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Horst P. HorstCoco Chanel, Paris, Silver Gelatin print. Printed Later1990- 2010
1990- 2010
$17,000
£12,849.89
€14,766.81
CA$23,672.39
A$26,334.57
CHF 13,804.91
MX$321,802.01
NOK 175,788.32
SEK 165,480.39
DKK 110,228.65
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About the Item
This captivating black and white artwork portrays Coco Cha nel reclining gracefully on an ornate chaise longue. Her profile exudes elegance, accentuated by intricate jewelry that draws the eye. Her poised demeanor, coupled with the soft, flowing textiles of her attire, creates a juxtaposition against the bold, leafy backdrop framing her figure. The chiaroscuro technique enhances the depth and highlights her serene expression.
The sophisticated composition captures a moment of tranquil introspection, while the detailed craftsmanship of the chair and background add opulence. This artwork masterfully blends classic elegance with a touch of mystery, inviting the viewer to explore the nuances of its refined aesthetic.
Coco Chanel, Paris 1937 (Printed later)
Silver Gelatin Print
Sheet size: 24 H x 20 W in.
Image size: 18.5 H x 18 W in.
Engraved signature on front
Signed with pencil on verso
Hand written, titled, year on verso.
_______________________________
- Creator:Horst P. Horst (1906-1999, German)
- Creation Year:1990- 2010
- Dimensions:Height: 24 in (60.96 cm)Width: 20 in (50.8 cm)Depth: 0.1 in (2.54 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Miami Beach, FL
- Reference Number:Seller: Around That Time - Portfolio #11stDibs: LU453315336072
Horst P. Horst
Horst P. Horst (born Horst Paul Albert Bohrmann) was one of the towering figures of 20th-century fashion photography.
Best known for his work with Vogue, who called him “photography’s alchemist," Horst rose to prominence in Paris in the interwar years, publishing his first work with the magazine in 1931. In the decades that followed, Horst’s experimentations with radical composition, nudity, double exposures and other avant-garde techniques would produce some of the most iconic fashion images ever, like Mainbocher Corset and Lisa with Harp (both 1939).
As the New York Times once described, “Horst tamed the avant-garde to serve fashion.” Though associated most closely with fashion photography, Horst captured portraits of many of the 20th century’s brightest luminaries, dabbling with influences as far-ranging as Surrealism and Romanticism.
“I like taking photographs because I like life,” Horst once said. “And I love photographing people best of all because most of all I love humanity.”
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