Abstract Photography

EM-117 Asanga 6 (Abstract Photography) Pigment on canvas - Unframed. Edition of 3. The Emanations series is an attempt to express the spiritual potential of the most essential asp...

Edition 15, framed Chromaluxe The famous Chanel No. 5 perfum. A man with x-ray vision, NICK VEASEY creates art that shows what it is really like inside. Nick’s work with radiograph...

EM-104 Geshe (Abstract Photography) Pigment on canvas - Unframed. Edition of 3. The Emanations series is an attempt to express the spiritual potential of the most essential aspect of photography: light. Each work in the series began its evolution as a scanned image of a Buddhist thangka—a spiritual painting of a Buddhist deity—which was then blurred and stretched until all that remained was a distilled image of color and form. These reduced images were then printed onto canvases, resulting in what Kane refers to as elemental “representations of the light bodies of the Buddhas.” Bill Kane...

"Modern Traditions 1" Photography 31" x 31" inch Edition of 7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. ...

EM-54 Palden Lhamo 2 (Abstract new media) Pigment on canvas - Unframed. Edition of 3. The Emanations series is an attempt to express the spiritual pote...

EM-12 Red Tara (Abstract Photography) Pigment on canvas - Unframed. Edition of 3. The Emanations series is an attempt to express the spiritual potential of...

'Green and Blue No.2' is a colour field abstract artwork, focusing on the interplay of form and tone within a monochromatic composition. The deep blue hue creates a sense of depth an...

The Bog Renaturated 007 is a limited-edition photograph by contemporary artist Bernhard Lang. This photograph is sold unframed as a print only. It is available in 3 dimensions: *75...

Trace # 201901 (Abstract photography) Chromogenic Print face-mounted 3mm matt plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on ...

Synesthesia - FA-639HZ #2 Archival pigment print on Aluminum 16 x 24 inches Edition of 5 The synesthesia phenomenon is traditionally said to be the confusion of senses; like hearing...

EM-117 Asanga 6 (Abstract Painting) Pigment on canvas - Unframed. Edition of 3. The Emanations series is an attempt to express the spiritual potential of the most essential aspect...

"LB31" Abstract Photography 72" x 48" inch Edition of 4 by Giuliano Bekor 72" x 48" inch Edition of 4 Printed on Archival Metallic Paper Mounted on Aluminum with a 1/4 Museum Acr...

ABOUT THIS ARTIST: Igor Vitomirov has over 15 years experience of working in photography. He loves nature and people and expressing their interactions with different emotions. Igor's...

Unique piece in this size More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket ...

Unique piece in this size More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket ...

Unique piece in this size More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket ...

Unique piece in this size More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket ...

Unique piece in this size More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket ...

Unique piece in this size More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket ...

Pigment on canvas - Unframed. Edition of 3. The Emanations series is an attempt to express the spiritual potential of the most essential aspect of photography: light. Each work in ...

In Fidel Santos' work, La Alegre, a sense of pure exuberance is captured through the depiction of a saint in a state of joyous celebration. The horizontal composition focuses exclusi...

Pigment on canvas - Unframed. Edition of 3. The Emanations series is an attempt to express the spiritual potential of the most essential aspect of photography: light. Each work in ...

Untitled (artichokes) by Ida G. Lansky features a detail shot of whole and cut up artichokes. The tones of this photograph are reversed, creating an abstract image from a common object. The produce is lit dramatically from the side, emphasizing it's intricate details. Untitled (artichokes) by Ida G. Lansky is an 8 x 10 inch vintage silver gelatin print. This photograph includes the artist's stamp in black ink on print verso. Ida G. Lansky was born in 1910 in Toronto, Canada. She pursued many careers in her lifetime including Nursing, Art, and Library Science. In 1928 she moved to New York City and later attended New York University, The Jewish Hospital in Brooklyn, NY and Cornell University. In 1942 she received a B.S. in Public Health Nursing. Ida Lansky moved to Hawaii in 1945 and married Irving Lansky. She then moved to Nor- man, Oklahoma and then to Denton, Texas where she studied art and was mother to two children, Ellen and Michele. From 1954 - 1959 she was in the Visual Art studies program at Texas Women’s University in Denton with an emphasis on photography. She studied under Carlotta Corpron...

Bubbles 02 - Limited edition pigment print - Limited Editions of 25 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and...

"Adam" Black & White Photography 16" x 16" in Edition of 24 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. ...

Pigment on canvas - Unframed. Edition of 3. The Emanations series is an attempt to express the spiritual potential of the most essential aspect of photography: light. Each work in the series began its evolution as a scanned image of a Buddhist thangka—a spiritual painting of a Buddhist deity—which was then blurred and stretched until all that remained was a distilled image of color and form. These reduced images were then printed onto canvases, resulting in what Kane refers to as elemental “representations of the light bodies of the Buddhas.” Bill Kane...

Pigment on watercolor paper - Unframed. Edition of 10. The Emanations series is an attempt to express the spiritual potential of the most essential aspect of photography: light. Ea...

The work is made in a wooden frame with glass and velvet dark blue passepartout. Alec Malyshev is making his artworks using expired film supplies as well old Soviet and European cam...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

'Red boat' Printed on archival paper with museum-grade precision, this limited edition work balances mystery and simplicity. A photograph is carefully placed in a secure cardboard ...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

"Proxima" Photography 45" x 30" inch Edition 1/7 by Larsen Sotelo Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish Not framed. Ships in tube. Shot wit...

This is an exclusive handprinted limited edition cyanotype. This beautiful diptych is titled "Tranquil Water Patterns", and depicts calming ocean ripples at low tide. Details: + ...

José Yalenti, (1895-1967) Brazilian Photographer "Beiras" (Sides) Photo, numbered 5/15, circa 1950, (printed later) on premium luster photo paper with ultrachrome ink. Art: 15" H x 11" W; Frame: 20 1/4" H x 14 1/4" W. Provenance: Dickinson Roundell Gallery José Yalenti’s Architecture photos seem at first disorienting, abstract black & white and grey surfaces, cut through by startlingly straight lines and a variety of surface textures. Much of his work is of mid-century Latin American architecture, by the likes of Oscar Niemeyer and Roberto Burle Marx. José Yalenti was born in São Paulo, Brazil in 1895. On April 28, 1939, a group of photography aficionados, including Yalenti, formed the Foto Clube Bandeirante, later changed to Foto Cine Clube Bandeirante, or FCCB. Starting in the late 1940s, a contingent of FCCB photographers began creating photographs of abstracted architectural motifs (as in Architecture or Twilight), and eventually became known as the Escola Paulista, or “Paulista School.” Yalenti was among the members of the unofficial Paulista School. Between 1945 and 1960, the Paulista School photographers explored the rapidly changing formal qualities of São Paulo. By photographing skyscrapers and stairways at steep angles, creating closely cropped compositions from found geometric motifs, and capturing the flattening effects of shadows, Paulista School photographers investigated the new physical perspectives emerging in the urban environment. They created a distinctively Modern aesthetic that used strong contrasts of light and dark, geometric forms, linear compositions, and collapsed space to assert photography’s status as an artistic medium. As part of their pursuit of photographic Modernism, Yalenti and his fellow Brazilians adapted the stylistic innovations of U.S. and European photographers such as f.64, New Objectivity, Dada, Surrealism, and the Bauhaus, to the Brazilian context. Along with his FCCB compatriots—Thomaz Farkas, Geraldo de Barros, and German Lorca, among others—Yalenti explored the formal properties of black-and-white image-making. Yalenti and the Paulista’s School’s abstract photographs responded to the new trends in Brazilian Modernist architecture being developed by young architects in São Paulo and Rio de Janeiro. In 1939, Lúcio Costa, Oscar Niemeyer, and Affonso Reidy broke ground on the Ministry of Education and Health Building (MES), the building that would define Brazilian architectural modernism. The Rio-based team combined elements of Le Corbusier’s undecorated structural purity with Brazilian regional design to produce a more organic and “tropical” Modernism that responded to the local culture and climate. The sinuous and sensuous curves of Yalenti’s photograph are directly influenced by stylistic developments in architecture at the MES, including the building’s covered entry and its organically abstract contours. By 1957, when Yalenti created Architecture or Twilight, Brazil was globally recognized as an architectural leader. MoMA in New York City organized a popular exhibition of Brazilian architecture in 1943 (“Brazil Builds”), and highlighted the country again in its survey show "Latin American Architecture since 1945," that ran from 1955–56. Brazilian photography...

Is a project that debates through the photographic image, the importance that humans have assigned to ourselves, and proposes a reconciliation with the reality of our own insignifica...

Immerse yourself in the captivating world of Topher Straus, where a single image explodes into a mesmerizing dreamscape. "Beachtree" is a testament to Straus' innovative spirit and his ability to push the boundaries of traditional landscape art...

This work features hues of pink, purple, green and yellow. This photograph is an archival inkjet print, mounted to Sintra and face mounted to polished acrylic, edition 1 of 1. Frame...

N°3, Illusions is a work by contemporary French photographer Matthieu Venot from the series 'Illusions'. This photograph is sold unframed as a print only. It is available in 3 dimen...