Sword Paintings

Two figures stand, facing the horizon, their eyes fixed on a missile flying horizontally. Its fiery trail cuts through the calm sky, and the moment hangs between “there’s still time”...

The Knight Errant English School, circa 1900 after the painting by John Everett Millais (1829-1896) oil painting on board, framed board: 13 x 10 i...

Saint Michael Archangel Guido Reni (Bologna 1575 - 1642) Workshop/Follower of 17th-18th century Oil on canvas (104 x 68 cm. - In frame 109 x 68 cm.) This high quality painting is b...

19th century French scene of Lovers walking in a Garden, in 17th century costume original frame Wonderful 19th century classical Genre scene, painted with great skill and delicasicy . The artist has captured the meetiung of the two lovers...

Balthasar Van Den Bossche (Antwerp, 1681 - 1715) Alexander the Great and Campaspe in the studio of the painter Apelles The canvas was exhibited in Perugia (Museo di Palazzo della Pe...

Ralph Cahoon Jr.'s whimsical paintings are not only lighthearted and charming, they are also the hallmark of his creativity and imagination. His playful approach to painting and info...

Interwoven Elegance in Gold and Silver Jewelry Design circa mid 20th century by Paul Touzet (French b. 1917) original gouache painting, with pencil on tracing paper unframed overall ...

J. Taylor after Carl Friedrich Heinrich Werner (1808-1894), oil on canvas. Signed to the lower right. Presented in a gilt effect frame with bead course to the inner window.

Oil Painting Stye of Benjamin Marshall "The Hobby Horse" 1768 -1835 painter of sporting subjects especially racing scenes. This fine late Regency portrait is in his slightly caricatu...

Lorenzo Delleani (Pollone, 1840 - Turin, 1908) Ezzelino da Romano contemplates the massacre of Vicenza Oil on canvas, 146x116 cm Framed, 170 x 140 cm Signed and dated 1863 lower ...

Late 19th century figurative painting of the battle of Trevilians Station and of the wounding of Colonel Sackett June 11, 1864. Oil on canvas in giltwood frame. Signed or notated indistinctly lower right. Image, 20.25"H x 36.25"W. Military History Prior to 1865 The 9th New York Cavalry contained two companies from Cattaraugus County. It was mustered into the service October 1, 1861 and, until mustered out in July, 1865, lost 619 officers and men out of a total enlistment of a little less than two thousand. It participated in many battles and skirmishes and lost its colonel, William Sackett, who was killed at Trevilian Station, Virginia, on June 11, 1864. From the Albany Evening Journal, July 20, 1864: Another name is added to the list of hero martyrs who have fallen in the service of their country. Col. WILLIAM SACKETT, of the Ninth New-York Cavalry, (son of Hon. W.A. SACKETT,) was mortally wounded in the engagement, under Gen. SHERIDAN, at Pavillion Station, Va., and died on the 14th ult. As he was left behind, the sad intelligence of his decease has but just been received. Col. SACKETT had seen much service. He entered the army on the 22d of April, 1861, was appointed Major of the Ninth New-York Cavalry in October of the same year, was promoted to Lieutenant-Colonelcy in August, 1862, and in March, 1863, became commander of the regiment. He was with Gen. MCCLEELAN in the Peninsula campaign, was in all the cavalry actions of the campaign which followed, was with the army in its advance after the battle of Antietam, and in almost constant conflict with the enemy until after the battle of Fredericksburgh. He participated in most of the cavalry engagements under Gen. HOOKER's command, was in all the principal cavalry actions during LEE's invasion of Maryland and Pennsylvania in 1863, and was among the first engaged in the terrible conflict at Gettysburgh, where he performed distinguished service in holding a rebel brigade in check a long time while our forces were getting into position on the crest of the hill. He was active in the cavalry skirmishes which ensued in the latter part of the Summer. During the present campaign he was with Gen. SHERIDAN in all his brilliant expeditions up to the time when he fell. He died while leading a charge against the enemies of his country -- died, as he wished to die, doing his whole duty. He was brave, he was generous, he was unflinchingly faithful to the cause of the Union. He loved the old flag with a love that was stronger than life, and esteemed it glorious to fall in its defense. He was born in Seneca Falls, and was 25 years of age. When the great civil war broke out [William Sackett] was practicing law at Albany, N. Y., having a short time previous been admitted to the bar. In December, 1861, he was commissioned Major of the 9th Regiment of New York Cavalry, and taking the field served with credit in several engagements in which that command participated. On June 27, 1862, his immediate superior, Lieutenant- Colonel Hyde, resigned and three days later Major Sackett was commissioned to fill the vacancy. On the 30th of the following May he was advanced to the Colonelcy of his regiment, with rank from March 15, 1863. It is stated in "Battles and Leaders of the Civil War" that the cavalry pickets commanded by Colonel Sackett fired the first shot at the battle of Gettysburg. He subsequently led his command, in a gallant manner, in numerous engagements, including the battle of Trevilians Station, fought June 10, 1864. There he received a mortal wound and died inside of the enemy's lines some three days later. The report that he had been severely wounded and was in the hands of the enemy soon reached his wife, who immediately determined to make an effort to reach and care for him, not knowing that he was already dead when the report reached her. The following correspondence, copied from Official Records published by the War Department, tells in most emphatic terms of her devotion. City Point, Va., July 7, 1864. General R. E. Lee, Commanding Confederate Army, Mrs. Sackett, the wife of Colonel William Sackett, who was wounded on the 11th of June, near Trevilians Station, Va., is here in deep distress and feeling great anxiety to learn the fate of her husband. Colonel Sackett was left at a house some two miles and a half from the station, in charge of...

Artist: Alex Kalenyuk Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on canvas Year: 2021 Style: Impressionism Title: Street in the Snow Size: 6" x 8" x ...

"Ajala Travel" by Abdullateef Salaudeen is a captivating artwork that invites viewers into a world of wanderlust and exploration. The piece centers around a young man, adorned with a...

Judith Beheading Holofernes, 17th Century School of Carlo MARATTA (1625-1713) Carlo Maratta Large 17th century Italian Old Master depiction of Jud...

Interwoven Elegance in Gold and Silver A Fusion of Gold and Sapphire Jewelry Design circa mid 20th century by Paul Touzet (French b. 1917) original gouache painting, with pencil on t...

Oil on oak panel Image size: 18 x 17 inches (45.5 x 43.5 cm) Period style frame This painting is a half-length portrait of a lady in the guise of a shepherdess. She is holding a ho...

Medium: Oil on Canvas Signature: Signed Lower Right Sight Size 40.00" x 30.00", Framed 47.00" x 37.00" Cover of the Saturday Evening Post, April 1, 1933.

Signed lower right. Albert Nemethy Jr.'s pastel paintings beautifully capture the essence of nature, showcasing his mastery of light, texture, and atmo...

Dopo la Liberazione di Andromeda Oil Painting on Canvas Mythology In Stock Giovanni Tommasi Ferroni (1967, Rome) descended from an artistic Tuscan family. His grandfather, father, s...

The Duel by Alcide Joseph LORENTZ (French 1813-1891) signed and dated 1857 oil painting on canvas, framed framed size: 30 x 25 inches condition: very good and presentable, previous r...

There is a reason why there are few contemporary painters who can paint a portrait of a man and bear this good. It's hard to do. It's easy to throw some paint or spray a mess of graf...

Date: 1886 Medium: Oil on Board Dimensions: 14.00" x 17.00" Signature: Signed at Bottom Right Corner Wide Awake Magazine, Oct., 1886.

Gold Necklace With Diamanté Arrows Jewelry Design circa mid 20th century by Paul Touzet (French b. 1917) original gouache painting, with pencil on tracin...

Study Easter Sunday Baby

GENGIS KAN - Maximilian Ciccone - Italia - Oil on canvas cm.210x120. In this majestic oil on canvas painting the Artist Ciccone portray the Mongol leader and ruler Genghis Khan...

"For the Shear Fun of it" Charcoal Painting 29" x 21" inch by Casey Baugh Medium: Charcoal on paper ABOUT THE ARTIST: Baugh's work can be described as n...

Freedom is probably what characterizes the most "Kiki" or Christophe Stouvenel: collage, acrylic, aerosol can, on signs, old posters recovered or even a fo...

Astounding painting and carving on wood panel by the “Hound of Heaven” artist Robert Gammell. Created 1947. This beautiful work features rich color, gold accents and incredible detail. Signed lower right “R.H. Ives Gammell” and dated ‘47. The subject comes from the imagination of the artist and is titled “Lady of the Seven Sorrows.” The work measures 34 1/2"h x 11 1/4"w and is considered to be one of the artist’s “Puppy Panels.” The ornate frame measures 38 1/2"h x 15 1/2"w x 1 1/4"d. The weight is 9 ½ pounds. A label is attached to the verso listing the work as being an entry for the 1967 Grand National Show with the American Artists Professional League in New York. This detailed and beautiful painting is a work to be treasured. More Information Robert Hale Ives Gammell: After completing his major allegorical sequence, the Hound of Heaven, Gammell felt compelled to revisit certain themes and figurative compositions in later years. His original plan was to display the smaller panels, or "Puppy Panels" as he affectionately called them, between the larger Hound panels. Robert Hale Ives Gammell (1893-1981) was a prolific professional painter working in Boston, Provincetown, and Williamstown, Massachusetts. During the sixty-five years of his career, Gammell painted murals, portraits, landscapes, and still lifes, but the pieces which excited him most were the allegorical works drawn from his imagination. In his diary Gammell wrote that he was “fascinated by the drama of man in his relationship to the forces of the universe and of his own nature.” Over the years he experimented using ancient myths and rituals as well as contemporary symbols in his attempts to articulate images of man’s terror, wonder and yearning in the face of a century of upheaval. Excerpt from Elizabeth Ives Hunter, the God-daughter of R. H. Ives Gammell and the daughter of his assistant, Theodore W. J. Valsam. R. H. Ives Gammell believed in the practice and standards of art should rest on the Gold standard established by the 19th-century French system of learning, as practiced by the Ecole des Beaux-Arts and Academie Julian of Paris. His personal mission was to follow that tradition, so he established his own Studio working with a handful of students at a time. His book ‘Twilight of Painting’ would help define a way back to those lofty goals for future artists, reflecting the uncompromising levels of quality that he embraced, and maintained. Robert Hale Ives Gammell was born to wealth in Providence, Rhode Island and spent the majority of his artistic life in Boston at the Fenway Studios and in Williamstown, MA, where he died in 1981. In 1910, Gammell studied briefly with William C. Loring and Wm. Sergeant Kendall before training in 1913 at Boston's Museum School with Philip Hale, F.W. Benson and Edmund C. Tarbell for a few months. Gammell then went to Provincetown, MA to study with Charles Hawthorn and then to the Academie Julian in Paris and the Academie Baschet until the end of 1914. He was tremendously influenced by the teachings of Tarbell and the work of Joseph DeCamp and William M. Paxton. He was so influenced by the Boston School he vowed to hand down their teaching traditions to generations of students and he did exactly that. Some of the painters who are "Gammellites" are Samuel Rose, Thomas R. Dunlay, Robert Cormier, Richard Lack, Gary Hoffman, Stephen Gjerston, Robert Douglas Hunter, David Lowrey, David Curtis...

2 oil on canvas paintings. in good condition, frames not guaranteed for condition but one with separation between gilded inset and black frame

Archery, Olympic Games Beijing 2008 is a lithograph print realized by Gianmarco Montesano.  Limited edition of 260. Hand signed and numbered in pencil. This artwork is from the por...

This is a one-of-a-kind original acrylic and gold leaf still life painting by San Diego artist, Duke Windsor. Its dimensions are 5" x 70" x 2.5" in (L x H x D). It is unframed. A cer...

Work on canvas

A large 19th-century oil portrait of a gallant cavalier standing by a cannon in an extensive landscape. Signed indistinctly 'Fox' to the lower right corner. On canvas on stretchers.

Adolphe Alexandre Lesrel French, (1839-1929) The Sportsman Oil on panel, signed & dated 1903 Image size: 9.75 inches x 7 inches Size includin...

Mid Twentieth Century Still Life Oil painting of Fruits and a Wine Carafe on a table with a neutral background. Another highly detailed and exceptionally well painted Still Life by ...

Mystery Artist Untitled (Catholics), c. 20th century Oil on canvas 20 x 20 in. Framed: 25 x 25 x 1 1/4 in. Signed lower right

Interwoven Elegance in Gold and Silver Jewelry Design circa mid 20th century by Paul Touzet (French b. 1917) original gouache painting, with pencil on tracing paper unframed overall design overall paper size: 6.75 x 10 inches condition: the overall condition is very good, minor creasing to the corners/ edges, very minor staining. provenance: private collection, France We are honored to introduce to you an incredible and unique collection of original jewelry design artwork. We have over 100 similar original works - some offered as pairs, some individually. For the collector of jewelry they offer the ultimate accessory for their home. Equally, these would look stunning framed together in a jewelry or fashion store or even a vintage bistro or hotel! Discover the timeless elegance of original French vintage jewelry design artwork by the illustrious Paul Touzet, a master jeweler whose craftsmanship has left an indelible mark on the world of haute joaillerie. Born on January 12, 1917, Touzet's journey into the art of jewelry began at the tender age of 13, training under the prestigious Mauboussin in Paris. His talent and dedication quickly set him apart, and by November 17, 1944, he had officially registered his business, soon after obtaining his hallmark—a distinctive "P.A.T. / a bicycle wheel butterfly"—on December 7, 1944. Paul Touzet's artistry is celebrated for its collaborations with iconic houses such as Van Cleef & Arpels, Boucheron, and Sterlé, reflecting the highest standards of French luxury. His exclusive designs have graced the likes of legendary figures, including the beloved singer Charles Aznavour, for whom he crafted exquisite pieces. Touzet's craftsmanship even reached royal circles, with bespoke tuxedo buttons personally delivered to Prince Rainier of Monaco and stunning jewelry designed for his wife, Princess Grace of Monaco (Grace Kelly). Each piece of Touzet's original design...

[China Export Water-colours on Pith Paper] A Set of Twelve Processions. China, ca. 1870]. Water-colour and gouache studies on pith paper, framed by blue silk ribbon, all mounted. ...

Charles Sprague Pearce The Riverbank, circa 1900 Signed lower left, inscribed verso Oil on canvas 7 1/2 x 5 1/2 inches Charles Sprague Pearce made a successful career painting high...

In my painting, I have used oil paints to create a powerful scene with figurative and realistic imagery that is at the same time symbolically charged. The work captures the dynamic...

M. Moshall "The Young King" Original Oil Painting Early 20th C. Original oil on panel Dimensions 8" wide x 9" high The frame measures 12" wide x 14" high Signed lower right The ...

The figure in this painting is like the popular but at the same time oddly obscure Taoist god called “Longevity Star”. Apparently he was an historical figure born bald and grey like ...

A large, stylized study of two medieval knights in battle, possibly a retelling of the Battle of Agincourt. The English knight is about to unrepent...

This equine racing painting "And They're Off" by artist Anne Wolff is a 27x36 original oil painting on canvas. Depicted is a nose to nose line up of four race horses in colorful sil...

after: Sanford Gifford's "the Desert at Assouan, Egypt" (1869) and Ilya Repin's "Procession in the Province of Kursk" (1881-1883) Framed 7h x 14w in I began this piece with the inte...

Colonel Bates Leads the 30th Colored Infantry at the Battle of the Crater Watercolor on Paper Circa 1903 15 ½ x 21 ½ Inches 25 ½ x 33 ½ Inches Framed LR: Graves This rare portrait of African American troops serving in battle during the Civil War depicts the 30th United States Colored Infantry at the Battle of the Crater, at Petersburg, Virginia. The regiment was composed of African American enlisted men commanded by white officers and was authorized by the Bureau of Colored Troops which was created by the United States War Department on May 22, 1863. The Battle of the Crater, July 30th, 1864, was part of the Siege of Petersburg, fought between the Confederate Army of Northern Virginia, commanded by General Robert E. Lee and the Union Army of the Potomac, commanded by Maj. Gen. George G. Meade (under the direct supervision of the general-in-chief, Lt. Gen. Ulysses S. Grant). At the top of the painting, Colonel Delevan Bates raises his saber to lead the charge of the 30th United States Colored Infantry. Bates was promoted to this command just prior to this battle, having served with distinction in the 121st New York Infantry at the Battles of Fredericksburg, Chancellorsville and Gettysburg. Though the Battle of the Crater would eventually be won by the Confederacy, it was here that Bates and 23 other troops would be award the United States highest award for bravery during combat, the Medal of Honor. After weeks of preparation, on July 30, Union forces exploded a mine in Maj. Gen. Ambrose E. Burnside's IX Corps sector, blowing a gap in the Confederate defenses of Petersburg, Virginia. From this propitious beginning, everything deteriorated rapidly for the Union attackers. Unit after unit charged into and around the crater, where soldiers milled in confusion. Grant considered the assault "the saddest affair I have witnessed in this war." The Confederates quickly recovered and launched several counterattacks led by Brig. Gen. William Mahone. The breach was sealed off, and Union forces were repulsed with severe casualties. Brig. Gen. Edward Ferrero's division of black soldiers...

A panicked little boy looks at his watch in alarm as his father tries to fix the broken television while the mother and daughter look on. HÖRZU, May 16, 1959, cover illustration. Panorama, November 14, 1959, cover illustration. Familie Journal, February 9, 1960, cover illustration. Much like Norman Rockwell, Kurt Ard...

Approximate Date: 1895 Medium: Gouache on paper laid to card Signature: Signed and dated 'R.F. Zogbaum/ 95' bottom right Size: 18 x 13 3/4 in. Harper's Weekly: A Journal of Civilization, New York, December 28, 1895, vol. XXXIX, no. 2036, (cover illustration). The present painting represents a battle fought August 9 and 10, 1877, between the United States troops and Chief Joseph...

This is an unframed painting from her "Mountain Drag II" series. June Glasson is an artist, illustrator, and designer. She live in Laramie, WY. Her paintings have been exhibited at t...

This still life work presents a composition seen from a zenithal perspective. At first glance, the scene is formed by a set of heterogeneous objects, meticulously arranged on a softl...

after: Pieter Bruegel the Elder’s The Blind Leading the Blind (1568), Akseli Gallen-Kallela’s Building (1903), and #17 Beast and the Beauty from Wally Wood’s, Bob Powell’s, and Norm Saunders’ Mars Attacks trading cards...

Classic 10th (Prince of Wales's Own Royal) handsome gouache on paper by Jack Challenor c1920s Art Sz: 15"H x 10"W Frame Sz: 19 1/8"H x 14 1/8"W The 10th Hussars were no exception...

Brett Eric Osborn was born in Lima, Ohio in 1963. Both his father and his cousin are artists and influenced the young Osborn during his formative years. Brett recalls being a child d...

Medium: Oil on Board Dimensions: 11.50" x 27.00" Signature: Signed Lower Left

Original cover for Liberty magazine, published June 16, 1928 Lil has returned home to her parents’ house after having her baby and the whole family tiptoes around trying not to disr...

Halo presents an amazing cast of historical black figures, most of whom were legendary and mythic characters in their time, but have been nearly lost to the vagaries and biases of hi...

Signed & Dated Lower Right by Artist

Date: 1930 Medium: Oil on Canvas Dimensions: 28.00" x 40.00" Signature: Signed and Dated Lower Left Image of men on docks.