Abstract Photography

DAIDO MORIYAMA (*1938, Japan) "How to Create a Beautiful Picture 6: Tights in Shimotakaido" 1987(2021 Silver gelatin print, printed later Sheet 60 x 50.8 cm (23 5/8 x 20 in.) not par...

"Pygmalion and Galatea" Photography 39" x 39" in Edition of 3 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. ...

C-print 20 x 16 inches This artwork is offered by ClampArt, located in New York City. Sebastian Lemm, a native of Germany, relocated to New York City in 2000 after graduating from Berlin University of the Arts. Sean Kelly Gallery featured Sebastian's photo-based work in “Unframed First Look” curated by Adam Fuss, Jack Pierson and Cindy Sherman in 2004. Since then, Sebastian had group and solo shows at galleries and cultural organizations throughout the U.S. Lemm has received critical recognition from Art in America, The New Yorker, Art World (U.K.), NY Arts Magazine, Time Out Chicago, The Los Angeles Times, The Village Voice, and numerous visual art blogs. His work has also been selected for editorial features in H-Magazine (Spain) and Someone’s Garden Magazine (Japan), and was included in the book...

C-print on metallic Fuji Crystal Archive paper (Edition of 5 + 1 AP) Signed and numbered, verso $5000.00 + framing This artwork is offered by ClampArt, located in New York City. A...

The physical gestures that make up our interactions with touch-screen personal devices are intensely intimate, yet abstract signatures of our everyday browsing and messaging patterns...

Blue Bird is a quiet study in reflection, shadow, and stillness. A mountain ridge dissolves into deep black, its form mirrored in a soft, spectral blue. The image, flipped and near a...

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...

Soft Geometry # 11C (Abstract Photography) Photographic C Prints, printed on Canson Platinè fiber Rag 310g - Unframed "Edition of 6 + 2Ap Turnaround time 2-3 weeks, printed on demand...

Soft Geometry # 13D (Abstract Photography) Photographic C Prints, printed on Canson Platinè fiber Rag 310g - Unframed "Edition of 6 + 2Ap Turnaround...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Morocco 93 by Aaron Siskind presents an abstract image, a close up of a textured rock slab. Small dark square holes scatter across the rock. The subject is cropped, emphasizing the t...

"Geometry 2" Black & White Photography 24" x 24" in Ed. 2/15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. ...

Abstract Dancers, Dark Blue 1, 2019 Archival Pigment Print in this size of 50cm x 50cm in an edition of 15 Please contact the gallery for further details on the oversize print of 1...

"Moon Birth" Photography 16" x 16" in Edition of 24 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Availabl...

Horizonte (Journey to the Center of the Earth) - 2019 Edition of 10. Photograph printed in Canson Barita Fiber Rag 340gr, based on a reclaimed Fuji Instant Film Negative (not mount...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

This is a new series of photography of landscapes depicting Earth and its land forms taken from the air. This series of aerial photography captures Earth's beauty taken in remote lan...

The artist's computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's w...

Kentucky 7 by Aaron Siskind is an 11 x 14 inch silver gelatin print. The sheet size of this image is 11 x 14 inches, the image size is 9 5/16 x 12 5/16 inches. This photograph featur...

40"x32" photogram Wendy Small’s “Remedy” photograms are made by collecting leaves, weeds, or flowers from a specific place (indicated in the title) and placing those leaves directly ...

Thomas Struth (German, born 1954) Wall Detail, James Simon Galerie, Berlin, 2019 Medium: Inkjet print back-mounted on Alu-Dibond, set in archival cardboard (as issued) Print dimensio...

"In Praise of Entropy (Untitled #1)" is an original artwork by Anna Tas made of an archival pigment print with lenticular lens. The piece is lenticular––transitioning and creating th...

This unique monotype cyanotype, rendered in rich blue tones, draws inspiration from mid-century modern shapes to explore themes of balance and duality. Abstract forms echo harmony an...

untitled (study of shadows and brick building) Silver gelatin print, c. 1960-1965 Signed in pencil lower right on the mount (see photo) Provenance: Gift of the Artist ...

Unique piece in this size More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket ...

Most cities have a chaotic visual schema. However, through the lens of veteran Street Photographer Mitchell Funk, anarchy becomes order. In the present work, "Statue of Liberty on a...

"Approach" Abstract Photography 47" x 38" in Ed. of 15 by Yevgeniy Repiashenko Year photo was taken: 2018 Art Print Limited Edition of 15 Picture size: Height: 47" inch Width: 38" ...

Ola KOLEHMAINEN (*1964, Finland) Autumn Leaves, 2008 Analogue C-type print face-mounted to acrylic (Diasec) Sheet 202 x 260 cm (79 1/2 x 102 3/8 in.) Edition of 6, plus 2AP's; Ed. no. 3/6 Framed print About Earlier works: In his earlier works Kolehmainen reduces buildings to their ornamental character. What appeals to him are the geometric grids of façade surfaces, ceiling designs or reflecting window openings on the selected landmarks of architectural history. Where nature meets architecture as a reflection, his minimalist, aesthetic work begins, which was strongly influenced by James Turell...

This listing is for an unframed print. Framing options are available. Thad Lee is an award-winning filmmaker, a writer of essays, screenplays, and poetry, an...

"Ecstasy" is a classic example of my abstract PhotoLuminism technique. When light travels, the human eye cannot see its trails, but the camera can and does. Capturing images this way...

Unique piece in this size More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket ...

This listing is for an unframed print. Framing options are available. Thad Lee is an award-winning filmmaker, a writer of essays, screenplays, and poetry, and a versatile photograph...

Cristian Stefanescu Monochromatic #03 Black and White Abstract Geometry, Limited Edition Digital Photograph Edition of 30 Artists Proofs 3 Ultra HD Photo Prints On Aluminium Dibond developed on matte Fuji Crystal Professional Archive Maxima photo paper. The matte surface prevents glare; surfaces are laminated with a UV protective film that makes them resistant to light. Image Size: 60 cm x 90 cm x 2 cm Sold Unframed Arrive Ready to Hang (integrated wall-mounts on the back using aluminium rail rectangle) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Monochromatic #03 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

Unique piece in this size More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket ...

Unique piece in this size More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket ...

Edward Burtynsky is one of Canada’s most acclaimed photographers. He is well-known for his captivating large-scale photographs documenting the ramifications of industrial production...

Fern No.2 London, United Kingdom 2024. Created using a large format camera and traditional black-and-white film, this photograph exemplifies Ugne’s skill in capturing the beauty of...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

"OPTASIA 14" Abstract Photography 39" x 39" inch Edition 3/5 by Giuliano Bekor OPTASIA 02 39" x 39" inch Edition 3/5 Archival pigment print. Not frame...

The artists computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's wo...

"Dancing Buddha" Abstract Color Nature Photography by Geoffrey Baris Archival pigment print on museum fine art paper Edition of 7 Includes certificate...

Water Reflection, Abstract Color Photography by Geoffrey Baris Archival pigment print on museum fine art paper Edition of 7 Includes certificate of authenticity. Signed and numbered...

Stars 10, 2015 - Stars and Trees in Ancient English Woodland Forest Landscape by Ellie Davies Stars 10 by Ellie Davies is a stunning Digital C-Type Print on Fuji Maxima Matte paper,...

Unique piece in this size More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket ...

Unique piece in this size More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket ...

Unique piece in this size More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket ...

Represented by George Billis Gallery, NYC & LA --In 2013, I first saw Carol Inez Charney’s striking semi-abstract photographs depicting details of modernist architecture partially ob...

Signed on the front of the mount by the artist. Printed circa 1975.

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

'Green and Blue No.2' is a colour field abstract artwork, focusing on the interplay of form and tone within a monochromatic composition. The deep blue hue creates a sense of depth an...

The Atlantic Ocean series places a little contextual history of this scenic image with its maritime history at that spot with the interplay of the elements - wind, clouds, water - on...

Panel C - Brutality of Creation (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. Edition 6 + 2 AP - Edition 1/6 This new series titled Neuros...

Panel B - Brutality of Creation (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. Edition 6 + 2 AP - Edition 1/6 This new series titled Neuros...

Blood and Seed (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. Edition 5 + 2 AP - Edition 2/5 This new series titled Neurosis brings togethe...

In this image, Jessie Spiess applies her signature multiple-exposure technique to the City of Milwaukee, emphasizing its many tall buildings. She often turns her camera to views of s...

EMDL-1 (Abstract Photography) Pigment on canvas - Unframed. Edition of 3. The Emanations series is an attempt to express the spiritual potential...

EM-46 Ratnasambhava (Abstract Photography) Pigment on canvas - Unframed. Edition of 3. The Emanations series is an attempt to express the spiritual potential of the most essential aspect of photography: light. Each work in the series began its evolution as a scanned image of a Buddhist thangka—a spiritual painting...

Unique piece in this size More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket ...

Unique piece in this size More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket ...