Bride Paintings

Marie Yvonne Picard-Pangalos [French Title Illegible], 1930 Oil on wood panel 25 1/2 x 19 in. Signed, dated, and inscribed lower left Exhibition label verso According to the 1999 "...

Acrylic and oil on wooden panel Marie-Pierre Autonne is a French artist born in 1960 who lives & works in Angers, France. She studied at Penninghen in Paris, France. She worked for ...

"Flora #2" is one in a series of surreal paintings of the female figure featuring intricate patterning and hues of bright yellow, lime green, pink, blue and purple. Guy Robinson is i...

"Girl Reflection" is an expressionist depiction merging a portrait of a girl laying with her arms crossed behind her head, and the surface of a pond adorned with lilypads. An excit...

Modern colorful portrait of George Washington by Texas born artist Clark Fox. The work features an intricate depiction of the former president using pointill...

"Try a little tenderness" is an oil painting on canvas with gold leaf and acrylic paste, cm 60x70 The work intends to represent how we all need to be strong but never forget our tend...

Title: Mid-20th Century Pastel of Street Festival with Crowd in Mediterranean Village by Anne Marie Migette Perard (French 1902-1977) Medium: Pastel on unframed paper Size: 9 inches ...

"ABOVE HEADS" 2024 Paris, France This is a small, but impactful piece, full of character. The title, "Above Heads" slightly indicates hallucinations from either the past or the fut...

After Francisco Goya (Spanish, 1746-1828), "The Duke and Duchess of Osuna and Their Children", Oil on Canvas, 19th century, unsigned, giltwood frame. Image: 25.5" H x 17.5" W; frame:...

Elizabeth II Rendered in mixed media, sheet metal and photo. :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Re...

Plage de l'Hérault 51 x 43 cm Acrylic on canvas Plage de l'Hérault by Grégoire Mathias captures the relaxed, sun-soaked atmosphere of a Mediterranean beach. Figures lounge under bl...

In The Twilight, dated 1912 by Alexandr Victorovich Moravov (1878-1951) Large 1912 Russian Impressionist nocturnal interior "In The Twilight" oil on canvas by Alexandr Moravov. Ex...

This superb British Impressionist 19th century oil painting is by noted artist William Christian Symons. Painted circa 1880 it is a figurative interior composition of a musical event...

James ward landscape oil Bringing in the Catch A charming scene of a family "bringing in the catch" showing figures outside a cottage, man pullng in the boat with his dog watching by...

Original oil on canvas painting of a young girl with guitar by the Russian/French artist, Boris Simon. Signed top right. Circa 1955. Condition is excellent...

Maurice ALBE (Beaugency 1900 - Périgueux 1995) The grape harvest, from a 16th century tapestry Oil on canvas (burlap type) H. 170 cm; L. 100 cm Signed and dated upper left 51 Proven...

Artist: Jack Graves III (American, 1988-) Title: "Princess Diana Icon V" Series: Icon *Signed by Graves lower right. It is also signed, titled, and dated on verso Year: 2022 Medium: Original Acrylic Painting on Canvas Canvas size: 40" x 32" Condition: The stretched canvas was custom built by the artist himself. In mint condition Notes: Diana, Princess of Wales (1961-1997), was a member of the British royal family. She was the first wife of Charles, Prince of Wales—the heir apparent to the British throne—and mother of Princes William and Harry. Biography: Jack Graves III is an American artist, born in 1988 in Jacksonville, Florida. He grew up surrounded by inspiration having an art dealer as a father, John Graves...

Complex Art Nouveau patterns intertwined with gracefull figures define this work by American Artist and illustrator, teacher and lecturer Mildred Bailey Carpenter. Signed in cartouc...

Medium: Oil on Canvas Signature: Signed Lower Right Sight Size 30.00" x 24.12", Framed 39.00" x 34.00" Saturday Evening Post Cover, December 18, 1937 Exhibitions: It's a Man's Worl...

My paintings are layered bursts of energy inspired by nature’s movement, blending the here and now with memories. Forms and lines fall into a sea of emotion. Shapes and reflections d...

Saint Sebastian and Saint Roch, 16th century Flemish / German school - oil on panel Beautiful large 16th century representation of the martyrdom of Saint ...

"E in Red Caffe " is an impressionist painting by Maestro Elena Georgieva. The painting is unframed. About the artwork: TECHNIQUE: Oil painting STY...

Oil painting by Hunt Slonem, created in 2023. The piece is in excellent condition, brand new, and measures 112 x 193 cm (44 x 76 inches). The painting features a grid of repeated coc...

Austrian oil painting of a dream wedding by Zatzka Austrian, c. 1910 Canvas: Height 54cm, width 79cm Frame: Height 67cm, width 94cm, depth 6cm T...

Signed by artist lower right The Saturday Evening Post cover, July 29, 1922 This commission for The Saturday Evening Post is a brill...

The scene depicts a feast within a park enclosed by walls with arched gateways opening onto the countryside, and adorned on the right with an amphora on a small column and in the center, behind the figures, with a gushing fountain, with statues of cherubs and shells. Two couples of richly dressed ladies and gentlemen entertain themselves gallantly, surrounded by servants; one of the men is playing the violin, crouching in front of his lady, who, flanked by the damsel, follows the melody on the score held up by the dark-haired man at her side, while two musicians accompany the playing with flute and a mandolin; the other couple, in an attitude of intimate dialogue, listens on the left, while on the right the hunter returning from the hunt also observes the scene. Particularly prominent in the scene is the rich dress of the lady in the center, characterized by the wide back folds falling from her shoulders to create a cape. Such a dress corresponds to what was called "robe à la Watteau," named after the French painter Antoine Watteau who first portrayed ladies wearing this pattern. Antoine Watteau (1684 -1721), a French painter considered one of the most influential French exponents of Rococo painting, was the forerunner of the pictorial genre of gallant scenes, a genre that developed in France from the late 1600s and continued throughout the following century. The gallant scenes could be considered as the aristocratic version of the genre scene: characterized by music, dances, pleasant conversations between ladies and gentlemen surrounded by servants, they tended to enhance the costumes, fashionable clothes, and environments of the upper class, conveying a kind of detachment from the real times and places, projecting the viewer into an almost theatrical atmosphere of gestures, looks, colors and stage lights. Moreover, Watteau, along with the Fêtes galantes cycles, also distinguished himself for those inspired by the theater, absorbing his passion for the scenes and characters of that milieu from Claude Gillot...

Italian painter Silvia Pavarini is known for her distinctly feminine artworks that resonate with the quiet whispers of nature. Each piece she creates embodies an ongoing dialogue wit...

Hayley Lever was an Australian born artist who lived much of his life, as well as died, in Mt.Vernon, New York. His work as a painter, etcher, lecturer and art teacher strongly embra...

Peri Taylor Salcombe Yawls Racing Study Watercolour and Ink Size: H 30cm x W 40cm Sold Unframed (Please note that in situ images are purely an indication of how a piece may look). S...

Immerse yourself in the regal allure of Chinese history with this captivating pair of framed reverse glass paintings depicting a Chinese Emperor and Empress...

Oil on canvas attributed Rousseau-Decelle, French painter of the XIXth century. Student of Bouguereau and Ferrier In 1903, the artist whose studio is located at 235 rue du Faubourg ...

Painting oil on canvas measuring 92 x 75 cm without frame and 102 x 87 cm with frame depicting a rich lady of the French school of the first half of the 18th century. In its formal ...

Jim’s of Lambertville is proud to offer this artwork by: John R. Grabach (1886 - 1981) John Grabach was a highly regarded New Jersey artist, teacher, and author of the classic text...

Represented by George Billis Gallery, NYC & LA -- Kenny Harris's latest body of work was informed by two recent residencies in Tuscany, at Borgo Finocchieto and Monteverdi. Inspired by the heavy Tuscan light...

The Recital, 19th Century French School - Signed bottom right indistinctly Large 19th Century French garden scene of a music recital accompanied...

EDUARDO LEÓN GARRIDO Spanish, 1856- 1949 THE PAINTER AND HIS MODEL signed "E. L Garrido" (lower right) oil on mahogany wood panel 19-3/4 x 24-1/8 inches (50 x 61 cm.) framed: 28-1/2 x 32-3/4 inches (72 x 83 cm.) PROVENANCE Private Spanish Collector Eduardo León Garrido (Madrid, 1856 - Caen, 1949) was a Spanish painter. He began his training at the Higher School of Painting in Madrid and as a disciple in Vicente Palmaroli...

Market In Morocco Trevor Waugh Oil on stretched canvas Unframed Orientalism

John-Herbert was born in Miami and moved to New York city when he was 3 years old. As the son of a Filipno mother and bi-racial father, his multi-cultural roots at first felt like a ...

Experience the profound beauty of "Mother and Child," a mixed media on cardboard artwork created in 1988 by the acclaimed artist Raymond Debiève. This stunning piece, crafted in a Cu...

'The Feather Boa,' a large oil painting of Miss Crofton by Herbert Sidney British, 1901 Frame: height 193cm, width 115cm, depth 6cm Canvas: height 143, width 77cm, depth 3cm By the British artist Herbert Sidney, (1858-1923), this remarkable full length portrait also titled 'The Feather Boa,' depicts Miss Alice...

Ce tableau dépeint l'atmosphère d'une soirée au théâtre ou à l'Opéra à Paris à la Belle Époque. Formé à l’École des beaux-arts de Paris dans l’atelier d’Isidore Pils, Adrien Marie (1...

Nimes, Etching with Aquatint Painting by Julian Trevelyan 1910-1988, 1972 Additional information: Medium: Etching with Aquatint 24 x 30 in 61 x 76.2 cm Signed and titled in pencil ...

King Solomon Worshipping The Idols, 17th Century FRANS FRANCKEN II (1581-1642) - signed sales to $6,000,000 Large 17th Century biblical account of King Solomon worshipping the Idols, oil on panel Frans Francken. Excellent quality and condition Old Testament biblical scene on a cradled panel depicting the Idolatry of Solomon, son and successor of King David. Exceptional detail and would be enhanced with a light clean. Presented in an antique period frame. Signed. Measurements: 47" x 34" framed approx Artist Biography Frans Francken II or the Younger is the third in order of descent in the Francken family tree. Born in 1581, the son of Frans Francken I or the Elder, he was the brother of Thomas, born in 1574, of Hieronymous II, born in 1578 and died in 1623, and of Ambrosius II, the last in line, who died in 1632. Hieronymous II, who died at the age of 56, is only known for his painting Horatius Cocles at Sublicius Bridge. Frans the Younger was initially a pupil of his father, who was then at the height of his career. In his father's studio he imbibed all the teaching of the tradition of Frans Floris. He also spent long periods in Italy, where he familiarised himself in particular with the masters of the Venetian school. Such study in situ enabled him to break away from the well-worn methods of Flemish Italianism, as practised by his father and uncles. It is conceivable that the young artist met Rubens, who was in Italy at the time. In 1605, at the age of 24, on his return to Antwerp, Frans the Younger became a master in the Antwerp Guild of St Luke. In 1607 he married Elisabeth Placquet in Antwerp. Three sons and eight daughters resulted from this marriage. His children made up the fourth generation in the dynasty. Better known are Frans III (1607-1667) and Hieronymus, born in 1611. The latter had a son, Constantinus (1661-1717), who marks the end of the line. The family of Francken painters runs from 1520 to 1717. As one of the most active masters in Antwerp, Frans II was appointed dean of the guild in 1614. He was also a member of the Violette, a major literary association, for which he painted an award-winning symbolic coat of arms. He was intimate with the most celebrated artists, in particular van Dyck, who executed a very fine portrait of him, judging by the engraving by Willem Hondius and Pieter de Jode. It is also likely that he was on familiar terms with Rubens who was his near contemporary. He died in Antwerp on 6 May 1642 at the age of 61, outlived by both Rubens and van Dyck. The first securely dated work of Frans the Younger is Christ on the Cross from the gallery in Vienna, painted in 1606. Witches' Sabbath (Vienna) and The Works of Mercy (Antwerp) are dated 1607 and 1608 respectively. In these two latter works the painter proves himself adept at painting figures and allegorical scenes. The Works of Mercy represents various groups of figures, symbolising the different activities inspired by Christian charity. Paupers and beggars occupy the foreground, the ensemble being dominated by the figure of the glorious Christ. While Frans the Younger cannot be compared with the masters of this great first generation of Antwerp, which was illuminated and steered by the genius of Rubens, he does nevertheless merit attention. He succeeded in developing and bringing into fashion an anecdotal genre on a more modest scale, elements of which were to inform the last representatives of the Francken family for over a century. Frans the Younger was undoubtedly the most talented draughtsman in the family. While his art may be criticised for its lack of grandeur and solemnity, the execution shows great talent. His brush stroke was vigorous and his imagination, albeit restrained, was brilliant. His interest in tonal values was highlighted by his study and appreciation of his remarkable contemporaries. This enabled him to carry out landscapes and also fleshy figures, which made him altogether worthy of the brilliant period to which he belonged. While detail certainly preoccupied him, he treated it with intelligence and even esprit, as witnessed in The Parable of the Prodigal Son and A Prince's Visit to the Treasury of a Church(both in the Louvre). The scenes painted in grisaille, which surround the principal motif of the Prodigal Son, are characteristic of his style. He excelled in painting jewellery, ornaments, and textiles with shot silk effects. A large number of his figures inhabit the neutral backgrounds of the interiors of apartments and galleries. He carried out such work not only under his own auspices, but also for other artists, such as Peeter Neeffs, van Bassen, Josse de Momper...

David Cheifetz's "Light and Noise" is an original, handmade oil painting that depicts a monochromatic human ear with a wire above a lightbulb with various kettles ascending on the ri...

Quick and loose expressionist portrait of stage and screen actress Paula Laurence Portrait of Paula Laurence (1916-2005). Oil and graphite on linen. Signed top right. Exhibited: "Lil...

Jim’s of Lambertville Fine Art Gallery is proud to offer this work by Frederick Carl Frieseke (1874 – 1939). Frederick Carl Frieseke was a member of the third generation of American painters to inhabit and find inspiration from Giverny, France. His use of bright colors and light, to depict the female figure, defined the style of the Giverny group during his residence, synthesizing aspects of Impressionism and Post-Impressionism. Born in the United States, Frieseke studied at the School of the Art Institute of Chicago and the Art Students League in New York. In 1898, he moved to Paris to enroll in the Académie Julian, where he studied under Benjamin Constant and Jean-Paul Laurens. During this time, Frieseke also briefly studied with James A. Whistler, who would prove to be a great inspiration in Frieseke’s early works. From Whistler, Frieseke adopted a tonalist palette and a decorative approach to figurative painting. While in Paris, Frieseke’s works were featured at the American Art Association of Paris and in several annual salon exhibitions. His painting, “Before the Mirror...

Unframed this piece is 6 x 6 Discover the exquisite charm of "Zinnias on Parade II" by Millie Gosch, a petite framed fine art painting rendered in oil on linen panel. This delightfu...

The Aphrodite of Milos was discovered on 8 April 1820 inside a buried niche within the ancient city ruins of Milos, on the island of Milos (also Melos) in the Aegean. The Marquis de...

Aaron Bohrod Golden Girls, 1987 Signed lower right Oil on gesso panel 9 x 12 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as a regionalist painter of American scenes, particularly of his native Chicago, Bohrod later devoted himself to detailed still-life paintings rendered in the trompe l'oeil style. He also worked for several years in ceramics and wrote a book on pottery. Born in 1907, Bohrod began his studies at Chicago's Crane Junior College in 1925, and two years later enrolled in the Art Institute of Chicago. But it was at the Art Students League in New York City, from 1930 to 1932, that he studied under the man believed to be his most significant early influence, John Sloan. Sloan's romantic realism is reflected in the many depictions of Chicago life...

JEAN GABRIEL DOMERGUE French, 1889 – 1962 "JEUNE FEMME AUX FLEURS" Signed & dated "Jean-Gabriel Domergue ´28 " (lower right) With the Atelier stamp on the stretcher and canvas on the reverse Oil on canvas 32 X 25-3/4 inches (81 x 65 cm.) framed: 39-1/2 X 33-1/4 inches (100 X 84 cm.) PROVENANCE Private Collection, Madrid Note: We are grateful to Mr. Noé Willer for confirming the authenticity of this work which is recorded in the archives of the Artist. Painter born in Bordeaux, in 1889 and died in Paris in 1962. He began painting his mother's portraits very soon. He studied at the National Superior School of Fine Arts. The artist considered his teacher and inspiring Degas. Between 1904 and 1907 he joined Fauvism. In 1905 he participated in the "Autumn Hall" and in the "Hall of Independents". In 1907 he presented his 1st individual exhibition at the Vollard Gallery. He specialized in female portraits of Parisian ladies, creating a unique, sophisticated and elegant female portrait prototype that characterized him forever. He played an essential role in the evolution of women's fashion of his time. He designed numerous dresses, hats and accessories for famous designers such as Paul Poiret and Henry Marque It goes down in history as the architect of a new type of woman, thin, with an elegant air, always with style, with unusual elongated necks, with impressive slanted eyes, that seem to look at the world in amazement, perhaps because they express a feeling of freedom towards Society and its norms. With these paintings of women, he showed the world the true French, elegant, beautiful and with a gooseneck. In 1914 he won the Rome Prize. Many celebrities of the time posed for the artist, Josephine Baker, Brigitte Bardot, etc. But although he painted numerous nude actresses...

Fine 22K gold gilt frame.

Signed to the lower right. Presented in a simple gilt-effect frame. On canvas on stretchers.

Oil painting on canvas. Tuscan school of the seventeenth century. Scion of an ancient Longobard lineage of Aquino (in the province of Frosinone), Thomas (born around 1226) went to Na...

“Jewels of the Heavens 2” was created as part of a pair with “Jewels of the Heavens 1”, but can also be hung separately. Both these pieces were inspired by the skies I encountered du...

Giuseppe Molteni (Affori (Milano), Italy, 1800 - Milano, Italy, 1867) Title: Portrait of a Woman Medium: Oil on canvas Dimensions: without frame 67 × 55 cm - with frame 91.5 x 80 cm ...

One-of-a-kind Pop Art Original Painting on canvas by Gardani available for you. Hand signed by the Artist front and back, comes with official Gardani Certificate of Authenticity with...