Photography

"Taken at around 6pm on Mar 28, 2020, Park Avenue was practically deserted and empty. I was standing on E 63rd St when I took this photo. I used a 70-200mm lens to compress the scene...

" I wanted to find a symbol of strength and resiliency for NYC and through the framing of the Empire State Building by the Manhattan Bridge, and I believe it is represented here. The...

Silver gelatin print, studio stamp (verso), 19cm x 19cm (print size), (50cm x 40cm in mount), unframed, but contained within archive quality mount. Tress is one of the most renowned and innovative photographers of his generation. Citing his influences as Hokusai, Frank Lloyd Wright, Picasso, El Lissitzky, Duane Michaels...

This is number 1 from a limited edition of 12. It is signed on the back of the image. A new book on the artist's work will be released this Spring London-based Photographer and Graphic designer Omer Ga...

John Baldessari Love and Work 1991: Baldessari’s Love & Work 1991, photogravure and color aquatint, features clasped hands clutching surrealistically amidst a black background. Classic, timeless Baldessari imagery that is sure to work well in any setting. Medium: Color photogravure and aquatint on wove paper. 1991. Dimensions: 26 x 11.5 inches. Well-preserved and in very good overall condition. Framed in acrylic plexiglass. One of the 15 numbered artist's proofs, aside from the general edition of 60. Signed, inscribed "A.P." and numbered 12/15 in pencil, lower margin. Published by Brooke Alexander, Inc., New York. Collections: MoMa New York John Baldessari: It is hard to characterize John Baldessari's varied practice—which includes photomontage, artist’s books, prints, paintings, film, performance, and installation—except through his approach of good-humored irreverence. Baldessari is commonly associated with Conceptual or Minimalist art, though he has called this characterization “a little bit boring.” His two-dimensional works often incorporate found images, composed in layers or presented as distinct pieces with an element of surprise, like a brightly colored geometric shape in the place of a face or a starkly printed sardonic caption. Baldessari has demonstrated a lasting interest in language and semantics, articulating these concerns through the use of puns or the juxtaposition of seemingly unrelated images and words, as in his 1978 work Blasted Allegories. His self-referencing photomontages and use of text have been sources of inspiration for countless artists, including Cindy Sherman, David Salle, and Barbara Kruger. Baldessari identifies his own artistic lineage, saying, "I would prefer to go to the source with Duchamp rather than credit Warhol as an influence." Related Categories: Surrealist. Ed Ruscha. Los Angeles. Conceptual art. Photography. Minimalist. John Baldessari prints.

“Inside Out 1” Photography 24" x 36" inch Edition of 7 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag From "Park Drive" series Brian Ziff is a Los Angeles...

Edition of 5 Toned gelatin silver print 54 3/4 x 46 3/4 in. Frame Included. Chema Madoz is one of the most important contemporary Spanish photographers, who is greatly known for his...

"Black Moon" Photography 24" x 24" inch Edition 2/15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not fram...

“Pollen” Photography 36" x 28" inch Edition of 24 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag From "Rite of Spring" series In this melancholy series, we...

"Music is Eternal" Photography 24" x 24" in Edition of 15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Av...

Edition of 10 Signed and numbered in pencil, and blind stamp on print margin. Signed, titled, dated and print type in pencil on print verso. Paper size: 25 x 20 in., Image size: 20 x...

"Moon Birth" Photography 24" x 24" in Edition 5/15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Available...

From the David C. and Sarajean Ruttenberg Collection The Ruttenbergs are longtime art lovers who have collected abstract expressionist paintings, African art, sculpture, graphics, old watches and photographs-lots and lots of photographs. They started collecting them in the 1960s when the medium was still the stepchild of the arts. They kept collecting until they had more than 3,000 prints, 99 of which are in the Art Institute exhibit, ``The Intuitive Eye: Photographs from the Collection of David C. and Sarajean Ruttenberg.`` The show encompasses the entire history of photography with black-and-white and color prints from every genre, It includes street photography by Walker Evans and Garry Winogrand, glamour shots by Edward Steichen and Richard Avedon, nudes by Robert Mapplethorpe and Nicholas Muray...

"Ballet" Photography 24" x 24" in Edition 2/15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Sh...

“Wasted Youth” Photography 24" x 24" inch Edition of 24 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag From "Rite of Spring" series In this melancholy seri...

Man Ray is considered a representative of Dadaism and Surrealism. He was born in Philadelphia in 1890. Man Ray was active as a painter, object artist, photographer and film director. His art assemblages deal with questions about the unconscious, the apparent and the mythical. What is present behind what is represented or not is Ray's preoccupation in conceiving his experiments with different materials and techniques. He has his first solo exhibition at the Daniel Gallery in New York. Together with Marcel Duchamp he founded the DADA group in New York. In 1921 Ray moved to Paris, where he worked in the Montparnasse environment with artists such as Dalí, Ernst, Matisse, Miró, Mondrian and Tanguy. In 1922 there is a split in Paris between the Dadaists and the Surrealists. Man Ray joins the co-founders of Surrealism. National Socialism, which also showed its effects in Paris in the late 1930s, prompted the Jewish artist to decide to leave the country. After a major appearance at Georges Wildenstein's Beaux-Arts Gallery in Paris in the exhibition "Exposition Internationale du Surrealisme", he fled to New York via Spain and Portugal. After the Second World War, he brought the artistic collection he had left in Paris to the USA. As he could not enjoy the success and prestige in America that he had enjoyed in Paris, he returned to Paris in 1951. In 1958, the artist took part in the exhibition "Dada. Documents of a Movement" at the Kunstverein Düsseldorf and in the large Dada exhibition at the Stedelijk Museum in Amsterdam. His first major retrospective is shown at the Los Angeles County Museum of Art in 1966. Man Ray died in Paris in 1976, leaving behind the "Man Ray Trust", a foundation established by his widow. Between 1934-36 Man Ray photographed...

"One heart" Photography 24" x 24" in Edition 3/15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed....

NIGHTMARE by the photographer Nia Mora is a very unique self portrait color photograph exhibiting lush deep tones of intense red and jet-black, with haunting surrealist imagery of three figures positioned on a bed in a red walled room: one wearing a skeleton mask robed in black velvet, two with ghostly white faces all portraying the artist's self portrait as three entities of a nightmare. Photo Print size - 24 x 24 inches, unframed, excellent condition, signed in black ink on reverse by photographer Nia Mora Edition of 10 Year produced - 2007 Nia Mora, an American photographer, artist and chef, focuses her commercial work towards her passions of food, wine, and travel. Originally from Detroit, Michigan, her father is the jazz percussionist Francisco Mora...

Vik Muniz Memory Rendering of John John (Vik Muniz The Best of Life): 'John John' is a selection from Vik Muniz's The Best of LIFE series from 1989. Muniz's...

"Follow Me" Photography 24" x 35.5" in Edition 1/7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Olha Ste...

HOLIDAY SITUATIONS,1999, color c-prints on Fuji crystal archive paper, each initialed on verso and inscribed "BAT" sheets 11 ¾ x 11 ¾", printed & published by Muse X, Los Angeles. (female nude manikin beside a snowy highway at dusk ), 1999 in the colection of Harvard University art museum where it is described as aInk jet digital print Born in 1958 in Long Branch, New Jersey, Long currently lives and works in California.Education B.F.A., University of the Arts, Phila, PA; Whitney Independent Study Program, New York, NY; M.F.A., Yale University, New Haven, CT. Since then, the artist has received a number of honors and awards, most recently the 2008 Award of Merit Medal for Sculpture from the American Academy of Arts and Letters in New York. He currently teaches as a professor in the Art Department at the University of California, Riverside. Long’s work has been the subject of major exhibitions worldwide. His most important solo presentations include CATALIN at The Contemporary Austin in Texas (2014), Fountainhead, a public commission in Dallas, Texas organized by the Nasher Sculpture Center (2013), Pet Sounds at Madison Square Park in New York City (2012), Seeing Green, a solo project in conjunction with All of this and nothing: The 6th Hammer Invitational at the UCLA Hammer Museum in Los Angeles (2011), 100 Pounds of Clay at Orange County Museum of Art in California (2010), and More Like a Dream Than a Scheme at David Winton Bell Gallery at Brown University in Rhode Island, which traveled to SITE Santa Fe in New Mexico (2005). His work has been included in many significant museum exhibitions such as the 1997 and 2008 Biennials, Whitney Museum of American Art New York; Open Ends, The Museum of Modern Art; NYC. Performance Anxiety, MCA, Chicago; Happiness, Mori Art Museum, Tokyo; Arte Contemporáneo Internaciona, Museo de Arte Moderno, Mexico City; ART/MUSIC: rock, pop, and techno Museum of Contemporary Art, Sydney; Almost Warm and Fuzzy, Des Moines Art Center, The Shape of Color: Excursions in Color Field Art, AGO/Art Gallery of Ontario, Canada; Gone Formalism, The Institute of Contemporary Art, Philadelphia, PA; The Uncertainty of Objects and Ideas, Hirshhorn Museum and Sculpture Garden, Washington D.C. SculptureCenter in New York, Museum of Contemporary Art Chicago, Magasin 3 Stockholm Konsthall, Hirshhorn Museum and Sculpture Garden in Washington, D.C., Institute of Contemporary Art, Philadelphia, Mori Art Museum in Tokyo, among other museums.Long's sculptures have explored the abstract autonomous art object as a psychological investigation into the nature self and others and have been made from diverse media such as coffee grounds, rubber and hair from Abraham Lincoln. He has collaborated with pop musicians such as Stereolab, Mark Mothersbaugh of Devo and with the renown choreographer Merce Cunningham. Since his relocation from NYC to LA Long's work has been inspired by the Los Angeles River which runs adjacent to his studio. Each year, after the furious flood season, a verdant and abundant growth of grasses, thickets, and trees emerges from the discarded office furniture, bedsprings, and shopping carts that get washed into the concrete channel providing a providing a dwelling for mallards, osprey, crayfish and heron. Captivated by the river and inspired by its unbiased intermingling of these elements, Long creates photographs, video and sculpture in and about the river and the myriad of imagery and meanings it offers. Published by Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp, text and photo combinations by Bill Barminski and Nancy Dwyer, and conceptual photographs by Kevin Hanley. Doug Aitken, Polly Apfelbaum, David Levinthal, Richard Long, Christian Marclay...

I did a photo session of a neighbour in my bombed-out office in a studio in Kharkiv. A Russian fighter jet dropped a bomb on March 2 on the roof of this 5-storey building and a neigh...

Edition 5/5 Toned gelatin silver print 43 x 43 in. Signed, dated and numbered in pencil on verso. Frame Included. Chema Madoz is one of the most important contemporary Spanish photo...

“Inner Space” Photography 24" x 24" inch Edition of 24 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag From "Unbearable Lightness...

Color Photograph of Abandoned Gas Station Architecture Lake Havasu is a large reservoir formed by Parker Dam on the Colorado River, on the border between San Bernardino County, Cali...

Reminiscent of the dreamy elegance of a bygone era, Mitchell Funk transforms a tourist location into the quintessence of timeless Paris chic. To achieve this the photographer had to rid the Trocadero of toursits. Next came choosing the right camera angle and lighting the scene dramatically. The photo recalls Brian Ferry...

Street Photographer Mitchell Funk breaks with tradition and shoots street photography in color. Today in 2022, this does not seem like a big deal. But 52 years ago, in 1970, it was q...

I did a photo session of a neighbour in my bombed-out office in a studio in Kharkiv. A Russian fighter jet dropped a bomb on March 2 on the roof of this 5-storey building and a neigh...

Abstract Surrealist Photo collage with painting. Mixed Media with or about Amos Keinan the Israeli Playwright and journalist. Yigal Tumarkin (also Igael Tumarkin) (born 1933) is an Israeli painter and sculptor. Biography Peter Martin Gregor Heinrich Hellberg (later Yigal Tumarkin) was born in Dresden, Germany. His father, Martin Hellberg, was a German theater actor and director. His mother, Berta Gurevitch and his stepfather, Herzl Tumarkin, immigrated to Mandate Palestine when he was two. Tumarkin served in the Israeli Navy. After completing his military service, he studied sculpture in Ein Hod, a village of artists near Mount Carmel. Art career Igael Tumarkin, 1980 Among Tumarkin's best known works are the Holocaust memorial in Rabin Square, Tel Aviv and his sculptures commemorating fallen soldiers in the Negev. Tumarkin is also a theoretician and stage designer. In the 1950s, Tumarkin worked in East Berlin, Amsterdam, and Paris. Upon his return to Israel in 1961, he became a driving force behind the break from the charismatic monopoly of lyric abstraction there. Tumarkin created assemblages of found objects, generally with violent Expressionist undertones and decidedly unlyrical color. Hebrew. His determination to "be different" influenced his younger Israeli colleagues. The furor generated around Tumarkin's works, such as the old pair of trousers stuck to one of his pictures, intensified the mystique surrounding him.Tumarkin has worked extensively in the medium of printmaking, producing over three hundred prints. He was encouraged by the print studios founded during those years in the USA, where prominent artists such as Jasper Jones...

I present unspoken stories which illustrate fleeting moments in time and which are intended to evoke a mood in the viewer. These mythical illustrations might address the fragility of...

Besides being a pioneering staged photograph, the composition is unique as well. A five-inch cutout appears to be monumental. The subject fills the pictorial space from the bottom to the top. It dominates the vast beachscape and dwarfs the life-size figures to the lower right. By photographing a reproduction of a person on paper, Funk pushes the boundaries of portraiture in 1977. Robert Funk is a pioneer of Staged Photography. The work is signed, numbered 3/15, dated, and titled lr. printed later, unframed, Printed on Hahnemühle Fine Art paper Robert Funk is a pioneer of toy, doll, miniature, plastic thingies and staged photography. He also photographs his own paintings. Most of his work is done on location. He does not use photoshop to strip in images. He doesn’t take photographs he creates photographs and has works dating from 1973. He was widely published in the 1970's and early 1980's. As an undergrad in painting, he studied with first-generation abstract expressionist Robert Richenburg...

“Red Bull” Photography 24" x 24" inch Edition of 24 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag From "Unbearable Lightness...

"Brooke (Blue Waves)" Photography 40" x 30" inch Edition 3/3 by Larsen Sotelo Not framed. Ships in a tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin fini...

George McLeod, UNTITLED #1, 2021 Archival Pigment Print 30 x 46 Edition of 10 + 2 AP, Framed; white frame with antireflective art glass (Unframed options...

UNTITLED #3, 2021 Archival Pigment Print, Framed; white frame with antireflective glass; larger size - framing options available) 30 x 46 cm Edition of 10 + 2 AP Series: Tree Huggers...

From the David C. and Sarajean Ruttenberg Collection The Ruttenbergs are longtime art lovers who have collected abstract expressionist paintings, African art, sculpture, graphics, old watches and photographs-lots and lots of photographs. They started collecting them in the 1960s when the medium was still the stepchild of the arts. They kept collecting until they had more than 3,000 prints, 99 of which are in the Art Institute exhibit, ``The Intuitive Eye: Photographs from the Collection of David C. and Sarajean Ruttenberg.`` The show encompasses the entire history of photography with black-and-white and color prints from every genre, It includes street photography by Walker Evans and Garry Winogrand, glamour shots by Edward Steichen and Richard Avedon, nudes by Robert Mapplethorpe and Nicholas Muray...

Robert Indiana ERR 1963: A rare, sought-after early Robert Indiana print defined by surreal, experimental cinematic-like energy. Hand-signed by Indiana on the lower right. Medium: Photoengraving and etching on Rives BFK. Dimensions: 4 1/2x6 inches (including margins). Very good overall vintage condition. Signed, dated and inscribed "Artist's Proof 'E'" and "CHI" in pencil, lower margin. Rare Trial proof, aside from the main edition of 60. Printed by the artist at the School of the Art Institute of Chicago. Further background: According to Susan Sheehan, Indiana printed only six progressive trial proofs at the School of the Art Institute of Chicago, where he learned printmaking from 1949 to 1952, under the supervision of Vera Berdich (inscribed "CHI"). Additionally 13 trial proofs were printed at the Pratt Graphic Art Center, New York (these inscribed "NYC"). The regular edition was printed by Atelier Georges Lablanc, Paris and published by Galleria Schwarz, Milan to be included in International Anthology of Contemporary Engraving: The International Avant-Garde: America Discovered, Volume 5. The plate used for this print was originally given to the School of the Art Institute of Chicago by the R.R. Donnelly Company, printers of Life magazine. Indiana discovered the plate while visiting Berdich at the school and decided to use it in his contribution to the Avant-garde portfolio. Sheehan 29. Robert Indiana 1991: "When I went back to the Art Institute of Chicago at that particular time - I think I was judging a show - I learned that Vera Berdich (Indiana's former teacher) was still there and the idea occurred to me, wouldn't it be fun to do a visiting artist etching, and she concurred. There on the floor was a box of copper plates and the images had been defaced on each one. These copper plates had been donated by the R.R. Donnelly Company, which put out Life magazine. I used to work for Donnelly. My only commercial art job was with them doing the little drawing that appear in the Yellow Pages, like lawnmowers and vacuum cleaners and things like that. Anyway, the idea being that the student was supposed to turn the plate over to use the back side and forget about the image on the front. But I found this image of this actress sitting on her bed with her ironing board and decided it was only very lightly defaced, so I asked if I could use it. And the word "Err" was actually added in New York; it was not in the first proofs in Chicago. Two weeks later, I was thumbing through LIFE magazine and there was this actress in the same page..." About the artist: Robert Indiana is best known for his iconic “LOVE” image, which has appeared across media including sculptures, prints, and paintings and epitomizes the artist’s graphic, predominantly text-based Pop art practice. Throughout his career, Indiana reimagined the aesthetics of American advertisements...

Surreal Photography in the Sky - Mitchell Funk brings the compositional precision of studio photography to street photography. Unlike most street p...

“Your Joy is My Low” Photography 24" x 24" inch Edition of 24 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag From "Unbearable Lightness...

A dramatic seascape with golden seas complemented by an equally golden sky is depicted with a child seen from the back gazing out into infinity. The viewer can read into it what he/...

Jerry Uelsmann. Psycho House, 1978. Image Size; 18.75 x 14.5" (paper size: 20 x 16"). Framed 30 x 27". Signed, dated and titled on print verso including studio stamp. A pioneer in ...

These were from a show of her work. Influenced by Surrealism and Dada Photographs these are images of old children's dolls in various states of decay. These bear the influence of Hans Bellmer, Dora Maar and Man Ray. Jo Ann Krivin born in Reasnor, Iowa in 1933, daughter to Earl Guthrie and Lillie Cramer. She graduated from Simpson College in Indianola, Iowa, with a bachelor of music degree in voice. She became a copywriter for the CBS Television affiliate in Des Moines, and then a public relations writer for Columbia Records in New York. She later owned and directed The Cramer Gallery in Glen Rock, N.J. Krivin photographed many jazz musicians during the 1980s and 1990s, and published two books of her jazz photos, "25 Years of the Jazz Room at William Paterson University" and "Jazz Studies." Her jazz and doll portraits have been exhibited in group and solo shows, museums, university galleries, and jazz festivals. She was married for over 50 years to painter, musician, and educator Martin Krivin. One of the few women in the field of jazz photography, JoAnn Krivin documented the professional jazz scene from the late 1970's until the late 1990's photographing close to 700 musicians. Her works have been exhibited frequently in solo shows at festivals, museums and galleries across the country. She has served as a still photographer for New Jersey Public Television and has contributed to a variety of national jazz publications. Her book, Twenty Five Years of the Jazz Room at William Paterson University, was published in 2003. Woman artist with a feminist tinge to these photographs. Her work was exhibited at the Ben Shahn Galleries. The exhibit featured photographs of some of the jazz world’s most well-known musicians, including Sonny Rollins, Joe Williams, Art Farmer, Benny Golson, Milt Hinton...

Athletic male nude about to launch out onto the open road of life. Shot on location Near Taos, New Mexico, 4 of an edition of 15, Signed, dated and n...

Besides being mysterious, cats are equally beautiful and unmatched in that regard with anyone else in the animal kingdom. Black Cat. Green Eyes was photogr...

Steady My Steed, limited edition photograph, archival, signed and numbered I present unspoken stories that illustrate fleeting moments in time and which are intended to evoke a mood...

These were from a show of her work. Influenced by Surrealism and Dada Photographs these are images of old children's dolls in various states of decay. These bear the influence of Hans Bellmer, Dora Maar and Man Ray. Jo Ann Krivin born in Reasnor, Iowa in 1933, daughter to Earl Guthrie and Lillie Cramer. She graduated from Simpson College in Indianola, Iowa, with a bachelor of music degree in voice. She became a copywriter for the CBS Television affiliate in Des Moines, and then a public relations writer for Columbia Records in New York. She later owned and directed The Cramer Gallery in Glen Rock, N.J. Krivin photographed many jazz musicians during the 1980s and 1990s, and published two books of her jazz photos, "25 Years of the Jazz Room at William Paterson University" and "Jazz Studies." Her jazz and doll portraits have been exhibited in group and solo shows, museums, university galleries, and jazz festivals. She was married for over 50 years to painter, musician, and educator Martin Krivin. One of the few women in the field of jazz photography, JoAnn Krivin documented the professional jazz scene from the late 1970's until the late 1990's photographing close to 700 musicians. Her works have been exhibited frequently in solo shows at festivals, museums and galleries across the country. She has served as a still photographer for New Jersey Public Television and has contributed to a variety of national jazz publications. Her book, Twenty Five Years of the Jazz Room at William Paterson University, was published in 2003. Woman artist with a feminist tinge to these photographs. Her work was exhibited at the Ben Shahn Galleries. The exhibit featured photographs of some of the jazz world’s most well-known musicians, including Sonny Rollins, Joe Williams, Art Farmer, Benny Golson, Milt Hinton...

Surreal City Scene with Man and his Shadows - Signed and dated on lower right, numbered on verso Edition 3 of 15. Unframed. Other size available, Printed later - Printed on Hahnemühl...

A fan of photography since her early childhood, Mizrakli graduated from Yeditepe University in Istanbul, Interior Decoration Department, and continued her higher education in London,...

The history of Sci-fi art and illustration has had a rich and storied past. Generation of illustrators and painters have rendered their fantastic ideas on paper and canvas. The decades of the 1920’s - 1940’s saw the imaginative but crudely drawn pulp magazine gouaches of Frank R Paul...

Hand signed, titled and dated verso. Stephan Brigidi was born in Providence, Rhode Island in 1951, and is a widely published artist whose work has been...

Man Ray (Emmanuel Radnitsky, called) Hollywood : Mr and Mrs Woodman, 1970 Original gelatin silver print Handsigned on the back Authenticated with the artist stamp "Epreuve originale...

These were from a show of her work. Influenced by Surrealism and Dada Photographs these are images of old children's dolls in various states of decay. These bear the influence of Hans Bellmer, Dora Maar and Man Ray. Jo Ann Krivin born in Reasnor, Iowa in 1933, daughter to Earl Guthrie and Lillie Cramer. She graduated from Simpson College in Indianola, Iowa, with a bachelor of music degree in voice. She became a copywriter for the CBS Television affiliate in Des Moines, and then a public relations writer for Columbia Records in New York. She later owned and directed The Cramer Gallery in Glen Rock, N.J. Krivin photographed many jazz musicians during the 1980s and 1990s, and published two books of her jazz photos, "25 Years of the Jazz Room at William Paterson University" and "Jazz Studies." Her jazz and doll portraits have been exhibited in group and solo shows, museums, university galleries, and jazz festivals. She was married for over 50 years to painter, musician, and educator Martin Krivin. One of the few women in the field of jazz photography, JoAnn Krivin documented the professional jazz scene from the late 1970's until the late 1990's photographing close to 700 musicians. Her works have been exhibited frequently in solo shows at festivals, museums and galleries across the country. She has served as a still photographer for New Jersey Public Television and has contributed to a variety of national jazz publications. Her book, Twenty Five Years of the Jazz Room at William Paterson University, was published in 2003. Woman artist with a feminist tinge to these photographs. Her work was exhibited at the Ben Shahn Galleries. The exhibit featured photographs of some of the jazz world’s most well-known musicians, including Sonny Rollins, Joe Williams, Art Farmer, Benny Golson, Milt Hinton...

I present unspoken stories which illustrate fleeting moments in time and which are intended to evoke a mood in the viewer. These mythical illustrations might address the fragility of...

I present unspoken stories which illustrate fleeting moments in time and which are intended to evoke a mood in the viewer. These mythical illustrations might address the fragility of...

"This work is a collaborative piece I produced with a traditional fan-making master. Each folding fan was carefully crafted, colored and arranged to complete the scene. Using the traditional motif of the fan, I tried to reinterpret the meaning of true-view landscape painting, through which painters of the Joseon Dynasty sought not to just describe the look of nature but to portray the essence of nature itself. Koreans traditionally painted landscapes onto fans and I, reversely, use the fans themselves to build a landscape, thus juxtaposing the relationship of fans and landscape. The woods made with paper fans overlapping like fish scales suggest a self-portrait of a gloomy psychology as well as an expression of various complex emotions such as inner fear and anguish that restrain me. Depicting a very fundamental human reverence and fear toward the sublime, dark, and ever changing nature of the night forests...

These were from a show of her work. Influenced by Surrealism and Dada Photographs these are images of old children's dolls in various states of decay. These bear the influence of Hans Bellmer, Dora Maar and Man Ray. Jo Ann Krivin born in Reasnor, Iowa in 1933, daughter to Earl Guthrie and Lillie Cramer. She graduated from Simpson College in Indianola, Iowa, with a bachelor of music degree in voice. She became a copywriter for the CBS Television affiliate in Des Moines, and then a public relations writer for Columbia Records in New York. She later owned and directed The Cramer Gallery in Glen Rock, N.J. Krivin photographed many jazz musicians during the 1980s and 1990s, and published two books of her jazz photos, "25 Years of the Jazz Room at William Paterson University" and "Jazz Studies." Her jazz and doll portraits have been exhibited in group and solo shows, museums, university galleries, and jazz festivals. She was married for over 50 years to painter, musician, and educator Martin Krivin. One of the few women in the field of jazz photography, JoAnn Krivin documented the professional jazz scene from the late 1970's until the late 1990's photographing close to 700 musicians. Her works have been exhibited frequently in solo shows at festivals, museums and galleries across the country. She has served as a still photographer for New Jersey Public Television and has contributed to a variety of national jazz publications. Her book, Twenty Five Years of the Jazz Room at William Paterson University, was published in 2003. Woman artist with a feminist tinge to these photographs. Her work was exhibited at the Ben Shahn Galleries. The exhibit featured photographs of some of the jazz world’s most well-known musicians, including Sonny Rollins, Joe Williams, Art Farmer, Benny Golson, Milt Hinton...

These were from a show of her work. Influenced by Surrealism and Dada Photographs these are images of old children's dolls in various states of decay. These bear the influence of Hans Bellmer, Dora Maar and Man Ray. Jo Ann Krivin born in Reasnor, Iowa in 1933, daughter to Earl Guthrie and Lillie Cramer. She graduated from Simpson College in Indianola, Iowa, with a bachelor of music degree in voice. She became a copywriter for the CBS Television affiliate in Des Moines, and then a public relations writer for Columbia Records in New York. She later owned and directed The Cramer Gallery in Glen Rock, N.J. Krivin photographed many jazz musicians during the 1980s and 1990s, and published two books of her jazz photos, "25 Years of the Jazz Room at William Paterson University" and "Jazz Studies." Her jazz and doll portraits have been exhibited in group and solo shows, museums, university galleries, and jazz festivals. She was married for over 50 years to painter, musician, and educator Martin Krivin. One of the few women in the field of jazz photography, JoAnn Krivin documented the professional jazz scene from the late 1970's until the late 1990's photographing close to 700 musicians. Her works have been exhibited frequently in solo shows at festivals, museums and galleries across the country. She has served as a still photographer for New Jersey Public Television and has contributed to a variety of national jazz publications. Her book, Twenty Five Years of the Jazz Room at William Paterson University, was published in 2003. Woman artist with a feminist tinge to these photographs. Her work was exhibited at the Ben Shahn Galleries. The exhibit featured photographs of some of the jazz world’s most well-known musicians, including Sonny Rollins, Joe Williams, Art Farmer, Benny Golson, Milt Hinton...

"Pygmalion and Galatea" Photography 24" x 24" in Edition of 15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube....