Cow Black and White Photography

The Bison on Main Telluride, Colorado - 2023 LARGE 53” x 103” Unframed 68” x 118” Framed Edition of 12 STANDARD 35” x 69” Unframed 50” x 84” Framed Edition of 12 "The backdro...

All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certificate of authenticity from the gallery. David Yarrow is a British fine art photographer and one of the world's most spectacular and best-selling nature photographers. He captures the planet's beauty like no other in his large-format monochrome prints. Majestic lions, sleek panthers, and free-roaming buffaloes populate his works. Trumped only by the female beauties Yarrow places next to them, he captures unique moments of human-animal interaction. While highlighting the untamed side of supermodels such as Cara Delevingne or Cindy Crawford, Yarrow portrays the wild beasts in the most human way possible. West Texas is the hub of the American Petroleum industry - so much so that West Texas Intermediate ( WTI) is a benchmark crude oil futures contract traded on the New York Mercantile Exchange (NYMEX). Oil was first discovered in West Texas at the turn of the 19th century, and the reserves in the Permian basin are so big that the region still produces 4m barrels a day - a third of US oil production...

Available in the following sizes: 52 x 68 inches, Edition of 12 71 x 96 inches, Edition of 12 “I would admit being in awe of the bravery and skill of rodeo riders. There are many ...

Ride the Bull Montana, September 2023 LARGE 56” x 81” Unframed 71” x 96” Framed Edition of 12 STANDARD 37” x 53” Unframed 52” x 68” Framed Edition of 12 "I would admit being i...

Available in the following sizes: 42 x 88 inches, Edition of 12 52 x 118 inches, Edition of 12 "The concept of this photograph has been on my wish list for many years. A group of male bison charging through heavy snow, directly towards a camera is certainly a rare sight and it always seemed a bridge too...

The Bills #3 The Flying D Ranch, Southwest Montana, USA - 2021 LARGE Unframed 37” x 100” Framed 52” x 118” Edition of 12 STANDARD Unframed 27” x 73” Framed 42” x 88” Edition of 12 Prices available upon request "The concept of this photograph has been on my wish list for many years. A group of male bison charging through heavy snow, directly towards a camera is certainly a rare sight and it always seemed a bridge too far...

All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certifi...

TEXAS David Yarrow Standard 37" x 51" unframed 52" x 66" framed Large 56" x 78" unframed 71" x 93" framed Texas Marathon, Texas - 2023 There are no landmarks in this image, no fa...

RODEO David Yarrow Standard 30" x 74" unframed 45" x 89" framed Large 42" x 103" unframed 57" x 118" framed “Rodeos are events for the community as much as they are events for the...

The Longhorn Saloon West Texas - 2023 Edition Size: 12 + 3 APs Available sizes: 52 X 80 inches 71 X 113 inches All prints are on 315gsm Hahnemühle Photo Rag Baryta Paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. "From the outside, The Longhorn Saloon looks like a bar where the most ancient of vices are catered for daily. It has the whiff of a place where cowboys are tough, women are tougher and there is little rule of law. It is the Wild West at its cartoonish best. The Coen Brothers should check it out. The Longhorn is clearly a Texas bar and we would say that it’s in West Texas, but more than that, we are sworn to secrecy. It’s too good a place to get crowded and besides, the cattle clearly need some room to roam. Projects like these tend to be fun for everyone involved and when we do film at dusk, there is never a doubt that after the wrap, some local cast or crew will invite us home for a Texan Barbecue. They score very high in hospitality in Texas and we love our nights out near the Mexican Border...

The Longhorn Saloon West Texas - 2023 Edition Size: 12 + 3 APs Available sizes: 52 X 80 inches 71 X 113 inches All prints are on 315gsm Hahnemühle Photo Rag Baryta Paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. "From the outside, The Longhorn Saloon looks like a bar where the most ancient of vices are catered for daily. It has the whiff of a place where cowboys are tough, women are tougher and there is little rule of law. It is the Wild West at its cartoonish best. The Coen Brothers should check it out. The Longhorn is clearly a Texas bar and we would say that it’s in West Texas, but more than that, we are sworn to secrecy. It’s too good a place to get crowded and besides, the cattle clearly need some room to roam. Projects like these tend to be fun for everyone involved and when we do film at dusk, there is never a doubt that after the wrap, some local cast or crew will invite us home for a Texan Barbecue. They score very high in hospitality in Texas and we love our nights out near the Mexican Border...

This photograph is signed by the photographer. Please see additional editions listed below. Larger sizes may be available upon request.

This photograph is signed by the photographer. Please see additional editions listed below. Larger sizes may be available upon request.

This photograph is signed by the photographer. Please see additional editions listed below. Larger sizes may be available upon request.

This photograph is signed by the photographer. Please see additional editions listed below. Larger sizes may be available upon request.

This photograph is signed by the photographer. Please see additional editions listed below. Larger sizes may be available upon request.

Snow Monster Western Plains, USA - 2023 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Availa...

Longhorn Photography, Black and White Prints, Animal Photography-Stormy Stella ABOUT THIS PIECE: This extra large photo titled "Stormy Stella" w...

Horse Collection, Black and White Prints-Prancing Peter,Shoe Store & Mop Head “As I walked out of my hotel room early in the morning, I was greeted b...

NEW TESTAMENT South Sudan, 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 37 x 80 inches 49 x 114 inches "All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. In retrospect, my photograph Mankind, taken in South Sudan in 2014, was a stepping stone in my career. It was authentic, it had a biblical scale to it and could be looked at for a long time. Haunting and hellish one minute and serene and ethereal the next. Mankind elicited an emotional reaction despite how foreign the subject matter was. The editions of the picture sold out quickly and the hammer price at Sotheby’s of $78,000 was then a record for my work. Since 2014, awareness of my art has grown materially, and I am sure this powerful image has played a role. It was taken at a dangerous time in South Sudan’s short history and recently, during 2019 and 2020, the violence got worse. It simply was not safe for foreigners as many areas were loosely governed and guns were round every corner. It was sketchy at best and downright toxic at worst. But since 2021, some calm has returned and tribal skirmishes in the cattle camps are now less common. I thought it was time to return. After all, I’d had eight years to think about what I could do differently. Cameras have certainly improved, and I have a further eight years of experience under my belt. I also had maintained contacts in South Sudan, in particular with those in charge of the large cattle camps to the south of Rumbek. This is no place to go without inside help, security protection and best in class field logistics. There must be a plan and there must be attention to detail. But I knew it would be a mistake to go back and try to copy what I did eight years ago; it would hint at a lack of creative progression and courage. I needed to do better and offer a new story, to go backwards would be damaging at many levels. I had been preoccupied by that fear for some time and I knew that I had to be bold. The Lakes areas of South Sudan are just about on a map, but way off the grid for most. It is the most basic of existences and the only material source of employment is the cattle camps. In 2014, I filmed near the town of Yirol in a camp on a Nile tributary, but this time I wanted to travel further into the interior and find an even bigger camp on the way to Rumbek. My premise was to play on scale and my leaning was always to go bigger not smaller. I am always greedy in the field. The Dinka tribe are the world’s tallest people, their cattle camps are the biggest of their kind and the cattle horns are Jurassic. This is a place to play on the word “big”. My picture, Mankind, had novelty factor because it delivered such an emphatic sense of scale and place. Whilst I was nervous of treading old ground, familiarity is a friend not a foe, that’s why we often use the same talent in our storytelling. I needed to go one step further than I had in 2014, without losing any small individual stories within the image. My sense was that there needed to be even more of a visual overload in the frame and I found it difficult in my preconceptions to escape from the word “panoramic”. The local chiefs and the head of police knew where to take me and my security detail knew how to keep me safe. I would go into largely unchartered land where the Dinka had established a camp of over 10,000 cattle. I have often thought that a photographer in the last eight years would go and try and take their own version of Mankind, but I haven’t seen any. Every week I see monochrome photographs of the big elephants...

NEW TESTAMENT South Sudan, 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 37 x 80 inches 49 x 114 inches "All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "In retrospect, my photograph Mankind, taken in South Sudan in 2014, was a stepping stone in my career. It was authentic, it had a biblical scale to it and could be looked at for a long time. Haunting and hellish one minute and serene and ethereal the next. Mankind elicited an emotional reaction despite how foreign the subject matter was. The editions of the picture sold out quickly and the hammer price at Sotheby’s of $78,000 was then a record for my work. Since 2014, awareness of my art has grown materially, and I am sure this powerful image has played a role. It was taken at a dangerous time in South Sudan’s short history and recently, during 2019 and 2020, the violence got worse. It simply was not safe for foreigners as many areas were loosely governed and guns were round every corner. It was sketchy at best and downright toxic at worst. But since 2021, some calm has returned and tribal skirmishes in the cattle camps are now less common. I thought it was time to return. After all, I’d had eight years to think about what I could do differently. Cameras have certainly improved, and I have a further eight years of experience under my belt. I also had maintained contacts in South Sudan, in particular with those in charge of the large cattle camps to the south of Rumbek. This is no place to go without inside help, security protection and best in class field logistics. There must be a plan and there must be attention to detail. But I knew it would be a mistake to go back and try to copy what I did eight years ago; it would hint at a lack of creative progression and courage. I needed to do better and offer a new story, to go backwards would be damaging at many levels. I had been preoccupied by that fear for some time and I knew that I had to be bold. The Lakes areas of South Sudan are just about on a map, but way off the grid for most. It is the most basic of existences and the only material source of employment is the cattle camps. In 2014, I filmed near the town of Yirol in a camp on a Nile tributary, but this time I wanted to travel further into the interior and find an even bigger camp on the way to Rumbek. My premise was to play on scale and my leaning was always to go bigger not smaller. I am always greedy in the field. The Dinka tribe are the world’s tallest people, their cattle camps are the biggest of their kind and the cattle horns are Jurassic. This is a place to play on the word “big”. My picture, Mankind, had novelty factor because it delivered such an emphatic sense of scale and place. Whilst I was nervous of treading old ground, familiarity is a friend not a foe, that’s why we often use the same talent in our storytelling. I needed to go one step further than I had in 2014, without losing any small individual stories within the image. My sense was that there needed to be even more of a visual overload in the frame and I found it difficult in my preconceptions to escape from the word “panoramic”. The local chiefs and the head of police knew where to take me and my security detail knew how to keep me safe. I would go into largely unchartered land where the Dinka had established a camp of over 10,000 cattle. I have often thought that a photographer in the last eight years would go and try and take their own version of Mankind, but I haven’t seen any. Every week I see monochrome photographs of the big elephants...

Black and White Photography, Animal Prints, Animal Photography-Woolly Wlifred ABOUT THIS PIECE: This black white photograph titled "Woolly Wilfred" was part of a photography landsc...

Sheepdogs, silver gelatin photograph, signed and numbered Keith Carter’s work explores time, place, and vernacular culture. Described as a “Poet of the Ordinary” by the Los Angeles...

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 50 inches 67 x 71 inche...

Ain't My First Rodeo Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 57 inches 67 x 81 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "The mythical cowboy, whose image has been shaped by history, fiction and folklore, is unquestionably America’s predominant symbolic native son. For many people across the world, a cowboy is the most American thing they can think of. For that we should be thankful. Much better this noun than a Big Mac...

Drovers Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 44 x 84 inches 57 x...

The Thundering Herd Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 43 x 78 i...

The Bills Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available si...

Horse photography, Black and White Photography, Horses-Stammering Stallion A B O U T T H I S P I E C E : ""Stammering Stallion"" was part of a Black and White Photography landscap...

Texas, USA 2020 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 65 inche...

Texas, USA 2020 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: Standard: 48...

Dallas, Texas, USA 2020 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x ...

Animal Locomotion: 671 (Ox Walking), 1887 - Eadweard Muybridge Inscribed with Muybridge's Letterpress credit, series title, plate number and date. Stamped with Museum of Edinburgh's ...

Scotland, 2019 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 67 inch...

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 38 x 58 inches 51 x 81 inche...

Yellowstone National Park, Wyoming 2019 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Avail...

Amboseli, Kenya 2015 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x ...

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 55 inches 67 x 77 inche...

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 60 inches 67 x 86 inche...

Signed by the artist. This piece is available at least four different sizes so contact us as availability is subject to change. ARTIST'S STATEMENT: I use photography to express selec...

THE FOREST The Forest is probably the most complicated and personal series I’ve undertaken. I have spent the past four years photographing for this series, from 2011 through 2014. A...

Titled and inscribed in printed ink, 'Photographed by R. Fenton, Manchester, Published by T. Agnew & Sons, Feb.29, 1856. London D & P Colnaghi & Co., Paris, Moulin, 23 Rue Richer. Ne...