18th Century and Earlier Art
to
2,060
4,129
1,485
647
515
711
Overall Width
to
Overall Height
to
7,499
20,716
156,265
236,914
1,877
2,280
4,827
6,391
5,912
13,222
20,196
24,955
17,436
13,297
5,304
3,066
1,242
49
21
16
11
4
2
1
1
1
1
3,649
3,156
388
4,702
2,357
1,534
1,479
1,349
866
685
656
505
432
421
401
328
287
210
192
186
179
177
168
3,587
2,297
1,910
1,103
900
160
127
91
82
79
2,289
3,423
4,932
1,369
Period: 18th Century and Earlier
Portrait Of A Lady, Stilte Family, 17th Century by Jan Cornelisz VERSPRONCK
Located in Blackwater, GB
Portrait Of A Lady, Stilte Family, 17th Century
by Jan Cornelisz VERSPRONCK (1597-1662)
Large 17th Century Dutch Golden Age portrait of a lady identified as a member of the Stilte family, oil on cradled panel. Excellent quality and condition portrait of the lady wearing a ruff and cap with elaborate lace work and a gilded embroided dress...
Category
18th Century and Earlier Art
Materials
Oil, Panel
$20,483 Sale Price
20% Off
Portrait of a Boy, John Closterman, Large English Portrait Art, Old Master
By John Closterman
Located in Greven, DE
John Clostermann
(Osnabrück 1660 - 1711 London)
Portrait of a boy, maybe Charles Hinde
Oil on canvas, 61 x 74,6 cm
John Closterman (also Klosterman) was a portrait painter of the late 17th and early 18th centuries. He primarily portrayed English noblemen and European aristocratic families. His father was already an artist and he trained his son. In 1679 he went to Paris and studied with Francois de Troy. In 1681 he was in London and worked for the artist John Riley, whose studio he took over after his death. In 1696 he was invited to the Spanish court...
Category
Baroque 18th Century and Earlier Art
Materials
Canvas, Oil
Diana the huntress with her dogs
Located in BELEYMAS, FR
Barend GRAAT
(Amsterdam 1628 – Amsterdam 1709)
Diana the Huntress
Oil on wood
H. 33.5 cm ; L. 44 cm
Signed lower right on the stone
A discreet painter with respect to history, Baren...
Category
Dutch School 18th Century and Earlier Art
Materials
Oil, Wood Panel
Madonna & Child, 18th Century
By Andrea Del Sarto
Located in Blackwater, GB
Madonna & Child, 18th Century
Follower of Andrea del Sarto (1486-1530)
Large 18th Century Italian School Old Master depiction of the Madonna & Child, oil on canvas. Excellent quali...
Category
18th Century and Earlier Art
Materials
Canvas, Oil
$4,982 Sale Price
20% Off
Antique Rococo Oil Painting, around 1800, "Royal Dance in the Garden"
Located in Berlin, DE
Antique Rococo Oil Painting, around 1800, Royal Dance in the Garden
Oil on canvas.
Canvas relined. Stretcher renewed.
Dimensions are without fra...
Category
Rococo 18th Century and Earlier Art
Materials
Canvas, Oil
$5,730 Sale Price
20% Off
Penitent Magdalene and St. John the Baptist, oil on slate, early 17th century
Located in Milan, IT
The figure of the Magdalene emerges from the
darkness, leaning to follow the curve of the stone
support; it is depicted vaulted with an interrogative
air towards the dark, as if in an attitude of listening,
the left hand raised and the other leaning on the
"memento mori" very shortened. In front of her a
scourge and the jar of ointment.
Painted en pendant, Saint John the Baptist is depicted
as a young man, with a lamb at his feet, in his hand
the processional cross with the banner "exception
agnus dei", while with his right hand he draws from
the source of water, recalling the episode that will see
Jesus Christ baptized.
In both paintings the figures stand out in a strong and
incisive way thanks to the black that characterizes the
slate plate on which they are depicted.
Historical-critical analysis:
We are faced with two examples of oil painting on
stone. The beginnings of this particular technique are
to be placed in the first half of the sixteenth century:
after some fifteenth-century experiments it is with
Sebastiano del Piombo that the genre takes hold in
the sixteenth century. There were different types of
support used, also linked to their availability:
amethyst, marble in various colors, alabaster and
blackboard. The reasons underlying this technical
choice refer to Renaissance artistic theories: it is no
coincidence that the painter who most often
experimented with oil painting on marble...
Category
Other Art Style 18th Century and Earlier Art
Materials
Oil
Venus Adonis Cupid Chiari 17/18th Century Paint Oil on canvas Old master Italian
Located in Riva del Garda, IT
Giuseppe Bartolomeo Chiari (Rome 1654–1727)
Venus with Adonis and Cupid
Oil on canvas 41 x 49 cm - with frame 58 x 65 cm
The delightful subject of the painting on display her...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil
Feast in the Garden of Love, 17th century Antwerp, Louis de Caullery
Located in PARIS, FR
Louis de Caullery (1582-1621)
Antwerp School early 17th century
Oil on oak panel
Dimensions: h. 51 cm (20.08 in), w. 43 cm (16.93 in)
Ebonized wooden frame
Framed: h. 67 cm (26.38 in...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil, Wood Panel
Portrait King Solomon Desubleo Paint Oil on canvas Old master 17th Century Art
Located in Riva del Garda, IT
Michele Desubleo (Maubeuge, 1602 - Parma, 1676) - attributable
Portrait of gentleman like Solomon, the wise king
Oil painting on canvas
120 x 141 cm., By gilded wooden frame cm. 134 x 162 cm.
The beautiful painting shows us an image of the famous Solomon king, legendary biblical figure who became the personification of the good reigning over the centuries, and proverbially recognized as one of the wisest politicians in history. The features of the off are presumably those of the client of the work, who wanted to emphasize his image by impersonating a character with legendary fame.
The reigning, with an elegant coron head of Corona of Eastern Foggia, is dressed in a sumptuous silk clothes...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil
$18,002 Sale Price
20% Off
Lincolnshire Sheep /// Osbaldiston The British Sportsman Farm Animal Herd Lamb
Located in Saint Augustine, FL
Artist: William Augustus Osbaldiston (English, Active: Late 18th Century)
Title: "Lincolnshire Sheep" (Plate 9)
Portfolio: The British Sportsman, or, Nobleman, Gentleman, and Farmer'...
Category
English School 18th Century and Earlier Art
Materials
Laid Paper, Engraving, Intaglio
Le Guib - Etching by Louis Legrand - 1771
Located in Roma, IT
Le Guib is an etching realized in 1771 by Louis Legrand (1723-1807). The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du ...
Category
Modern 18th Century and Earlier Art
Materials
Etching
Nicolas Ponce After Pierre Antoine Baudouin - 1771 Engraving, La Toilette
Located in Corsham, GB
A fin Georgian engraving showing a young woman in her Toilette with a maid servant unfastening her corset as a young man looks on in admiration from a cha...
Category
18th Century and Earlier Art
Materials
Engraving
$284 Sale Price
20% Off
16th century Neapolitan nativity scene in gilded and marbled frame
Located in Milano, IT
Exceptional 16th-century Neapolitan nativity scene, framed by a gilded frame with elegant marbled details in shades of green. The exquisitely decorated frame lends depth and prestige...
Category
Baroque 18th Century and Earlier Art
Materials
Precious Stone, Wood, Wax, Other Medium
Veduta della Piazza della Rotonda - Early Lifetime Impression
Located in Roma, IT
The Piazza della Rotonda, with the Pantheon and Obelisk. Etching on fine watermarked paper. Signed on plate on lower-left margin "Piranesi del. Sc." and with the address of Bouchard...
Category
18th Century and Earlier Art
Materials
Etching
18th-century celestial - Eridanus Orion Lepus
Located in London, GB
18th-century celestial
FLAMSTEED, John.
Eridanus Orion Lepus
London, C. Nourse, 1753.
A fine star chart from the Atlas Coelestis, the largest and most accurate star atlas publish...
Category
Naturalistic 18th Century and Earlier Art
Materials
Watercolor, Engraving
The Tempi Madonna, 16th Century RAPHAEL (1482-1520)
By Raphael (Raffaello Sanzio da Urbino)
Located in Blackwater, GB
The Tempi Madonna, 16th Century
After RAPHAEL (1482-1520) - early Christies stencil
Large 16th Century Italian High Renaissance depiction of...
Category
18th Century and Earlier Art
Materials
Canvas, Oil
$13,839 Sale Price
20% Off
Screaming Face
Located in Paris, Île-de-France
DENYS CALVAERT (Antwerp c. 1540 – 1619 Bologna), ATTRIBUTED TO
Screaming Face
Red chalk on paper
17.5 x 14.5 cm
After 1608
Unsigned
Provenance:
Unidentified collection (Lugt L.2339...
Category
Old Masters 18th Century and Earlier Art
Materials
Chalk
"Paulownias and Chrysanthemums " By Sakai Hōitsu
Located in Chesterfield, MI
Lithograph Measures 31.5 x 29 inches.
Good condition, slight crease (pictured on third image).
Category
18th Century and Earlier Art
Materials
Lithograph
$140 Sale Price
20% Off
The Three Magi
Located in New York, NY
Provenance: Private Collection, Spain.
Known as Peruvian alabaster for its translucency and workability, Piedra de Huamanga is a highly prized material from the province of Ayacucho in Peru. In the 17th and 18th centuries, local craftsman in the town of Huamanga began to specialize in the production of small-scale, polychrome religious sculptures made from this distinctive stone. Huamanga sculptures are among the most accomplished examples of carving from the Spanish Americas, where polychrome wood sculpture was a far more common sculptural medium. These works, which were created as independent sculptures or as sculptural groups—such as our three Magi—were intended for ecclesiastical as well as domestics settings.
Our three figures likely formed part of a larger Nativity group—a New World variant of the tradition of the Neapolitan Crèche...
Category
18th Century and Earlier Art
Materials
Alabaster
Landscape with a Mythological Story of Diana and Actaeon 1610
Located in Rome, IT
Important late 16' early 17' century painting By Giovanni Battista Viola with finely carved gilt- wood frame.
Landscape with a Mythological St...
Category
Baroque 18th Century and Earlier Art
Materials
Paint
Papion - Etching by Louis Legrand - 1771
Located in Roma, IT
Papion is an etching realized in 1771 by Louis Legrand (1723-1807).
Titled and Signed on the plate.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière a...
Category
Modern 18th Century and Earlier Art
Materials
Etching
The Hague - Le Fameux Vivier de la Haye - Etching by French Master 1700
Located in Roma, IT
The Hague - Le fameux Vivier de la Haye is an original print realized on peep-leaf in the 18th Century.
A beautiful watercolored etching (on copper plaque) sold at the time by Daumi...
Category
Modern 18th Century and Earlier Art
Materials
Etching
The Reading Lady - Etching by Francesco Cepparoli - 18th Century
Located in Roma, IT
The Reading Lady from "Antiquities of Herculaneum" is an etching on paper realized by Francesco Cepparoli in the 18th Century.
Signed on the plate.
Good conditions.
The etching be...
Category
Old Masters 18th Century and Earlier Art
Materials
Etching
Chauvesouris - Etching by Louis Legrand - 1771
Located in Roma, IT
Chauvesouris is an etching realized in 1771 by Louis Legrand (1723-1807).
Titled and Signed on the plate.
The artwork Belongs to the suite "Histoire naturelle, générale et particul...
Category
Modern 18th Century and Earlier Art
Materials
Etching
$179 Sale Price
25% Off
La Noctule - Etching by Jean Louis Barran - 1771
Located in Roma, IT
La Lerot is an etching realized by J.L. Barran in 1771.
It belongs to the suite "Histoire Naturelle de Buffon".
The Artist's signature is engraved lower right.
Good conditions.
Category
Modern 18th Century and Earlier Art
Materials
Etching
Enthroned Madonna and Child.
Located in PARIS, FR
Large Virgin and Child in carved wood, carved back. Sitting on a throne bench, Mary carries Christ seated on her left knee. The Virgin has a face with stylized features with semicircular eyebrow arches, almond-shaped eyes with protruding eyeballs. Marie is wearing a belted dress with a simple neckline and a coat with a flap that goes back to the front. Tiny traces of polychromy.
Romanesque influences are still present. With her protruding eyes, she can also be compared to the statuary of Lake Constance. Our Virgin, rare for its size, nevertheless presents strong analogies with the Italian Sedes Sapientiae...
Category
Medieval 18th Century and Earlier Art
Materials
Wood
Windmill, William Henry Crome (1768–1821)
By William Henry Crome
Located in London, GB
This painting attributed to William Henry Crome depicting a windmill is characterized by his early 19th-century English landscape style, often associated with the Norwich School. Cro...
Category
18th Century and Earlier Art
Materials
Canvas, Oil
The Great Duel 18th Century
Located in Wiscasett, ME
A truly rare and remarkable scene of hundreds of swordsmen meeting in a towns square. The circle is closed around the two in the duel, each of whom have drawn blood. German school 18...
Category
Folk Art 18th Century and Earlier Art
Materials
Watercolor
France 18th Century, Pastorale (Arcadian Landscape), original drawing
Located in Paris, FR
France 18th Century,
Pastorale (Arcadian Landscape)
Black chalk and heightenings of white gouache on blue-grey paper
19 x 31 cm
Framed : 34.5 x 46.5 cm
The atmosphere and the subje...
Category
Old Masters 18th Century and Earlier Art
Materials
Chalk
Chauvesouris - Etching by Louis Legrand - 1771
Located in Roma, IT
Chauvesouris is an etching realized by Jean Charles Baquoy in 1771.
It belongs to the suite "Histoire Naturelle de Buffon".
The Artist's signature is engraved lower right.
Good co...
Category
Modern 18th Century and Earlier Art
Materials
Etching
$179 Sale Price
25% Off
"Three Musicians" Midcentury Oil Painting by Maurice Saint-Lou
Located in Pasadena, CA
This painting is dated 1969 and signed by the artist Saint-Lou.
The painting depicts three musicians with flowing hair, playing the clarinet, trumpet, and accordion. The stylistic a...
Category
Modern 18th Century and Earlier Art
Materials
Oil
$950 Sale Price
44% Off
Pair of Exceptional Italian Still Life Paintings of Flowers 18th century
Located in Rome, IT
- ANNA CATERINA GILLI or
GILLI Anna Caterina Turin 1729- 1751
Her paintings recorded in Turin as a decorative artist for the Royal Palace and the Stupinigi,
working in a simil...
Category
Baroque 18th Century and Earlier Art
Materials
Oil
Le Grand prêtre Coresus - Etching by J- Danzel - Late 18th Century
By Jérôme Danzel
Located in Roma, IT
Le Grand prêtre Coresus is an artwork realized by Jérôme Danzel in the second half of the XVIII Century.
Burin after Fragonard's artwork "Coresus et ...
Category
Modern 18th Century and Earlier Art
Materials
Etching
Archery - Oil on Canvas by an Anonymous French Master end of 18th/Early 19th
Located in Roma, IT
Archery is a beautiful oil on canvas realized by an anonymous French artist of the end of XVIII century and the beginning of XIX century.
This marvelous genre scene is very detailed...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil, Canvas
Le Chien Courant - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Chien Courant is an etching realized by Jean Charles Baquoy in 1771.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet...
Category
Modern 18th Century and Earlier Art
Materials
Etching
17th century European oil, Christ and his disciples seated around a table.
Located in Woodbury, CT
17th century European oil, Christ and is disciples seated around a table.
An interesting and very unique painting.
Possibly a fragment originally from a piece of furniture.
The s...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil, Wood Panel
$7,600 Sale Price
20% Off
Madonna Angels Van Balen Paint Oil on table Old master 16/17th Century Flemish
Located in Riva del Garda, IT
Hendrick van Balen (Antwerp 1575 - 1632) workshop
Possible Jan van Balen (Antwerp 1611 - 1654)
Madonna and Child with Three Angels
Oil on panel
65 x 50 cm....
Category
Old Masters 18th Century and Earlier Art
Materials
Oil
$7,325 Sale Price
20% Off
Ancient Roman Fresco - Etching by Carlo Nolli - 18th Century
By Carlo Nolli
Located in Roma, IT
Ancient Roman Scene from the series "Antiquities of Herculaneum" is an etching on paper realized by Filippo Morghen in the 18th Century.
Monogrammed on the plate.
Good conditions w...
Category
Old Masters 18th Century and Earlier Art
Materials
Etching
Virgin and Child
Located in Wien, Wien
OUTSTANDING MADONNA
Bavaria
Around 1515/20
Lime wood carved
Original, polychrome version
Height 60 cm
This masterfully carved, full-round Madonna was created around 1515-20 in...
Category
Medieval 18th Century and Earlier Art
Materials
Wood
$180,000
The Academy of Plato Plato and His Disciples
Located in Fairlawn, OH
The Academy of Plato
Plato and His Disciples
Etching and drypoint
c. 1662, printed c. 1710
Signed in the plate lower left
Inscribed lower left: 'In villa ab Academo attributa sua[m]...
Category
Old Masters 18th Century and Earlier Art
Materials
Etching
Baptism of Christ
Located in New York, NY
Provenance:
Achillito Chiesa, Milan
Luigi Albrighi, Florence, by 1 July 1955
with Marcello and Carlo Sestieri, Rome, 1969
Private Collection, Connecticut
Exhibited:
Mount Holyoke College Art Museum, South Hadley, Massachusetts (on loan, 2012)
Literature:
Carlo Volpe, “Alcune restituzioni al Maestro dei Santi Quirico e Giulitta,” in Quaderni di Emblema 2: Miscellanea di Bonsanti, Fahy, Francisci, Gardner, Mortari, Sestieri, Volpe, Zeri, Bergamo, 1973, pp. 19-20, fig. 18, as by the Master of Saints Quiricus and Julitta (now identified as Borghese di Piero).
This fine predella panel depicting the Baptism...
Category
Old Masters 18th Century and Earlier Art
Materials
Tempera, Wood Panel
Still-life Flower Paint Oil on canvas Old master 17th Century Lombard school
Located in Riva del Garda, IT
Francesca Volò Smiller, called Vincenzina (Milan, 1657 - 1700) - circle of
Floral composition
Oil on canvas (97 x 72 cm. - in octagonal frame 100 x 84 cm.)
A rich floral compositio...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil
$5,587 Sale Price
20% Off
Zodiac Signs On Lamps - Etching by Nicola Fiorillo - 18th Century
Located in Roma, IT
Zodiac Signs On Lamps from "Antiquities of Herculaneum" is an etching on paper realized by Nicola Fiorillo in the 18th Century.
Signed on the plate.
Good conditions with some cutti...
Category
Old Masters 18th Century and Earlier Art
Materials
Etching
Native Civilians of America -- "De L'Amerique" Published Frankfurt / 1683
Located in Soquel, CA
Wonderful etching, originally page 365 in a book De L'amerique by Alain Manesson Mallet, circa 1683, depicts the artist's concept of the appearance and activities of the native occupants of America in graphic detail. Unsigned. Displayed in a black and giltwood frame. Image, 6.5"H x 4.5"L.
1683 Manesson Mallet "Bresiliens" Amerindians, Indigenous Native Brazilians, Brazil, South America, Antique Print...
Category
Realist 18th Century and Earlier Art
Materials
Paper, Ink, Woodcut
Portrait Holy Roman Emperor Charles VI (1685-1740), 18th Century Franz De Backer
Located in Blackwater, GB
Portrait Holy Roman Emperor Charles VI (1685-1740), 18th Century
bv Franz De Backer (1680-1749)
Large early 18th Century portrait of Charles VI, ruler of t...
Category
18th Century and Earlier Art
Materials
Canvas, Oil
$5,314 Sale Price
20% Off
Portrait of a Girl with Basket of Flowers -British 18thC Old Master oil painting
Located in London, GB
This charming 18th century Old Master cartouche portrait oil painting is attributed to the circle of Philip Mercier. Painted circa 1740 the composition is a three quarter length portrait of a young girl holding a wicker basket of flowers. She is clothed in a white dress and beautiful blue silk shawl and is situated in a landscape. A very lovely British Old Master portrait oil painting.
Provenance. Christies.
Condition. Oil on canvas, 30 inches by 25 inches and in good condition.
Frame. Housed in an ornate gilt carved 18th century frame, 38 inches by 33 inches and in good condition.
Philippe Mercier (also known as Philip Mercier; 1689-1760) was a French painter and etcher, who lived principally and was active in England. He was born in Berlin of French extraction, the son of a Huguenot tapestry-worker. He studied painting at the Akademie der Wissenschaften of Berlin and later under Antoine Pesne, who had arrived in Berlin in 1710. Later, he travelled in Italy and France before arriving in London—"recommended by the Court at Hannover"—probably in 1716. He married in London in 1719 and lived in Leicester Fields. He was appointed principal painter and librarian to the Prince and Princess of Wales at their independent establishment in Leicester Fields, and while he was in favour he painted various portraits of...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil
$13,286 Sale Price
20% Off
Erminia meets the shepherds Camillo Gavassetti, XVII sec.
Located in Milan, IT
In the oil on canvas, on the right, a young woman is depicted with dark hair tied up and held in place by ribbons of pearls. She is dressed in warrior clothes: she wears a red tunic...
Category
Other Art Style 18th Century and Earlier Art
Materials
Oil
$42,212 Sale Price
20% Off
Madonna Holy family Tisi 16/17th Century Paint Oil on canvas Old master Italy
Located in Riva del Garda, IT
Benvenuto Tisi, il Garofalo (Garofalo, Rovigo 1476 - Ferrara 1559) workshop/follower
Madonna with Child and Saint Joseph
Oil on canvas 125 x 90 cm - In frame 143 x 109 cm.
I...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil
Reading Madonna drawing. Red chalk on paper.
By Francesco Fernandi
Located in New York, NY
Inscribed: front, brown ink, bottom left, F. Imperiali pinx…; bottom right, R. Rol..(?). Back, brown ink, top left, Roma, Gune(?) 1742 / F. Impeririali ping…;[illegible] R. deline..(...
Category
18th Century and Earlier Art
Materials
Chalk, Handmade Paper
$3,600 Sale Price
41% Off
Piazza Colona
Located in Fairlawn, OH
Piazza Colona
Etching, 1752
From: Della Magnificenze di Roma Antica e Moderna ( The Magnificense of Ancient and Modern Rome) , (1747-1761)
Volume II, The Main Squares and Obelisks, ...
Category
Old Masters 18th Century and Earlier Art
Materials
Etching
The crossing of the Red Sea, 17th century Antwerp, studio Frans Francken
Located in PARIS, FR
Crossing of the Red Sea
Workshop of Frans Francken II (1581-1642)
17th century Antwerp School
Oil on oak panel
Dimensions: h. 49.5 cm, w. 64.5 cm (19.49 in x 25.39 in)
Moulded and blackened wooden frame with wide mouldings, with inverted profile from the later period.
Framed dimensions: h. 82 cm, w. 97 cm (32.28 x 38.19 in)
Our panel illustrates one of the episodes of the Old Testament, recounted in the book of Exodus. After crossing the Red Sea...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil, Wood Panel
$18,432 Sale Price
20% Off
La Femme Muse /// Allegorical Symbolism Romantic Old Masters European Drawing
Located in Saint Augustine, FL
Artist: Unknown (Likely French, 18th Century)
Title: "La Femme Muse"
*No signature found
Circa: 1780
Medium: Original Pastel Drawing on heavy laid paper
Frami...
Category
Old Masters 18th Century and Earlier Art
Materials
Pastel, Laid Paper
$1,200 Sale Price
78% Off
Christ Appearing to the Apostles, Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Christ Appearing to the Apostles, Year: Of Original 1656, Medium: Etching, Image Size: 6.5 x 8.25 inches, Size: 14 ...
Category
18th Century and Earlier Art
Materials
Etching
Portrait of a man in armor
Located in BELEYMAS, FR
Attributed to Jacques DUMONT aka DUMONT LE ROMAIN
(Paris 1701 - 1781)
Presumed portrait of Louis-Joseph de Formanoir (?-1732)
Oil on canvas
H. 91.5 cm; L. 73 cm
Signed on the helmet:...
Category
French School 18th Century and Earlier Art
Materials
Canvas, Oil
English 17th century portrait of a lady in an ivory silk gown on a terrace
Located in Bath, Somerset
Portrait of a 17th century lady, three-quarter length, in an ivory silk gown standing on a garden terrace.
The lady, painted circa 1670, gestures with her hand towards the gardens and land beyond off her country estate, wearing a sumptuous ivory silk gown adorned with pearls and precious stones and pearl earrings and necklace, signaling her wealth and status. She wears a ring on her left hand, which combined with her pale gown possibly alludes to her recent marriage. There are traces of a signature in ligature 'JG' in a lower fold of the sitter's right hand sleeve.
John Greenhill...
Category
Baroque 18th Century and Earlier Art
Materials
Canvas, Oil
$28,787 Sale Price
20% Off
Roman 18th century terracotta model for the sculpture of San Camillo de Lellis
Located in London, GB
This remarkably fluid terracotta bozetto was made in preparation for Pietro Pacilli’s most important public commission, a large-scale marble statue of San Camillo de Lellis for the nave of St Peter’s Basilica in Rome. Expressively modelled, this terracotta sculpture is a rare and significant work made by a major Roman sculptor at a transformative moment of European sculpture. Pacilli began his working life on the great Baroque decorative projects initiated in the seventeenth century, but he found success as a restorer of ancient sculpture working to finish antiquities for a tourist market, becoming an important figure in the emergence of an archaeologically minded Neoclassicism. Pacilli trained Vincenzo Pacetti and provided important decorative work for the Museo Pio-Clementino, at the same time he is recorded restoring some of the most celebrated antiquities excavated and exported during the period.
Pacilli was born into a family of Roman craftsmen, his father Carlo was a wood carver, and Pacilli is recorded working with him on the Corsini Chapel in San Giovanni Laternao as early as 1735. In 1738 his terracotta model of Joseph and Potiphar’s Wife won the first prize in the second class of the sculpture concorso at the Accademia di San Luca, this is particularly notable as Bartolomeo Cavaceppi came third. He worked as a carver and stuccoist completing works for the churches of San Marco and SS. Trinita dei Domeniciani Spagnoli. Pacilli operated as a sculptor and restorer of antiquities from his studio at the top of the Spanish Steps, close to Santa Trinita dei Monti, where he is listed as a potential vendor to the Museo Pio-Clementino in 1770.
In 1763 Pacilli completed a silver figure of San Venanzio for the treasury of San Venanzio. He is recorded as Pacetti’s first master and it was evidently through Pacilli that he began to acquire his facility as a restorer of ancient sculpture. Pacilli, at his studio ‘poco prima dell’Arco della Regina alla Trinita dei Monti,’ exercised, what the nineteenth-century scholar, Adolf Michaelis called ‘rejuvenating arts’ on several important pieces of classical sculpture, including in 1760 the group of a Satyr with a Flute for the natural brother of George III, General Wallmoden, Hanovarian minister at Vienna. In 1765, Dallaway and Michaelis record that Pacilli was responsible for the restorations, including the addition of a new head, to the Barberini Venus which he had acquired from Gavin Hamilton. The Venus was then sold to Thomas Jenkins, who in turn passed it on to William Weddell at Newby Hall. In 1767 Pacilli exported a series of ancient busts ‘al naturale’ including portraits of Antinous, Julius Ceaser and Marus Aurelius, also a statue of a Muse and a Venus. As early as 1756 Pacilli seems to have been operating as an antiquarian, helping to disperse the collection of the Villa Borrioni. Pacilli supplied sculpture to notable British collectors, including Charles Townley, who on his first trip to Italy purchased the Palazzo Giustiniani statue of Hecate from Pacilli. Pacilli was involved with the Museo Pio Clementino from its conception, supplying busts of Julius Ceaser and a Roman Woman as well as completing stucco putti surmounting the arms of Pope Bendedict XIV to signal the entrance to the new Museo Critiano.
In 1750 Il Diario Ordinario del Chracas announced that Pacilli had begun work on a sculpture of San Camillo de Lellis for St Peter’s. Camillo de Lellis founded his congregation, the Camillians, with their distinctive red felt crosses stitched on black habits in 1591. Having served as a soldier in the Venetian army, Camillo de Lellis became a novitiate of the Capuchin friars, he moved to Rome and established a religious community for the purpose of caring for the sick. In 1586 Pope Sixtus V formerly recognised the Camillians and assigned them to the Church of Santa Maria Maddalena in Rome. Camillo de Lellis died in 1614 and was entombed at Santa Maria Maddalena, he was canonised by Benedict XIV on June 26, 1746. It was an occasion that prompted the Camillians to make a number of significant artistic commissions, including two canvases by Pierre Subleyras showing episodes from San Camillo’s life which they presented to Benedict XIV. In 1750 Pacilli was commissioned to fill one of the large niches on the north wall of the nave with a sculpture of San Camillo.
The present terracotta bozetto presumably had two important functions, to enable Pacilli to work out his ideas for the finished sculpture and at the same time to show his design to the various commissioning bodies. In this case it would have been Cardinal Alessandro Albani and Monsignor Giovan Francesco Olivieri, the ‘economo’ or treasurer of the fabric of St Peter’s. Previously unrecorded, this terracotta relates to a smaller, less finished model which has recently been identified as being Pacilli’s first idea for his statue of San Camillo. Preserved in Palazzo Venezia, in Rome, the terracotta shows San Camillo with his left hand clutching his vestments to his breast; the pose and action more deliberate and contained than the finished sculpture. In producing the present terracotta Pacilli has expanded and energised the figure. San Camillo is shown with his left hand extended, his head turned to the right, apparently in an attempt to look east down the nave of St Peter’s. The model shows Pacilli experimenting with San Camillo’s costume; prominently on his breast is the red cross of his order, whilst a sense of animation is injected into the figure through the billowing cloak which is pulled across the saint’s projecting right leg. The power of the restrained, axial contrapposto of bent right leg and outstretched left arm, is diminished in the final sculpture where a baroque fussiness is introduced to the drapery. What Pacilli’s terracotta demonstrates, is that he conceived the figure of San Camillo very much in line with the immediate tradition of depicting single figures in St Peter’s; the rhetorical gesture of dynamic saint, arm outstretched, book in hand, head pointed upwards was perhaps borrowed from Camillo Rusconi’s 1733 sculpture of St. Ignatius...
Category
Baroque 18th Century and Earlier Art
Materials
Terracotta
Italian landscape with Monte Socrate (after Jan Both)
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Richard Bankes Harraden (1778-1862)
Italian landscape with Monte Socrate (after Jan Both)
Signed and dated 1823 on the reverse
Oil on canvas
Canvas size ...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil
Dominus Nicolaus Vander Borcht /// Anthony van Dyck Full Length Portrait Flemish
Located in Saint Augustine, FL
Artist: (after) Anthony van Dyck (Dutch, 1599-1641)
Title: "Dominus Nicolaus Vander Borcht"
Year: 1703 (first or second state of three)
Medium: Original Engraving on laid paper
Limi...
Category
Old Masters 18th Century and Earlier Art
Materials
Laid Paper, Engraving
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Located in Roma, IT
Wildlife is an etching realized by Jean Le Pautre in 18th Century.
Good conditions.
Signed on plate.
The artwork is depicted through confident strokes.
Category
Old Masters 18th Century and Earlier Art
Materials
Etching
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Giovanni Domenico Gambone (1720 - 1793)
Title: Pair of Capricci
Medium: Oil on canvas
Dimensions: without frame 85 x 112 cm - with frame 97 x 124 cm
The price is intended for the c...
Category
Old Masters 18th Century and Earlier Art
Materials
Canvas, Oil
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