1960s Black and White Photography

Vintage Photo. Dean Martin and Pamela Searle in a scene from "Bells are ringing", a romantic comedy-musical film directed by Vincent Minnelli in 1960. Good Conditions.

Tina Turner (1969) - Silver Gelatin Fibre Print (Photo by Jack Robinson/Hulton Archive/Getty Images) 25th November 1969: Studio portrait of rock singer Tina Turner, wearing a dark ...

Tina Turner (1969) - Silver Gelatin Fibre Print (Photo by Jack Robinson/Hulton Archive/Getty Images) 25th November 1969: Studio portrait of rock singer Tina Turner, wearing a dark ...

Ann Taylor, Vail, Colorado, c. 1960s

Ann Taylor, Vail, Colorado, c. 1960s

Josef Sudek Prague : Belvedere Original gelatin silver photograph Hand signed in pencil in the lower right corner (see picture) Printed in the 1960s 40 x 28 cm (c. 15.7 x 11 in) Au...

Douglas Kirkland Brigitte Bardot, Mexico (Cards) 1965 Silver gelatin print Numbered and Signed by Douglas Kirkland Edition of 24 French actress Brigitte Bardot photographed on set o...

'Jimi Hendrix' SIGNED, LIMITED EDITION 1967 by Gered Mankowitz Portrait of Jimi Hendrix. Photograph by Gered Mankowitz of Jimi Hendrix at Mason’s Yard, London 1967. Blue smoke. ...

'Marianne Faithfull' SIGNED, LIMITED EDITION Portrait of Marianne Faithfull. Photograph by Gered Mankowitz of Marianne Faithfull recording at Decca Studios in London in 1964. A...

'Paul McCartney' SIGNED, LIMITED EDITION Portrait of Paul McCartney. Photograph by Gered Mankowitz of Paul McCartney, Decca Studios, London 1967. All Prints are Signed and Limited Edition Printed later 2020 EXTRA LARGE 40 x 40" inches/ 101 X 101 cm Edition size 50 only 1/50 GERED MANKOWITZ BIOGRAPHY: Gered Mankowitz was born in London, England, on 3rd August 1946. The first of four sons of the late author, playwright and film writer Wolf Mankowitz and his wife, the Jungian psychotherapist Ann Mankowitz. After an education of sorts at several London co-educational “progressive” schools, he left at 15, avoiding all exams and completed his education devoid of any formal qualifications. Having displayed a natural ‘eye’ for photography whilst on a school trip to Holland and having been inspired to take up photography by the actor Peter Sellers, his photographs were seen by the legendary photographer Tom Blau, who offered Gered an apprenticeship at his famous photo agency, Camera Press Ltd., in London. Over a period of several months Gered worked in all the various departments that made up Camera Press, finally moving to the studio and going on various assignments in and around London. In 1962, Gered went to Barbados with his family and began taking photographs professionally, producing a range of work from architectural studies for the island’s top architect to the first Boeing 707 landing at Bridgetown airport for British West Indian Airways. On returning to London, Gered was offered a chance to go to Paris for the collections, working for the fashion photographer Alec Murray. In spite of the glamour and exciting atmosphere, it was clear that this particular area of work was not for him, and on returning to London he went to work for the ‘show-biz’ portraitist, Jeff Vickers. Gered had already photographed the Bristol Old Vic production of the American musical play “Fiorello” and his photos had been used for the front of theatre display when the show transferred to London’s Piccadilly Theatre. This made him the youngest photographer to have his pictures used in this way; so working for Jeff Vickers gave him an opportunity to develop his ‘show-biz’ contacts and to broaden his experience in the studio, taking portraits of many actors and other personalities. During 1963, Gered met and photographed the singing duo Chad and Jeremy, who had just signed with Ember records. One of these photos was used as the cover of the duo’s first album, “Yesterday’s Gone”, and Gered found himself working in the music industry at a time when it desperately needed new, mould breaking images. He began to work with a new generation of producers like John Barry, Shel Talmy and Chris Blackwell photographing artists who were of his own age group and who felt at ease with him in a way that had not been possible with other photographers. At the end of 1963 Gered opened his first studio, at 9 Masons Yard in the heart of London’s West End. On one side was the infamous disco “The Scotch of St.James”, hangout of the pop glitterati of the time, and on the other the art gallery “Indica”, partly financed by The Beatles and where John Lennon met Yoko Ono. Within a few months Gered had already begun to make a name for himself, and he was approached to photograph Marianne Faithful, who had just had a big hit with “As Tears Go By”. Working closely with Marianne he got to know her manager and producer Andrew Loog Oldham. In early 1965, Oldham asked him to photograph the Rolling Stones, who he also managed and produced. This was a major turning point in Gered’s career, because from this first session came the cover for “Out of Our Heads” (U.S. title “December’s Children”), and as a result he was asked by the Stones to go to America with them on their record breaking 1965 autumn tour. During this 9 week (48 city) tour of the U.S. Gered photographed the Stones on stage and off, and got particularly close to Keith and Charlie. There were many adventures as Gered found himself on the road with the greatest Rock band in the world at the peak of their original success. Gered continued working with the Stones as their ‘official’ photographer, producing photos for albums (“Between the Buttons”; “Got Live If You Want It”; “Big Hits”; and several others), press and publicity, taken at home, in the recording studio, on stage and behind the scenes until 1967, when the band broke off with their manager, Oldham. Through the 60’s, Gered continued in the music world working with Oldham at his famous Immediate label, and with many other major artists including Jimi Hendrix, Free, Traffic, The Yardbirds, The Small Faces...

'Jimi Hendrix' SIGNED, LIMITED EDITION 1967 by Gered Mankowitz Portrait of Jimi Hendrix. Photograph by Gered Mankowitz of Jimi Hendrix, London 1967. All Prints are Signed and L...

'Marianne Faithfull' SIGNED, LIMITED EDITION Portrait of Marianne Faithfull. Photograph by Gered Mankowitz of Marianne Faithfull recording at Decca Studios in London in 1964. Al...

'Marianne Faithfull' SIGNED, LIMITED EDITION Portrait of Marianne Faithfull. Photograph by Gered Mankowitz of Marianne Faithfull, London in 1965. All Prints are Signed and Limi...

'Mick Jagger' SIGNED, LIMITED EDITION Portrait of Mick Jagger. Photograph by Gered Mankowitz of Mick Jagger & Aston Martin DB6, London 1966. All Prints are Signed and Limited Edition Printed later 2020 EXTRA LARGE 40 x 40" inches/ 101 X 101 cm Edition size 50 only GERED MANKOWITZ BIOGRAPHY: Gered Mankowitz was born in London, England, on 3rd August 1946. The first of four sons of the late author, playwright and film writer Wolf Mankowitz and his wife, the Jungian psychotherapist Ann Mankowitz. After an education of sorts at several London co-educational “progressive” schools, he left at 15, avoiding all exams and completed his education devoid of any formal qualifications. Having displayed a natural ‘eye’ for photography whilst on a school trip to Holland and having been inspired to take up photography by the actor Peter Sellers, his photographs were seen by the legendary photographer Tom Blau, who offered Gered an apprenticeship at his famous photo agency, Camera Press Ltd., in London. Over a period of several months Gered worked in all the various departments that made up Camera Press, finally moving to the studio and going on various assignments in and around London. In 1962, Gered went to Barbados with his family and began taking photographs professionally, producing a range of work from architectural studies for the island’s top architect to the first Boeing 707 landing at Bridgetown airport for British West Indian Airways. On returning to London, Gered was offered a chance to go to Paris for the collections, working for the fashion photographer Alec Murray. In spite of the glamour and exciting atmosphere, it was clear that this particular area of work was not for him, and on returning to London he went to work for the ‘show-biz’ portraitist, Jeff Vickers. Gered had already photographed the Bristol Old Vic production of the American musical play “Fiorello” and his photos had been used for the front of theatre display when the show transferred to London’s Piccadilly Theatre. This made him the youngest photographer to have his pictures used in this way; so working for Jeff Vickers gave him an opportunity to develop his ‘show-biz’ contacts and to broaden his experience in the studio, taking portraits of many actors and other personalities. During 1963, Gered met and photographed the singing duo Chad and Jeremy, who had just signed with Ember records. One of these photos was used as the cover of the duo’s first album, “Yesterday’s Gone”, and Gered found himself working in the music industry at a time when it desperately needed new, mould breaking images. He began to work with a new generation of producers like John Barry, Shel Talmy and Chris Blackwell photographing artists who were of his own age group and who felt at ease with him in a way that had not been possible with other photographers. At the end of 1963 Gered opened his first studio, at 9 Masons Yard in the heart of London’s West End. On one side was the infamous disco “The Scotch of St.James”, hangout of the pop glitterati of the time, and on the other the art gallery “Indica”, partly financed by The Beatles and where John Lennon met Yoko Ono. Within a few months Gered had already begun to make a name for himself, and he was approached to photograph Marianne Faithful, who had just had a big hit with “As Tears Go By”. Working closely with Marianne he got to know her manager and producer Andrew Loog Oldham. In early 1965, Oldham asked him to photograph the Rolling Stones, who he also managed and produced. This was a major turning point in Gered’s career, because from this first session came the cover for “Out of Our Heads” (U.S. title “December’s Children”), and as a result he was asked by the Stones to go to America with them on their record breaking 1965 autumn tour. During this 9 week (48 city) tour of the U.S. Gered photographed the Stones on stage and off, and got particularly close to Keith and Charlie. There were many adventures as Gered found himself on the road with the greatest Rock band in the world at the peak of their original success. Gered continued working with the Stones as their ‘official’ photographer, producing photos for albums (“Between the Buttons”; “Got Live If You Want It”; “Big Hits”; and several others), press and publicity, taken at home, in the recording studio, on stage and behind the scenes until 1967, when the band broke off with their manager, Oldham. Through the 60’s, Gered continued in the music world working with Oldham at his famous Immediate label, and with many other major artists including Jimi Hendrix, Free, Traffic, The Yardbirds, The Small Faces...

20 x 24 in (50.8 x 60.9 cm) Silver Gelatin Print Edition of 50 Price does not include tax.

'Jimi Hendrix' SIGNED, LIMITED EDITION 1967 by Gered Mankowitz Portrait of Jimi Hendrix. Photograph by Gered Mankowitz of Jimi Hendrix, London 1967. More smoke. All Prints are...

American actors Paul Newman and Robert Redford playing ping-pong during a break in the filming of their movie 'Butch Cassidy and the Sundance Kid'. Durango, Mexico, 1968. Silver Gel...

Signed, printed later.

Signed, printed later,before 2007

Signed, printed later but before 2007.

Lord Snowdon Over a 50-year span, McDarrah documented the rise of the Beat Generation, the city’s postmodern art movement, its off-off-Broadway actors, troubadours, politicians, agitators and social protests. Fred captured Jack Kerouac frolicking with women at a New Year’s bash in 1958, Andy Warhol adjusting a movie-camera lens in his silver-covered factory, and Bob Dylan offering a salute of recognition outside Sheridan Square near the Voice’s old office. Not just a social chronicler, McDarrah was a great photo-journalist. For years, McDarrah was the Voice's only photographer and, for decades, he ran the Voice’s photo department, where he helped train dozens of young photographers, including James Hamilton, Sylvia Plachy, Robin Holland and Marc Asnin. His mailbox was simply marked "McPhoto." An exhibit of McDarrah’s photos of artists presented by the Steven Kasher Gallery in Chelsea was hailed by The New York Times as “a visual encyclopedia of the era’s cultural scene.” artists in their studios, (Alice Neel, Philip Guston, Stuart Davis, Robert Smithson, Jasper Johns, Franz Kline), actors (Dustin Hoffman, Robert De Niro on the set of “Taxi Driver”), musicians (Janis Joplin, Alice Cooper, Bob Dylan) and documentary images of early happenings and performances (Yayoi Kusama, Charlotte Moorman, Al Hansen, Jim Dine, Nam June Paik). The many images of Andy Warhol include the well-known one with his Brillo boxes at the Stable Gallery in 1964. Woody Allen, Diane Arbus, W. H. Auden, Francis Bacon, Joan Baez, Louise Bourgeois, David Bowie, Jimmy Breslin, William Burroughs, John Cage, Leo Castelli, Christo, Leonard Cohen, Merce Cunningham, William de Kooning, Jim Dine, Mark di Suvero, Marcel Duchamp, Bob Dylan, Federico Fellini, Allen Ginsberg, Robert Indiana, Mick Jagger, Jasper Johns, Kusama, John Lennon, Sol Lewitt, Roy Lichtenstein, Nam June Paik, Elvis Presley, Claes Oldenburg, Yoko Ono, Robert Rauschenberg, Lou Reed, James Rosenquist, Mark Rothko, Ed Ruscha, Robert Smithson, Susan Sontag, Andy Warhol, and others. McDarrah’s prints have been collected in depth by the J. Paul Getty Museum and the National Portrait Gallery, Washington. His work is in numerous public and private collections. Antony Charles Robert Armstrong-Jones, 1st Earl of Snowdon, GCVO, FRSA, RDI (7 March 1930 – 13 January 2017), commonly known as Lord Snowdon, was a British photographer and filmmaker. He was the husband of Princess Margaret and brother-in-law of Queen Elizabeth II. Armstrong-Jones was educated at two independent boarding schools: first at Sandroyd School in Wiltshire from the autumn term of 1938 to 1943. Armstrong-Jones then attended Eton College. He then matriculated at the University of Cambridge, where he studied architecture at Jesus College. After university, Armstrong-Jones began a career as a photographer in fashion, design and theatre. Much of his early commissions were theatrical portraits, often with recommendations from his uncle Oliver Messel, and "society" portraits highly favoured in Tatler, which, in addition to buying a lot of his photographs, gave him byline credit for the captions. He later became known for his royal studies, among which were the official portraits of Queen Elizabeth II and the Duke of Edinburgh for their 1957 tour of Canada. In the early 1960s, Armstrong-Jones became the artistic adviser of The Sunday Times Magazine, and by the 1970s had established himself as one of Britain's most respected photographers. Though his work included everything from fashion photography to documentary images of inner city life and the mentally ill, he is best known for his portraits of world notables, many of them published in Vogue, Vanity Fair, and The Daily Telegraph magazine. His subjects include Marlene Dietrich; Laurence Olivier; Maggie Smith; David Bowie; Elizabeth Taylor; Rupert Everett; Anthony Blunt...

Ted Williams Dr. Martin Luther King, 1964 Silver gelatin print 16 x 20 inches Estate stamped and numbered edition with certificate of authenticity ...

Ted Williams Civil Rights, 1964 Silver gelatin print 20 x 24 inches Estate stamped and numbered edition with certificate of authenticity Crowds line the...

Paul Georges with Painting Jan 6, 1967 Photographer is Fred McDarrah Over a 50-year span, McDarrah documented the rise of the Beat Generation, the city’s postmodern art movement, i...

Signed by the photographer. Cast of "Ocean's 11", 1960 (from left to right - Nick Conti, Jerry Lester, Joey Bishop, Sammy Davis, Jr., Frank Sinatra, Dean Martin, Peter Lawford, Akim...

And the Crowd went Crazy: Stones Concert, Hyde Park, 1969 - Frank Habicht Signed, inscribed with title and 'London Permissive Sixties', and numbered on photographer's label affixed t...

Part of the Scene, Girl at Rolling Stones Concert, 1969 - Frank Habicht Signed, inscribed with title and 'London Permissive Sixties', and number...

My Heart Leaps up When I Behold, Kings Road, London, 1967 - Frank Habicht Signed, inscribed with title and 'London Permissive Sixties', and numbered on phot...

Signed in pencil, verso Gelatin silver print 14 x 17 inches, sheet 10.75 x 16 inches (27.3 x 40.6 cm), image This photograph is offered by ClampArt, located in New York City.

Signed by the photographer. Larger sizes also available.

Hepburn With Dove A contemplative Audrey Hepburn with a dove perched on her shoulder, 1966. Limited to 50 only this size* and signed by Terry O'Neill - this is a collector's piece. ...

This is a beautiful early 2000’s print made by Herman Leonard in his New Orleans darkroom prior to its destruction by Hurricane Katrina in 2005. Herman’s formidable skills as a photo...

Unique gelatin silver print Signed, dated, and numbered (1/-1) in pencil, verso This artwork is offered by ClampArt, located in New York City.

Gelatin silver print Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City.

Gelatin silver print (Edition of 12) Signed, titled, dated, and numbered, verso This artwork is offered by ClampArt, located in New York City. Will McBride...

Stunning 1960's black and white photograph still-life of a Porsche behind a large traditional Japanese lantern with trees in the background.

Stunning 1960's Japanese black and white photo of a young boy with his bike standing behind a light Porsche.

Archival Fine Art Prints, Photo Rag Baryta Sizes: 21.85 x 21.85 in. Edition of 6 Recently rediscovered, never printed negatives have just been digitally remastered and editioned. They are newly printed. This listing is for the first photo. the other images are just for documentary reference. Peter Goldman was a celebrated filmmaker of the underground cinema and the only American link to the French New Wave...

Archival Fine Art Prints, Photo Rag Baryta Sizes: 21.85 x 14.55 in. Edition of 6 Recently rediscovered, never printed negatives have just been digitally remastered and editioned. They are newly printed. This listing is for the first photo. the other images are just for documentary reference. Peter Goldman was a celebrated filmmaker of the underground cinema and the only American link to the French New Wave...

Archival Fine Art Prints, Photo Rag Baryta Sizes: 21.85 x 14.55 in. Edition of 6 Recently rediscovered, never printed negatives have just been digitally remastered and editioned. They are newly printed. This listing is for the first photo. the other images are just for documentary reference. Peter Goldman was a celebrated filmmaker of the underground cinema and the only American link to the French New Wave...

Jean Shrimpton, London, Early 1960s -Terry O'Neill (Black and White Photography) Signed and numbered Silver gelatin print, printed later From a limited edition of 50 + 10 APs Photog...

Jean Shrimpton at a Doll's Hospital, London - Terry O'Neill (Black and White) Signed and numbered Silver gelatin print, printed later From an edition of 50 + 10 APs Photographing Th...

Gelatin silver print Signed, titled, dated, and printed "Larry Clark" in pencil, verso Also inscribed "From the book TULSA copyright 1971" in pencil, verso 14 x 11 inches, sheet size 12.4375 x 8.375 inches, image size This artwork is offered by ClampArt, located in New York City. Larry Clark first made a name for himself when he revolutionized documentary photography in his classic book “Tulsa,” released in 1971, in which he presented straightforward, autobiographical images of violence, drug use, and adolescent sexuality. While Tulsa earned Clark a grant from the National Endowment for the Arts for use toward his next project, that work was delayed over a decade by the artist’s heroin addiction and a stretch in Oklahoma’s McAlester Penitentiary. Eventually, Clark completed his second and equally innovative body of work titled “Teenage Lust...

Signed by the photographer

Rio de Janeiro, Ministere de Sante, Brazil - René Burri (Black and White) Signed and inscribed with title on reverse Silver gelatin print, printed 2001 16 x...

Print: 10/25/05

A Widow in Her Bedroom, 55th St, NYC, 1963 by Diane Arbus is a vintage gelatin silver print, printed by the photographer. The subject, a widow, is dressed in a shiny dress...

Boy with Tongue Out Spearing Brass Ring, Luxembourg Garden, Paris Titled, dated and stamped with photographer's credit ink stamp and TIME Inc. copyright ink stamp on reverse Silver ...

Signed by the photographer.

Mounted gelatin silver print Signed and dated in black ink, l.r. Stamped in black ink, verso of mount 10.875 x 13.75 inches, mount 6 x 9 inches, image This artwork is offered by Cl...

Mounted gelatin silver print Signed and dated in pencil, l.r. 16 x 20 inches, mount 10 x 13.75 inches, sheet This artwork is offered by ClampArt, located in New York City. Karen T...

'Generation X' SIGNED, LIMITED EDITION 1978 by Gered Mankowitz Silver gelatin print - signed and numbered and stamped on the face of the print in the border below the image. LARGE 20 x 20" inches / 51 x 51 cm Before Billy Idol...

'Generation X' SIGNED, LIMITED EDITION 1978 by Gered Mankowitz Silver gelatin print - signed and numbered and stamped on the face of the print in the border below the image. LARGE 20 x 20" inches / 51 x 51 cm Before Billy Idol...

Gelatin silver print (Edition of 12) Signed, titled, numbered, and dated, verso This photograph is offered by ClampArt, located in New York City. Will McBride...

Gelatin silver print Signed, titled, numbered, and dated, verso 16 x 12 inches, sheet (Edition of 20) 24 x 20 inches, sheet (Edition of 12) This photograph is offered by ClampArt, ...

Gelatin silver print (Edition of 12) Signed, titled, numbered, and dated, verso This photograph is offered by ClampArt, located in New York City. Will McBride...

Gelatin silver print (Edition of 12) Signed, titled, numbered, and dated, verso This photograph is offered by ClampArt, located in New York City. Will McBride...

Gelatin silver print (Edition of 12) Signed, titled, numbered, and dated in pencil, verso 16 x 12 inches, sheet This photograph is offered by ClampArt, located in New York City. Will McBride...