Boy Paintings

This picture is about mood. This picture is about the state of nature and man. About coincidence and harmony. About how simple everything is arranged in life. About how difficult it ...

This painting is acrylic on deep-profile canvas, wired and ready to hang. :: Painting :: Pop-Art :: This piece comes with an official certificate of authenticity signed by the artist...

Acrylic on canvas, height 48in, width 40 in, the painting shown on the wall may not be proportional to the room size.

Signed Lower Right by Artist

signed in orange along lower right of image Illustration for Women's World magazine, published October, 1937 Condition is good. 4.5 inch, unobtrusive vertical crease running from top down into center of image Maginel Wright Enright Barney was the sister of architect Frank Lloyd Wright and the illustrator of several children''s books, including those of L. Frank Baum...

Signed "McMein" Lower Right "For Their Sakes - Work Together." Poster maquette for the National Conference of Christians and Jews, Brotherhood Week. T...

SERGE FERAT 1881-1958 (Le Comte Sergueï Yastrebzov) Moscow 1881-1958 Paris (Russian/French) Title: The House Construction, early 1930's Technique: Original Oil Painting on ca...

Signed lower right: RAPHAEL / SOYER

Otto Bache (1839-1927) Italian team. Oil on canvas signed lower right. The Danish artist Otto Bache was already ten years old student of the Academy of Arts in Copenhagen and a stud...

Medium: Acrylic on Board Signature: Signed Book Cover for 'The Finding of Jasper Holt' Written by Grave Livingston Hill, 1993

Signed Lower Left by Artist

Signed lower left

Mixed Media on wood featuring the infamous Keith Richards. Photographed by Joester. About the Artist: Steve Joester is a British-born Rock & Roll photographer and mixed media a...

Medium: Oil on Canvas Signature: Unsigned Advertisement, Cream of Wheat, 1929.

"Sailing Boats at the Beach KMH 002" is an original acrylic and mixed media painting by Katherine Hartley. This piece depicts three figures amongst beach objects and small letters. T...

Signed by Artist Advertisement for the Interwoven Stocking Company, New Brunswick, NJ. (Reverse also signed with Philadelphia address of artist)

Date: 1920s Medium: Oil on Canvas Sight Size 20.00" x 16.00", Framed 24.00" x 20.00" Signature: Signed Lower Right

Much of Kathleen's art is inspired by the urban environment of New York. Recently, her works from the series of subway paintings were chosen by ArtOnLi...

Greenfield's versions are rendered in the Byzantine style of their art historical predecessors, with the black Virgin Mother and Baby Jesus as the central focus within circular compositions, or tondos. These tondos float amongst abstract discs, set within fields of lustrous, gold leaf. The Madonnas predominate before a variety of backgrounds, which were traditionally innocuous. Greenfield, however, presents these backdrops as various revenge fantasies, where white supremacists are cast in the role of victims, suffering the fates...

Born in 1961, Alexej Ravski exhibits in France, Germany, Belgium, The Netherlands, the United States, Belarus and his native Russia. Alexej’s painting is dynamic in its form and pea...

Medium: Acrylic on Canvas Signature: Signed Lower Right

Signed Lower Left by Artist “‘Georgy Porgy’ said he, ‘You can just bet your small life, I will — And there’s my hand on it, old chap’” Magazine cover: : “The Money Moon”, author: Je...

The individuals in Stephen Wright’s work confront us visually and psychologically. His paintings tend to transfix. Standing before them, one is drawn in by the intent gaze of a woman, the slumped figure of a nude man, or the averted face of someone lost in reverie. Wright paints mainly solo subjects. They seem always to be slightly removed – yet they challenge, perplex, and attract us. In the manner of the British figurative painters, Wright emphasizes the surface of his canvases, manipulating layers of paint and leaving evidence of his brushwork. Like Lucian Freud and Francis Bacon, and even Jenny Saville...

This illustration is a portrait of a military man in front of the Statue of Liberty. Signed Lower Left. An early 20th-century illustrator working in New York City, Lawrence L Wil...

Medium: Oil on Canvas Signature: Signed Lower Left Sight Size 17.00" x 15.50;" Framed 24.50" x 23.00" The Saturday Evening Post cover, June 22, 1912

Signature: Initialed Lower Left

Framed Dimensions: 11h x 11w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received intensive training and a master of fine arts degree in his homeland’s traditional art academies. He immigrated to San Francisco in 1992, met his future wife in Hattiesburg, Mississippi, then married and settled in New Orleans. He maintains a home and studio in Madisonville, Louisiana, and is a significant but understated figure in the New Orleans art community. As art critic D. Eric Bookhardt suggested in 2002, “Stolin is more accomplished than he is famous.” His art, often exhibited in thematic series that incorporate a variety of media, ranges from intimate portraits to large-scale murals (one measuring twelve feet by seventy-two feet). He has worked on a progressively larger scale, most recently designing and painting projects for the Louisiana film industry. Stolin’s technically proficient and complexly layered art reflects a unique fusion of the academic training he received in Kiev and his evolving response to the very different culture, lifestyle, and subject matter he has discovered in New Orleans, Madisonville, and the Gulf South. Stolin was born on August 30, 1963. His art abilities were quickly recognized when in fourth grade he qualified for admission to the State School of Art in Kiev, which he attended from 1975 to 1981. He decided to concentrate on book illustration and graphic arts, and after graduating he was accepted into the Ivan Fedorov Polygraphic Institute in Moscow, where he studied from 1982 to 1988, graduating with a master of fine arts degree in 1988. He trained as a printmaker, creating etchings and lithographs, and as a graphic designer, and worked as a designer in Kiev. “I illustrated mysteries, science fiction, and different magazines,” he said. In 1988, after his family visited relatives in San Francisco, California, the Stolins decided to immigrate to the United States, a process that took four years. In 1992, Stolin and his parents immigrated to San Francisco, and he worked for graphic design and print businesses in nearby Emeryville, California. During a trip to Hattiesburg, Mississippi, where he was visiting cousins, Stolin met Mary Kay Holmes. The couple soon married and moved to New Orleans, where Stolin established himself as a working artist and began to exhibit in local galleries and group exhibitions. The art Stolin began to create in New Orleans demonstrated his technical skills, knowledge of art history, and the evolving range of his subject matter, reflected from one series and exhibition to the next, yet it was challenging for critics to classify his work. This was evident in the series Stolin exhibited during his first decade in the city, beginning with Byzantium on the Bayou (1993–1994), which combined historical Byzantine art references with New Orleans and Mardi Gras subjects, such as Mardi Gras Madonna and Adoration of St. Gator. In his Midnight Dessert series (1995–1997), he created works such as Tea in Manhattan and Rembrandt and Nathan, a large painting that Bookhardt described as “a vision of Rembrandt and various Dutch masters promenading down the sidewalk past Nathan’s Deli in New York.” Following that, he completed The Water Series (1998–1999), featuring reflective and heavily worked surfaces in paintings such as Reflections #2 and Study of Fish and Swimmers. Stolin’s Face to Face series of portraits, completed from 2000 to 2002, featured New Orleans artists including Douglas Bourgeois...

Medium: Gouache on Board Signature: Signed 'Darden' Lower Left Sight Size 17.25" x 34.25," Framed 21.125" x 38.125" llustration from a story in Black Sports Magazine, circa 1975. A dynamic image showing the Hall of Famer stealing a base from Chicago Cubs...

Audrey Hepburn, c13_23 -- Audrey Hepburn and William Holden on the set of Sabrina. Photographed in 1953. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints a...

Framed Dimensions: 21.5h x 26w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received ...

Framed Dimensions: 37h x 34w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received in...

Much of Kathleen's art is inspired by the urban environment of New York. Recently, her works from the series of subway paintings were chosen by ArtOnLi...

Medium: Oil on Canvas Dimensions: 24.00" x 36.00" Signature: Signed Lower Right Two kids sitting on a love seat

Amanda Joy Brown is a visual artist and educator based in Nashville, TN. Brown earned her MFA in the painting program at the Savannah College of Art and Design. During her time there she studied at the Lacoste Residency in Provence, France, after which she completed a month-long residency at the Vermont Studio Center. After moving to Nashville, Brown was part of the Ground Floor Gallery...

Born in 1961, Alexej Ravski exhibits in France, Germany, Belgium, The Netherlands, the United States, Belarus and his native Russia. Alexej’s painting i...

Graham Dean 1980 Steam Room 4 Acrylic on canvas Image size: 14 x 10 inches In keeping with Dean's passion for experiencing the subjects of his work, this ...

Medium: Acrylic on Board Signature: Signed Lower Right

Scott Duce is an international artist working in New York. His work has been exhibited throughout the United States, with several solo exhibitions in New York City, Chicago, Boston, ...

Original cover for Liberty magazine, published February 7, 1931. It’s wintertime and the streets are filled with muddy slush as the children of the neighborhood, Gwendolyn Smithers and Red Hancock, play outside. Red climbs to the top of a swaying wooden fence and begins to walk across it like a tightrope as he brags to Gwendolyn, “I bet you can’t do this.” Hoping he would slip, Gwendolyn giggles, “Ho-ho! I bet I can do it with my eyes shut.” As his ankles shake on the wobbling fence, Red bravely shouts, “I dare you...

Dizzy Dean, The Pride of St Louis

Medium: Oil on Canvas, Mounted Dimensions: 22.70" x 17.70" Signature: Signed Lower Right Advertisement, image of girl baking biscuits as boy and mother look on. An early 20th-cent...

Helene and Eric Bess are a team who have been collaborating for over 20 years. Both are professional artists with extensive experience in both the commercial and fine art fields. They presently work out of their studio in Florida, creating original art for gallery display, fine art crafts and taking commissions for murals & embellishments. Helene was born in Canada in 1949. She studied art in Europe as a young adult and attended Phoenix Pratt School of Design in New York and St. Petersburg Community College in Florida. She worked for advertising agencies and freelance art projects such as theater design and t-shirt designs for several companies. She owned and operated an art studio (“Artistic Endeavors”) in Melbourne, Fl. for five years. She started doing murals and embellishments (residential and commercial) from 1992 till present. She considers her early life in Europe the major source of her artistic influence as well as the works of Modigliani. Eric was born in Missouri in 1950. He started drawing literally as an infant and has never stopped. He was taking commissions for book covers & wall designs in his teens and studied art at Auburn University and The University of Alabama. He taught art in public schools in Alabama in the ‘70s. He worked as art director at Huntsville Educational Television for 6 years, as art director at Southern Sportswear in Daytona for 9 years, at Creative Signs & Designs in Flagler, Fl. for 6 years, and as a freelance artist and co-owner (with his wife Helene) of “BessStudio” (formerly “Artistic Innovations Inc.”) since 1998. His artistic influences include Michelangelo, Vermeer, Blake, Maxfield Parish...

Son of painter Angelo Bonfanti, Maurizio Bonfanti attended Bergamo's Liceo Artistico and studied etching at the Accademia di Belle Arti in the same c...

Medium: Acrylic on Board Dimensions: 18.00" x 24.00" Signature: Signed Lower Right Modern Hoe Down

Medium: Oil on Canvas Siganture: Signed Lower Right Sight Size 31.75" x 24.75;" Framed 36.00" x 28.00"

Date: 1987 Medium: Oil on Board Dimensions: 24.00" x 31.00" Signature: Signed Center Left This illustration was published as the paperback cover of, Rose in Bloom (Silhouette Specia...

“Honeymooning at Greenville: Lil and Sandy Continue Their Scenic Trip,” original cover for Liberty magazine, published July 23, 1927 Sandy and Lil are on their honeymoon, which after an expensive stay at a mosquito-inhabited resort in Greenville, has not been going particularly well. Their disappointing fishing trip left them with more fly bites than fish bites. The newlyweds were eager to board the train, settle in to their sleeping car, and journey to their next destination. When Sandy attempts to bring Lil the glass of water she requested, the train suddenly jerks and ice water spills on a sleeping gentleman in the next berth. “‘Oh! Oh!’ Lil gasped, a witness to her husband’s social blunder. And she wished she were deaf!” (Liberty magazine, July 23, 1927, p. 45) “For the Love o’ Lil: The Picture Story of an American Family” In 1926, under his long-term contract to produce a cover per week for Liberty magazine, Leslie Thrasher introduced a signature cast of characters that appeared each week, telling a serialized story through his illustrations. Liberty touted its new cover serial as “something no magazine has ever done before…Heretofore, all magazine cover...

Medium: Oil on Board Signature: Signed Lower Right

Medium: Oil on Board Signature: Signed Lower Left

A mother watches as her daughter rides a donkey Medium: Oil on Canvas Signature: Signed Upper Left Good Housekeeping Magazine Cover, August 1905

Contact for exact dimensions. The Atlantic Magazine Cover Illustration. November 1956, Volume 198

Signature: Signed Lower Right

Original cover for Liberty magazine, published May 23, 1931. Lil and Sandy have their friends Mr. and Mrs. Saunders Shanks over to their house for a game of cards. After settling do...

“The Doctor Calls: Spending the Morning with Lil’s Oldest Friend,” original cover for Liberty magazine, published May 5, 1928 Dr. Howard, the Morse family doctor, is caught in traff...

Signature: Signed Lower Right Original Cream Of Wheat illustration. Mixed media. Ex: Kraft Food Collection / Morton Grove Ill.. Saturday Evening Post...

Graduated from the Prilidiano Pueyrredón National School of Fine Arts. He also studied set design, was a student of Osvaldo Attila and Armando Sapia, among other artists. He held so...

Date: 1930 Medium: Oil on Canvas Signature: Signed and Dated Lower Right Contact exact dimensions. Liberty Magazine Cover, April 12, 1930

Medium: Oil on Board Dimensions: 20.50" x 14.50" Signature: Signed