann Armin Kern Hungarian (1839-1912) The Blacksmith Oil on canvas, signed & dated 1898, with wax seal to reverse Image size: 16 inches x 20.25 inches Size including frame: 23.5 ...

The Fishing Lesson by John Dawson Watson (1832-1892) oil painting on canvas: 33" x 22" (83.8 x 55.8cm) gilt framed condition: excellent provenance: ...

A black pointer in a woodland landscape by John Frederick Herring Senior, circa 1830. Oil on canvas in a giltwood frame. Provenance: Arthur Ackerman and Son Frost and Reed Blains, Bruton Place, London John Frederick Herring, born in London in 1795, was the son of a London merchant of Dutch parentage, who had been born overseas in America. The first eighteen years of Herring's life were spent in London, where his greatest interests were drawing and horses. In 1814, at the age of 18, he moved to Doncaster in the north of England, and by 1815, had married Ann Harris. His sons John Frederick Herring Jr., Charles Herring, and Benjamin Herring...

Horses Standing in Landscape French School, 20th century oil on canvas, framed framed: 25 x 34 inches canvas: 19.5 x 30 inches provenance: private collection, France condition: very ...

"In Full Pursuit" English School, late 20th century oil painting on canvas, unframed painting: 24 x 20 inches Superb oil painting on canvas depicting this characterful spaniel hunt...

"Borrowdale" * see notes below British School, early 20th century oil on board, unframed board: 7 x 10 inches provenance: private collection condition: minor rubbing to outer edges a...

This lovely British Victorian landscape oil painting is attributed to noted artist Sam Bough. It was painted circa 1855 after Bough had moved to Hamilton Lanarkshire in Scotland to focus on painting landscapes along side fellow artist Alexander Frazer. The composition is several cattle watering in a stream under the boughs of an ancient tree. There is superb impasto, for example on the clouds and this is a charming 19th century oil painting. Provenance. London estate. Condition. Oil on canvas, 29 inches by 16 inches unframed and in good condition. Frame. Housed in an ornate gilt Victorian frame, 36 inches by 23 inches framed and in good condition. Samuel Bough RSA (1822–1878) was an English-born landscape painter who spent much of his career working in Scotland. He was born the third of five children in Abbey Street, Carlisle in northern England, the son of James Bough (1794-1845), a shoemaker, and Lucy Walker, a cook. He was raised in relative poverty, but with a keen encouragement in the arts. He was self-taught but mixed with local artists such as Richard Harrington and George Sheffield, and was strongly influenced by the work of Turner. After an unsuccessful attempt to live as an artist in Carlisle he obtained a job and as a theatre scenery painter in Manchester in 1845, later also working in Glasgow in the same role. Encouraged by Daniel Macnee to take up landscape painting he moved to Hamilton from 1851-4 and worked there with Alexander Fraser. In 1854 he moved to Port Glasgow to work on his technique of painting ships and harbours. His paintings were noted for their sensitivity to atmosphere and light, were often of cloudy shorelines and busy harbours. He also began supplementing his income by illustrating books, before moving to Edinburgh in 1855. On coming to Edinburgh he lived in a terraced house at 5 Malta Terrace in the Stockbridge area of the city. Following Turner's example, he became a skilful painter of seaports. He was buried in Dean Cemetery Edinburgh on 23 November 1878. The grave bears a bronze medallion of his head by William Brodie...

Georgine Lara English Village landscape A painting by Georgina Lara depicting a 19th-century English village scene offers a charming and evocat...

Artist/ School: Norman A.Olley dated 1994 and inscribed verso Title: By The Thames At Hampton Middlesex Medium: gouache/watercolour/ pencil on artist paper, unframed Painting : ...

John Ferneley Jnr British, (1815-1862) Horse & Groom in a Stable Oil on canvas, indistinctly signed Image size: 18.75 inches x 23.25 inches Size including frame: 23.5 inches x 28 inches Provenance: The Parker Gallery, Berkeley St., London A mid-19th century sporting painting of a horse and groom in a stable by John Ferneley Jnr. A stable hand is depicted in the middle of a stall grooming a bay horse. Nearby, a tabby cat can be seen resting on table whilst a small black and tan dog wanders by a door to the left. John Ferneley Junior was born in 1815, at Melton Mowbray, the son of the sporting artist John E Ferneley (1782-1869) and his first wife Sarah. His brother Claude Lorraine Ferneley (1822-1892) and sister Sarah Ferneley...

Very fine original antique English botanical watercolour paintings depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, Eng...

The English Country Churchyard by James Rudd (English 1821-1906) signed & dated 1889 oil on canvas, framed framed: 28.5 x 41 inches painting: 24 x 36 inches provenance: private colle...

Shipping off the coast by English artist Thomas Luny. Oil on canvas signed and dated 35' in the lower left. Nice period and possibly original frame. Thomas Luny (1759–1837), born in Cornwall, probably at St Ewe, was an English artist and painter, mostly of seascapes and other marine-based works. At the age of eleven, Luny left Cornwall to live in London. There he became the apprentice of Francis Holman, a marine painter who would have a great and long lasting artistic influence on Luny: Luny remained until 1780 in Holman's London studio, which, was first situated in Broad Street, St. George's, and later relocated to Old Gravel Lane. Examples of his work are exhibited at the National Maritime Museum at Greenwich, in the Royal Albert Memorial Museum in Exeter, and at The Mariners' Museum in Newport...

Very fine original antique English botanical watercolour paintings depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, Eng...

Outstanding English Victorian 19th century Harvest landscape. Thomas Simon Dingle was the son of Thomas Dingle (1818-1904), known as a London landscape painter, but who, according t...

The Victorian Interior English School, 19th century oil on board, framed behind glass hence photo reflection glare framed: 7 x 8.5 inches board: 4 x 5 inches inscribed verso provenan...

Outstanding 19th century English warship off the Italian, Mediterranean coast, with village, mountains and hills. A very interesting and somewhat unique oil on slate depicting an English ship at anchor in what looks like an Italian or Mediterranean coastline. The piece has influences from John Thomas Serres...

Wonderful and outstanding example by one of England's known and much-loved 18th and 19th-century painters. Morland was an English painter who became one of the most popular artists o...

Artist/ School: French School, early 19th century Title: Cattle being Driven through the town. Medium: oil painting on canvas, unframed Size: canvas: 21 x 25.5 inches Provenanc...

Well painted and very decorative oil on panel Painted on a mahogany panel and monogrammed L.B Well framed in a new English handmade gold leaf frame. The...

"The Mate" (Cornish fisherman) by David W. Haddon (British, early 20th century) signed and dated 1914 oil on board, framed framed: 18 x 14 inches board: 16 x 12 inches provenance: pr...

Henry King Taylor was a marine and coastal scene painter who lived in London. He exhibited at the Royal Academy from 1859 to 1864 with titles includi...

Richard Ball Spencer British, (1812-1897) The Perthshire off Ailsa Craig Oil on canvas, signed Image size: 22.25 inches x 36.25 inches Size including frame: 31 inches x 45 inches This painting by Richard Ball Spencer is of the Perthshire, a three-masted barque sailing off Ailsa Craig. The Perthshire was built in Dundee in 1874 and was owned by Thomas Law of 123 Hope Street, Glasgow. The red ensign flying on the mizzenmast indicates it was a British merchant or passenger ship. The owner may well have commissioned the painting to commemorate its maiden voyage. Ailsa Craig, pictured to the far left, is a small uninhabited island off the west mainland of Scotland in the outer Firth of Clyde. The island is made up of volcanic rock which was quarried in the past and is now only used as a source of microgranite to make curling stones. The island is known by a number of different names including A' Chreag (the rock) and Creag Alasdair (Alasdair's rock). It was also sometimes referred to in the past as ‘Paddy’s Milestone’ as it marked the halfway of the sea journey Belfast to Glasgow made by Irish Emigrants seeking work. Richard Ball Spencer was born in London’s East End on 11 November, 1812 to John and Elizabeth Ball. His father was a grocer and the family lived at 106 York Road in Mile End. Both Richard and his brother Thomas were given their mother’s maiden name as their middle names. By 1841, he had established himself as a marine painter specialising in ship portraits and was influenced by artists such as Joseph Heard (1799-1859), William John Huggins (1781-1845) and Robert Salmon (c1775-1845). He spent his time travelling to trading ports around the British coast as well as the nearby London docks of Brunswick Wharf and the Isle of...

Oil on canvas, signed and dated in the lower left corner. A tranquil painting featuring a European city on a lake or river at sunrise or sunset. Char...

Portrait of "H.C" aged 44 years old French artist, indistinctly signed dated 1896 oil on canvas, unframed canvas: 24 x 20 inches provenance: private collection, France condition: old...

Artist/ School: English School, late 19th/ early 20th century. The painting came from a large collection of works by one artist. A very few of them are signed what looks to be 'F. Wa...

Playing for her Father by William Maw Egley (British, 1827-1916) inscribed verso oil on board, framed framed: 13 x 16 inches board: 9 x 12.5 inches provenance: private collection, En...

Very fine original antique English botanical watercolour paintings depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, Eng...

This late 19th-century oil painting by British painter George William Mote (1832-1909) depicts a shepherd and his flock before an extensive view across the Surrey countryside near Gu...

The Highland Stag by Charles W. Middleton, British, signed and dated 1896 signed oil painting on board, unframed dated 1896 board: 8 x 11 inches condition: overall very good

Lauritz Holst Exhibited 1878 - 1926 Picture Size: 16.5 x 29" (41.25 x 72.5cm) Outside Frame Size: 22.5 x 35" (56.25 x 87.5cm) He was born in Bogense, Denmark in 1848 Holst was a m...

Description: "Day Dreams" is a captivating painting by the English artist Richard Willes Maddox. The artwork depicts a young woman seated thoughtfully on a blue wooden bench, set aga...

This gorgeous Scottish Victorian landscape oil painting is by noted artist Robert McGown Coventry, also known as Robert Coventry. Painted circa 1890 it is a spring Highland landscape...

Very fine original antique English botanical watercolour paintings depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, Eng...

Henry H Parker British, (1858-1930) Doeford Bridge, Clitheroe Oil on canvas, signed & further inscribed in pencil to stretcher Image size: 11.5 inches x 17.5 inches Size including frame: 16.5 inches x 22.5 inches Provenance: MacConnal-Mason Ltd, Duke Street, London This attractive scene featuring Doeford Bridge near Clitheroe is by Henry H Parker. Two figures can be seen on the bridge overlooking the river Hodder. Doeford Bridge is located in Bowland Forest Low, Lancashire, 9 miles north-west of Clitheroe between Chipping Village and Whitewell. It spans over the river Hodder, near the confluence of the rivers Hodder and Loud. The bridge was built around 1770 and was constructed with squared sandstone blocks formed into 2 segmented arches with a central triangular cutwater. It was made a grade II listed building by Historic England in 1952. Henry Parker was born in the St Pancras area of London on 27 June, 1860 and was christened Henry Deacon...

Henry Stacy Marks, English ( 1829 - 1898) was a leading London painter of life and historical scenes. He was a member of Royal Academy and St Johns wood clique. The painting measure...

LESLIE E.B. SMYTHE 19th-century English rural landscapes, with goats by a river and people. Smythe was an English painter who was active in paintings in both Scotland and England. ...

Sunset in the Scottish Highlands by F. E. Jamieson (British 1895-1950) oil painting on canvas, unframed canvas : 20 x 30 inches provenance: private collection, UK condition: very goo...

Sunset over the Loch by F. E. Jamieson (British 1895-1950) signed lower corner oil painting on canvas, unframed canvas: 16 x 24 inches Fine quality antique oil painting by the much admired and celebrated British artist F. E. Jamieson (1895-1950). The painting captures this beautifully romantic view of the Scottish Highlands, with an extensive view over the loch waters. F. E. Jamieson (1895-1950) We are extremely fortunate to have been handling the works of the enigmatic British artist, F. E. Jamieson since the year we began art dealing, 1989. Over this time, coupled with our love of the Scottish landscape, we have bought and sold many hundreds of his paintings, in all their various guises and subjects and are considered by many to be a leading authority on the artist and his work. We are also in the early stages of publishing the Catalogue Raisonne for this artist, of which this painting will be featured. Mr. Jamieson was largely a painter of Scottish landscapes and loch scenes. Born in 1895, Jamieson lived on the south coast of England and was contracted to a large department store to supply them with his paintings. He was an ambitious man and keen to sell more works than through just one shop. In order to do this, he started to sign his works with pseudonyms other than his own name, in order that he could sell his work to a wider audience. It worked and it is considered that Jamieson at least 15 different pseudonym names on his paintings. In addition to selling through furniture shops, Jamieson would travel door to door offering his paintings to housewives and private buyers. In our years of researching the artist, we heard one story related to us by an old customer who remembers that Jamieson started selling door...

The Harvest French School, 19th century oil painting on canvas, framed canvas: 16 x 21.5 inches framed: 20 x 25.5 inches condition: the painting is in very good and presentable cond...

Artist/ School: F. E. Jamieson, British 1895-1950, signed with the artists pseudonym 'A. Pienne' Title: Salmon Fishing in the Highlands Medium: oil on canvas, framed Framed: 23 x ...

Artist/ School: Continental school, 20th century Title: The Explorers Medium: oil painting on canvas, framed Size: framed: 29.25 x 41.25 inches canvas: 24 x 36 inches Provenance...

Alfred Pollentine British, (1844-1910) The Ducal Palace, Venice Oil on canvas, signed & dated (18)91 Image size: 15 inches x 23 inches Size including frame: 21.75 inches x 29.75 inches Provenance: Colmore Galleries Ltd, Henley-in-Arden, Warwickshire An attractive canal scene featuring the Ducal Palace, Venice by Alfred Pollentine. The view is taken close to the mouth of the Grand Canal towards The Ducal or Doge’s Palace and the Molo. To the left of the Palace on the Molo, can be seen the two columns of St Mark and St Theodore at St Mark’s Square. The columns marked the original entrance used by officials and distinguished visitors to Venice. Alfred William Pollentine was born in St Pancras, London on 26 August 1844, the son of William Pollentine, a carver gilder...

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came...

D. GRIFFIN This is a pseudonym of George Armfield. Picture Size: 14 x 18" (36 x 46cm Outside Frame Size: 21 x 25" (54 x 64cm) Signed and dated bottom left Free Shipping He was bor...

"Western Travellers" by Rudolf Stone, British late 19th Century signed by the artist on the lower left hand corner oil painting on wood panel, framed framed size: 8 x 14 inches Won...

Artist/ School: Kathleen Crow (British, contemporary), signed with monogram Title: The Secret Garden Path Medium: oil on canvas, unframed Canvas : 20...

Very fine original antique English botanical watercolour paintings depicting this beautiful depiction of a flower/ plant. The work came t...

Castle ruins in a windswept landscape Late 19th Century German School oil on panel, framed framed: 31 x 38 inches panel : 24 x 32 inches the painting is in overall very good and soun...

Oil on canvas, signed lower left. Measures 32.25" x 37.5" including the frame. Know for his paintings of scenes in the highlands of Scotland, John Barker, British 1811 to 1886.

Very fine original antique English botanical watercolour paintings depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, Eng...

Very fine original oil painting by the highly regarded Suffolk School artist, Edward Robert Smythe (1810-1899). The painting is signed to the lower left and is a very fine example of this important artists work. Painted in oils on canvas, the artist has captured a traveller resting beside her camp, with a small fire burning to the right and her horse standing to the left. With the frame, the painting measures 16 by 18 inches. The painting comes to us from a private collection of Suffolk School paintings, housed in Suffolk, England, where we understand it has resided for many years. Born at Berners Street, Ipswich in 1810, son of James Smyth (1780-1863) and his wife Sarah Harriet née Skitter; James, who was an accountant with the bank Bacon, Cobbold, Durningham & Cobbold in Tavern Street, Ipswich added a final 'e' to his surname. Edward attended the school of Robert Burcham Clamp and had a liking for a military career but his love of art took his fancy. Elected a member of the Ipswich Society of Professional and Amateur Artists on 1 March 1832 and attended his first meeting on 18 November the same year and was probably working under Henry Davy [q.v.] and where he met many local artist members. In his younger days he had a studio in the Old Shire Hall, Ipswich where he painted with such artists as Samuel Read [q.v.], Walter Hagreen [q.v.], Frederick Russel [q.v.] and Robert Burrows [q.v.]. About 1840 he moved to Norwich to study the Norwich School of painting where he became acquainted with Robert Ladbrooke’s son, Frederick [q.v.] and is said to have worked with John Sell Cotman [1782-1842] but returned to Ipswich some five years later, taking a house in Bramford Road. He married at Ipswich in 1848, Ellen Bowman of Ipswich and where his first child Edward Robert, jun. was born the following year. In 1851, giving his age as 32, is living at Elmswell, Suffolk with his 24 year old wife Ellen and son but later that year moved to 3 Angel Hill, Bury St Edmund’s, where he kept company with his friend Fred Ladbrooke. By 1861, still at Angel Hill, they had further children born at Bury St Edmund’s, Francis (Frank) Rowland 1852, Ellen Kate 1854 and Mary Emily 1856, their daughter Louisa Jane, died at Angel Hill, Bury St Edmund’s on 7 April 1861, aged 3 years and 7 months. He exhibited at the Suffolk Fine Arts Association at the New Lecture Hall of the Mechanics' Institution, Ipswich in August 1850 several oil paintings including 'Chapel Viaduct, Colne Valley', 'A Group of Animals', 'A Sketch Ploughing', 'Ponies and a Dog' and 'A Landscape' and a watercolour 'The Ruling Passion strong in Death' and was also a member and exhibitor at the Ipswich Art Club 1886-1898. He also exhibited five works at the Royal Academey including 'View in the Colne Valley at Chappel, Essex' and exhibited five works at the British Institution including 'Pony and Boy' and 'The Village Blacksmith'. In 1865 Edward was living at 98 Risbygate Street, Bury St Edmund’s, and his wife died at 69 Risbygate Street, Bury St Edmund’s in 1879, aged 52. By 1891 he had moved in with his married daughter Ellen Kate, who had married at St Matthew’s church Ipswich on 10 May 1886, George Robert Chilvers, a tobacco manufacturer, at Burlington Lodge, 30 Burlington Road, Ipswich where he died on 5 July 1899, aged 88, and buried in Ipswich cemetery three days later. Five of his painting were on show at the Centenary exhibition of the Ipswich Art Club in 1974 a pastel 'Crossing the Stream...

Very fine original antique English botanical watercolour paintings depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, Eng...

Very fine original antique English botanical watercolour paintings depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, Eng...

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came...