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Photography For Sale
Style: Post-War
Style: Dada
Richard Klein, Johnson Hs. & Guest Hs. General View (2024), Ed 2/3, replica
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
Johnson Hs. & Guest Hs. is an exact replica of an art history slide made in the 1950s picturing Philip Johnson’s Glass House. The slide has been replicated digitally on a much larger scale (23” x 23”) and like the original is made of a cardboard mount that contains a color transparency. The original slide is faded from years of use and most of the color, other than red, has been bleached out.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Dada Photography
Materials
Photographic Film, Film, Archival Paper, Digital, Wood
Bandstand, Eastbourne - Black & White Set of Three Framed Photographs
By Samuel Field
Located in Cambridge, GB
'Bandstand', set of three framed artworks, captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of da...
Category
20th Century Post-War Photography
Materials
Photographic Paper, Black and White, C Print, Silver Gelatin
Jerry, Provincetown
Located in London, GB
Silver print, titled (verso) by Paul Cadmus, 11cm x 13cm, (33cm x 38cm framed). the work is framed behind museum quality non-reflective UV glass.
In 1937, the painters, Paul Cadmus...
Category
1940s Post-War Photography
Materials
Silver Gelatin
Moon and Earth Assemblage, Photo Mosaic Collage Photograph, Feminist Aviator
By Vera Simons
Located in Surfside, FL
This one depicts fragmented space photos and is titled Moon and Earth. it depicts a view from outer space.
SIMONS, Vera (1920 - 2012)
Vera Habrecht Simons...
Category
1970s Dada Photography
Materials
Photographic Paper
Josias Astronomical Clock Watch Parts Assemblage Photo Planet Collage Photograph
By Vera Simons
Located in Surfside, FL
This one depicts a Planetary assemblage with small watch parts (metal wheels) collaged on to it.
It is titled Josias Astronomical Clock
SIMONS, Vera (1920 - 2012)
Vera Habrecht Simon...
Category
1970s Dada Photography
Materials
Metal
Peacock Feathers Photo Mosaic Collage Photograph, Female Aviator Feminist Art
By Vera Simons
Located in Surfside, FL
This one depicts an abstract assemblage of peacock feathers in a pattern and decoration style.
SIMONS, Vera (1920 - 2012)
Vera Habrecht Simons, was a German/American aviation pionee...
Category
1980s Dada Photography
Materials
Photographic Paper
Planetary Kaleidoscope, Photo Mosaic Collage Space Photograph, Feminist Aviator
By Vera Simons
Located in Surfside, FL
This one depicts fragmented space photos radiating outward and is titled Planetary Kaleidoscope
SIMONS, Vera (1920 - 2012)
Vera Habrecht Simons, was a Ger...
Category
1970s Dada Photography
Materials
Photographic Paper
"Dada" contemporary color photograph fire contrast
By Yanieb Fabre
Located in Ciudad de México, MX
Dadaist is, without a doubt, the scene illuminated by a bonfire in some place of the Corsican bush. The creators of the image has an interest in the fantastic, the dreamlike and the ...
Category
2010s Dada Photography
Materials
Cotton
POSTWAR Rare BRILLO Andy WARHOL Index Book Brillo Hologram
By Andy Warhol
Located in New York, NY
An original hard copy of Andy Warhol's Brillo book.
11.25" h x 8.75" w.
Wear consistent with age and use. Some wear at corners, as in the images.
Andy Warhol, an American artist,...
Category
Mid-20th Century Post-War Photography
Materials
Lithograph
Bandstand I, Eastbourne, UK - Black and White Vintage Photography
By Samuel Field
Located in Cambridge, GB
'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by.
This artwork is a...
Category
1980s Post-War Photography
Materials
Photographic Paper, Black and White, C Print, Silver Gelatin
Watching the horse races with binoculars, Deauville, France
By Robert Capa
Located in Los Angeles, CA
Robert Capa (born Endre Ernő Friedmann October 22, 1913 – May 25, 1954) was a Hungarian–American war photographer and photojournalist. He is considered by some to be the greatest com...
Category
1950s Post-War Photography
Materials
Silver Gelatin
Jean-Michel Basquiat
Located in Palm Desert, CA
A photograph by Tseng Kwong Chi. "Jean-Michel Basquiat" is a contemporary Cibachrome print in a palette of whites, purples, and browns by East Village artist Tseng Kwong Chi. The art...
Category
Late 20th Century Post-War Photography
Materials
C Print
Elderly Husband and Wife Group Street Portrait Against a Manhattan Red Wall
Located in Miami, FL
Street Photographer Mitchell Funk breaks with tradition and shoots street photography in color. Today in 2022, this does not seem like a big deal. But 50 years ago, in 1972, it was q...
Category
1970s Post-War Photography
Materials
Archival Paper, Archival Ink, Archival Pigment
521 – René Groebli, Black and White, Nude, Photography, Body, Woman, Erotic, Art
By René Groebli
Located in Zurich, CH
René GROEBLI (*1927, Switzerland)
521, 1952
Vintage silver gelatin print on Baryta paper
Image 27.6 x 19 cm (10 7/8 x 7 1/2 in.)
Sheet 34 x 23 cm (13 3/8 x 9 in.)
Unique
Framed
Signed and dated on verso
This photograph is part of the MoMA permanent collection.
René Groebli (born in Zurich, Switzerland in 1927) secured his place among the elite of Swiss post-war photographers with his 1949 portfolio MAGIE DER SCHIENE (RAIL MAGIC). In the early fifties Groebli worked as reporter for Life, Picture Post and other international magazines. During the following years he owned a studio for industrial and advertising photography. In 1957 the American Color Annual named him MASTER OF COLOR.
In the early 80s Groebli stopped working for advertising and rediscovered for himself the possibilities of expression that black & white photography offers. In 1999 the Zurich Kunsthaus (Art Museum) showed a representative selection of his photographs from the years 1946 to 1996.
With NUDES René Groebli gives us a work for sensuous pleasure that had grown over half a century. In the long history of sensual art photography one is hard pressed to find anyone comparable to the Swiss photo...
Category
1950s Post-War Photography
Materials
Silver Gelatin
307 – René Groebli, Black and White, Street Photography, Art, Vintage Print
By René Groebli
Located in Zurich, CH
René GROEBLI (*1927, Switzerland)
307, 1946 / 1952
Vintage silver gelatin print on Baryta paper
Sheet 21.5 x 17 cm (8 1/2 x 6 3/4 in.)
Unique
Print only
S...
Category
1940s Post-War Photography
Materials
Silver Gelatin
Marilyn Monroe
Located in Palm Desert, CA
A photograph by Lawrence Schiller. ""Marilyn Monroe"" is a nude, figurative vintage silver gelatin photograph in black and white by American Post-War artist Lawrence Schiller. Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find about the decade that began with optimism and ended in chaos. It was ten years of turmoil and exploration. And through this turbulent and tumultuous decade, it often seemed that whenever a headline-making news event occurred, Lawrence Schiller was there. Schiller was not just lucky to be in the right place at the right time; he was prescient. He was there to cover the event, to add to it, to help us see it, to aid its meaning and its depth. ""It was a time in which things happened awfully fast,"" Schiller says of the decade. ""It was a wild, wild period; an uncontrolled period. I don’t think you had any sense of perspective in the 60s. You had to wait and look back at it, because it was a period in which things were happening that had no rhyme or reason to it. But by the end of the ‘60s I had covered so many stories, had so many magazine covers, I had somehow become part of that decade’s history. And I already had my eye on the future.""
When Lawrence Schiller got the assignment from the French magazine, Paris Match to photograph Marilyn Monroe on the 20th Century Fox set of Something’s Got to Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, or use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May, 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...
Category
Mid-20th Century Post-War Photography
Materials
Silver Gelatin
Elliott Gould, Donald Sutherland, Jo Anne Pflug
Located in Palm Desert, CA
A photograph by Lawrence Schiller. “Elliott Gould, Donald Sutherland, Jo Anne Pflug” is a vintage silver gelatin photograph in black and white by Ame...
Category
Mid-20th Century Post-War Photography
Materials
Silver Gelatin
Barbra Streisand (fur hat)
Located in Palm Desert, CA
A photograph by Lawrence Schiller. “Barbra Streisand (fur hat)” is a figurative photograph, vintage silver gelatin photograph in black and white by American artist Lawrence Schiller. The artwork is signed on the verso.
Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find about the decade that began with optimism and ended in chaos. It was ten years of turmoil and exploration. And through this turbulent and tumultuous decade, it often seemed that whenever a headline-making news event occurred, Lawrence Schiller was there. Schiller was not just lucky to be in the right place at the right time; he was prescient. He was there to cover the event, to add to it, to help us see it, to aid its meaning and its depth. "It was a time in which things happened awfully fast," Schiller says of the decade. "It was a wild, wild period; an uncontrolled period. I don’t think you had any sense of perspective in the 60s. You had to wait and look back at it, because it was a period in which things were happening that had no rhyme or reason to it. But by the end of the ‘60s I had covered so many stories, had so many magazine covers, I had somehow become part of that decade’s history. And I already had my eye on the future."
When Lawrence Schiller got the assignment from the French magazine, Paris Match to photograph Marilyn Monroe on the 20th Century Fox set of Something’s Got to Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, or use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May, 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...
Category
Mid-20th Century Post-War Photography
Materials
Silver Gelatin
Paul Newman in the motion picture "Cool Hand Luke"
Located in Palm Desert, CA
A photograph by Lawrence Schiller. “Paul Newman in the motion picture "Cool Hand Luke” is a figurative, silver gelatin photograph in black and white by ...
Category
Mid-20th Century Post-War Photography
Materials
Silver Gelatin
Barbra Streisand (in her hotel room)
Located in Palm Desert, CA
A photograph by Lawrence Schiller. “Barbra Streisand (in her hotel room)” is a figurative photograph, vintage silver gelatin photograph in black and white by American artist Lawrence Schiller. The artwork is signed on the verso.
Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find about the decade that began with optimism and ended in chaos. It was ten years of turmoil and exploration. And through this turbulent and tumultuous decade, it often seemed that whenever a headline-making news event occurred, Lawrence Schiller was there. Schiller was not just lucky to be in the right place at the right time; he was prescient. He was there to cover the event, to add to it, to help us see it, to aid its meaning and its depth. "It was a time in which things happened awfully fast," Schiller says of the decade. "It was a wild, wild period; an uncontrolled period. I don’t think you had any sense of perspective in the 60s. You had to wait and look back at it, because it was a period in which things were happening that had no rhyme or reason to it. But by the end of the ‘60s I had covered so many stories, had so many magazine covers, I had somehow become part of that decade’s history. And I already had my eye on the future."
When Lawrence Schiller got the assignment from the French magazine, Paris Match to photograph Marilyn Monroe on the 20th Century Fox set of Something’s Got to Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, or use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May, 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...
Category
Mid-20th Century Post-War Photography
Materials
Silver Gelatin
Barbra Streisand (photo session)
Located in Palm Desert, CA
A photograph by Lawrence Schiller. “Barbra Streisand (photo session)” is a figurative photograph, vintage silver gelatin photograph in black and white by American artist Lawrence Sch...
Category
Mid-20th Century Post-War Photography
Materials
Silver Gelatin
Paul Newman and Robert Redford, Butch Cassidy and the Sundance Kid
Located in Palm Desert, CA
A photograph by Lawrence Schiller. “Paul Newman and Robert Redford, Butch Cassidy and the Sundance Kid” is a vintage silver gelatin photograph in black and white by American artist L...
Category
Mid-20th Century Post-War Photography
Materials
Silver Gelatin
Robert Kennedy, San Diego
Located in Palm Desert, CA
A photograph by Lawrence Schiller. “Robert Kennedy, San Diego” is a figurative photograph, vintage silver gelatin photograph in black and white by American artist Lawrence Schiller. The artwork is signed on the verso.
Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find about the decade that began with optimism and ended in chaos. It was ten years of turmoil and exploration. And through this turbulent and tumultuous decade, it often seemed that whenever a headline-making news event occurred, Lawrence Schiller was there. Schiller was not just lucky to be in the right place at the right time; he was prescient. He was there to cover the event, to add to it, to help us see it, to aid its meaning and its depth. "It was a time in which things happened awfully fast," Schiller says of the decade. "It was a wild, wild period; an uncontrolled period. I don’t think you had any sense of perspective in the 60s. You had to wait and look back at it, because it was a period in which things were happening that had no rhyme or reason to it. But by the end of the ‘60s I had covered so many stories, had so many magazine covers, I had somehow become part of that decade’s history. And I already had my eye on the future."
When Lawrence Schiller got the assignment from the French magazine, Paris Match to photograph Marilyn Monroe on the 20th Century Fox set of Something’s Got to Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, or use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May, 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...
Category
Mid-20th Century Post-War Photography
Materials
Silver Gelatin
Marilyn 12, No. 29
Located in Palm Desert, CA
A photograph by Lawrence Schiller. “Marilyn 12, No. 29” is a chromogenic print in color by American artist Lawrence Schiller. The artwork is unsigned and editioned 72/75.
Lawrence Sc...
Category
Mid-20th Century Post-War Photography
Materials
Color
Bandstand II, Eastbourne, UK - Black and White Vintage Photography
By Samuel Field
Located in Cambridge, GB
'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by.
This artwork is a...
Category
1980s Post-War Photography
Materials
Black and White, Photographic Paper, C Print, Silver Gelatin
Bandstand I, Eastbourne, UK - Black and White Vintage Photography
By Samuel Field
Located in Cambridge, GB
'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by.
This artwork is a...
Category
1980s Post-War Photography
Materials
Black and White, Photographic Paper, C Print, Silver Gelatin
Bandstand III, Eastbourne, UK - Black and White Vintage Photography
By Samuel Field
Located in Cambridge, GB
'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by.
This artwork is a...
Category
1980s Post-War Photography
Materials
Black and White, Photographic Paper, C Print, Silver Gelatin
Bandstand II, Eastbourne, UK - Black and White Vintage Photography
By Samuel Field
Located in Cambridge, GB
'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by.
This artwork is a...
Category
1980s Post-War Photography
Materials
Black and White, Photographic Paper, C Print, Silver Gelatin
Vintage Marcel Duchamp The Oculist Witnesses poster with Richard Hamilton
Located in New York, NY
This poster features a photograph, taken by Richard Hamilton, of Marcel Duchamp signing “The Oculist Witnesses” 1967 glass. The poster is an offs...
Category
20th Century Dada Photography
Materials
Foil
Bandstand I, Eastbourne, UK - Black and White Vintage Photography
By Samuel Field
Located in Cambridge, GB
'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by.
This artwork is a...
Category
1980s Post-War Photography
Materials
Black and White, Photographic Paper, C Print, Silver Gelatin
" une nuit sur le mont chauve " Serge LIFAR collection
Located in CANNES, FR
"Une nuit sur le mont chauve " is a "Serge Lifar " ballet photograph attribued to Boris Lipnitzki .(1887-1971).
signed back side of the photo : COPYRIGHT by Agence GRAP in NICE .
vin...
Category
Late 20th Century Dada Photography
Materials
Silver Gelatin
Bandstand III, Eastbourne, UK - Black and White Vintage Photography
By Samuel Field
Located in Cambridge, GB
'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by.
This artwork is a...
Category
1980s Post-War Photography
Materials
Black and White, Photographic Paper, C Print, Silver Gelatin
Bandstand III, Eastbourne, UK - Black and White Vintage Photography
By Samuel Field
Located in Cambridge, GB
'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by.
This artwork is a...
Category
1980s Post-War Photography
Materials
Black and White, Photographic Paper, C Print, Silver Gelatin
FLOATING GREEN APPLES OVER NAPKIN
Located in New York, NY
hand colored photograph of green apples. Still-Life.
framed in wood with gold leaf corners.
Category
1970s Post-War Photography
Materials
Color Pencil, Photographic Paper
Bandstand II, Eastbourne - Black and White Vintage Portrait Photography
By Samuel Field
Located in Cambridge, GB
Captured on a visit to Samuel Field's grandparents in Eastbourne, this collection is a beautiful reminder of days gone by.
This artwork is a limited edition of 25, gloss photographi...
Category
1980s Post-War Photography
Materials
Black and White, Photographic Paper, C Print, Silver Gelatin
Bandstand I, Eastbourne - Black and White Vintage Portrait Photography
By Samuel Field
Located in Cambridge, GB
Captured on a visit to Samuel Field's grandparents in Eastbourne, this collection is a beautiful reminder of days gone by.
This artwork is a limited edition of 25, gloss photographi...
Category
1980s Post-War Photography
Materials
Black and White, Photographic Paper, C Print, Silver Gelatin
Bandstand III, Eastbourne - Black and White Vintage Portrait Photography
By Samuel Field
Located in Cambridge, GB
Captured on a visit to Samuel Field's grandparents in Eastbourne, this collection is a beautiful reminder of days gone by.
This artwork is a limited edition of 25, gloss photographi...
Category
1980s Post-War Photography
Materials
Black and White, Photographic Paper, C Print, Silver Gelatin
Portrait of Francis Picabia - Original Photograph by Man Ray - 1935
By Man Ray
Located in Roma, IT
Original Vintage hand signed Photograph, 1935.
Dimensions : 27x22 cm.
This wonderful photograph by Man Ray shows an intense portrait of Franci...
Category
1930s Dada Photography
Materials
Photographic Paper
"Let's Make Love", Marilyn Monroe
Located in Palm Desert, CA
A silver gelatin print by Post War artist Lawrence Schiller. ""Let's Make Love", Marilyn Monroe" is a black and white photograph of Marilyn Monroe...
Category
1960s Post-War Photography
Materials
Silver Gelatin
End of the Day, Marilyn Monroe, "Something's Got to Give"
Located in Palm Desert, CA
A silver gelatin print by Post War artist Lawrence Schiller. "End of the Day, Marilyn Monroe, "Something's Got to Give"" is a black and white...
Category
1960s Post-War Photography
Materials
Silver Gelatin
Paul Newman in the motion picture "Cool Hand Luke", black and white portrait
Located in Palm Desert, CA
This black and white portrait of actor Paul Newman was taken by Lawrence Schiller in 1967 on the set of the movie "Cool Hand Luke".
A silver gelatin photograph by Post War artist Larry Schiller. This celebrity photograph...
Category
Mid-20th Century Post-War Photography
Materials
Silver Gelatin
Marilyn 12, No. 17
Located in Palm Desert, CA
Marilyn Monroe (splash), Something's Got To Give, May 23, 1962
Edition 6 of 15
Category
1960s Post-War Photography
Materials
Platinum
Marilyn 12, No. 15
Located in Palm Desert, CA
A chromeogenic print by Post War artist Lawrence Schiller. "Marilyn 12, No. 15" is a color, photographic print depicting a close up of Marilyn Monroe, fresh from the pool on the set ...
Category
1960s Post-War Photography
Materials
Photographic Paper
Marilyn Platinums #35
Located in Palm Desert, CA
Edition 72/75
Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find...
Category
1960s Post-War Photography
Materials
Platinum
Marilyn 12, No. 37, Black and White Photograph of Marilyn Monroe
Located in Palm Desert, CA
This is a black and white portrait of Marilyn Monroe with sparklers photographed by Lawrence Schiller in 1962. Edition 72/75
Lawrence Schiller only remembers the 60s in this way: Fa...
Category
1960s Post-War Photography
Materials
Platinum
"The Tree that grew hollow because of me", unframed black and white print
By Sigmar Polke
Located in Cologne, DE
Sigmar Polke (1941-2010) was one of the most important german artists of the late 20th century. In 1961 he joined with Manfred Kuttner, Konrad Lueg and Gerhard Richter the class of K...
Category
Late 20th Century Post-War Photography
Materials
Paper, Lithograph, Offset
"The Correction of the Handlines", unframed black and white print, Berlin 1960s
By Sigmar Polke
Located in Cologne, DE
Sigmar Polke (1941-2010) was one of the most important german artists of the late 20th century. In 1961 he joined with Manfred Kuttner, Konrad Lueg and Gerhard Richter the class of Karl Otto Götz at the Kunstakademie Düsseldorf and these four upcoming artists presented their latest works in an in their own initiative curated exhibition to bring the newest art movements from oversea and Paris to Germany. On the invitation cards they printed the terminologies „Pop Art, Junk Culture, Nouveau Realisme, Common Object Painting, Neo Dada, New Vulgarismus, Antikunst, Know-Nothing-Genre“ and they proclaimed for theirselves to be the first artists to show a indepently grown Pop Art in Germany, not just as a copy or American import.
But Polke showed right from the beginning an ironic distance to the sociocritical style of his combatants, that will run through his entire Ouevre. Influenced by the Fluxus and Neo Dada scene around Joseph Beuys, Daniel Spoerri, Dick Higgins...
Category
Late 20th Century Post-War Photography
Materials
Paper, Lithograph, Offset
"Cotton Palm", unframed black and white print, Berlin 1960s
By Sigmar Polke
Located in Cologne, DE
Sigmar Polke (1941-2010) was one of the most important german artists of the late 20th century. In 1961 he joined with Manfred Kuttner, Konrad Lueg and Gerhard Richter the class of K...
Category
Late 20th Century Post-War Photography
Materials
Paper, Lithograph, Offset
"Human Palm", framed black and white print, Berlin 1960s
By Sigmar Polke
Located in Cologne, DE
Sigmar Polke (1941-2010) was one of the most important german artists of the late 20th century. In 1961 he joined with Manfred Kuttner, Konrad Lueg and Gerhard Richter the class of K...
Category
Late 20th Century Post-War Photography
Materials
Paper, Lithograph, Offset
Picasso Ceramics Exhibition 2012-13 Invitation with pendant by Joan Dvorsky
Located in Milwaukee, WI
Presented here is an invitation to the Picasso Ceramics exhibition held at the Museu Picasso de Barcelona in 2012-13. The front of the invitation displays David Douglas Duncan...
Category
2010s Post-War Photography
Materials
Offset, Photographic Paper
Rufuse Veil
Located in Morton Grove, IL
C- Print
A very rare photograph by Hendrik Kerstens.
Edition of 6
Perfect condition and beautifully framed.
"In 1995, Hendrik Kerstens picked up his camera to document the fleeting ...
Category
Early 2000s Post-War Photography
Materials
Photographic Paper
Shop Black and White Photography, Portrait Photography and Other Fine Art Photography
Find a broad range of photography on 1stDibs today.
The first permanent image created by a camera — which materialized during the 1820s — is attributed to Joseph Nicéphore Niépce. The French inventor was on to something for sure. Kodak introduced roll film in the 1880s, allowing photography to become more democratic, although cameras wouldn’t be universally accessible until several decades later.
Digital photographic techniques, software, smartphone cameras and social-networking platforms such as Instagram have made it even easier in the modern era for budding photographers to capture the world around them as well as disseminate their images far and wide.
What might leading figures of visual art such as Andy Warhol have done with these tools at their disposal?
Today, when we aren’t looking at the digital photos that inundate us on our phones, we look to the past to celebrate the photographers who have broken rules as well as records — provocative and prolific artists like Horst P. Horst, Lillian Bassman and Helmut Newton, who altered the face of fashion and portrait photography; visionary documentary photographers such as Gordon Parks, whose best-known work was guided by social justice; and pioneers of street photography such as Henri Cartier-Bresson, who shot for revolutionary travel magazines like Holiday with the likes of globetrotting society lensman Slim Aarons.
Find photographers you may not know in Introspective and The Study — where you’ll read about Berenice Abbott, who positioned herself atop skyscrapers for the perfect shot, or “conceptual artist-adventurer” Charles Lindsay, whose work combines scientific rigor with artistic expression, or Massimo Listri, known for his epic interiors of opulent Old World libraries. Photographer Jeannette Montgomery Barron was given a Kodak camera as a child. Later, she shot on Polaroid film before buying her first 35mm camera in her teens. Barron's stunning portraits of Jean-Michel Basquiat, Warhol and other artists chronicle a crucial chapter of New York’s cultural history.
Throughout the past two centuries, photographers have used their medium to create expressive work that has resonated for generations. Shop a voluminous collection of this powerful fine photography on 1stDibs. Search by photographer to find the perfect piece for your living room wall, or spend some time with the work organized under various categories, such as landscape photography, nude photography and more.
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