Boat Paintings

A pair of gaff-rigged sailing vessels pass by each other on opposing tacks as the shadow of one vessel is super-imposed on the sails of the other. This seascape has been created usin...

Boys in a Boat "The Admiral and 1st Mate" Going Down the River by Charles Harmon Lovely early work of two boys in a boat going down a fast moving stream by Charles Henry Harmon (Ame...

“End of Season Sailing” is an impressionist seascape painting by Kelly Carmody. It is an oil on linen painting. It depicts several boats on the water, with a dock and buildings in th...

The sky and particularly clouds are a constant fascination for me which I think comes from a love of landscape painting where my journey as an artist began. This piece is inspired by...

Leigh Ann Van Fossan’s “Sundance Upon the Sea,” 2023, is an oil on canvas measuring 16 x 20 in (40.64 x 50.80 cm) unframed and ready to hang. In this atmospheric seascape, Van Fossan...

Mid Century Oil on board view of the Pont Neuf bridge in Paris by R Glachant. Signed and dated bottom right, presented in wood and plaster patinated period frame. An unusual perspec...

Artist/ School: F. E. Jamieson British, signed Title: Sunset in the Scottish Highlands Medium: Oil on canvas, framed Size: framed: 20 x 28 inches canvas : 16 x 24 inches Provenan...

Title: French Impressionist Oil Painting of Boats Moored in a Tranquil Harbor By Fanch Lel (French b. 1930) Size: 7.5 x 9.5 inches (height x width) Signed: Yes Oil painting on board,...

A strong modernist oil painting depicted in the Mid Century by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wond...

Leigh Ann Van Fossan's "The Answer" is an original, handmade oil painting that depicts a lone sailboat sailing across glass-smooth water as tumultuous cloud...

E M Cros View of Great Lakes Oil on canvas 48,6 x 38,2 cm (51 x 62 with frame) Inscription on the back : EM Cros / Etats-Unis / Sur les Frans Lacs ; 1910

Artist/ School: C. Dommel, French 20th century, signed Title: Honfleur Harbour Medium: oil painting on canvas, framed. Size: painting: 12 x 16 inches, frame: 17.5 x 21.75 inches...

Signed Adolfo Perez Frame size 42x50 cm.

Rome - Ettore Ferrante Italia 2002 - Oil on canvas cm. 45x95 In this precious oil painting Ettore Ferrante is inspired by the views of the Dutch neutralized Italian painter Gaspar Adriaensz van Wittel, known as Casper, and known in Italy as Gaspare Vanvitelli. In particular this is a reinterpretation of the painting "View of the Tiber with Castel Sant'Angelo and San Pietro in the background" by Vanvitelli. Taken from the left bank of the river, the view has its focal point in the circular mass of Castel Sant’Angelo, the pontifical fortress built on the central core of Hadrian's mausoleum and enriched with ramparts and patrol paths overlooking the water. In the background of the view, the Vatican basilica with the papal palaces responds to the vestiges of imperial power, while in the center the Sant'Angelo bridge, adorned with statues painted between 1669 and 1671 by Gian Lorenzo Bernini and his pupils, connects the two banks replacing the ancient Aelius bridge built by Hadrian. No less interesting is the minor urban fabric...

Four Sailboats Miriam Bromberg Date: circa 1965 Oil on Canvas, signed lower right Size: 18 x 36 in. (45.72 x 91.44 cm) Frame Size: 24 x 41.5 inches

Marcel MOULY Seascape : Storm is Coming, 1957 Original Oil on canvas Signed and dated bottom right On canvas 65 x 81 cm (c. 26 x 32 in) Excellent condition

Work on canvas Gold and black wooden frame 41 x 54 x 4 cm This remarkable painting, a work signed by the artist Waly, depicts a seaside scene with a touch of peaceful melancholy. ...

Belgium: Port and Cathedral view in Antwerp by Leonard Machin Rowe (1880-1968) signed lower right watercolour painting on artist's paper, unframed Image: 9.75 x 13.75 inches, sheet ...

Signed lower right: Hayley Lever; on verso: Moon Rise / Brittany / FRANCE / Hayley Lever

1930s French Impressionist Barbizon School oil on panel view a port by Georges Guerin (1910-1984). The painting is not signed but was acquired with a collection of other signed paint...

Artist/ School: 19th Century English School Title: Barges In A River Landscape at Sunset, Cattle resting in pastoral landscape Medium: o...

Happy hens, happy life. An idyllic painting set high on the cliffs above the sea where hens peck, plants grow and the sun shines. Therese James is a very special talent bringing happ...

Artist: Frank Dicey (English, c. 1838-1888) Title: "Promenade en Bateau en Soirée (Evening Boat Ride)" *Signed by Dicey lower left Circa: 1880 Medium: Original Oil Painting on Canvas Framing: Recently framed within a black and gold Baroque style moulding with linen liner from Holland and and a gold filet Framed size: 24.75" x 30.75" Canvas size: 18.25" x 24.25" Condition: Relined. Minor craquelure. In excellent condition Notes: Provenance: private collection - Boston, MA. Biography: Frank Dicey (English, c. 1838-1888) was a figure painter born in London. He exhibited between 1880 and 1888 at the Royal Academy, Royal Institute of Oil Painters, Royal Institute of Painters in Water Colours and Grosvenor Gallery in London, as well as at the Glasgow Institute of the Fine Arts, Royal Society of Artists in Birmingham, Walker Art Gallery in Liverpool and Manchester City Art Gallery. Dicey also exhibited with the Royal Society of British Artists, a society which nominated James Whistler its President in 1886. He was elected a member of The Arts Club in 1866 and a member of the Royal Institute of Oil Painters in 1883. In 1874/1876, Dicey's name was included by James Whistler in a list which may have been a guest list for the private view of Whistler's Pall Mall exhibition of 1874, or a subscription list for Whistler's Venice etchings...

"Anchored" by Camille Meriot (French 1887-1975) signed and dated 63' crayon drawing on paper paper : 6.5 x 8.75 inches Fine original French Impressionist painting by the well lis...

Leigh Ann Van Fossan's "The Inlet" is an original, handmade oil painting that depicts a group of sailboats docked in the darkness as their lights cast glimmering reflections on the i...

Title: Green Boat Medium: Oil on canvas Size: 23.5 x 31.25 inches Frame: Framing options available! Condition: The painting appears to be in excellent condi...

Wonderful Antique Victorian Welch landscape, Ruined Castle by the shore side with moored fishing boats Joseph Horlor was born in Bath in 1809 and was a landscape painter of Welsh sc...

Francisco Benavente Solís (Merida,1940). "Paisaje". Firmado a mano, en ángulo inferior derecho. Óleo sobre tabla. Medidas: 30 x 30 cm; 52.5 x 52.5 cm (marco). Pintor afincado en Esp...

Geoffrey Chatten, R.B.A. Born Gorleston 1938 Popular impressionist painter, member of the Royal Society of Artists and Great Yarmouth Society of Artists. Signed and dated (19) ,77 O...

"The Gondola Ride is an atmospheric painting of an iconic scene, and an excellent example of Bryan Mark Taylor's modern approach to Impressionism. This beautiful oil on panel captur...

In this serene and atmospheric 19th-century British School landscape, a tranquil lake stretches across the centre of the canvas, its surface softly reflecting the overcast sky and th...

This atmospheric mid 20th century seascape depicts a solitary fishing boat beached on a misty shore. Two figures can be seen working near the vessel. The muted palette and hazy horiz...

An urban landscape scene depicting industrial London with factories and smokestacks dominating the background, while boats float on Thames water in the foreground. Signed 'A. Flaschn...

Oil on canvas

A captivating view of Saint Michael's Mount with fishermen on the sand. Signed to the lower left. On canvas on stretchers.

Still Life of Fruit signed by Regine David (female French artist, 1910-2018) pastel painting on artist paper dated 1947 painting: 10.5 x 13 inches condition: This painting is in exce...

Coastal Landscape signed by Fanch Lel (French b. 1930) size: 22.5 x 13 inches oil painting on board, unframed inscribed verso condition: the painting is in very good condition. It ha...

The Port by Guy Pichon (French 1933-2007) oil on canvas, unframed signed canvas: 21 x 26 inches provenance: private collection, France The painting is in...

Signed Adolfo Perez Frameless

This late 19th-century maritime painting by George Stainton captures the dramatic return of a fishing boat to harbor, skillfully portraying the power of the sea and the resilience of...

Off the Harbour by William Henry Williamson (British 1820-1883) signed and dated 1874 oil painting on canvas, framed canvas: 12 x 18 inches fr...

Artist/ School/ Date: Douglas Stuart Allen (American/ French 1923-2021) American born artist from Chicago, retiring to France during his latter years to become a full time painter. ...

«Nice Evening» is one of three paintings united in a triptych "The beauty of sunset". This Painting was presented in Zurich at the exhibition "Perfect Art Match" in the ga...

Signed to the lower right. Presented in a gilt frame with a cotton slip. Inscribed with title verso. On board.

This impressive oil on canvas painting transports the viewer into a world of nautical adventure and serene relaxation on the water. “Yachts” - is a work of art that perfectly conveys...

'Mexican Fishermen in Lake Patzcuaro', lithograph by Yves Brayer (1963). Unframed. The artist, Yves Brayer, spent time painting in Mexico in 1963, one of the many worldwide destinati...

Maritime paintings of the late 19th Century often give great insight into the massive transition which happened in shipbuilding in that period: the end of the sailing ships as mercha...

Maritime oil painting 19th century, by Prof. Alfred Jensen. Ship and boat at sea. Around 1900. Signed lower left. Unframed Age-related condition. Alfre...

A. E. Halliwell (1905-1987) Cruises to Norway Gouache 77 x 48 cm Signed to lower right Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British artist, illustrato...

Fishing Boats Simone Forge 1930's French Impressionist oil on board unframed board: 13 x 16 inches Provenance: private collection, France Condition: great condition For more any ...

In this piece, I've melded acrylic and oil to evoke a dreamlike seascape, where tranquility meets the vibrancy of a setting sun. It's an expressive dance of colors, reaching into the...

A Unique, Mid-Century Modern 1960s Chicago Harbor Scene Watercolor by Noted Artist, Rudolph T. Pen. Artwork is formatted in a trapezoid shape, an innovative compositional device for...

Beautiful oil on panel painting representing Venetian landscape. The luminosity of this evocative view combined with the impressionistic style of brushwork, make this important paint...

Period Venetian Signed Landscape Painting Beautiful and evocative painting in the splendid style of Federico Faruffini. The strong colour...

Beautiful and exciting tempera painting by the great artist of the Posillipo School Girolamo Gianni. It depicts a striking view of the Gulf of Naples with Vesuvius and Castel Sant'El...

Beautiful and important painting attributed to the great 19th-century artist Ippolito Caffi. Tempera on canvas pasted on panel. Depicts the Bay of Naples in all its resplendent beaut...

Beautiful and evocative oil painting by the great French school modern artist Moya Dyring specializing in marinas. It depicts a harbor with boats probably from the French Riviera painted with great intensity but giving, at the same time, a sweet sense of serenity. Moya Claire Dyring was born in Coburg, Victoria in 1909. She produced drawings, oil paintings and pastels. She was one of the first women artists to embrace Modernism and exhibit cubist paintings in Melbourne. For several years she was a member of the modern art community known as the Heide Circle, named after the home of art collectors John and Sunday Reed, and now the Heide Museum of Modern Art. Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Dyring then travelled to the USA and France, where she lived most her life. Her work is held in the Heide Museum as well as the National Gallery of Australia. One of her earliest works in cubist in style, Melanctha, 1934, was acquired by Sunday Reed. In 1934 Dyring also painted Portrait of Sunday Reed which went into the Reed's collection, along with a cubist style Portrait of a Woman from the same year. While her early works were figurative or cubist, in France she turned to landscape as she travelled to various towns throughout France. In her later years, unable to travel freely, she painted children against the backdrop of Paris. As time passed, she was largely glossed over and not included in major exhibitions of artists, especially women artists, of the 30s, 40, and 50s. In 2002, at the University of Melbourne, Gaynor Patricia Cuthbert delved into her life and work for a doctoral thesis, helping to bring back attention to her work. Collection The Heide Museum of Modern Art holds many paintings and drawings, some acquired through the John and Sydney Reed collection. The National Gallery of Australia, Canberra includes one drawing. The Art Gallery of New South Wales holds multiple works. Third child of Carl Peter Wilhelm Dyring, medical practitioner, and his second wife Dagmar Alexandra Esther, née Cohn, both Victorian born. Moya was educated (1917-27) at Firbank Church of England Girls' Grammar School, Brighton. After visiting Paris in 1928, she studied (1929-32) at the National Gallery schools, Melbourne, and shared fellow student Sam Atyeo's interest in artistic innovation. Classical modernism engaged her attention in the early 1930s. She painted at the George Bell school and studied under Rah Fizelle in Sydney; Mary Alice Evatt and Cynthia Reed were her colleagues. For several months in 1937 she took charge of Heide, the home and garden of John and Sunday Reed, at Bulleen, Melbourne. The Reeds were pivotal both to her sympathy for modernism and her belief in congenial fellowship. She enjoyed something of the intense relationship with Sunday Reed that the latter would subsequently extend to Joy Hester. In June Dyring held an exhibition, opened by H. V. Evatt, at the Riddell Gallery, Melbourne. Less enthusiastic than the Reeds and the Evatts about her art, Basil Burdett wrote of her 'somewhat incoherent interpretation of modern ideas', although he did acknowledge that her work had 'audacity of colour and a certain monumental feeling for form . . . qualities rare enough in Australian painting'. In August Dyring embarked for Panama whence she travelled by bus to New York, breaking her journey to view major galleries. She had intended to paint in the United States of America, but disliked the work of contemporary American artists and sailed for France. In 1938 she was based in Paris, taking advantage of Atyeo's contacts within the avant-garde. She studied at the Académie Colarossi, the Académie de la Grande Chaumière and with Andre Lhote, although by October she denounced him as a 'racketeer'. In 1939 Dyring and Atyeo settled on a farm at Vence, France; inspired by memories of Heide, they grew fruit and flowers. Sam accepted a commission to decorate a house in Dominica, West Indies, leaving Moya at Vence. Evacuated to Australia via South Africa, where she painted and searched for tribal art, she then journeyed to Dominica and married Atyeo. They were not happy, neither painted and Dyring was ill. Evatt offered Atyeo work and Dyring accompanied him to the U.S.A. She viewed art, painted occasionally and claimed to have exhibited in Washington in 1943. After World War II Evatt found Sam various postings, while Moya returned to Paris to pursue a full-time career in art. They were to be divorced in 1950. From about 1946 Dyring's art was more personal than innovative. She gained a considerable reputation among French regionalist and nationalist artists for her sympathetic appreciation of provincial scenes and life. Bernard Smith placed her in the French tradition of intimiste painters. In 1948 she leased and renovated an apartment on the Ile St Louis, which, as Chez Moya, became a centre for Australians who enjoyed her hospitality, cooking and practical assistance. She revisited Australia and exhibited in various cities in 1950, 1953, 1956, 1960 and 1963; the press carried her reports of Parisian cultural life. Dyring held a solo exhibition in London in December 1949 and was in close contact with expatriate Australians, among them Loudon Sainthill...

Work on canvas Dimensions with frame : 56 x 64.5 x 2.5 cm This captivating work depicts a peaceful lakeside landscape, Geneva lake, skilfully captured by a soft, nuanced palette. The...

Signed lower right The painting depicts the start of the third race of the 1930 America’s Cup on the 17th September. The day was ideal for racing with a 13 knot WSW breeze. Both yac...

Title: British Original Watercolor of Riverside Bridge with Boats By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Signed: Yes Dimensions: 11.25 x ...